Tag Archives: photography in India

Chennai Photo Biennale Edition 4 announced

The fourth edition of the Chennai Photo Biennale takes its primary inspiration from Dayanita Singh’s ongoing exploration “#whyphotograph”. The biennale will showcase diverse practices by artists who are reshaping dominant narratives by addressing gaps in representation, remixing colonial visual vocabularies with native avant garde aesthetics, by shifting the gaze from the lone photographer to forge an ethic of care and collective authorship. The Biennale will encompass 20+ exhibitions and several programmes across the 90 days. The CPB Edition 4 opens in 2 phases.

The CPB4 is organised with the support of Goethe-Institut Chennai as the primary partner in association with The Hindu­ Made of Chennai and Palladium Partners – TNQ Publishing | Photo South Asia.

Phase 1 opens on December 20, 2024 with ‘Vaanyerum Vizhuthugal’ (Roots that reach for the sky) – 12 lens-based artists across Tamil Nadu curated by Jaisingh Nageswaran. It’s a project by CPB Foundation in collaboration with Goethe-Institut Chennai in association with The Hindu, Made of Chennai. The participating artists are – Alina Tiphagne, Aishwarya Arumbakkam, Arun Karthick, Brinda Anantharaman, Krithika Sriram, Osheen Siva, Priyadarshini Ravichandran, Sathish Kumar, Shankar Raja Narayana, Sridhar Balasubramaniyam, Steevez Rodriguez and Vivek Mariappan.

Next in Phase 1 will be ‘It’s time. To see. To be seen’ – Women responding to the world through photographic practices. Its a project by CPB Foundation in collaboration with Goethe-Institut Chennai, British Council, Pro Helvetia and the French Institute. The participating artists are – Ann Griffin (Switzerland), Bhumika Saraswati (India), Delphine Diallo (France/USA), Farheen Fatima (India), Fast Forward Collective (UK), Hannah Cooke (Germany), Indu Antony (India), Kiki Strietberger (Germany), Nony Singh (India), Offset Projects (India), Prarthna Singh (India), Radha Rathi (India), Samar Hazboun (Palestine).

CPB Invited Projects in December 2024 are – ‘Madras, Margazhi & Music’ Portraits by Amar Ramesh; ‘Common Nouns’; and ‘Light Salt Water’ by Sujatha Shankar Kumar.

Phase 2 opens on January 17, 2025 with ‘Love and Light’ – A Site of Infinite Possibilities. Its Sunil Gupta retrospective curated by Charan Singh and presented by Tarun and Tarana Sawhney. It is supported by Avtar Foundation for the Arts, Sid Khanna & Meher Varma, Payal and Annurag Khanna.

Next in Phase 2 wil be ‘What Makes Me Click!’ – Celebrating & spotlighting 20 photography projects by children globally curated by Chennai Photo Biennale Foundation and the Children’s Photography Archive, UK, with support from Rohini Nilekani Philanthropies.

Participating institutions and artists include the Tamil Nadu School Department & Palani Kumar (India), Fawood and Curzon Nursery Schools & Catherine Rive (UK), Children’s Photography Archive (UK), CEDAR Coimbatore, Girl Museum (UK), Nirmal Bhartia School (India), Fotohane Darkroom (Turkey), Fotokids (Guatemala), Through the lens (South Africa), Art Reach (India), Bronx Documentary Centre (USA), Anjali House with Angkor Photo Festival & Workshops (Cambodia), Objectifs Centre (Singapore), Museum of Photography (Greece), Photoworks, The National Gallery, London and Brighton & Hove Museums, Alejandra Carles-Tolra (UK), Prakriti School (India), Chennai Photo Biennale Foundation (India), Chinky Shukla (Rajasthan), Ibn Rushd Fund, Qattan Child Centre Gaza, Asmaa Seba (Gaza).

The exhibition will be curated as an interactive installation designed by The Architecture Story along the museum campus with photographs as well as engaging playful activities for all ages including a pinhole camera.

‘CPB4 Open Call Showcase’ features 40 photographers for the first time via an open call. Entries were received from across 30 countries. The exhibition will showcase single images and photo essays selected by an established international jury including Alessia Glaviano – Head, Global PhotoVogue (Milano); Brendan McCleary – Curator, PHOTO Australia (Australia); Gwen Lee – Co-founder & Director, DECK, Singapore International Photography Festival (SIPF-Singapore); Joseph Radhik – Co-founder – Stories (India); Julie Héraut – Head of Exhibition & Research, Le Bal Paris (Paris); Michael Weir – Director, Belfast Photo Festival (UK); Smita Sharma – Visual Journalist (India); Umah Jacob – Director of External Relations & Outreach, India Art Fair (India); Varun Gupta – Managing Trustee, CPB Foundation Director (India).

The CPB – Photoworks Darkroom Residency Showcase, showcasing works by artists from India and UK – Ārun (Chennai), Holly Birtles (UK) and Soham Joshi (UK). The show is supported by the British Council.

CPB Invited Projects in January 2025 are – ‘For the love of…’ Cop Shiva and Lim Soo-Sik curated by Nandini Valli Muthiah; ‘Time Present Time Past’ by Sebastian Cortez; ‘Photography Strictly Prohibited’ A retrospective of Navroze Contractor by Navjivan Trust and National Photography Festival; ‘Lalit Mohan Sen Archives – An Enduring Legacy’ by Emami Art; ‘The Architecture of Remembrance’ by Debasish Mukherjee; ‘Artist Through The Lens’ by Manisha Gera Baswani.

CPB Primary Shows in February 2025 are: ‘Kaana Katral’ – Learning to see – Graduate students’ work from Dr MGR Janaki College for Women and Tamil Nadu Government MGR Film & Television Institute, Chennai. The exhibition showcases 15 students’ works on visual storytelling supported by Photo South Asia and Murthy Nayak Foundation; ‘Hey!’ – The exhibition features photographs made by people with disabilities and neurodivergence.

CPB Invitation Shows in February 2025 are ‘Limits of Change’ by Parvathi Nayar and Nayantara Nayar; ‘Art in Prison’ by Rahimunisa Begam; ‘Footprints on the moon’ by Dheeraj Khandelwal.

CPB Invitation Shows in March 2025 are: ‘Indianisms’ by Prashant Panjiar; ‘So far and Henceforth’ by Nandini Valli Muthiah.

Key programmes on weekends include – public openings, talks, panel discussions, exhibition tours, workshops, film screenings, poetry intervention and more.

Photography and Dance: Tips for capturing moments and traditions in India

Photography, at its core, is about capturing moments. When those moments involve the dynamic and vibrant movements of dance, especially within the rich cultural tapestry of India, the challenge becomes as thrilling as it is complex. Indian dance is a vivid expression of life, embodying tradition, emotion, and storytelling. As a photographer, whether you’re a beginner or at an intermediate level, capturing the essence of Indian dance requires a blend of technical skill, cultural understanding, and creative vision. This comprehensive guide will take you through essential tips and strategies for photographing dance in India, ensuring you can convey the beauty and energy of these traditions through your lens.

Understanding Indian dance

Before diving into the technical aspects of photography, it’s crucial to have a grasp of what you’re capturing. Indian dance is an umbrella term that encompasses a variety of classical and folk dances, each with its own unique style, costumes, and music. The classical forms include Bharatanatyam, Kathak, Kathakali, Manipuri, Odissi, Kuchipudi, and Mohiniyattam, while folk dances feature Bhangra, Garba, Dandiya, and many others. Each dance form tells a story, often rooted in mythology, religion, or social and cultural practices.

1. Research and Respect

Research: Before you photograph any dance form, take the time to understand its origins, significance, and unique elements. This knowledge will not only help you anticipate movements and moments, but also ensure you approach your photography with the respect and sensitivity these cultural expressions deserve.

Respect: Show respect for the dancers and their art. Always ask for permission before photographing rehearsals or performances, especially in more traditional settings. Understanding and adhering to cultural norms and etiquettes is paramount.

2. Technical preparation

Camera Settings: Dance photography often requires fast shutter speeds to freeze motion (1/200th of a second or faster), a higher ISO to compensate for low light conditions without introducing too much noise, and a wide aperture (low f-number) to allow more light into the camera. However, these settings can vary based on the lighting and the effect you want to achieve.

Lenses: A fast lens (f/2.8 or wider) is ideal. A zoom lens (24-70mm or 70-200mm) can be incredibly versatile, allowing you to capture both wide scenes and close-up expressions without intruding on the performance space.

Lighting: Natural light is preferable, but not always available, especially in indoor performances. Understand the lighting conditions of the venue beforehand and plan accordingly. If using artificial lighting, ensure it’s subtle and does not disrupt the performance or audience.

3. Composition and Framing

Capturing movement: Experiment with both freezing movements and using slower shutter speeds to create motion blur, conveying the dynamism of the dance.

Angles and Perspectives: Try different angles to capture the essence of the dance. Low angles can emphasise the grandeur and elevation of the dancers, while high angles can provide an overview of the formations and patterns.

Background and Context: Be mindful of the background. A cluttered background can distract from the subject. If you cannot change your position, use a wider aperture to blur the background. Including elements of the venue or audience can add context and atmosphere to your shots.

4. Emotional connection and Storytelling

Facial expressions and Emotions: Indian dance is rich in facial expressions that convey the narrative of the dance. Focus on capturing these expressions, as they are key to the story being told.

Moments and Details: Look for the subtle moments – a glance, the tension in a hand, the intricate footwork. These details often tell as much of the story as the broader scene.

5. Cultural sensitivity and Ethical considerations

While capturing the vibrancy and excitement of Indian dance, it’s essential to navigate the space with cultural sensitivity and ethical considerations. Ensure that your presence as a photographer does not disrupt the sanctity of the performance or the experience of the audience. Be mindful of the moments you choose to capture, ensuring they are respectful and accurately represent the art form.

6. Post-Processing

Post-processing is an integral part of dance photography, allowing you to fine-tune the lighting, contrast, and colours of your images. However, maintain the authenticity of the moment and the integrity of the dance form. Avoid over-processing to the point where the image no longer represents the reality of the performance.

7. Engaging with the Community

Engage with the dance community. Share your photos with the dancers and choreographers, and seek feedback. This not only helps build relationships, but also provides insights into how you can better capture their art. Additionally, understanding the stories behind the dances can deepen your appreciation and improve your photographic narrative.

8. Continuous shooting and anticipation

Anticipation: Dance is about rhythm and predictability. By understanding the rhythm of the dance, you can anticipate moments before they happen, positioning yourself and adjusting your settings ahead of time.

Continuous shooting: Use your camera’s continuous shooting mode (burst mode) to capture sequences of movements. This increases your chances of capturing the peak action or the perfect expression, especially in fast-paced performances.

9. Use of Monochrome to highlight emotion

Monochrome Photography: Sometimes, colour can be a distraction, or you may want to emphasise emotion, texture, and contrast. In such cases, consider shooting in black and white. Monochrome can add a timeless quality to your images and focus attention on the subject’s emotion and form.

10. Experimenting with Silhouettes and Shadows

Silhouettes and Shadows: Experiment with backlighting to create silhouettes of dancers, highlighting the shapes and forms of their movements. Shadows cast by dancers can also add an artistic and dramatic element to your photographs, creating a sense of mystery and intrigue.

11. The importance of Rehearsal Photography

Rehearsal Shoots: Attending rehearsals offers a unique opportunity to capture the raw, unpolished moments of dance preparation. It also allows you to experiment with angles, settings, and compositions without the pressure of a live performance. Rehearsal photography can capture the dedication and hard work behind the scenes, adding depth to your dance photography portfolio.

12. Incorporating environmental elements

Environmental context: Especially with outdoor performances or in traditional settings, incorporating environmental elements can add context and a sense of place to your photographs. The surroundings can tell a story about the culture, the people, and the origin of the dance form.

13. Focus on costumes and accessories

Costumes and Accessories: Indian dance costumes are often vibrant, detailed, and an integral part of the dance narrative. Pay attention to capturing the textures, colours, and movements of costumes and accessories, as they add a significant visual element to your photographs.

14. Legal and Ethical Considerations for Publishing

Permissions and Rights: Before publishing or sharing photographs, especially for commercial use, ensure you have the necessary permissions from the performers and organisers. Be aware of copyright laws and respect the intellectual property rights of the dancers and choreographers.

15. Building a Narrative Series

Narrative Series: Instead of standalone shots, consider building a series of images that together tell a story. This could be the progression of a dance, behind-the-scenes preparations, or a thematic series that explores a particular aspect of the dance tradition. A narrative series can provide a more profound insight into the subject matter and engage your audience on a deeper level.

Mastering the art of dance photography, particularly within the diverse and rich cultural landscape of India, is a journey of continuous learning and adaptation. Each of the points highlighted in this guide serves as a stepping stone towards capturing the essence, emotion, and beauty of Indian dance. As you grow in your craft, remember that the heart of photography lies in observation, connection, and storytelling. Embrace each opportunity to photograph dance as a chance to explore the intricate blend of movement, tradition, and culture, always striving to do justice to the art form and its practitioners.

– Sanchit Mishra