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Canon releases touchscreen 650D

With more and more people graduating from touchscreen smartphones or digital cameras towards a more professional equipment set, mirrorless cameras have been the obvious choice for many lately. DSLR manufacturers are constantly trying to come up with products with the functionality of a mirror less as well as the power of a DSLR. Canon, keeping that in mind, recently launched its EOS 650D (Rebel T4i), the first DSLR ever to feature a touch screen. You can swipe between photographs, operate it with multi touch, set gestures for specific functions etc.

Apart from the touchscreen, Canon has also added some other features to make it a competent entrant in the entry-level DSLR market. For one, it features the Canon DIGIC 5 processor, previously seen on a couple of its compact cameras. The processor gives way to an increased maximum ISO of 12800 (25,600 in extended mode). Canon has also added a built in microphone to capture sound with the video, and has a socket for an external microphone, if one wishes to record better sound quality. Apart from this, Canon has introduced two new scene modes, ‘HDR Backlight’, and ‘Handheld Night Scene’. 

Looking at the history of the Rebel series, Canon will most probably discontinue the 550D, and bring the 600D’s price a notch down to accommodate the new 650D. There aren’t many major changes in the camera, and if you have a fairly capable DSLR which you recently bought, this one is not for you. But for photographers graduating to DSLR’s from handhelds or smartphones, this might just be what you’re looking for, and the touchscreen sure wouldn’t hurt.



Here are some quick specs:

 

  • 18 MP APS-C
  • DIGIC 5+
  • SDHC slot, USH-1 complaint
  • Current xxD’s AF system (9 cross-type points, found in 40D, 50D, 60D)
  • T3i metering system (63 zones like 7D and 5DIII)
  • 5 fps
  • Pentamirror Viewfinder
  • ISO 100-12,800 expandable to 25,600
  • Articulated touchscreen LCD
  • Hybrid AF during video shooting


 

Apple’s retina display Macbook Pro to enhance resolution for photographers

The MacBook, for a long time, has been known for its affinity with professional photographers for its editor-friendly softwares, as well as its powerful processors. Recently, Macbook got a major facelift with Apple’s integration of the famous Retina Display into its famous Pro series. The notebook features what Apple is calling, the new Retina technology, which provides a resolution of 2880 x 1800, nearly four times of that of a normal screen.

It’s especially handy when it comes to processing photographs, as the resolution is at par with what the camera churns out when shooting in RAW. Special upgrades have been made to RAW image processing softwares like Adobe Photoshop and Apple Aperture (in Mountain Lion), to accommodate the higher resolution, as this is the first time someone has introduced so much resolution in a computer.

Apple also claims that they have reduced the glare on the display by 75 per cent. How accurate that is remains to be seen. Apple has also had to customize a lot of its own applications to keep up with the Retina Display, like iTunes, iPhoto, Facetime, etc.  A lot of third party applications and games, like Diablo III, are also introducing fixes to accommodate Retina. You might have to wait for a little while before all your necessary third party applications are customized.

One problem with the Retina Display is its battery consumption. As the Retina Display takes up considerably more amount of power than the previous model, Apple scrapped off the big hard drive and replaced it with flash memory, to make way for a bigger 95 watt hour battery, compared to the previous, 77.5 watt hour battery. Apple claims that the battery life will not be much different from the previous model, which again, will be seen once it is launched. All in all, even though MacBooks have never really needed much recommendation or advertising, the enthusiastic, tech-savvy Indian consumer will still have to wait for a while to get a hold of that shiny, slim Pro in their hands, as there hasn’t been any official announcement on the date on the launch yet. 


Other Specs


Other than that, the new 15-inch MacBook is also lighter than the previous version. The machine’s aluminum body design weighs about 4.46 pounds, 1.1 pounds lighter than the previous one, and is 0.71 inches thick, which is just about as thick as a MacBook Air. The machine is packed with a heavy, 2.3 GHz quad-core i7 processor, Nvidia GeForce GT 650M graphics with 1GB of video memory, 8GB of 1600 MHz RAM, and 256GB of flash storage.

Epson extends AFC sponsorship deal

Epson recently announced that it had finalized a four-year extension to its sponsorship agreement with the Asian Football Confederation (AFC). The association has helped in enhancing visibility of the Epson brand across the world, while allowing Epson to get closer to its customers in the Asia region.

 

The new sponsorship deal runs through to the end of 2016 and covers competitions including the AFC Asian Cup, the 2012 Olympic Qualifiers, and the 2014 FIFA World Cup Brazil™ Asian Qualifiers, the final rounds of which kicked off on June 3 this month.

 

Epson is proud to have been a main sponsor of the AFC since 1997. The sponsorship provides benefits to Epson, which include stadium and on-screen advertising rights, and gives the company the opportunity to give something back to the football fans of Asia. Asia is the fastest growing football market in the world, with the AFC Asian Cup in 2015 expected to attract a cumulative global television audience of over 1 billion people.

 

Epson General Manager of Global Communications, Ian Cameron, commented, “Epson is proud of its ongoing commitment to the development of Asian football. The region is vitally important for Epson, and our longstanding alliance with the AFC reflects this. We are committed to further strengthening our brand in Asia, and to supporting Asian football and football fans in the years ahead.”

Leica introduces the fully black and white M-Monochrom

With all things beautiful, Leica as a brand has always been known to produce timeless beauties. At a time when all manufacturers are consistently moving towards the space-age, Leica has somehow still managed to grab eyeballs due to its ever popular, retro-look cameras. Mind you though, it is not only the looks that appease the professionals, it’s the combination of performance and style that makes Leica a force to reckon with.


So when the company recently released the M-Monochrom, a fully black and white camera for high dynamic range, low light B&W photography, we were particularly excited. For starters, the ISO range has been increased to 10000, from 2500 of the M9, which can be a picture changing feature when it comes to black and whites, as noise is one of the primary problems black and white photographers face. Leica here, like the M9, has targeted a really niche audience by the virtue of its price, as well as its the almost-redundant manual focus rangefinder design. The camera isn’t designed with any filter array to register color information, which makes sure that the sensor captures all the light which falls on it. Compare it to the black and white mode in a normal camera which closes the part of the sensor which registers colors to capture just blacks and whites, it certainly helps in decreasing the level of noise in your pictures. This is a major factor which allowed Leica to increase the camera’s ISO to 10000. Also, because there is no color information in play here, the noise isn’t spread throughout the image because of demosaicing (the process of reconstructing a full color image from incomplete color pixels captured by the sensor), which again considerably helps in decreasing the level of noise in the pictures. The M-Monochrom only shoots 34.7mb DNG files, and there is no option available for compression.

As the camera lacks live view, the histogram can only be seen after the picture has been taken, so how the picture is going to come out can only be seen after it has been taken. Also, as the histogram is not affected by factors like white balance or colour levels, obtaining correct exposure can prove to be considerably easier. Another high point of the M-Monochrome is the resolution. Because the sensor doesn’t register any colours, it records accurate luminance values for every pixel, which helps it in delivering true black and white photographs, which cannot be achieved by taking a B&W with a normal camera, or taking a color with a normal camera and processing it into a B&W. 


The body of the M-M has not been changed much from the M9. In fact, there haven’t been any major changes in the structure of Leica cameras for a long time now. The camera has been priced at $7500-$8500, though it is yet to be released in India. This one is, for sure, not targeted towards the masses, but film users who have been looking at moving to digital without comprising on the design might find it to be a deal of a lifetime. 

Nikon releases entry-level D3200

With the entry-level market getting more and more saturated, manufacturers are leaving no stone unturned by dishing out newer and better products by the day for the consumers. Nikon has upgraded their successful, D3100, with a plethora of new options to come up with the new D3200, its latest offering for the entry level D-SLR market. What’s surprising is that it is a whopping 24.2 megapixels as compared to the 14.2 megapixels of the D3100, and also features the EXPEED 3 processor, as compared to the EXPEED 2 in the D3100.

From low light conditions to quick moving objects, the D3200 has something for the professionals as well as the point-and-shooters graduating to D-SLR’s. Available in maroon and black, it is expected to be lightweight, easy to carry and high on results, thanks to Nikon’s prowess in the field. While the other features in the camera like full HD (1080p) recording at 30 frames per second (compared to 24 fps in D3100), full time autofocus, a 4 frames per second high speed continuous shooting mode (3fps in D3100) etc. look promising, how well it performs off the paper remains to be seen in the days to come. 
Nikon has also increased the ISO range to 100-3200, for higher productivity in low light situations. In cases of extremely low lighting, the ISO can also go upto 12800, which might result in photographs which were previously impossible to shoot with the D3100. Another trademark Nikon feature, Guide Mode, has also been incorporated into the camera, with added options. The Guide Mode walks beginning D-SLR users through the process of set-up, shooting, viewing and deleting images, and those who don’t need the Guide Mode anymore will still find it to be helpful, because of the Assist Images option, where the camera features images which serve as visual references and help towards illustrating the desired results. Another helpful feature in the D3200 is wireless support. Now one can upload the photographs on the camera to their phone wirelessly, with the help of Nikon’s optional Wireless Mobile Adapter, which Nikon has priced at $60.

We spoke to Hiroshi Takashina, M.D., Nikon India as to when the DSLR will be available for the Indian market, and this is what he said, “the camera will be available in the Indian market from the beginning of June, but the official price is yet to be decided”. But looking at the $700 price tag at which it has been launched internationally, it would be safe to assume that it will be somewhere between Rs. 35,000 – 40,000, which seems reasonable looking at what it has to offer. If you are looking forward to taking your first step towards the D-SLR world, or are looking for a decent, lightweight and easy to use alternative for your professional camera, then the Nikon D3200 might be just what you’re looking for. 

Jehangir Art Gallery in Mumbai opens its doors for dedicated photographic aficionados

For long Jehangir Art gallery has been the IT place to showcase your art. For a longtime it was also hailed as one of the leading galleries to showcase photography work. But somewhere along the way, a new meaning of art sidelined the aesthetic beauty of photography. But all this changed recently when the Jehangir Art gallery reopened its doors to photography.

 

The Terrace Gallery is now partly owned by Mr. Kakubhai Kothari, having it named in favor of Kakubhai’s family who funded the renovation of the gallery. As part of the inauguration and to celebrate the occasion Kakubhai’s best wildlife images were featured at the venue. He introduced the exhibition with sheer pride to his visitors, giving them small insights to each photograph. 


 “I have been tracking and photographing these wild tigers and lions for fourteen years. I have made sure that I have created a bond with each one of them. Hence making them aware that, I am a person of no threat to them but a person who loves to bond and show the beauty of the wild cats in its habitat”. We punched in a question asking Mr. Kakubhai what would be his advice to young wildlife photographers. He said,”All I have to say is don’t force yourself or the animal to get your shot, be patient and let the animal get used to your presence”.     

 

The Terrace Gallery is divided into two sections, one section is in broad day light, which is the outdoor gallery offering a vast area space with a splendid city view. Along the sides of the outdoor gallery is the indoor gallery section, which is fully air-conditioned and designed with spot on lighting. The Terrace Gallery is an ideal place for photography and visual art.

Epson appoints Toshiyuki Kasai as New India President

Epson India recently announced the appointment of Toshiyuki Kasai to the newly created position of President at Epson India. Toshiyuki will be based out of Epson India’s Bangalore headquarters. He is an Industrial Engineer from Waseda University and brings with him extensive experience spanning 30 years spent in various capacities within the Seiko Epson group. 


With India being a priority market, Epson India will no longer be reporting to the regional hub at Epson Singapore but will now be reporting directly to Seiko Epson Japan. This along with Toshiyuki’s appointment is indicative of the increased expectation from Epson India in the years to come.


Toshiyuki has a vast body of experience and has worked in various functions including production control, purchase, information systems, corporate planning, business planning, profit management and various project activities. This is Toshiyuki’s third posting out of Japan. He has spent seven years at Epson Portland (USA) in the late 80’s/early 90’s and subsequently was the Senior Vice President of Business Infrastructure at Epson Europe from 2004 to 2007. Prior to joining Epson India, Toshiyuki was the Head of Business Management for the Imaging & Information Division at Seiko Epson Japan. 


When we spoke to the new President he seemed excited and looking forward to providing the vision and direction to ensure further robust growth for Epson India while ensuring fair returns to all its stakeholders.

Nikon strengthens its presence in India with a new branch office in Delhi

 

Nikon India, the 100% subsidiary of the imaging industry leader, Nikon, today announced the opening of their branch office in New Delhi, as part of the company’s continued geographic expansion across key markets in India.  The new office was inaugurated by Mr. Hiroshi Takashina, Managing Director, Nikon, India, along with Mr. Shizuo Shimizu, General Manager, Quality Assurance Department; Mr. Hiroshi Masumoto, Manager- Service Planning, Quality Assurance Department; and Mr. Takehiko Ogasahara, General Manager- International Customer Support Division, Nikon Hong Kong. The Delhi branch office, located at Pusa Road, is Nikon’s fifth office to be opened in India, after those in Kolkata, Bangalore, Mumbai and Head office in Gurgaon.

 

The company also aims to use this office to expand the reach of Nikon School in India. Nikon School is an initiative to impart skills to photography enthusiasts by providing tips, expert guidance and insights about photography. Through this initiative, the company has introduced various educative workshops on photography for both amateurs and professionals. Nikon School basic workshops are already conducted in Tier-II cities like Hyderabad, and Nikon’s other four offices i.e. Gurgaon, Mumbai, Bangalore & Kolkata. Besides basics, wildlife, nature, street and fashion photography workshops are also conducted by Nikon School India.

Nikon D4 Review

Nikon D4


Nikon India recently launched their new flagship camera, the D4 in India. The latest entrant in the professional DSLR camera market, the D4 employs a newly developed Nikon FX format CMOS sensor with 16.2 million effective pixels and boasts of improved video capabilities and a compelling set of features compared to the existing models. Having turned to its professional user base to work out some of the improvements and changes, the new D4 features a few big changes and a host of small improvements compared to its predecessor apart from the more obvious increased megapixel and expanded ISO range.


Look Body and Feel


One look at the camera gives you a hint of what you could expect from this beast! Quite like the D3, the D4 is built tough and seems like it can handle a fair amount of abuse. There’s little change in terms of shape when compared to the D3 or the D3s. The D4 provides better control in both landscape and portrait orientations, making the overall feel a lot more comfortable to use. Some of the controls have been repositioned so as to provide faster access to the front dial and shutter release, making it more comfortable. The control and ergonomics are different with respect to both the D3 and the D3s. Both the joystick and the autofocus control are now easier to access when holding the camera vertically in the portrait orientation. These changes seem to have been made keeping in mind photojournalists and sports photographers making the camera faster and easier to use.


The addition of a record button to the top panel is just one of the changes made to the controls. You’d think the record button would start video recording just by clicking it but it doesn’t quite work that way. You still have to switch live view on first, a button for which is present on the rear panel of the camera, just below the 3.2” LCD. The record button is customisable. The button for switching through metering modes has replaced the command lock button, which has been done away with, just like the AE-L/AF-L button so as to better support using the camera in its vertical orientation. The protect button now also works as picture control when shooting. The rubberised lump on the rear panel below the microphone gives users better grip while using the camera in its vertical orientation. Backlit buttons are a welcome addition and hugely improve camera usability in low light scenarios. 



Features


With the increasing demand for video footage from professional photographers, and with stiff competition in this realm, the improvements in terms of video capabilities don’t come as a surprise. Being able to see the audio levels on the rear display while recording video, a headphone jack for audio monitoring, improved audio fidelity are some of the small aspects that Nikon has taken care of with their latest offering.


The newly developed higher resolution 16.2 MP full-frame CMOS sensor enables better low light photography thanks to an ISO sensitivity range from 100 to 12800 at normal settings, and expandable from ISO 50 to ISO 204800 equivalent.


The new 91000 pixel RGB sensor manages to achieve better autofocus, enabling the system to recognise human faces even while shooting with the optical viewfinder. It also plays a significant role in subject tracking, white balance and Active D-Lighting.



The D4 has dual memory card slots – one Compact Flash and one XQD slot, Sony’s new memory card. While the new format might help improve speed, one concern is that it eliminates the possibility of using old CF cards as a second card for backup, and might also mean extra expenditure if you’re interested in purchasing the new card.


The D4 now allows users to vary Auto-ISO based on focal length, which is a welcome development, as earlier it lacked the ability to vary the shutter threshold based on focal length. 


Conclusion


The launch of the Nikon D4 was highly anticipated, especially in the wake of the launch of Canon’s EOS-1D X. Featuring a few big changes and a host of small improvements in comparison with its predecessor, the Nikon D4 more than exceeded our expectations with its performance in the mid ISO range. However, its performance at ISO 12800 and beyond did leave a lot to be desired. The improvements in the camera’s video capabilities are also significant. However, at a price of Rs. 324,950, the D4 isn’t exactly cheap, and only time will tell how this model will fare in today’s competitive market.


Too read the whole review and the performance and ratings, grab the April 2012 issue of the magazine today.


Text: George Kurien and Ajay Singh

Samsung Forum 2012

We were recently invited to the Samsung Forum 2012 in Thailand where Samsung introduced a plethora of products for the APAC market. From TVs to fridges, Samsung left no stone unturned to entice its consumers the coming year. The event featured the much awaited Samsung Galaxy Beam mobile phone and the Samsung Galaxy Tab 2 310. Closer to the imaging front, the manufacturer launched some new DSC cameras with interesting features. Bhavya Desai finds out more.


While Samsung has been missing from the imaging radar with product launches few and far between, the manufacturer seems to have hit the nail on its head in terms of IT products. Most noticeable amongst them are its mobile devices including the tablets. B. D. Park, MD and CEO, APAC Region, Samsung informed us at the launch that, “the company touched a staggering global sales figure of $143 billion in the last financial year while retaining the No.1 market share in the South-East Asian region in the categories including flat panel TVs, side-by-side fridges, large format displays and mobile devices among others.”



Centered on the concepts of ‘SMART’ and ‘Pushing Boundaries, Park introduced a host of products under consumer electronics and imaging category. Infact no less than five Wifi enabled cameras and camcorders and a printer targeted towards the contemporary user were launched at the forum. These include the innovative WB850F; the WB150F’s 18x optical super zoom and 14.2MP sensor; the new 2View offering in the name of DV300F, and the slim ST200F. All of these are based on WiFi capability and easy sharing concept. 


Samsung also launched the SCX-3406FW printer for wireless mobile printing; enabling printing from any mobile to the SCX-3406 with a simple installation of Samsung’s MobilePrint application. Besides, a one-touch WPS button instantly and effortlessly connects to the network and a high-speed processor delivers the power needed for superb print performance in a compact design.


We spoke to Raj Kumar Rishi, Vice President and Business Head for Samsung’s Audio Visual (AV) business, about the company’s plans for the coming year in the imaging industry. He was aware that the manufacturer received a lukewarm response for its cameras in the past. But he was optimistic about all that changing soon with the company setting some aggressive targets for the year ahead, in terms of market share. Although he wouldn’t share what those targets are but it is expected to be more than single-digits than the current financial year. 



Rishi plans to achieve these aggressive targets set out on the basis the new features that the latest cameras have to offer alongwith the entire eco-system of imaging that Samsung has to offer. One of the many interesting features is the WiFi Sharing option which allows you to connect with other devices seamlessly. “Our focus in the camera segment will be on mid to high-end camera segment since this has shown promising growth in the recent past. We will have to grow atleast 2-3 times the market growth in order for us to come up to a significant level,” said Rishi.


Talking about the perception of the consumers of not instantly connecting with or recognising Samsung as a photo-imaging company, Rishi chooses to see the positive side and so believes that with its strong brand name the company has become a leader in many segments in these past few years, not just the photo-imaging segment. “Although we haven’t enjoyed the same success in the camera segment, but there are many markets around the globe where we enjoy a significant market share in the camera category,” he said. “Every organisation would go through this phase where we start somewhere and we would like to be somewhere else, and this segment is no exception.” He believes that it is the brand strength; support infrastructure and the set channel, which will allow Samsung to achieve the objectives that it has set out to attain.


Whether all of this will be possible or not, only time will tell. We will be getting our hands onto the newly launched Samsung products soon, so make sure to catch the review of the same in our upcoming issues.