Category Archives: news

Canon launches the RF 15-35mm f/2.8L IS and RF 24-70mm f/2.8L IS Lenses

Canon’s bunch of RF full-frame mirrorless lenses just increased by two lenses. The company announced the new RF 15-35mm f/2.8L IS and RF 24-70mm f/2.8L IS.


The new RF 15-35mm f/2.8L IS USM is Canon’s first f/2.8 wide zoom lens that includes image stabilization (IS). It features 5 stops of stabilization, edge-to-edge sharpness, a control ring, and drip and dust resistance. The lens will be available in late September 2019 with a cost of Rs 1,60,000 approx.


The new RF 24-70mm f/2.8L IS USM is equal in size to the Canon EF 24-70mm f/2.8L II, except it features 5-stop image stabilization. Other features and specs include focus breathing suppression during manual focusing, sensitivity setting during manual focusing, focus ring usage adjustments, and a customizable control ring (that can be assigned to aperture, shutter speed, ISO, or exposure compensation). The lens will be available in late September 2019 with a price tag of Rs 1,65,000 approx.


Nikon unveils Filmmakers Kit

Introduces it at a discounted price of  Rs. 382,832
 
Nikon announced the all new Mirrorless Z6 Filmmakers Kit for the Indian market recently targeted at content creators and filmmakers. The kit will enable users to unlock the cameras video features and powerful potential, along with lenses and multiple accessories. The kit is being offered at a special price for a limited time period of Rs. 3,82,832 which is otherwise available at Rs. 5,04,240.
 
The kit includes a Nikon Z6 mirrorless camera, NIKKOR Z 24-70mm f/4 S lens, NIKKOR Z 50mm f/1.8 S lens, a Wireless Microphone ME-W1, Rechargeable Li-ion Battery EN-EL15b, Zhiyun Crane 3 Lab (Creator Package), Atomos Ninja V Recording Monitor, HDMI cable (4K), Hoya Filter HMC NDx4 72.0mm, Hoya Filter HMC NDx8 72.0mm, Hoya Filter HMC NDx4 62.0mm, Hoya Filter HMC NDx8 62.0mm and a Hard case (type 6700). 
 
Commenting on the release Sajjan Kumar, MD, Nikon India said that they were excited to announce the availability of the Nikon filmmaker’s kit which will enable the users to leverage its hand-picked accessories. The idea behind creating this customized kit was to offer them a convenient method to purchase the relevant accessories in one go, providing an unmatched videography experience at a more competitive price point.

Senthil Kumar Exhibits “Original Natural Content” in Japan

Senthil Kumar Muruganandhan is exhibiting his work titled “Original Natural Content” in Tokyo soon. He is a leading commercial photographer based in Bangalore, India. He trained in Visual Communication at India’s oldest art institution, The Government College of Arts and Crafts, Chennai (in 1989). Having excelled in making quick sketches during this period, he adopted the camera to create art even faster. Following six years of mentorship with renowned photographer Sudhir Ramachandran, he went on to establish his photography practice. With a career spanning over twenty years, he has worked on numerous international advertising campaigns and editorials for multinational brands including Amazon, Honda, Nike, Suzuki, Lenovo, IBM and Toyota a.o. He was awarded Asian Photography magazine’s Best Photographer Award and Most Influential People in Photography award twice and his images have won several Cannes lions. Senthil is also a fujifilm X-photographer.

Harnessing technical expertise honed through his longstanding career as a photographer, Senthil constructs images of a different kind. Using the photographer’s slight of hand, he creates digital images that take on the appearance of watercolours with its painterly qualities of transparency and wash. The transfer of these reproductions onto handmade paper with deckled edges, further pushes this new body of work into the ambiguous territory between painting and photography.

This liminal state is further augmented by his return to a ‘truth to materials’ philosophy. None of the images in the show have undergone post-production processes such as the use of filters or effects in image manipulation software. In Senthil’s words: “Lighting in photography is like a paintbrush while painting.” Although driven by an essentialist use of the medium, Senthil destabilises fixed notions of medium specificity.

Historically, watercolour painting and photography have much in common. Before the invention of the camera, watercolours were used for reportage, ‘to render credible accounts of drawing what (reporters) saw and then adding colour.’ The use of photography in public and private life parallels the use of watercolour as a documentary tool and a recreational activity. Both watercolours and contemporary cameras are portable and offer easy accessibility, allowing these media to thrive in amateur and professionals circles. The modest scale of watercolours renders along with low lightfastness meant it was often hidden away in private folios. In this instance though, Senthil’s harnessing of light through photography creates unprecedented possibilities for public presentation in a multitude of scales.

Senthil was trained in the academic traditions of the Government College of Arts and Crafts, Chennai, India, which has historic roots in Company painting. The subject matter of this Indo-European hybrid style consisted of a repertoire of ‘exotic’ places, landscapes, festivals and people as a means to create visual records for commercial consumption. Senthil similarly presents picturesque themes such as village life, architectural monuments, cityscapes, portraits and still life, as a comment on the double bind integral in fine art and commercial practice. Challenging the cultural history of Company painting and its standard themes, parts of Senthil’s oeuvre portray carefully constructed images adopting new themes such as the body and queer identity, thereby undoing notions of ‘typical’ images.

At first glance, Senthil’s motivation to paint photography appears to stem from a place of nostalgia. It is however, driven by a desire for speed in a world constantly changing through innovation. Nudging viewers to confront our relationship to art in the wake of technology, Senthil’s work furthers critical dialogue around ideas of representational art and authenticity in global visual culture.

The exhibition is being held from August 2nd 2019 (Fri) to August 15 (Thu) at Fujifilm Tokyo Midtown Headquarters 1F Fujifilm Square.

Panasonic launches advance Micro Four Thirds camera Lumix G95

Panasonic recently launched a follow-up to its Lumix G85 Micro Four Thirds camera known as Lumix G95 in April, and now, the company has officially launched it in India. The camera features built-in 5-axis image stabilisation, 4K video, and a tough design. In India, the camera is accessible with two kit lens options. The one with the 12-60mm f/3.5-5.6 lens is priced at Rs. 94,990, while the other one with a 14-140mm f/3.5-5.6 lens is priced at Rs. 1,09,990. The Lumix G95 is now available in all Panasonic stores in India.


The Lumix G85 camera consists of a 20.3-megapixel Digital Live MOS sensor without a low-pass filter, in order to achieve better details and is powered by Panasonic’s Venus Engine. The camera has 5-axis Dual I.S image stabilisation that has shake defence mechanism till five stops, with a combination of OIS from lens and in-body stabilisation. The new model consists of a rugged design with a magnesium alloy frame, with weather sealing.


The Lumix G95 features an ISO range of 200-25,600, 49 autofocus points, 9fps burst shooting, and a maximum shutter speed of 1/4000. The camera also a 3-inch fully articulating touchscreen with a 1.24K dot resolution and an EVF with a resolution of 2.36 million dots. It features Eye AF, 4K video recording up to 30fps, and advanced shooting modes such as slow motion video at 120fps. The Lumix G95 also has 4K Photo capture that lets you pull out 8-megapixel images from a 30fps burst shot. You also get built-in Wi-Fi and Bluetooth 4.2 for syncing with the smartphone app.



Sony a7R IV launches with 61-megapixel full-frame sensor

Sony has taken off the cover of its fourth-generation high-resolution full-frame mirrorless camera range, the a7R. Expectedly named the Sony a7R IV, the biggest detail of the camera is its gigantic sensor, which moves the 42.4-megapixel full-frame sensor to a 61-megapixel. This automatically makes it the highest resolution full-frame camera in Sony Full Frame Camera, which is what the a7R lineup is famous for.


The Sony a7R range has always been target at professional photographers who needs ultra-high resolution results for large photo print outputs. Sony maintains that as always, the back-illumination of the sensor helps increase sensitivity and maintain reduced noise levels in low light conditions, which can be critical for extreme photography situatuion.


Other photography specifications consists of an better autofocus system, something that Sony has perpetually improved over the years. The camera now features a hybrid AF system with 567 phase detection AF points that cover 74 percent of the frame, in combination with an additional 425 contrast AF points that cover the rest of the frame. There is also a new real-time eye autofocus mode that can keep the focus locked to a subject’s eyes even when it is in motion, and this applies to video shooting as well.


Continuous shooting is rated at 10fps with continuous AF/AE tracking for 7 seconds in the full resolution, 61-megapixel mode, and up to 21 seconds when shooting in 26.2-megapixel crop mode. In terms of videography, the Sony a7R IV features no-crop 4K full-frame video recording, with full pixel readout in the Super 35mm video shooting mode. It also includes the Sony S-Log 2 and S-Log 3 colour grading logs with up to 14-stop dynamic range, as well as HLG logging for HDR workflow on the edit table.


The other element that has received a sincere upgrade is the electronic viewfinder, which now has a new, 5.76 million-dot UXGA OLED module. The new viewfinder is said to be 1.6x crisper than the one on the a7R III, and comes in two modes standard for 60fps refresh rate, and a high quality mode that presumably consumes more battery but lends 120fps refresh rates to the viewfinder for ultra-fine clarity. Among other new features include a tilting touch display, two UHS-II storage slots, a new digital audio interface to the hot shoe, dual-band Wi-Fi support, a USB-C 3.2 Gen 1 port for high bandwidth data transfer, and claimed improvements in weather sealing of an already excellent chassis. The Sony a7R IV is CIPA-rated for 670 still images in a full battery life cycle, and also has an optional battery grip accessory that can hold two additional battery modules for those who need it. Given Sony’s treatment of India as a prime photography and videography market, we expect it to come to the country soon. However, as of now, we only know that the camera will be available starting this September in USA, at a price of Rs 2,40,000. The local pricing, however, may vary.

Xiaomi launches its flagship killer Redmi K20 and Redmi K20 Pro

Xiaomi Redmi K20 series has been launched in India with new phones – Redmi K20 and Redmi K20 Pro. The Pro variant comes with the latest Qualcomm Snapdragon 855 processor and the price starts at Rs 27,999 for the base storage model. The premium phone will compete with OnePlus 7 series and Asus 6Z.



Redmi K20 Pro comes with a 6.35-inch display with an FHD+ resolution and 19.5:9 aspect ratio. The device has a in-display fingerprint sensor along with a pop-out front-facing camera which gives the phone a near bezel-less design. Redmi’s ‘Flagship Killer 2.0’ has certainly got the flagship-level internals as well. Powering the device is a Snapdragon 855 SoC which is paired with up to 8 GB of RAM and 256 GB of storage. The device runs on Android 9.0 Pie along with Xiaomi’s MIUI 10 skin overlaying it.


In terms of camera, the Redmi K20 Pro has triple rear cameras which consist of a 48 MP primary sensor + 13 MP ultra-wide sensor + 8 MP telephoto lens with 2X optical zoom. The pop-out camera on the phone has a 20 MP sensor. In terms of video shooting capabilities, the device has a 960 fps slo-mo feature along with 4K @ 30 fps recording. The phone has a 4,000 mAh battery which supports 27 W fast-charging capabilities. Redmi claims this can charge the phone 58 percent in 30 minutes and completely fill the power cell in 74 minutes. Apart from that Redmi has also added a Game Turbo 2.0 feature that allocates more resources for gaming. Redmi K20 packs in the Snapdragon 730 and also has the Sony IMX582 sensor instead of Redmi K20 Pro’s IMX586. Rest, all other specs remain the same except for an 18W fast charging support instead of 27W. Since Xiaomi has been calling this Flagship Killer 2.0, and its competing One Plus series. The Redmi K20 is priced at Rs 21,999, competing for One Plus 7 and the Redmi K20 Pro priced at Rs 27,999 in India, competing for OnePlus 7 Pro.

Fujifilm India launches GFX100 – First mirrorless large format sensor camera with 102 MP resolution and “Premista” series of cinema zoom lenses

Fujifilm launched the Fujifilm GFX100 mirrorless digital camera united with an image sensor with the highest 102 million pixels resolution and color reproduction technology to attain the world-leading image quality. The event had the presence of Mr. Haruto Iwata, Managing Director, Fujifilm India Pvt Ltd., Mr. Dabboo Ratnani, Celebrity and Fashion Photographer and International Editorial, Commercial and Corporate Photographer Mr. Zack Arias. 

 

The GFX100 is a model of the GFX Series of mirrorless digital cameras. Among digital cameras equipped with a sensor larger than the 35mm full-frame format, this model offers (1) a back-illuminated sensor with phase detection pixels, (2) in-body image stabilization (IBIS) mechanism and (3) 4K/30P video recording capability. Launched in India on 16th July, 2019, the camera will be available at a price of INR 7,86,999/-.


Commenting on the occasion, Mr. Haruto Iwata, Managing Director, Fujifilm India Pvt Ltd. Said that this is indeed a gratifying moment for them and they are excited to announce the launch of the world’s highest 102 million pixels mirrorless camera – GFX100 in India. In Fujifilm India, their endeavour has always been to bind innovation together with service that enhances customer delight. With the launch of GFX100, they have achieved a great milestone in our digital camera business. The launch will further enhance our presence in India and they will continue introducing cameras that deliver an unparalleled standard of optical brilliance that is sure to delight a photographer’s fantasy.


Present at the event and Brand Ambassador for Fujifilm GFX range, Mr. Dabboo Ratnani said that it is a matter of great pride for him to be associated with a cult brand like Fujifilm. The new GFX100 camera embodies a new standard of optical excellence with technological brilliance in new mount and optics; retaining Fujifilm’s renowned legacy. Packed with powerful features, the camera displays Fujifilm’s legendary artistry that will empower users to expand the realm of photographic capabilities. With this association, we look forward to an advanced mirrorless camera experience and witness a shift in the existing imaging industry to newer heights.


On this occasion, the Optical Devices Division of Fujifilm also unveiled the new “Premista” series of cinema zoom lenses. These lenses support large-format sensors and deliver high resolution, beautiful bokeh and rich gradation with HDR (high dynamic range). The Premista Series brings out the maximum capability of large format sensors, which is increasingly being adopted into cinema camera, to provide robust support for high-quality video production. The Premista 28-100mm T2.9 will be available in August 2019 and the Premista 80-250mm T2.9-3.5 will be available later this year at a price of 32 Lakhs approx.

Asian Photography Photowalk

Asian Photography Photowalk

Another Milestone for the Magazine


As a magazine Asian Photography has always been known to innovative and do new things. And as a first this year, the magazine started something new and unique and it was a runaway hit. From ideas on paper in the editorial meet to the execution of the same, everything at the Photowalk inititiave was different this time.


How was it unique?


The idea of a Photowalk wasn’t unique to the magazine as such initiatives had already been taken a few times in Kolkata during Artistique. But with this initiative the magazine wanted to do something different. How do we do something that has never been done before, we asked ourselves? After a lot of brainstorming, we figured out that Fashion photography classes have always been limited to the studio. Why is that? Why can’t we practically impart knowledge to people by actually shooting and teaching it?


The first step in conducting a photowalk is to understand its purpose. Why are we conducting a photowalk? Is it just publicity or do we have a different motive behind it? We decided it should be a knowledge sharing platform and the attendees should learn something from it. We needed a professional photographer who would impart them with knowledge. We zeroed in on one of the best fashion and lifestyle (two of the many feathers in his cap) photographer, Ritam Banerjee. He has shot everything from advertising, automobile, portraits, fashion, corporate, architecture & interiors, products, travel, industrial, photojournalism, food and more.


A review session for the Photowalk


As most photowalks go, people meet at a particular place, take photos from point A to point B and leave once the walk is over. We weren’t convinced with this idea. This is where the idea for a review session came in. What good are pictures and walks if you don’t get an idea on how you can improve and learn for the future? The review sessions were conducted at the Udaan School of Photography with the location figured to be in Bandra.


The Prizes


In order to encourage the participants, we decided to have some prizes for the best pictures of the walk. Sandisk and Golla were kind enough to lend us a helping hand to encourage the budding photographers with 128 GB SD cards and Designer Camera Bags respectively .


Any fashion shoot is incomplete without models. We were lucky enough to get three beautiful women for the walk. Tania Jena, Komal Rane and Neha Dinesh Anand agreed to join us for the walk. They were extremely professional and helped the budding photographers with their inputs as well! Even though the unforgiving Mumbai sun was posing problems, the models helped the photographers with their shoot.


The photowalk began just as any other with the photographers gathered at the starting point and we introduced Ritam Banerjee to them. Ritam asked the participants to first gel with the models. The photographers were a bit hesitant at first and it was the first step of the shoot. Any fashion shoot, Ritam explained, begins with getting to know the model well. Then the photographers were divided into three groups and asked to take one model each, along with them. They were given a time of 15 minutes and they had to shoot some beautiful pictures within that given time and meet Ritam about 200 meters away where the models would exchange groups and shoot with a new group. This went on till all the groups had shot with all the models. We were halfway on our route of the walk. Everyone gathered around Ritam and he explained that he noticed a lack of group coordination in the participants. So he decided to give another exercise. Each group got to shoot with one model and each member of the group would have 5 minutes to shoot the model while the others helped in the shoot. This continued for 20 minutes. At around 10:00 AM the photowalk came to an end with a group photo.


Now the next step was that the photographers had to reach Udaan School of Photography and submit three of their best images taken on that day before 11:00 AM which would be reviewed. The participants reached the premises where they were greeted in by Asian Photography team members.


A big thank you to Asian Photography for the wonderful initiative and for taking photography and photographers to explore, express and experience the joy of shooting even more” – Ritam Banerjee


The Editor of Asian Photography, Bhavya Desai joined in on the review session along with Ritam Banerjee who shared their expertise to help the photographers through the session. Bhavya explained how the inception of the photowalk idea began and also announced that each participant would receive one complete year’s e-subscription of the magazine! Ritam further spoke about the nuances of fashion photography, importance of teamwork and so on while the participants listened attentively. The participants got a chance to ask questions and the models joined in too!


At the end of the session the winning participants were chosen by Bhavya Desai and Ritam Banerjee. The winners then received the goodies and were given a chance to speak in front of the other participants. The photographers who received prizes were Sudhanshu Sawate, Kinjal Padaya, Garv Srivastav, Mohit Shigvan, Suryansh Tripathi and Bhavika Doulatani.


The day came to an end with all participants having learned a lot from the event while taking back memories and a whole lot of enthusiasm expressing their intent to join in on the next photowalk that the magazine organizes.

Tamron launched 17-28mm F/2.8 Di III RXD, a ultra wide-angle zoom lens for Sony E-mount cameras

Tamron Co., Ltd. a leading manufacturer of optics for diverse applications, launched the 17-28mm F/2.8 Di III RXD (Model A046) on June 28, 2019 in Saitama, Japan. A large aperture, ultra wide-angle lens for Sony E-mount full-frame mirrorless cameras. The Model A046 features a filter diameter of 67mm with an light weight of 420g and length of 99mm. The compact size supplies great balance on the small profile mirrorless cameras and is easy to carry. It also offers a large F/2.8 aperture throughout the entire zoom range and results a high-resolution and contrast. The mixture of ultra wide-angle focal length, large constant F/2.8 aperture and an closer focus ditance of 0.19m (7.5 in) at the wide-angle end will results in great photography in a multitude of scenarios. The new 17-28mm zoom’s AF drive system is powered by the RXD (Rapid eXtra-silent stepping Drive) stepping motor unit that enables it to deliver high-speed, high-precision and superbly quiet operation and making it suitable for shooting virtually noise-free video as well as still photographs.


In addition, the new zoom lens features Moisture-Resistant Construction and a hydrophobic Fluorine Coating that repels fingerprints and dirt. Plus, the Model A046 is fully compatible with various camera-specific features including Fast Hybrid AF and Eye AF. High performance, combined with portability, makes the 17-28mm zoom ideal for daily use.

Asus 6z launched in India with a flip camera

The Asus 6z is the company’s latest flagship offering or the Indian market starting at Rs 31,999. The standout feature of the 6z is its Flip Camera system and a massive 5000mAh battery.


HIGHLIGHTS

  • The base variant of the Asus 6z comes at Rs 31,999 with 6GB RAM and 64GB storage.

  • The top-end variant with 8GB RAM and 256GB storage is priced at Rs 39,999.

  • The Asus 6z will be available exclusively on Flipkart.


After almost a month of its global launch, Asus has finally released the Asus 6z in India. Globally known as the ZenFone 6, the phone has been renamed after legal restrictions in India. The phone has been grabbing attention with its unique motorised Flip Camera and a massive 5000mAh battery. The Asus 6z starts from Rs 31,999 for the base variant in India, thereby going up against the OnePlus 7 series phones in the Indian market.

The Asus 6z starts in India from Rs 31,999 for the base variant with 6GB RAM and 64GB storage. For the variant with 6GB RAM and 128GB storage, the price stands at Rs 34,999. The top-end variant comes with 8GB RAM and 256GB storage, which costs Rs 39,999. The phone will available exclusively on Flipkart and sale will start from June 26. Consumers will also be able to get the Flipkart Mobile Protection Plan for Rs 99.


Asus 6z specifications

The Asus 6z is primarily known for its Flip Camera module that helps Asus eliminate the display notch. There’s a 48-megapixel primary camera with the Sony IMX586 sensor and a secondary 13-megapixel wide-angle camera to care of the imaging duties. When required, the Flip module lets the user utilise the rear cameras for selfies and video calls. Therefore, you can take selfies with a highly capable 48-megapixel camera. The module uses a Stepper motor that can change angles at a minimum of 2 degrees.


DxOMark has awarded the Asus 6z a very high score of 96 for selfie camera performance. User can also manually adjust the Flip Camera angles manually. Asus has even opened up the Camera2 API, which allows users to use the GCam mod. Do note that the phone doesn’t have OIS assistance and only relies on EIS. The Flip Camera module uses Liquid Metal to ensure the durability of the module. Asus has also built safety mechanisms – the module goes in when it detects a drop.


The Flip Camera makes for a notch-less narrow-bezel display with a slim chin. The phone sports a 6.3-inch IPS LCD panel with Full HD+ resolution. There’s a capacitive fingerprint sensor at the back. Like all 2019 flagships, the phone is equipped with a Snapdragon 855 chipset that comes with a choice or 6GB or 8GB RAM and 64GB, 128GB or 256GB storage. Asus is designed ZenUI 6 from scratch and based n user feedback, it adopts a very stock Android like interface. Asus has retained some of the smart features from previous ZenUI versions but it ensures a clean boat-free interface.


The phone also offers a triple card slot that can accommodate two SIM cards and a micro SD card at the same time. To keep the phone alive, it uses a 5000mAh battery with support Quick Charge 4.0. It also comes with a Smart Key that can be customised either to launch the Google Assistant or custom functions. and it’s one