Category Archives: news

Exclusive hands-on with a prototype of the new Canon flagship, EOS-1D X Mark II

We are barely a month into the new year, and Canon has announced the new EOS-1D X Mark II DSLR camera. The new flagship camera has a 20.2 megapixel 35mm Full Frame Canon CMOS sensor and Dual DIGIC 6+ Image Processors. The camera can capture images at up to 14 frames per second, and HD video up-to-4K 60P, with Canon’s proprietary Dual Pixel CMOS Autofocus (AF) technology. We had an exclusive chance to get our hands on a prototype of the latest canon flagship, and here’s the lowdown.

At first look, the camera seems to have quite a similar body-layout to its predecessor the Canon 1DX. The camera feels strong in hand with its rugged and weather resistant construction, and there are subtle grip changes that Canon has done to improve the hold. While the camera features continuous shooting speeds of up-to-14 frames per second (fps) with Auto Exposure (AE) and predictive AF for viewfinder shooting and up to 16 fps in Live View mode. Its Dual DIGIC 6+ Image Processors are said to help in transferring image data at high speed for extended bursts during continuous shooting of up-to-170 consecutive RAW images at 14 fps. The camera can shoot 4K 60P and Full HD 120P video with Dual Pixel CMOS AF.

Canon informed that the camera has a Digital Lens Optimizer to help correct aberrations in-camera, and this previously required post-processing on an external computer. The camera’s has an improved 61-point viewfinder AF with expanded coverage and all AF-points selectable and supported to a maximum aperture of f/8. There is a central area expansion of approximately 8.6% vertical and peripheral area expansion of approximately 24% vertical.

There are other changes like continuous red illumination of all AF points within the camera’s Intelligent Viewfinder II, and compatibility with both CF and CFast memory cards for better performance with faster transfer rates and buffer speeds.

Canon informed that the camera will cost around Rs. 4.5lac body only, and will be available to buy by April 2016.

Sony finalizes buyout of Toshiba’s sensor business

After a series of negotiations, Sony has announced buying Toshiba’s image sensor division. It will be operated by Sony’s recently announced independent image sensor division. The parties also are planning to make arrangements to offer the employees of Toshiba and its affiliates, employed at the manufacturing facilities to be transferred, as well as those involved in areas such as CMOS image sensor engineering and design (approximately 1,100 employees in total), employment within the Sony Group, upon the completion of the transfer.

Image sensors are important to Sony. This acquisition will enable Sony to increase its production capabilities in the area of CMOS image sensors, where further market growth is anticipated. According to reports, 40% of the new image sensors in the smartphone market were manufactured by Sony. The recent acquisition will definitely be an added advantage to Sony. Toshiba aims to execute legally binding definitive agreements by the end of calendar year 2015. Thereafter, Toshiba and Sony aim to complete the transfer within the fiscal year ending March 31, 2016, subject to any required regulatory approvals.

Reuters issues a worldwide ban on RAW photos Adds a new spin to the on-going processing debate

In an unprecedented move, one of the largest news agencies in the world changed their policy on shooting and supplying RAW to them. Reuters announced that it has implemented a new worldwide policy for freelance photographers which bans them from sending photos that are processed from RAW files. Ideally it means that photographers/contributors/freelancers will now only send photos that have been originally saved to their
cameras as JPEGs.

According to Petapixel the announcement was made to freelance photographers this week via this short email from a Reuters pictures editor and a Reuters spokesperson has confirmed this policy change. The decision
comes in line increase both ethics and speed. Does this also put an end to long on-going debate of whether photo-journalistic pictures shouldn’t be processed? For a while now there are always discussions on the topics of post-processing of pictures. While many seem to agree that most genres can do finishing, photo-journalism shouldn’t be privy to these applications. The spokes person added that “As photojournalists working for the world’s largest
international multimedia news provider, Reuters Pictures photographers work in line with our Photographer’s Handbook and the Thomson Reuters Trust Principles,” Reuters says. “As eyewitness accounts of events covered by dedicated and responsible journalists, Reuters Pictures must reflect reality. While we aim for photography of the highest aesthetic quality, our goal is not to artistically interpret the news,” Reuters added. Restricting photographers to original JPEGs will also reduce the time it takes for photos to go from camera to client, Reuters says. “Speed is also very important to us. We have therefore asked our photographers to skip labour and time consuming processes to get our pictures to our clients faster.” RAW photos do allow for a greater degree of post-processing flexibility, so based on the new policy, it appears that Reuters found that photos processed from RAWs are more likely
to distort the truth.
 

Bhutan Photo Campaign: Win holiday trips to the Kingdom of Bhutan

A small Kingdom in the Himalayas called Bhutan has inspired many around the world by placing the happiness of its people ahead of economic wealth. This is the principal idea behind Gross National Happiness (GNH), Bhutan’s development philosophy which the King refers as ‘development with values’. His Majesty adds that GNH is the ‘national conscience guiding us towards making wise decisions for a better future’. 
Taking pride in the idea of HAPPINESS, the tourism industry of Bhutan promotes Bhutan with the tagline “Happiness is a place”. This is to simply assure that happiness can be found in simple things and these simple things can be found anywhere and in anything.
In an effort to allow everyone from across the globe to share what HAPPINESS means to him or her, the Tourism Council of Bhutan has introduced the Bhutan Photo Campaign. The Bhutan Photo campaign is a simple way of sharing what HAPPINESS means to everyone with photographs on www.HappinessIsaPlace.com.
The campaign is dedicated to the selfless Kings of Bhutan for introducing and promoting the Philosophy of GNH. The Honourable Prime Minister of Bhutan, His Excellency Tshering Tobgay launched the Bhutan Photo Campaign on 30th July2015.
To promote the campaign, attractive prizes will be given away for the photographs with highest LIKES and SHARES from the campaign page. The campaign will end in December 2015.

Artistique: Photography and the ‘Artform’

As we have reiterated time and again that at Asian Photography ‘innovation’ is the key to everything that the magazine does. And one such innovation that we are proud of in recent years is Artistique. An initiative that was started to celebrate the ‘World Photography Day’ and promote ‘Photography as an Artform’ has quickly turned into a platform that allows new and upcoming talent to showcase their work to the industry, apart from push the messages mentioned earlier. We are particularly proud of this since it has not only given us the opportunity to innovate but also give back to the industry that has given us so much. 
 
What is Artistique about?
 
Artistique is divided into 2 segments, the Exhibit and the Contest. The exhibit involves bringing together a number of photographers from the fraternity under one roof to exhibit their pictures under a common theme. While the contest gives the opportunity to the amateurs, hobbyists, enthusiasts among other the chance to show their talent to the great and have their pictures exhibited at the same platform as these greats. 

Furthermore it is a complete non-profit and non-commercial activity where some of the industry partners come together and lend their services as part of their contribution to the industry and overall objective. The objective is very simple. It’s simple, celebrate the World Photography Day and promote the culture of picture-taking by bringing together a number of photographers under one platform and exhibit their images.

It is a combination of images brought together by photographers from various genres promoting a single message for the industry. But while in its inception the message was to achieve all of these objectives, over the past two editions, it has quickly encapsulated a lot more than this. 
 
Who are the photographers that have exhibited?

At AP we do everything in style and when we put our minds and hearts to something then we don’t resist from pulling all the stops. So in order to make the initiative a success and take it to new levels we have had some of the best photographers exhibit their work in the past few editions. Some of these include:

Kakubhai
Ali Rangoonwala
Jatin Kampani
Arko Datta
Martin Prihoda
Sudhir Shivaram, to name a few

Apart from this we have also given the opportunity to new and upcoming talents to exhibit their work at the same platform as these greats.

The Jury

Each year a new jury presides over the selection of the winners and the pictures of the exhibit. And some of the jury members from the past include:

Jatin Kampani
Vikram Bawa
Arko Datta
Girish Mistry
Adeel Halim
Mukesh Parpiani
Ali Rangoonwala, 
Bhavya Desai, to name a few


How has Artistique evolved?

While the need to create something new has been in our DNA, we have ensured that the creativity doesn’t stop there. Since its inception, Artistique has continuously evolved year after year to encompass a bigger value and objective in mind. From the toddling steps in 2013 to encompassing a bigger reach in 2014, the platform has grown enormously in just two editions. 

2013

The 1st edition brought together four renowned photographers under one roof to promote the industry in a four-day exhibition held at the prestigious Piramal Art Gallery, Mumbai from 16th-19th August 2013. The exhibition witnessed everyone from budding students of photography and teachers to amateur photographers, enthusiasts and industry veterans from the photo-fraternity gathering to celebrate the art of photography with Artistique.

We brought together a pool of famous Indian photographers like Kakubhai, Jatin Kampani, Ali Rangoonwala and Arko Datta to exhibit their pictures under one roof under the theme of ‘Black and White’. But what was important was that the images showcased by these photographers were never before seen work.
 
2014

For the 2014 edition the exhibition saw a combination of professionals as well as upcoming talents exhibit their work together. Apart from noted photographers the idea was to provide upcoming and talented photographers a platform to push their talent. In the professional sphere the internationally acclaimed Canadian photographer Martin Prihoda and India’s famous Wildlife Photographer Sudhir Shivaram exhibited their exquisite work.

Due to the popular demand after the inaugural edition, the 2nd edition was a 10-day exhibition, which witnessed a footfall of approximately 1000 people. The exhibition also included a small space that was dedicated to the amateurs and readers of the magazine. These pictures were carefully handpicked by the jury of Vikram Bawa, Arko Datta, Jatin Kampani and Bhavya Desai.
 
What’s new for the 2015 edition?

We at AP have always ensured that we push the envelope on a continuous basis. So for this year we are envisaging to make ‘Artistique’ a travelling ART exhibit in Bangalore, Delhi and Kolkata, apart from Mumbai.

The idea this year is to invite an internationally renowned photographer and an upcoming Indian photographer for this edition. In order to encompass and promote our message we will take the same exhibit to the other cities so that all the enthusiasts, hobbyists and art lovers from across the country get a chance to see the exhibit and its message.

We would also be having interactive sessions with noted photographers in order to impart their knowledge and experience to our audience.

Artistique this year is set to be bigger and better than ever. The team at Asian photography is more excited than ever, as we will be travelling across the four corners of the country. We will have chance to not just promote the art of photography, but also interact with our readers from North, East, West and South of India, who will visit the exhibition. So, get ready, as Artistique is coming to your neighbourhood soon!

Bhavya Desai

Nikon India Announces the High-Definition D-SLR D810A for Astrophotographers

Nikon India has introduced the Nikon D810A, a D-SLR built specifically for the astrophotography. 
The manufacturer informed that the chief among the D810A’s strength is its ability to capture astronomical subjects that emit the H-alpha wavelengths of light such as nebulae and other distant galaxies in red, allowing astrophotographers to see them just as imagined. The 36.3 megapixels camera has features such as longer exposures in low-light conditions with minimal noise, and a live view preview function. 
On the announcement, Mr. Hiroshi Takashina, Managing Director, Nikon India said, “Nikon is always up for a challenge and empowering astrophotographers with a dedicated camera of unprecedented image quality was one intriguing task. We are thrilled to announce the launch of Nikon D810A, a class-leading, high-definition D-SLR that will bring astrophotographers one step closer to capturing the majestic vastness and beauty of space while offering them a new perspective in stunning detail.”
 “The Nikon D810A has been designed keeping in mind the obstacles that astrophotographers face; it is a result of an amalgamation of advanced imaging technology and suite of outstanding features. Nikon D810A is a 36.3 megapixels camera crafted with unique ability to capture subjects with H-alpha wavelengths, ensuring rich vibrant capture for images of the cosmos that are true to the eye,” said Mr. Sajjan Kumar, Vice President – Imaging Division, Nikon India.

Canon introduces two new entry-level DSLR camera and expands the IXUS and PowerShot range in addition to launching the super compact EF-M22mm f/2 STM Lens

Canon has launched two new DSLRs EOS 760D and EOS 750D, equipped with features catered to amateur photographers. Canon is also expanding the PowerShot and IXUS range in addition to introducing the most compact lens in the EF-M range, the pancake EF-M22mm f/2 STM, in silver.
Canon EOS 760D and EOS 750D
Both entry-level cameras, EOS 760D and EOS 750D feature a 24.2 megapixel CMOS sensor, paired with the latest Canon DIGIC 6 image processor. The ISO speed of these two cameras ranges from 100 to 12,800 (expandable to 25,600). The EOS 760D and EOS 750D operate on a new 19-point all cross type system. Both cameras are both equipped with Wi-Fi and NFC function. The new CameraConnect app allows users to control the EOS 760D and EOS 750D remotely and upload content onto social media via their smart devices.
A key difference between the two cameras is that the EOS 760D is the first entry-level EOS camera to incorporate a top LCD panel in addition to the main display. Similar to higher-end DSLR cameras, operating the menus and settings in the EOS 760D is achieved through a Quick Control Dial and Main Electronic Dial. Conversely, the EOS 750D features a navigation button control scheme.
POWERSHOT SX410 HS & IXUS 275 HS
The 20.0-megapixel POWERSHOT SX410 HS features a 40x long zoom (and 80x zoom using ZoomPlus technology) and Canon DIGIC 4+ image processor, whereas the IXUS 275 HS is a high performance 20.2-megapixel camera equipped with 12x optical zoom (and 24x zoom using ZoomPlus technology), a DIGIC 4+ image processor and Full HD movie recording capability in the lifestyle IXUS range.
EF-M22mm f/2 STM Silver
Canon has introduced a compact lens in the EF-M range, the pancake EF-M22mm f/2 STM Silver. The lens is now available in silver, and incorporates a wide aperture that achieves a bokeh effect. With its wide focal length of 22mm, it aimed at natural, landscape, and street photography.
Products will be available in stores during the second quarter of 2015 and the prices will be announced in due course.

4K video might be missing from Canon EOS 5Ds

If rumours are to be believed then the new Canon camera might not have a very important feature. Barely a few days ago the news and pictures of the to-be-announced Canon 5Ds was leaked online. While the camera was said to feature a stunning high-resolution of 50.6MP, but to the disappointment of many it lacked 4K video. 
While it lacks 4K, the camera will be able to shoot 1920×1080 video at 30fps.The camera is also said to include other features like 100% field of view viewfinder, an electronic level, shutter speed of 1/8000s, a 3.2-inch 1.04-million-dot LCD screen, mini HDMI out, and an external microphone terminal.
The website Canon Rumours reported that the 5D line would feature 3 different cameras, two 5Ds cameras and a 5D Mark IV. They are saying that the 5D Mark IV will be coming this year, and will be a “low-light event and sports type camera”. The camera is also rumoured to feature 4K video. 
At the same time, Canon’s 1D C DSLR camera now costs $8000, after a massive drop of price of $4000 from $12000.

The History of BYAS

Madan Gopal Vyas, MD, BYAS FOTO WORLD, Hyderabad, narrates the nine decade long journey of BYAS, and how he is restarting the photography academy that his father once ran with the dream of spreading knowledge of photography.

To start with I would like to share the history of how the BYAS and company came into existence. My grandfather Late Shri Shankarlalji Vyas, who hailed from an agriculturist family in Jaisalmer, Rajasthan, came to Hyderabad Deccan, in search of a livelihood. He chose the photography business, as he had a little exposure to this line of activity during his brief stint in Nasik. But he thought that Nasik was a small place and there would be better scope in Hyderabad, because it was a prosperous state under the Nizams. He started his studio in Kothi area, opposite Residency, in the year 1920. During this journey of 93 long years, a lot of changes, developments took place not in the industry but also at a political level in Hyderabad and also in the country.
As my father Shri Goverdhan Das ji Vyas recalls his father’s memories while he worked with him, I would like to share some of them in brief with you here.
Those days, photography was a rare and very secret type of business; very few people were involved in this activity, one of the first ones being Raja Deen Dayal in Secunderabad. Photographs were exposed on glass plates and prints were taken on black and white paper.  The enlargements were done only in England and my grandfather used to send them to England by post. It used to take about 27 days to reach there and then another one month to get them back. The money was sent by money order. To do this, he had to walk all the way up to the cantonment areas located beyond Secunderabad. He was smart enough to get this done, and we can now safely say that he was using the concept of “outsourcing” in those days. Now, we all know it is a common business practice all over the world.
In those days, it was a very big studio at Kothi, and he had, at one point, 40 employees working for him. Imagine in those days he has provided so much employment and fed forty families.
Another turning point in their studio was – one fine morning the HEH the Nizam of Hyderabad with his full convoy of security persons etc and family were passing through the kothi area, saw the impressive display of good portraits and photographs of his family and ancestors particularly, the photos of the parents of Princess Niloufer – and visited the studio. He enquired about the rates of those family photos. To which my grandfather humbly responded – “Sarkar, who toh amulya hai” (They are priceless). The Nizam was very much impressed and after that for all functions and celebrations of the Royal family, my grandfather was called for taking photos. While this continued, he was again very happy with the services and quality of work and conferred the title of Shahi Photographer to BYAS and Company on the 29th of September, 1929. During this time the Nizam also suggested to open another studio and sent the officials of the then City Improvement Board and showed three locations to choose from, one was at Abids, the place where GPO stands now, the second one was the Lepakshi showroom land at Gunfoundry, and the third one was at Basheerbagh. My grandfather chose Basheerbagh, because it was cheap and big, and he was very practical and forward-thinking; he thought it was the centre of the twin cities.
My grandfather had employed professionals in the studio like Mr Shukla from Bombay, and along with him he also learned professional photography. During this time my father Shri Goverdhan Das ji Vyas also joined the studio. He was just 12 years old and used to do his schooling at Vivek Vardhini and after school hours used to help his father in the studio. As my grandfather was not keeping too well, my father had to discontinue studies after class 9, and joined the family business full time. Even today, at the age of 87, he is very active in the day to day activities of our business. During the long years of his experience he has seen the complete changes, from Black and White glass plates to cut films to roll films to colour films and now to digital photography. 
Over the years many people who were working with him left and started on their own, as my father always encouraged entrepreneurship. In between the independence movement, Razakardaur, liberation of Hyderabad happened. However, my father moved on with times and kept on focussing on his business. In the year 1965 the studio was shifted to Bashirbagh. At this time he thought to share the knowledge he has gained, and started a training institute called Ganesh Institute of Photography. It was a short course of two months with one hour of class daily with both theory and practicals. The fee charged was just Rs 50 for total course, including material. At the end of the course, exams were conducted and a diploma was awarded to all successful students. Hundreds of students utilised these programme and were employed in government jobs, even abroad. Students from nearby towns like Nanded, Aurangabad etc also used to come for this course. One of the students got the job in Osmania University. The business which was supposed to be a secret and with very few people, my father thought to impart the knowledge and make it available to one and all. Likewise, he was instrumental in starting the first association for photographers at state level and also at South India level. In those days there was a ban or quota on imports of photography goods. The SIPATA could collectively negotiate with the government for releasing more photography goods to the industry and this helped all, but particularly the small businesses. He worked a lot for the associations and in fact used to travel to Madras and Delhi at his own expense in the interest of the trade. 
My father had three brothers and therefore he ventured and started a studio in Tandur, RR district about 60 years ago, and even today it is run by his younger brother Shri Gyanchandji Vyas and family. The other two brothers settled in Jaisalmer and are in photography business even now.
Goverdhan Das ji Vyas married Mrs Kesar Devi Vyas and she was big support even in the studio. His motto was to serve the industry 24/7. The press photographers used to come for films even at midnight and he used to service them with a smile and encouraging words. Goverdhan Das ji Vyas is blessed with five sons and all of them are in the same photography business in Hyderabad. All are very well educated. Mr Bhanwarlal Vyas and Mr Madhav Vyas joined the family business in 1965/66 which was a great support to my father. In fact Mr Madhav Vyas has done a diploma in photography from JNTU, now known as JNAFAU, and he was a good help in teaching the students of the photography institute.  His third son Dr Motilal Vyas has done his PhD in Astronomy and Astrophysics, and he worked for NASA. He has done scientific photography, he had covered the total solar eclipse of 16 February, 1980 using all types of cameras, including field, regular SLRs and telescope attached SLR camera bodies. This was first of its kind and unheard of.
The fourth and fifth sons, me and my younger brother are also associated in the same business for last more than 30 years. My father had to close the photography institute for business reasons but I wanted to continue my father’s dream of spreading the knowledge of photography, and hence stared the BYAS ACADEMY OF PHOTOGRAPHY, wherein we conduct seminars, trainings, workshops with practical sessions for all everyone, including students, amateurs, professionals and hobby photographers.
In the year 1989 we had organised the FIRST STATE PHOTOGRAPHY TRADE AND PROFESSIONALS CONVENTION at Indira Priyadarshini hall. It was graced by Ms Kumud Ben Joshi, the then Governor of our state as Chief Guest and the guests of honour were Shri N. Bhagwandas IAS, then Chief Secretary and Mr P R S Rao, Chairman and MD of Hindustan photo films. On this occasion, we felicitated all senior photographers from press, studios and traders from our state. This was appreciated by one and all.
Friends, during this long journey of nine decades, my father was always open to the changing times and challenges faced by the industry, he adapted to all the newer developments and the technology from black & white to today’s latest technology of digital photography. Now, the fourth generation of our family is also in the business, and my father has always encouraged to go for new technology, to take risks and at the same time do clean and transparent business. The idea is to care and share. 
And now BYAS PHOTOGRAPHY ACADEMY, formally started last year, holds a vision to spread the knowledge of photography among beginners, students, and others.
Every month we conduct two batches of students in a two days course of Basic Photography, apart from regular one day workshop with Nikon, Canon, Panasonic, and Sony. Sony came forward to co-sponsor the two Days Basic Photography Course for beginners since last 8 months.
Also Asian Photography sponsored their monthly magazines for our every participant who attends the workshop and basic photography course. Thanks to AP team.

Madan Gopal Vyas 
MD, BYAS FOTO WORLD

Fotodiox Launches Sony E to Canon EF-Mount Adapter with built-in ND Filter

The maker of adapter and accessories, Fotodiox is launching a new piece of gear. Named as the Vizelex ND Throttle, the piece of equipment is a Sony E-mount to Canon EF-mount adapter. The adapter comes with a variable ND filter that’s capable of ND2 all the way up to ND10 (10-stop difference) built-in.
By placing the ND filter at the back of the lens, wider lenses won’t suffer from distortion that might happen when it’s placed in the front.
The adapter itself is designed in line with the rest of Fotodiox’s adapter line-up.  The Vizelex ND Throttle adapter is currently for sale for $100 on Fotodiox’s website.