Tag Archives: Travel Photography

Slow Mind, Soulful Stills – Mahendra Bakle

Mahendra Bakle is a travel and documentary photographer from India whose work captures cultural stories and human connection across Asia. His images—often set in remote villages—blend natural light, emotion, and authenticity to reflect the soul of a place. Previously featured on our On The Horizon section, he’s now an internationally acclaimed artist featured in publications like National Geographic and more. Asian Photography caught up with him, talking about the evolution of his work, travel lessons, underrated skills and more. Excerpts:

How would you introduce yourself to someone who’s never heard of your work? 

I’m a travel and documentary photographer from India. My work focusses on capturing  cultural stories, traditions, and people in their natural environments, typically in remote and  lesser-known regions across Asia. I’m especially drawn to moments where light, texture, and  human emotion intersect. I spend time getting to know the people I photograph, typically sharing conversations, tea, or even laughter before lifting the camera. This approach helps me create authentic, respectful portrayals of the soul of a place and its people. 

But, at the core, I remain a curious traveller with a deep love for culture, light, and storytelling through the lens. 

How have you and your work evolved over the years? 

Over the years, both my photography and my personal perspective have evolved in profound  ways. When I first started, I was focussed mainly on capturing beautiful moments — interesting  faces, scenic places, or striking compositions. But as I travelled more, especially through  remote villages and culturally rich regions across Asia, I realised that the real power of  photography lies in storytelling and human connection. 

I’ve grown from being a silent observer to an engaged documentarian. Now, I spend more  time understanding the people I photograph—their lives, traditions, and daily rituals. That  connection reflects in my work, which has become more intimate, emotionally layered, and  culturally grounded. 

I’ve evolved technically as well. My editing style has become more refined—natural tones,  subtle light enhancements, and a focus on preserving authenticity. Tools like Lightroom and  Photoshop have helped, but the biggest change was internal: I’ve learned to slow down, wait for the right moment, and let the story reveal itself rather than chase it. 

Each image today feels less like a photo and more like a conversation—a small but powerful  bridge between cultures. That’s the evolution I’m most proud of. 

What’s the earliest lesson travel has taught you, and is it still relevant today? 

One of the earliest and most important lessons travel taught me is humility—the  understanding that no matter how much you know, there’s always more to learn from the  world and its people. When I first began travelling for photography, I would enter a place with a camera and curiosity. But very quickly, I realised that true stories don’t come to you unless you slow down, listen, and approach every place and person with deep respect. 

While sitting with a tribal elder in Nagaland or sharing coffee with a monk in Myanmar, I learned that being present and open-hearted reveals far more than any guidebook ever could. That lesson remains just as relevant today—if not more—especially in a world where things move fast and surface-level interactions are common. For me, meaningful photography still begins with humility, patience, and respect. These are timeless values, both in life and in art. 

Has Instagram changed your perspective about photography? 

Yes, Instagram has definitely influenced my perspective—both in positive and challenging  ways. In the beginning, it pushed me to be more consistent with my work, to develop a recognisable style, and to curate how I present stories. It helped me connect with photographers and cultures around the world, and brought my work to people I would have never reached otherwise. That visibility has opened doors to exhibitions, collaborations, and even meaningful conversations with strangers who resonated with an image. 

However, I’ve also had to be careful not to let the platform dictate my vision. With the  constant pressure to post, chase engagement, or follow trends, it’s easy to lose sight of why we begin in the first place. I’ve learned to use Instagram as a tool to share, not perform—to stay true to the slower, more intentional documentary style that defines my work, even if it doesn’t always follow the algorithm. 

My core values in photography — storytelling, authenticity, and connection—remain unchanged even with the challenge that Instagram has presented. 

With photography becoming more democratized now, what’s the most underrated skill  newcomers ought to focus on? 

In today’s world, almost anyone can take a beautiful picture—cameras are smarter, editing  tools are more accessible, and inspiration is everywhere. Amidst all this, I think the most  underrated skill is developing and staying true to your own unique visual style and voice. 

When I look back at my journey, what set my work apart wasn’t just technique—it was the  consistency in how I saw and told stories. For me, that meant focussing on natural light,  human connection, cultural authenticity, and subtle, respectful colour tones. It took time to  discover that voice, and even more discipline to protect it from trends and algorithms. 

Newcomers often try to replicate popular styles for quick attention, but I believe true growth  comes from shooting what you genuinely care about, again and again, until your work begins  to speak for you—even without a caption. 

So yes, learn the technicals, explore platforms, be inspired—but also spend time  understanding what moves you, and allow that to shape your photography. That’s what will  make your work stand out in the long run. 

How do you think one can stay curious after mastering the basics? 

I stayed curious by remembering why I started photography in the first place—not just to make technically perfect images. Even after mastering the basics, I still approach every assignment or journey with the mindset of a student. Curiosity grows when you step out of your comfort zone—whether it’s visiting a new place, learning from someone else’s process, or even trying to see the familiar with fresh eyes. Sometimes, I’ll go back to the same village or location, but with a different lens—emotionally and literally—and it leads to a completely new perspective. 

I also find inspiration in slowing down. When you stop chasing shots and start observing  more deeply, new layers begin to reveal themselves—light changes, human expressions shift,  stories unfold. That’s where curiosity thrives. 

So for me, the key is to keep exploring—not just the world, but also within myself.  Photography is not a destination; it’s a lifelong journey, and there’s always something new to  learn, feel, or express. 

How do you teach someone to capture the story of a place rather than just a pretty  snapshot? 

I tell them to slow down, observe, and connect with the people and rhythm of the place.  Understand the culture, light, and emotions around you. A story isn’t just seen—it’s felt.  When you feel it, the camera becomes a bridge, not just a tool. That’s when storytelling truly  begins. 

How do you measure your success? 

I measure success not just by awards or recognition, but by the emotional connection my  work creates. When someone sees one of my images and feels something—curiosity,  empathy, respect—that’s success. It’s also in the trust of the people I photograph and the  stories I’m honoured to share with honesty and heart. 

What’s your photographic signature? 

My photographic signature lies in capturing authentic cultural moments with natural light,  soft tones, and emotional depth. I focus on people in their environments—often in rural or  remote regions—framed with simplicity, texture, and quiet storytelling. My images aim to  reflect not just what a place looks like, but what it feels like. 

Capturing Travel Chronicles – Chris Ha

Chris Ha’s work is a visual treat to see, not only because of the passions that’s reflected in his well-composed frames, but also in the effort he puts in breaking tough concepts of post-processing in his videos. Spanning across multiple genres, his work has amassed admirers and acclaim from around the world. Asian Photography caught up with him to talk about his journey, mistakes, key learnings and more. Excerpts:

When did travel photography become more than just a hobby for you?

I’ve always loved photography. Back in my college days, I worked at a photo lab and would spend hours

studying other people’s photos, trying to understand what made them compelling. For years, I actually

focussed more on concert photography — capturing fast-paced moments in low light taught me a lot about timing, composition, and storytelling. I’ve carried a camera with me everywhere, but it wasn’t until my wife and I travelled to Japan in 2023. Travel photography really became something more. I posted a few photos from that trip on social media, and they unexpectedly went viral. That’s when I realised I wanted to take travel photography more seriously and share it as a form of art. It’s such a rewarding feeling when people connect with your work and see the beauty you saw at that moment.

What’s the first thing you learnt doing travel photography?

One of the first lessons I have  learned is that the best moments in travel photography often happen when you least expect them. You have to let the scene come to you – not the other way around. That learning really showed itself during a trip to the Atacama Desert in Chile. We were driving in the early hours of the morning on our way to another location when I spotted something out of the corner of my eye. A

herd of vicuñas were quietly grazing, with the Andes mountains in the background, and the first light of  sunrise casting a golden glow across the scene. It was surreal. I quickly asked the driver to pull over, grabbed my camera, and shot it right out the window. That photo ended up being one of my favourite captures. It was a reminder that sometimes the most powerful images aren’t planned – they happen when you’re fully present and ready to respond.

What are some mistakes you made early on that you wish someone had warned you about?

One big mistake I made early on was thinking I had to capture everything. I’d try to document every angle and every moment, afraid I’d miss something. But in doing that, I wasn’t really slowing down to observe or be intentional with my shots. Over time, I realised that great photography is less about volume and more about vision. It’s about waiting for the right moment, the right light, and the right feeling. 

Another lesson was realising, you don’t need the latest gear to take great photos. I used to shoot on an older Canon 5D Mark III until just last year. It didn’t have all the features of modern mirrorless cameras, but it helped me master the fundamentals. Having limitations pushed me to be more creative and intentional every time I picked up the camera.

How do you handle failure or disappointment?

I’ve definitely had trips where the weather didn’t cooperate, access was restricted, or the photos just didn’t turn out the way I imagined. It’s frustrating at the moment, but I’ve learned to see those situations as part of the process. Not every shoot is going to be a win, and that’s okay. 

I try to treat those moments as a reminder to stay flexible and present. Sometimes the best shots happen

when you stop chasing the original plan and start paying attention to what’s around you instead. And even if I come home without the photo I wanted, I’ve usually gained something else – a new idea, a better understanding of the location, or simply a good story. Those “misses” have helped me grow just as much as the successful shoots.

At what point did you feel confident enough to start sharing your knowledge with others?

It was after my first few travel photos went viral on Instagram. Until that point, I was mostly shooting for myself. There’s always that doubt in the back of your mind—wondering if people will connect with your work the same way you do. But seeing others respond to the photos and ask how I captured certain shots gave me the confidence to start sharing more of my process. That acknowledgement helped me realize that what I’ve learned could actually help others on their own journey. And the more I shared, the more I enjoyed being part of that creative exchange.

Was teaching always part of the plan, or did it happen naturally as you grew in your career?

It was never part of the plan, but I genuinely enjoy it. As I started sharing more of my work, people began

asking questions — about my camera settings, editing, or how I captured a specific moment. I realised I liked helping others figure it out. It’s fun to support someone in their own creative journey and help give them the confidence to share their art. The world just feels richer when more people are showing how they see things in their own unique way.

Has teaching others ever helped you see your own work in a new way?

Absolutely. Teaching forces you to slow down and really think about why you do what you do. When I break down my process for someone else, it makes me more intentional with how I shoot and edit. Sometimes I’ll explain something I do out of habit, and in doing so, I realise there’s actually a more efficient or creative way to approach it.

It’s also inspiring to see how other people interpret the same scene or technique differently. That perspective reminds me to stay curious and keep evolving. Teaching isn’t just about giving knowledge – it’s a two-way exchange that keeps me learning too.

What’s one piece of advice you always give to new photographers, no matter where they’re starting from?

Just start shooting and get your work out there. Don’t wait until everything feels perfect. The best way to grow is by doing, experimenting, and learning as you go. And don’t be afraid to share your work, even if it feels daunting at first.

Putting your photos out into the world, especially on social media, can feel intimidating. You might worry

about what others will think or whether your work is “good enough”. But the truth is, sharing your art is part of the process. It helps you build confidence, get feedback, and find your voice. Everyone starts somewhere, and the only way to improve is to keep showing up.

May 2025

Asian Photography Magazine May 2025 Issue is out!

📸 Cover by: Chris Ha

In this issue, explore:

Capturing Chronicles – Chris Ha
Slow Mind, Soulful Stills – Mahendra Bakle
Best Travel Destinations in India
How to Take Sharp Travel Photos Without a Tripod
Minimalist Travel Photography
Tips for Shooting Landmarks Without Making Them Cliche

Best Travel Photography Gear for Every Budget

Travel photography is an exciting way to capture memories, landscapes, and cultures. Whether you’re a beginner or a professional, having the right gear can make a huge difference. Below, we’ve curated the best travel photography gear across different budgets, from ₹40,000 to ₹5,00,000, covering cameras, lenses, and essential accessories.


Cameras & Lenses for Travel Photography

1. Budget Range: ₹40,000 – ₹1,00,000

You’re just beginning to scratch the surface and want to explore what’s out in the world with limited disruption to your travel experience. And you’re okay with being called a tourist, these recommendations will suit you and also not break the bank.

Cameras:

  • Sony ZV-E10 – Great for vlogging and stills with a flip screen and excellent autofocus.
  • Canon EOS R50  – Compact mirrorless with 4K video and fast autofocus.
  • Fujifilm X-T30 II – Small in hand, retro design with excellent colour science, fun to use.

Lenses:

  • Sigma 16mm f/1.4 – Wide-angle for landscapes, astro photos and environmental portraits, great for low-light as well
  • Sony 18-105mm f/4 – Versatile zoom for travel.
  • Tamron 17-70mm f/2.8 – Versatile zoom lens with a wide aperture suitable for a wide variety of shots.

2. Mid-Range: ₹1,00,000 – ₹2,50,000

You have a little bit of experience with Best for enthusiasts who want better performance and versatility.

Cameras:

  • Sony A7 III – Full-frame with great low-light performance.
  • Nikon Z6 II – Excellent dynamic range and video capabilities.
  • Fujifilm X-T4 – Very capable APS-C camera with retro aesthetics, a flippable screen and film simulations that enhance the shooting experience.

Lenses:

  • Tamron 28-75mm f/2.8 – Sharp and lightweight for full-frame.
  • Sigma 18-50mm f/2.8 – Compact zoom with fast aperture.
  • Sony 20mm f/1.8 G – Ultra-wide for astrophotography.

3. High-End: ₹2,50,000 – ₹5,00,000

Best for professionals and serious photographers who need top-tier performance.

Cameras:

  • Sony A7R V – 61MP resolution for detailed landscapes.
  • Canon EOS R5 – 8K video shooting capability and 45MP sensor for high resolution stills.
  • Nikon Z8 – Flagship performance in a compact body.

Lenses:

  • Sony 24-70mm f/2.8 GM II – Best all-in-one standard zoom lens, a must-have in a kit.
  • Canon RF 70-200mm f/2.8 – great starting point for a telephoto zoom lens.
  • Sigma 14-24mm f/2.8 – Ultra-wide for landscapes, environmental portraits, astro and more.
  • Nikon Z 24-120mm F/4 S – a great all-rounder that has a versatile focal length along with the S badge, meaning superb optics. 

Essential Travel Photography Accessories

1. Tripods & Stabilization

  • Manfrotto BeFree Travel Tripod (₹10,000 – ₹15,000) – Lightweight and sturdy.
  • DJI RS 3 Mini Gimbal (₹25,000 – ₹30,000) – For smooth video while travelling.

2. Bags & Storage
Under ₹5,000:

  • Wildcraft Shutterbug Pro (₹3500 – ₹5000) – Can carry one camera with several lenses, filters and cleaning kit with a pocket for a laptop in the back. Solid choice and value for money.
  • Digitek Holster Bag (₹1,500 – ₹2,500) – Compact and lightweight, can carry one camera with lens easily.

Mid-Range (₹5,000+):

  • Lowepro ProTactic 350 AW – Rugged and weather-resistant.

The Ultimate (₹10,000+)

  • Peak Design Everyday Backpack – Stylish, functional, customizable, slightly water-resistant.

Backpacks ultimately are extremely diverse and are a personal choice on top of functionality for many. These recommendations are just an example. 

3. Filters & Cleaning Kits

  • PolarPro Circular Polarizer (₹5,000 – ₹7,000) – Reduces glares & reflections, useful for landscapes, aerial shots, automotive and more.
  • K&F Concept VND (₹3000 – ₹8000) – high quality filters with little to no colour cast. (Oftentimes VNDs are combined with CPL filters, look out for them as well)
  • VSGO Camera Cleaning Kit (₹1,500 – ₹2,000) – Essential for dust removal.

4. Lighting & Extras

  • Godox TT350 Flash (₹7,000 – ₹9,000) – Compact travel flash.
  • DJI Mini 3 Pro (₹70,000 – ₹80,000) – Lightweight drone for aerial shots.

Final Thoughts

Whether you’re on a tight budget or ready to splurge, there’s a perfect travel photography setup for you. From ₹40K–₹1L, focus on a good APS-C camera and a versatile lens. Pro tip, when starting out, seek used/unboxed/second-hand cameras & lenses as you can get some great deals like midrange bodies & lenses for the price of a beginner.

For ₹1L–₹2.5L, upgrade to full-frame (or get a better APSC body) for better low-light performance. For ₹2.5L–₹5L, you can invest in high-resolution bodies and pro-grade lenses. Don’t forget accessories like tripods, bags, and filters—they can significantly enhance your travel photography experience.

Drone Photography on the Road: What You Need to Know

Travel photography has evolved dramatically with the advent of drone technology. Drones allow photographers to capture breathtaking aerial perspectives that were once only possible with helicopters or planes. Whether you’re documenting a scenic coastline, a bustling cityscape, or a remote mountain range, drone photography can elevate your travel portfolio.

However, flying a drone while traveling comes with challenges—legal restrictions, safety concerns, and technical considerations. This guide covers everything you need to know about drone photography on the road, from regulations to best practices.

1. Understanding Drone Regulations

Before taking off, it’s crucial to research local drone laws. Regulations vary by country and in case of India, can vary state-by-state and UTs. Violating them can lead to fines, confiscation of your equipment, a combination of the two or more.

Key Considerations:

AP Photo/Seth Wenig
  • Registration Requirements: Many countries require drone registration (e.g., DGCA in India, FAA registration in the US, EASA rules in the EU).
  • No-Fly Zones: Airports, military bases, and national parks often prohibit drones. Apps like DroneMate can help identify restricted areas.
  • Altitude & Distance Limits: Most countries impose a maximum altitude (typically 120m/400ft) and require keeping the drone within visual line of sight.
  • Privacy Laws: Some regions have strict privacy laws against photographing people without consent.

Pro Tip: Check government aviation websites for the latest rules before travelling.

2. Choosing the Right Drone for Travel

Not all drones are travel-friendly. Consider these factors when selecting one:

Portability

  • Foldable Drones: Models like the DJI Mini 4 Pro or DJI Flip or Autel EVO Nano+ are compact and lightweight.
  • Weight Limits: Micro drones often face fewer restrictions, but also have their own limitations. Opt for them if required as they cause the least amount of disruption and can lead to smoother flights.

Battery Life & Charging

  • Look for drones with 20+ minutes of flight time and carry spare batteries. In 2025, most drones qualify for this, however, it’s a good idea to buy the “Fly More” combo available for every drone. 
  • Check if your destination uses compatible power outlets or bring a universal adapter.

Camera Quality

  • Sensor Size: Larger sensors (1-inch or bigger) perform better in low light.
  • Resolution & Stabilization: 4K video and 3-axis gimbals ensure smooth, high-quality footage.

Best Travel Drones in 2025:

  • DJI Mini 4 Pro (Ultra-light, great for beginners)
  • Autel EVO Lite+ (Excellent camera, longer flight time)
  • Skydio 2+ (AI-powered obstacle avoidance)

3. Packing & Transporting Your Drone

Traveling with a drone requires careful packing to avoid damage or airport hassles.

Carry-On vs. Checked Luggage

  • Always carry your drone in hand luggage—lithium batteries are prohibited in checked bags on many airlines.
  • Use a hard-shell case (e.g., Pelican or DJI Fly More Case) for protection.

Airport Security Tips

  • Be prepared for additional screening—TSA and other agencies may inspect drone batteries.
  • Keep batteries at 30-50% charge for air travel to reduce fire risk.

4. Pre-Flight Checklist for Travel Drones

Before every flight, follow this checklist to ensure safety and compliance:

  1. Check local drone laws, and to do that, use apps like Airmap or UAV Forecast.
  2. Inspect your drone propellers, battery, and gimbal – make sure they’re calibrated properly. 
  3. Calibrate the compass and IMU, especially after long-distance travel.
  4. Check weather conditions and avoid high winds, rain, or extreme temperatures, which might give you less time in flight as well as less footage than expected – better to wait these out.
  5. Find a safe takeoff/landing spot – avoid crowds and obstacles, especially trees and overhead power lines.

5. Capturing Stunning Travel Photos & Videos

Aerial photography opens up creative possibilities. Here’s how to make the most of it:

Composition Tips:

  • Rule of Thirds: Position key elements (roads, rivers, buildings) along grid lines.
  • Leading Lines: Use natural or man-made lines (roads, coastlines) to guide the viewer’s eye.
  • Symmetry & Patterns: Capture geometric landscapes, like terraced fields or urban grids.

Best Times to Fly:

  • Golden Hour (sunrise/sunset) for warm, dramatic lighting.
  • Blue Hour (twilight) for cityscapes with glowing lights.
  • Broad daylight – daylight is the best because you can spot your aircraft visually anywhere and can also see obstructions in the way. 

Creative Techniques

  • Orbit Shots: Circle a landmark for cinematic footage.
  • Top-Down (Nadir) Shots: Perfect for abstract landscapes.
  • Reveal Shots: Start close to a subject, then ascend to reveal the surroundings.

6. Post-Processing Drone Footage

Quick Editing Tips:

  • Adjust contrast, shadows, and vibrance for punchier images. Colour correct and grade according to your style.
  • Use gradient filters to balance sky and ground exposure – drone cameras might not have the best dynamic ranges. Also it’s preferable if you can shoot RAW or Log (video).
  • Stabilize shaky footage – There still might be some due to winds – with warp stabilizer.

7. Ethical and Responsible Drone Flying

While drone photography offers incredible creative freedom (and is also fun), it also comes with a responsibility to respect people, wildlife, and the environment. Irresponsible flying can lead to legal trouble, damage to ecosystems, and negative perceptions of drone pilots. Here’s how to fly ethically while travelling:

A. Respect Privacy and Local Communities

  • Avoid Intrusive Filming: Never fly over private homes, backyards, or sacred sites without permission. Even in public spaces, be mindful of people who may not want to be photographed.
  • Follow Cultural Norms: In some countries, drones are seen as invasive or even threatening. Research local attitudes—for example, flying drones near religious ceremonies or indigenous lands may be offensive.
  • Engage with Locals: If someone expresses discomfort, land your drone and explain your intentions politely. Building goodwill helps maintain positive relations between drone pilots and communities.

B. Protect Wildlife and Natural Habitats

  • Keep Your Distance: Drones can stress animals, causing them to flee or abandon nests. Maintain a safe altitude (at least 100m/330ft from wildlife) and avoid nesting or breeding areas.
  • Follow Park Rules: Many national parks and protected areas ban drones to preserve ecosystems. Check regulations before flying—violations can result in hefty fines.
  • Avoid Sensitive Environments: Sand dunes, coral reefs, and fragile landscapes can be damaged by drone crashes or even rotor wash. Stick to durable surfaces for takeoff/landing.

C. Minimise Noise Pollution

  • Drones Can Be Annoying: The buzzing sound can disrupt peaceful settings, like quiet villages or serene nature spots. Fly only when necessary and avoid prolonged hovering near people.
  • Choose Quieter Models: Some drones (like the DJI Mini series) are quieter than larger commercial models. If noise is a concern, opt for a less disruptive drone.

D. Leave No Trace

  • Pack Out Everything: If you crash or need to replace parts, don’t leave broken propellers or batteries behind. Lithium batteries can be hazardous to the environment.
  • Avoid Risky Manoeuvres Near Landmarks: A drone crash into a historic site or natural wonder could cause irreversible damage. Always prioritise safety over getting the “perfect shot”.

E. Educate Others and Lead by Example

  • Share Best Practices: If you see other drone pilots acting irresponsibly, politely inform them of local rules (e.g. no-fly zones or altitude limits).
  • Support Responsible Drone Advocacy: Join communities like Drone U or FPV Freedom Coalition that promote ethical flying and work with regulators to balance access and conservation.

Conclusion: Keep The Blue Side Up

Drone photography is a game-changer for travel photographers, offering unique perspectives that ground-based shots can’t match. However, success depends on understanding regulations, choosing the right gear, and flying responsibly. By following this guide, you’ll be well-equipped to capture stunning aerial imagery on your next adventure—without legal trouble or safety risks.

Travelling The World’s Gullies – Shreepad Gaonkar

Shreepad Gaonkar was an avid cricketer when he picked up a camera for the first time to document his journey and, later on, a tournament. What has transpired since then, is an inspiring spectacle, as he’s travelled over 34 countries, working with various tourism boards. Asian Photography spoke to him about ethical and responsible travel photography, bucket shots, challenges and more. Excerpts:

What inspired you to take up travel photography?

Ever since I was a kid, I was into cricket, which I played for over 18 years throughout school, university, club and corporate cricket. I completed my B.Sc. IT degree and later did a Sports Management degree working for six years in IPL as an Operation Manager across 11 cricket stadiums in India. I was playing club cricket in Mumbai, organising grassroot cricket tournaments, coaching under 14 kids and also working in IPL & ISL at the age of 22. This indirectly introduced me to documenting my travels on the phone over the years until one day I realised that I was good at it and people started appreciating it on social media. Eventually, I ended up borrowing my friend’s DSLR just to understand what a camera is, how to operate, what settings to set, etc. My hunger grew with every small thing I loved about the camera, which led me to my first official shoot for a cricket tournament — capturing a T20 match at DY Patil stadium, which would also open my doors for travel. So my passion for cricket and my curiosity for documenting and travelling made me get into photography.

What are some of the biggest challenges you face as a travel photographer? Have these changed over the years?

Firstly, I believe travel photography/cinematography is not everyone’s cup of tea, I have seen the best DOPs struggle when it comes to a guerrilla shooting or a “run & gun” travel shoot which has challenges that come out of nowhere. You have to adapt to situations and luckily, my previous work culture from managing IPL and major leagues and handling immense pressure 24×7 really made me tough mentally. Now, when I have challenges, I always look at it as with my management brains rather than me being a photographer. Some of the biggest challenges I face is while taking drone shots in India, the process is really way long to ideally secure aerial permissions as compared to other countries. I have been to 34 countries and the process to get the permits overseas is much easier even for a beginner or a tourist than taking permissions in India, that really hurts.


How do you balance travelling light while still having the right equipment?

I honestly film a lot more than photography, but I travel with just a couple of lenses, and right now, using a Sony A7S3. The process is to have variable lenses with a combination of a prime either 35mm or a 50mm. I prefer filming handheld more than using a gimbal, as handheld gives you more natural and dynamic perspective. I add one drone, usually my Mavic Air 2s which is lighter than newer drones and this specific drone has travelled with me to 26 countries, so it works out to be the best for me. Also over the years, I’ve realised that you actually don’t need a dozen equipment when you travel as long as you are clear of what you want as the end output. I film as per the edit, as I edit myself, so when I am on ground filming I have an advantage of choosing what I want to shoot and how the film ought to look like.

Over the years, has the story behind the shot taken a backseat over aesthetics?

Yes, the audience and the brands I work with at times are very specific with what they want rather than what inputs I can give as an artist. I believe a lot of photographers and videographers will agree with this – oftentimes, we like to keep a raw and natural touch to the art with minimal post-production, but the focus has been shifting on the other side nowadays. When  working for a lot of tourism boards, I always suggest to film in the natural environment with more focus on candid moments. This really brings out the best visuals, which looks more natural and real rather than appearing staged. Yes, aesthetics are important, but It’s a superb feeling to make a non-fiction as a fiction, the clients really like it, and it brings out the story really well.

Has the advent of “Instagram photography” influenced how you shoot pictures?

I’ve been on Instagram since 2013 and a lot has changed over the past 11 years. I would say it has played a critical role in my career, as it really shaped my thought process over the years. In a way, yes, it influenced me in a lot of ways. It inspired me to make content whether it is reels, carousel, stories and put forth my perspective to the world. Eventually adapting to the world and blending my style with it, but the intent was always learning something new and less focus on the numbers and followers. A lot of my  colleagues appreciate my work and mention that I should have a million followers, but I always stick to the quality of the content rather than just the quantity. As I firmly believe that what matters the most for me is I do justice with my perspective and the final output, rest will follow.

Is there a place you keep returning to because of its photographic appeal?

Filming and capturing the Ganpati festival in Mumbai and Lalbaug. Wherever I am in the world, I make sure I never miss filming Ganeshotsav. I have been following this ritual for 10 years, and have made three official YouTube songs, countless reels and some epic memories. I have learned more on the streets of Lalbaug than anywhere in the world. The Lalbaug chaos helped me shape myself as a multitasker as you have very limited time to do everything — photos, videos, flying a drone, video editing and then coming back home to craft the entire thing.

What are your thoughts on ethical travel photography?

We should be ethical in general in everything we do. The discipline, the passion, the values I learned on the cricket field has taken me places. Being a sportsperson, I’ve always had a certain way of approach in doing things and I implemented them on & off the field – which indirectly helped me reach where I am. Not that I have achieved a lot, I am still learning. Respecting people, culture, different environments is an integral part of travel photography/videography. For instance, I always try to communicate to people if I badly want a portrait or If I see some unique character on the streets I take their consent before filming, and how do I do it? I just give a smile if they greet back, then start the conversation. It works at times and if it doesn’t, I simply say “it’s alright, no worries”. Moreover, we should always be careful of what environment we are filming in. For instance, I was filming for Israel Tourism at Dead Sea and I had the official permission to fly the drone for one hour, but I only flew for 10 minutes to get the overall vibe, considering the border issues. So being proactive but what environment we are filming is really very important.

With over-tourism being a growing issue, how do you practice responsible travel photography?

Yes, it’s a matter of concern. We should be mindful of what we do, there are creators who will risk everything to take photos and videos just for views and numbers, but we ought to think about other outcomes too. Another practice is we should try to film during the non-peak hours especially if we are filming in different countries so it doesn’t disturb or create unnecessary hassle. Highlights should be on the culture, history, and the story, not just the aesthetics.

Where do you see the future of travel photography going?

The future of travel photography is evolving fast, influenced by technology. We should thrive for more authentic content, immersive story telling capturing the real essence of the place. I am really super impressed by the immersive videos made for Apple Vision Pro and really looking forward to getting into that, which is the next step of making interactive videos using the VR and 360 gear.

Do you have a bucket shot?

Yes, I do have a bunch of them. Having travelled in over 34 countries, I wish to at least do 190 in this lifetime. Last year I was in Lapland in Finland and I saw the Northern lights for the first time, but that was like just for 10 minutes, and in that time, I just captured a couple of shots. I really hope to do it again and capture a time lapse of the Northern Lights and an aerial shot of me with the active volcanoes in Iceland.

The Art of Capturing Expeditions – Alex Stead

Alex Stead is a professional photographer known for capturing breathtaking landscapes, adventurous expeditions, and dynamic lifestyle imagery. With over a decade of experience, his work spans from the Arctic to the deserts, blending storytelling with stunning visuals. He has collaborated with global brands and tourism boards, crafting compelling narratives that inspire wanderlust. He also has a deep passion for wildlife and remote expeditions. Asian Photography caught up to him to talk about his background, storytelling, expeditions, and the evolution of travel photography.

Do you remember the first photo you ever took that made you think, “This is what I want to do”?

Growing up, I’ve always wanted to be a photographer, but I didn’t really know that it could be a proper career or that I could make a living out of it. I spent a lot of my childhood wandering London with my camera, capturing the city. In 2012, it was the Olympics which were being held in London, and we’d managed to get a few tickets to some events. One of which was the Men’s 200 Meter with Usain Bolt, and we luckily had pretty good seats. So as a 15-year-old with a big lens I had borrowed, I managed to get some great photos of the event. While I’d know for a while that I wanted to be a photographer, this gave me great confidence that it could be something I could achieve. Even though I never went into sports photography, I tried all areas of photography before finding travel, lifestyle and automotive which is mostly what I do today.

How do you decide what stories to tell through your photography?
When deciding what stories to tell through my photography, I consider several factors. I think about what resonates personally with me and what stories I want to convey. This could be an intriguing destination or a theme that has caught my interest. I also reflect on the relevance of the story to my audience or the client, looking for topics that might inspire or evoke a strong response. Additionally, I consider the visual elements available, such as lighting, composition, and colour, ensuring they can effectively communicate the intended narrative. I also want to explore as much of the world as I can, so I look for intriguing places which I’d like to capture.

What’s the hardest thing to capture in travel photography that people might not realise?
I think travel photography in general is all quite hard and easy at the same time. It’s very easy most of the time to travel to a country and take a photo, like a lot of normal tourists do. However, it’s a very different and challenging job to capture a location in a way which grabs someone’s attention on the front of a website or a magazine. It’s hard to always create captivating images when it’s not always ideal conditions, so your creativity always has to be switched on to the max at every location. To make sure you get the most captivating photo, the best composition, you are in the right place for the best light which could only last a few seconds. 

I think overall as a travel photographer you have to master so many photography skills and environments. For example, I could be one week in Antarctica and the next in the desert, so I very much learnt over the years how to work in different environments and that’s something which people don’t realise is hard. How you have to adapt your photography skills to the environment very quickly. Not to mention how physically hard sometimes photography can be, I usually carry about 15KG of camera gear. Perhaps more if I need big lenses for wildlife.

How do you choose your next destination to photograph?
Most of the time the places I end up aren’t down to me, but it’s down to my paying clients. Of course, I spend a lot of my time pitching projects or ideas to clients, however the creative teams in their agencies or the brand HQ make the decision where a project will happen. That said, I love to have more personal projects where I reach out to tourism boards or brands in certain countries and put together a project there. In the future, I want to spend a lot more time in the Arctic and the Antarctica regions exploring, so I’ve been pitching ideas to expedition companies.

I also love capturing wildlife, so I’m constantly pitching ideas around that, however there isn’t a huge amount of income from wildlife photography, so these are mostly personal projects.

Do you travel with a plan in mind, or do you let spontaneity guide your photography?
I always do a lot of research before going on a trip, I really want to get to know the places I’m going before I set off. I spend a lot of time on Google Maps and street view understanding the environment. Especially if I’m shooting for a client, we have a lot of locations and ideas in mind, so we are on the same page about what we are producing. That said, things don’t always go to plan, or you find a hidden gem which didn’t come up in your research, so it’s good to be spontaneous at times and see where it takes me. When on location we always try to find a good local guide and that really helps us get the most out of the trips I do. I love going to countries where you can self drive and explore though. Places like New Zealand have been one of my favourites to go to as you can just road trip and explore with being spontaneous.

What do you do when things don’t go according to plan?
I’ve learned over the years how to be very adaptable and embrace change quickly. Before a trip I do a lot of research on the places I’m going and always have a backup plans if things go wrong. A lot of the time on travel projects we don’t book accommodation till the same day and change our itinerary constantly with the weather. 

Of course, this is not always possible in more remote areas, however it certainly helps to be as adaptable as possible. Sometimes, even with all of this, you don’t always get the most ideal conditions for the photos you imagined creating at that location. However, with a lot of my work if the weather is “bad” I lean into the more interesting weather. I think as a travel photographer you learn quickly to shoot in all weather, lighting, and environment conditions. Within that, looking for more interesting compositions, for example. 

What’s one piece of gear you can’t live without?
For me, I use a polarizer in a lot of my work, so this is something which I couldn’t live without. A polarizer reduces reflections and glare, intensifies colours, and darkens skies. I think it’s a great way of improving your daytime work and making the light less harsh. 

How do you see travel photography evolving in the next decade?
It’s hard to say where I think travel photography is going, however the changes I’ve seen in my 10+ years of doing this, travel photography is evolving a lot more into short format video. With the rise of social media, 9×16 video is highly popular, so I see a lot of photographers including myself adapting to this medium and telling stories through this. One thing I really hope stops is the rise of AI-generated travel content. However I see this growing and growing sadly to a point where we can’t tell what is real and what is fake.

What’s your best photo till now and the story behind it?
I don’t think I can say I have one “best photo”, however one I took about six years ago really still stands out to me. I was in Iceland on a long term project for a company and was watching sunset at the iconic black sand beach lookout. It was I believe late April/ early May so was coming towards puffin season, however so far on the trip and the hours being at this view point we hadn’t seen them. However, as it got closer to sunset, they came out and were diving off the cliff to go fishing. I noticed two puffins coming together quite often so I laid down and slowly moved closer trying not to disturb them. I also changed lenses to a much wider one, most people shoot puffins with a 70-200 mm, but for this I’d got a 14-24 mm to try to capture the sunset and landscape.

What’s one thing you wish you knew before you started? 

I wish I knew a lot more about the business side of photography. It’s not an easy industry, and actually 80% of my time is spent behind a desk running the business side of things.

April 2025

Asian Photography Magazine April 2025 Issue is out!

📸 Cover by: Alex Stead

In this issue, explore:

The Art of Capturing Expeditions – Alex Stead
Travelling The World’s Gullies – Shreepad Gaonkaar
Best Travel Photography Gear For All Budgets
Drone Photography On The Road
Portraits of a Culture
Street Photography in Crowded Place

April 2024


Cover by Sean Dalton 📷

In this issue read:

~ Voyage From Vision to Discovery – Sean Dalton

~ From Local Trails to Golabl Tales – Ganesh Bagal

~ From Drawing Boards to Composing Frames – Hegde Arun

~ A Comprehensive Guide for Indian Photographers Embarking on International Sojourns

~ A Photographer’s Guide to Cost-Effective Travel in India

~ How to be a Travel Photographer in Your Own City

~ Fujifilm Instax PAL Review