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Nikon D850 Launch and Hands-on Review




Nikon has recently announced a new full-frame DSLR camera, the Nikon D850. It’s a 45.7-megapixel full-frame DSLR camera with an FX-format, back-side Illuminated (BSI) CMOS sensor The D850 is capable of a capture rate of up to 7 frames-per-second (fps) or 9-fps with the optional battery grip and EN-EL18a/b battery, while offering a range of new features requested by Nikon shooters around the world.


The Nikon D850 is aimed as a serious tool for every kind of photographer, and the manufacturer says that it delivers intense clarity and accurate skin tones for portraits, with the added benefit of low-light ability for weddings and events. It is said to be versatile enough to be used for landscapes and fine art where broad dynamic range is critical, for sports that require a high frame rate and decisive AF, or for video creators who want 4K UHD flexibility.


“The Nikon D850 is much more than a camera, rather it’s a statement that Nikon is continuing to listen to customer needs, to innovate for the next 100 years, and bring to market a full-frame DSLR that exceeds the expectations of the professionals that rely on this caliber of camera to make a living,” said Kosuke Kawaura, Director of Marketing and Planning, Nikon Inc.


“I have had the pleasure of putting this camera through its paces, and there is nothing like it. The Nikon D850 introduces a whole new generation of photographers to medium format quality; the resolution is out of this world, and the tonality and range are at a level I never thought possible from a DSLR,” said Nikon Ambassador and award-winning wedding photographer Jerry Ghionis.


The Nikon D850 is a combination of resolution, dynamic range, ISO and processing power. Nikon informed that the 45.7-megapixel CMOS sensor forgoes an optical low pass filter (OLPF) to harness the sharpness of NIKKOR lenses, with fidelity, tonality and clarity. This is also Nikon’s first DSLR to incorporate a BSI CMOS sensor, which captures light more efficiently, resulting in a wider dynamic range and low-noise image capture.


The D850 is capable of shooting up to 7 fps at full resolution, with full AF/AE or 9 fps at full resolution with the addition of an optional battery grip (MB-D18) and EN-EL18a/b battery (Buffer approximately 51 frames of 14-bit lossless RAW capture / 170 frames of 12-bit lossless). The D850 offers a wide ISO range from 64-25,600 (Expandable down to ISO 32, up to 102,400). The D850 uses the Nikon D5’s 153-point, Multi-Cam 20K AF system, which features 99 cross type sensors, 15 of which are sensitive to f/8. The camera has EXPEED 5, which Nikon informs is their most powerful engine yet, allowing for fast data readout and swift image processing, improved low light performance, high speed shooting, full-frame 4K UHD video capture and greater power efficiency for longer battery life. The camera has a 3.2-in., high resolution (2359k-dot) touchscreen LCD monitor. The D850 offers the ability to operate with an electronic shutter in Live View. When in this mode, users can shoot in complete silence. The electronic shutter operates at up to 6 fps (AF/AE locked) at full resolution, while an additional mode enables 8.6-megapixel capture in DX image area mode at up to 30 fps.

Like the D5 and D500, the D850 also supports Radio-controlled Advanced Wireless Lighting with the optional SB-5000 Speedlight and WR-A10 and WR-R10 accessories. Users can choose from 3 sizes of RAW files to enhance workflow, including Large (45.4-MP), Medium (25.6-MP) and Small (11.4-MP). Additionally, the D850 lets users batch process RAW files in camera. It gives users up to 1,840 shots at full resolution or approximately 70 minutes of video on a single charge. Users who opt for the additional control and handling benefits of the optional battery grip can expect up to 5140 shots (CIPA standard).

For macro, product and landscape photographers, there is a Focus Shift Photography feature. This feature lets the user automatically shoot up to 300 shots at adjustable focus step intervals to infinity which can be assembled into a focus-stacked image using third party software.

With the optional ES-2 Film Digitizing Adapter and compatible Micro-NIKKOR lens, the camera is said to enable super high-resolution digitising of 35mm slides or negatives and converts them in-camera to positives. The camera is said to have a rugged and weather-sealed magnesium alloy body.

It features built-in Wi-Fi & Bluetooth for connectivity. The D850 features dual memory card slots, XQD for high-speed capture and transfer, as well as readily available SD media.


The D850’s FX BSI CMOS sensor allows 4K UHD output at a full-frame width at 16:9. Creators can also capture Full HD 1080p at up to 120 fps (4x or 5x) for slow-motion video capture. When shooting Full HD or in Live View for stills, focus peaking can be enabled which highlights in-focus subjects in the frame to ensure sharpness. Users can create 4K UHD time-lapse videos in-camera, or can use the built in intervalometer to capture images for an ultra-high resolution 8K time lapse that can be assembled in post for those who want the ultimate in video quality.


The Nikon D850 will have a suggested retail price (SRP) of $3,299.95, and will be available in September 2017. The MB-D18 Multi Power Battery Pack will have an SRP of $399.95, while the ES-2 film digitalising adapter will have an SRP of $149.95.


Asian Photography: Hands-on with Sony A9

Building upon the ever-growing interest in adventure sports and wildlife photography, Sony India recently introduced its new digital camera, the α9 (model ILCE-9). The camera is geared at those interested in adventure sports and wildlife photography.

According to Sony, this is the most technologically advanced, innovative digital camera that Sony has ever created, and they say that the new camera “offers a level of imaging performance that is simply unmatched by any camera ever created – mirrorless, SLR or otherwise.”

We had a chance to get our hands on the camera and try it out, so let’s take a look at what’s new about this camera.



The new mirrorless camera offers many impressive features including high-speed, blackout-free continuous shooting at up to 20fps, 60 AF/AE tracking calculations per second, a maximum shutter speed of up to 1/32,000 second5and much more. These are made possible by its 35mm full-frame stacked Exmor RS CMOS sensor, which enables data speed processing at up to 20x faster than previous Sony full-frame mirrorless cameras. This sensor is paired with a brand new, upgraded BIONZ X processing engine and front-end LSI that maximises its overall performance, according to Sony.


Sony prides on the speed of the α9, which is the the outcome of new stacked 24.2 MP Exmor RS image sensor, new BIONZ X processor and front end LSI. Sony informed that the α9 liberates processing power as its new components allow faster AF/AE calculation while also reducing EVF display latency. The processor and front end LSI are responsible for the larger continuous shooting buffer therefore allowing photographers to shoot at a blazing 20 fps with continuous AF/AE tracking for up to 362 JPEG or 241 RAW images. We tried the camera in continuous shooting mode, and it gave us quite an impressive output.


The camera also offers tracking with an uninterrupted view with AF/AE tracking calculation up to 60 times per sec, regardless of shutter release and frame capture. The camera was able to track the live-action we were shooting quite accurately.


It features 693 focal plane phase detection AF points covering approximately 93% of the frame. The Fast Hybrid AF system – pairing the speed and excellent tracking performance of phase detection AF with the precision of contrast AF – achieves approximately 25% faster performance when compared with α7R II, ensuring all fast-moving subjects are captured.

As the camera is aimed at wildlife photographers, it also offers silent and vibration-free shooting at speeds up to 1/32,000 sec. The electronic shutter in the A9 operates silently, without mechanical noise that can be disruptive when shooting sports, events or wildlife in a quiet environment. Sony said that the fact that the electronic shutter is vibration-free also minimises the likelihood of vibration-induced blur, further contributing to resolution and image quality. The manufacturerer also said that its maximum 1/32000 sec speed exceeds the limits of mechanical systems for vastly expanded exposure freedom as well as the ability to maintain shallow depth of field in bright conditions without having to use ND filters.

The α9 is equipped with an 5-axis image stabilisation system that provides a shutter speed advantage of 5.0 steps.

The camera also shoots 4K (3840x2160p) video recording. It uses full pixel readout without pixel binning to collect 6K of information, oversampling it to produce high quality 4K footage with exceptional detail and depth. The extremely popular 35mm size recording is also available in the α9.

The camera is available at Sony retail outlets for Rs 3,29,990. We will soon do a full-length review of the camera in our magazine. So, keep reading!



Building upon the ever-growing interest in adventure sports and wildlife photography, Sony India recently introduced its new digital camera, the α9 (model ILCE-9). The camera is geared at those interested in adventure sports and wildlife photography.

According to Sony, this is the most technologically advanced, innovative digital camera that Sony has ever created, and they say that the new camera “offers a level of imaging performance that is simply unmatched by any camera ever created – mirrorless, SLR or otherwise.”

We had a chance to get our hands on the camera and try it out, so let’s take a look at what’s new about this camera.

The new mirrorless camera offers many impressive features including high-speed, blackout-free continuous shooting at up to 20fps, 60 AF/AE tracking calculations per second, a maximum shutter speed of up to 1/32,000 second5and much more. These are made possible by its 35mm full-frame stacked Exmor RS CMOS sensor, which enables data speed processing at up to 20x faster than previous Sony full-frame mirrorless cameras. This sensor is paired with a brand new, upgraded BIONZ X processing engine and front-end LSI that maximises its overall performance, according to Sony.


Sample image


Sony prides on the speed of the α9, which is the the outcome of new stacked 24.2 MP Exmor RS image sensor, new BIONZ X processor and front end LSI. Sony informed that the α9 liberates processing power as its new components allow faster AF/AE calculation while also reducing EVF display latency. The processor and front end LSI are responsible for the larger continuous shooting buffer therefore allowing photographers to shoot at a blazing 20 fps with continuous AF/AE tracking for up to 362 JPEG or 241 RAW images. We tried the camera in continuous shooting mode, and it gave us quite an impressive output.


The camera also offers tracking with an uninterrupted view with AF/AE tracking calculation up to 60 times per sec, regardless of shutter release and frame capture. The camera was able to track the live-action we were shooting quite accurately.



It features 693 focal plane phase detection AF points covering approximately 93% of the frame. The Fast Hybrid AF system – pairing the speed and excellent tracking performance of phase detection AF with the precision of contrast AF – achieves approximately 25% faster performance when compared with α7R II, ensuring all fast-moving subjects are captured.

As the camera is aimed at wildlife photographers, it also offers silent and vibration-free shooting at speeds up to 1/32,000 sec. The electronic shutter in the A9 operates silently, without mechanical noise that can be disruptive when shooting sports, events or wildlife in a quiet environment. Sony said that the fact that the electronic shutter is vibration-free also minimises the likelihood of vibration-induced blur, further contributing to resolution and image quality. The manufacturerer also said that its maximum 1/32000 sec speed exceeds the limits of mechanical systems for vastly expanded exposure freedom as well as the ability to maintain shallow depth of field in bright conditions without having to use ND filters.

The α9 is equipped with an 5-axis image stabilisation system that provides a shutter speed advantage of 5.0 steps.

The camera also shoots 4K (3840x2160p) video recording. It uses full pixel readout without pixel binning to collect 6K of information, oversampling it to produce high quality 4K footage with exceptional detail and depth. The extremely popular 35mm size recording is also available in the α9.

The camera is available at Sony retail outlets for Rs 3,29,990. We will soon do a full-length review of the camera in our magazine. So, keep reading!

 

Decoding GST for the Imaging Industry

In many ways 1st July 2017 will etch its way in India’s history as a monumental change and reform in India’s taxation regime. Many call it ‘THE’ biggest move after India’s independence while others haven’t welcomed it with open arms. Whatever you may call it, an opportunity or a challenge, it is clear that the introduction of the Goods and Services Tax (GST) by the Government is one of the biggest moves in India’s existence. In this article Bhavya Desai decodes GST, its opportunities, impact and the implications on the imaging industry.


So if you have been listening to this word GST, which seems to be dominating the business circles in every conversation and have been wondering, how is this going to affect you? Then this article will give you a quick 101 on the same.


What is GST?


GST stands for Goods and Services Tax (GST) which is a comprehensive indirect tax levied on manufactures, sales and consumption of goods as well as services at a National level. Ideally it replaces all indirect taxes levied on goods and services by the Indian Central and State governments.


Basically it is a unified tax structure across India which eliminates differential duty structure and taxation system across different states in India.


How does this matter and affect the consumer?


So if you are wondering, how does this matter to me? Then you need to think again because the introduction of GST will have massive positive impact on the pricing structure of products, introducing a unified pricing policy to product categories across India.


For example, a camera purchased in Maharashtra earlier would be priced lesser or more (depending on the state) elsewhere. So if a camera was before VAT was costing Rs. 100 (excluding tax) in Maharashtra, then it’s eventual MRP would be Rs. 113.50 to a consumer. The same camera in Tamil Nadu would cost the consumer Rs. 114.50 since it levied a VAT of 14.5%.


Another simple example is of the automotive industry. Have you ever wondered that a car of same make and year bought by your friend/family in a different state was far cheaper than what you paid for? In simple words this was due to the introduction of number of layered taxes levied by the Govt on the showroom price of the car. Hence a luxury car in Delhi would cost at least 7-8% cheaper than in Mumbai since there were number of additional taxes that were levied on products entering Mumbai in the past.


So the biggest change that one will see with the implementation of the GST as a consumer is the unified taxation system on products across India. Which means now if you buy a camera, car, or any other product across the country, it will have the same prices across the states. So depending on the state you are, the % increase or decrease in prices will depend on what the % of taxes were earlier. 



But one good news as a consumer that you might find is that there isn’t been much of a change in the pricing of the products in the imaging industry despite GST being implemented. As Nikon India’s MD, Kazuo Ninomiya clarifies, “We welcome the new structure of the GST regime as it has brought the new era in the indirect taxation landscape of modern India, paving the way for a simplified tax structure for goods and services. With GST already in place, we are helping in smooth transition for retailers and distributors, who we have such long-standing relationships with. As of now, we are analysing the effect of current tax structure; though we have not made any price changes in our product range despite the tax changes.”


How are the GST categories classified?


Incase you are wondering how do the thousands of products across different categories in the Imaging and other industries get classified under GST? Well, it’s simpler than you think. The Govt. has broadly classified GST under four categories in terms of taxation levied:


GST Taxation brackets:


  • 6%

  • 12%

  • 18%, and

  • 28%


Each product category and products are defined under a Chapter of an HSN Code. Most products in the imaging industry are classified under the taxation bracket of 18% or 28% currently. 


Cameras are classified under chapter 90 of the HSN code. Chapter 90 of the HSN code contains goods like optical, photographic, cinematographic, measuring, checking, precision, medical or surgical instruments and apparatus. Under chapter 90, cameras are classified under HSN Code 9006 which attract 28% GST. HSN code 9006 pertains too photographic (other than cinematographic) cameras; photographic flashlight apparatus and flashbulbs other than discharge lamps. 


Further, cinematographic cameras and projectors, whether or not incorporating sound recording or reproducing apparatus are also classified under chapter 90 of the HSN code attracting 28% GST rate. Hence, digital cameras and analogue cameras attract a GST rate of 28% in India.

Camera lenses are also classified under chapter 90 of the HSN code as lenses, prisms, mirrors and other optical elements, of any material, mounted, being parts of or fittings for instruments or apparatus, other than such elements of glass not optically worked. Camera lenses conforming to the above classification are taxed at 18% GST.


Professional photographic lights and accessories are also classified under 28% GST bracket, which when compared to the sum of previous indirect taxes is not that much of a change from the previous taxes. 


Combined with the benefits that the Govt. has provided along with the minimal changes in the taxes are critical reasons why the manufacturers haven’t increased the prices of their products currently. 


What are the benefits of GST for the industry?


With an unprecedented move like this, there has to be a major benefit, both to the consumers as well as the sellers right? So as ambiguous as this may sound, if my understanding is correct then benefit in this case is more to the sellers and the govt, and I say this with all positivity by way of being make able to make products more available to the consumer, easily and swiftly.



As Epson India’s President and CEO, Kasai Toshiyuki said that GST definitely brings in uniformity across various players, big or small. “We at Epson believe that GST gives a fair chance for both small established players. It’s a platform to compete & leverage the various emerging opportunities that could be triggered from the implementation hence enhance business opportunities. It’s a big welcome move as it sets a long term growth driver. At Epson, we are hopeful that the new system will boost investments and benefit the economy.”


As a consumer the most critical point from a point of purchase is the price-point. But as an industry it is important for the manufactures to be transparent in order to conduct their business.


Sony says that as a company they believe in transparency and in the long run, the new tax regime will benefit customers as it encourages transparency. “Like in every other sector, GST will significantly improve the efficiency of business operations as it will create a much simpler indirect tax regime and reduce our compliance costs in the long term. Our logistics and inventory costs will also be positively impacted. The creation of a unified Indian market will also help us deliver better products and services to our customers. In the long term, it will help the government to collect taxes in a more efficient manner and increase their revenues significantly,” said Hiroyuki Tokuno, DGM Digital Imaging, Sony India.



Anuj Aggarwal, Vice President & CFO, Canon India said, “GST is definitely a paradigm-shifting tax regime and a welcome move from the government. Its implementation has initiated a new beginning in the indirect taxation landscape of modern India, paving the way for a simplified and homogenous tax structure for goods and services across all industries and verticals. I believe that introduction of GST is a positive step and would be beneficial for the industry in the long term. There were initial apprehensions and uncertainties which might have short-term impact. However, we must remember that replacing a complicated system of indirect taxation will make it easier for firms to do business across the country. This will boost investment and, through that, the economy is also set to benefit.”



As Tamron’s India President and CEO, Nitin Goyal puts it, “The Goods & Service Tax or GST is one of the biggest fiscal reforms in India since Independence. All businesses, small or large, will be impacted by this new indirect tax regime. GST will be levied on both goods and services and will subsume and replace the current indirect taxes such as excise, VAT, and service tax.”



So what exactly are the benefits to the Indian economy? I’ve listed some information below that makes things pretty clear.


  • Removing cascading tax effect: Under the current regime, the service tax paid on input services cannot be set off against output VAT. Under GST, the input tax credit can be availed smoothly across the spectrum of goods and services, thus reducing the tax burden on the end user and removing cascading effect.


  • Defined treatment for e-commerce: Many Indian businesses provide goods and services through the internet. Earlier, there were no specific provisions for treatment of the e-commerce sector. Currently, states have variable VAT laws for this sector. For example, online websites (like Flipkart and Amazon) delivering to Uttar Pradesh have to file a VAT declaration and the registration number of the delivery truck. Tax authorities can sometimes seize goods when there is a failure to produce documents.


Again, these e-com brands are treated as facilitators or mediators by states like Kerala, Rajasthan, and West Bengal which do not require them to register for VAT.

All these differential treatments and confusing compliances will be removed under GST. For the first time, GST clearly maps out the provisions applicable to the e-commerce sector and since these will apply all over India, there should be no complication regarding inter-state movement of goods any more.


  • Increased efficiency in logistics: The logistics industry in India had to maintain multiple warehouses across states to avoid the current CST and state entry taxes on inter-state movement. Most of the times, these warehouses were forced to operate below their capacity thus increasing their operating costs.


As GST goes live, these restrictions on inter-state movement of goods will lessen and the logistics sector might start consolidating warehouses across the country




What are the practical challenges that the industry is facing?


Naturally when you are implementing and executing an historic reform in the largest democratic economy in the world, one can’t expect things to be spot on. 



“The task of implementing such a gargantuan tax reform in one of the fastest growing economies is expected to be a tough challenge. In my view the government has done a fairly decent job in the implementation process. The only thing that they probably could have done better is the preparedness and training of the government official to deal with the queries at a local level,” says Pulin Soni, VP, Photoquip India.


Epson India’s President and CEO, Kasai Toshiyuki adds, “There are always challenges when a new process or system is rolled out. The same applies for GST. During the initial stages, there was a lack of information which created a lot of ambiguity and confusion in the market. Different taxes on different products also added to the confusion. If you look at it, the new GST tariff is higher than the previous VAT based rate (CVD+VAT) on MFP and consumables. Hence, our existing procured products material also required a MRP change post the roll out of GST.”


One of the biggest challenge that most businesses (especially distributors/retailers) in the industry were facing were the advances paid towards the stock procured before the 30th June 2017 which already had a paid up VAT tax. But the government put policies in place to help the businesses in such cases, offering 60% on the difference of paid up VAT to GST, albeit you register the stock statement with the GST Department before the 1st July 2017. This brought a much needed respite to the businesses since the increased rate of 28% in most cases was eating into the margins of the manufacturers and others. 


“In case of DSLR lenses since there was no loss on existing inventory which got transferred from VAT regime to GST regime there was not much issue. We appreciate step taken for compensation of CGST increased from 40% to 60% by govt. authorities on the previous stocks,” added Goyal.


And as for manufacturers, “We have not faced much challenge with the products that have been procured already since importers like us are allowed to take the input tax credit of the Countervailing duties (CVDs) on the closing stock in hand below 1 year of age,” added Kazuo Ninomiya, MD, Nikon India. 


Companies like Canon prepared well in advance to adopt GST from the beginning by ensuring clear communication. Through workshops and Electric Direct Mails, they created increased awareness of the new tax. “Once the tax rates were announced, comprehensive trainings and awareness sessions were conducted for employees and partners alike. Communication is key to effectively manage change, and we left no stone unturned to ensure a fair and transparent transition. As an organisation, we are agile to adapt to any situation and be flexible to changes.” 


However while these processes might have been put in place by the government and the companies, it’s implementation and execution is an entirely different story. The company did add that the road to implementation of GST hasn’t been devoid of challenges. “There are challenges on claiming credit of taxes on the products already procured especially imported products. Further due to non-availability of full credit to dealers on their inventory added to complications,” said Aggarwal.


No-information, rumours and more 


While most manufacturers ideally more or less prepared ahead of time for the change, it wasn’t all hunky-dory with the constant changes in the policies until the 11th hour. However, there is a consensus amongst most manufactures and the industry that the policies have become pretty clear after the 1st of July. But whatever said and done the months of June and July 2017 have lead for the industry to loose business. 


And like any other Indian movie, much of it was due to the confusion, speculation and misinformation to/in the trade. Although things were clear from the Govt. and the GST council, due to lot of interpretations from different people at different levels at the execution level, there were confusions. There could’ve been possible ways of providing much easier documentation that a regular trader/normal person can understand which help its rollout easier.


Naturally the bigger traders and listed companies have been following the GST Council for the larger part of their interest. Although some of our sources have mentioned that traders in the Tier II and III cities in some cases aren’t even aware of its implementation in the imaging industry. Although they couldn’t come on record to comment on this story, but they were still continuing to bill under the earlier VAT even post July. 


However, things seem to be settling down now with positive sentiments amongst the industry. The industry experts believe that post 15th August the markets should start working like before and by the time seasonal sale starts, things will be in full swing.


“The acceptance of the new policy and reform is open to the interpretation and perspective of the trader. If they are willing to accept this change then like other things it becomes easier to manage and one can find a way. However if you aren’t willing to change then you might find the new reforms as one challenge after the other,” says Nikhil Mehta, Proprietor, Mehta and Sons.


Undoubtedly GST is aimed at increasing the taxpayer base by bringing SMEs and the unorganised sector under its purview. For the Camera and Imaging industry considering above benefits in terms of CST, Entry taxes and others will make the Indian market more competitive than before and create a level playing field between large and small enterprises. It will also give Indian businesses an opportunity to better compete with foreign countries such as China, Philippines, and Bangladesh. 


However, all will not be smooth sailing since a policy change of such a huge nature is sure to be faced with teething troubles.


Canon announces two new cameras – EOS 6D Mark II and EOS 200D

Canon has announced two DSLR cameras on the occasion of National Camera Day, the EOS 6D Mark II and EOS 200D DSLR cameras designed for advanced-amateur and entry-level photographers, respectively. The EOS 6D Mark II camera is a Full-frame CMOS sensor DSLR camera, whereas the EOS 200D is a light and compact camera.

We at Asian Photography had a chance to get our hands on the new cameras a couple of weeks ago to check them out.  The successor to Canon’s popular EOS 6D, the new EOS 6D Mark II features several enhancements which include 26.2 Megapixel Full-frame CMOS Sensor, an optical viewfinder with a 45-point all cross-type AF system, Dual Pixel CMOS AF with phase-detection and full HD 60p, DIGIC 7 Image Processor, ISO 100-40000, vari-angle touch Screen, 3.0-inch LCD, built-in Wi-Fi, NFC, Bluetooth and GPS technology, high-speed continuous shooting at up to 6.5 fps, dust and water-resistant.

The new EOS 200D promises to feature the world’s fastest AF speed at 0.03 seconds, allowing for quick focusing on subjects in the frame. Canon informed that when designing the new EOS 200D camera, they took into consideration feedback from entry-level photographers who expressed interest in learning how to go beyond a camera’s program mode. The result was the creation of a convenient new user interface called Feature Assistant. With the new camera, users will be able to see on the camera’s Vari-angle Touch Screen how switching modes on the mode dial or tweaking camera settings like aperture and exposure compensation can alter the image they are about to capture, thus guiding photographers on their way to capturing more compelling images, such as ones with a shallow depth-of-field or being able to give moving subjects a frozen or flowing look.
The new cameras features include a 24.2 Megapixel CMOS (APS-C) Sensor, Dual Pixel CMOS AF, 3.0-inch Vari-Angle LCD Touch-Screen, built-in Wi-Fi, NFC and Bluetooth Technology, full HD 60p & External Microphone Input, DIGIC 7 Image Processor, ISO 100-25600 and an optical viewfinder with a 9-point AF System.

The EOS 6D Mark II DSLR camera is scheduled to be available in late July 2017 for an estimated retail price of $1,999.00 for body only, $3,099.00 with the Canon EF 24-105mm f/4L IS USM II lens and $2,599.00 with the Canon EF 24-105mm f/3.5-5.6 STM lens. In addition the EOS Rebel SL2 is scheduled to be available in late July 2017 for a retail price of $549.99 for body only and $699.99 with the Canon EF-S 18-55m f/4-5.6 IS STM lens.

EPSON takes the lead in InkJet Printer Market



Epson recently announced that it has secured the No.1 position in the Inkjet printer market (by Volume and Value) , as per IDC’s latest Hard Copy Peripherals (HCP) Quarterly market report for 2017 Q1. According to the press release the report highlights the increasing shift towards InkTank printers due to low cost of ownership and reiterates the growing demand for InkTank printers over laser printers.


Epson reportedly overtook HP as the market leader in terms of Unit share for the first time ever after posting a 26.5 percent growth Year on Year (YoY) in the Inkjet category. According to reports Epson captured 42.9% of the Inkjet market by Volume, while HP’s market share declined to 39.4 %. As per the report Epson’s Value market share has increased to 51.8% while HP has declined to 34.8%. Epson has led the Inkjet market by Value share for a few years now. According to IDC, demand from SMEs in smaller cities and home consumers were the driving force behind the growth of InkTank Printers shipments in 2017 Q1. The report also highlights that this is, for the first time in six quarters that the Printer market has registered growth with shipments reaching 799,164 in Q1 2017.



InkTank printers were first introduced by Epson in 2011. According to the company, the extremely low cost per print of 7 Paisa for Black and 18 Paisa for Colour struck a chord with consumers and Epson has seen its sale in India go up exponentially over the years. The cumulative global sales of Epson’s high-capacity InkTank inkjet printers have reportedly reached 20 million units. In India alone, according to Epson, they have sold in excess of 1.7 Million InkTank printers since its launch.


“We are extremely delighted to have achieved the No. 1 spot in the Inkjet printer market by volume. A continuous focus on creating customer value has helped Epson gain huge market acceptance within a short period, culminating in market leadership in the Inkjet printer category. Epson were the pioneers and the first to launch InkTank printers in India. Since then Epson’s InkTank Printers have been embraced by cost and quality conscious consumers across segments, be it home usage for children’s project reports, commercial usage in print and copy shops or office usage for black and colour printing. We have a built a huge amount of trust and faith in this product and the very fact that we have sold over 1.7 Million InkTank printers in India is a testimony to that fact”, said Mr. Samba Moorthy, Vice President-Sales & Marketing, Epson India.

Apple iPhone 7 Plus vs EOS 5D Mark IV – Camera comparison


After repeated questions from our Readers about Cameraphones vs DSRLs, we decided to compare a high-end smartphone with a high-end DSLR. Check out how the results came out pitting the Apple iPhone 7 Plus vs Canon EOS 5D Mark IV against each other. 

Directed and Produced By: Bhavya Desai
Camera Work: Souradeep Roy and Mrinmoy Choudhury
Editing and Sound: Souradeep Roy and Abhishek Desai

Shooting dramatic sky

Skies are one of the most photographed subjects and make for some really interesting photographs. Shooting skies can seem like an easy job but there are ways to get brilliant and dramatic photographs of skies as well. We will talk in-depth about the different aspects of using the sky as a centre of attraction in your photographs. Sky makes for amazing photographs and makes normal day-to-day pictures pop out. But there are challenges associated with shooting dramatic images including the sky in the frame. Challenges like controlling exposure, being in the right place at the right time etc. Let’s discuss each point in details to have a better understanding of the topic.

Golden hour 

Antony Griffiths

It is important to know what a golden hour is, if you wish to become a landscape photographer. Golden hour is the time of the day when the light is perfect for photography. It is usually considered to be the period shortly after sunrise and shortly before sunset. The light at that time is soft and usually has a reddish tone to it which pops the features in a photograph. This light makes for the best cloudscapes. As a photographer, one has to set himself or herself up for the shot sometime before the actual golden hour. During this time the light changes drastically and unpredictably. It is always advisable to be ready to take a shot of the perfect moment. 

Include clouds 

Alan Chadwick

An empty sky, while beautiful, might not make for the greatest photographs. If the sky is perfectly blue it might compliment a photograph of a monument or cityscape but will not draw as much attention. Including clouds in your otherwise normal shot will make it look much more interesting. Beautiful cloudscapes have become the backbone of landscape photography these days. Clouds provide shapes and textures to photos. It also adds a sense of vastness to the photograph.

Use a wide angle lens 

Using a wide lens sounds to be pretty straight forward. But it is important to know when and where to use a wide lens. A wide lens adds a sense of depth to the photographs. Cloudscapes look amazing when shot with wide lenses. During the golden hours it also allows one to show more lights and colours as it captures a greater angle of view. Using a wide lens when shooting monuments etc with cloudscapes is not advisable as a monument might look distorted in extreme wide angles. If you are not sure of what lens would be appropriate try both and see which one feels right. More often than not, the wide lens will look more visually interesting. 

Be patient 

Patience is a key attribute to photographing cloudscapes. While some might think that photography is all about the camera and how the user uses it, for this particular genre patience is the key to having the most dramatic photos. Since clouds are unpredictable and nature changes every second it is highly likely that a photographer might have to wait a long time for the perfect shot. If you do not want to wait for too long then try visiting the places during the golden hour. It is almost always the best time to get cloudscapes. Choosing your shooting spot beforehand is a must since you can plan your shoot accordingly. It is important to remember that sometimes even the utmost patience will not yield expected results but that should not get a photographer disheartened. The hunger for good photographs should drive one’s passion. 

Include other elements 

Clouds make for amazing photographs but shooting just clouds is not enough. Silhouettes of people, monuments, bridges or even a mountain range or any other object looks good with cloudscapes. Clouds alone do not make good pictures since there is no single point of attraction. Shooting just clouds is like shooting patterns. You need to break a pattern to provide for the eye of a viewer to wander and fix itself on a single object in the frame. Including other elements makes photographs more interesting and breaks the monotony. 

Control exposure 

One of the most difficult things to do while shooting dramatic cloudscapes is controlling the exposure. There are a few workarounds to the challenges. Using ND filters, Polarizing filters are a good way to bring down the exposure of the sky if you do not want your foreground to be silhouetted. If the subject (foreground) is close to the camera using a flash can create beautiful photographs as well. But make sure that the flash is not too harsh as the foreground will be completely spoilt otherwise. Make sure that while shooting cloudscapes, you do not aim your camera directly at the sun. Sometimes underexposing a little might dramatise the sky.

Photographing Festivals in India

Festivals, rituals, community celebrations and cultural events are among the most exciting events for shutterbugs to capture. They are a great way to learn about the local culture, customs and people and portray a foreign culture and country with lively photographs. Photographers are naturally drawn to colourful and vibrant subject matter, and most festivals are just like that, colourful in every sense of the word. There are colourful floats, costumes, crafts, food, and merchandise, and you will also find many colourful characters among the participants in the festival. But because festivals consist of moving performers or participants and large crowds of spectators, they are also among the most difficult subject matter to photograph seamlessly. In most cases you only have a fraction of a second to choose an interesting subject, focus your camera, choose your settings and press the shutter. To make the most of your festival experience as a photographer, you need to be ready to make quick decisions about when and what to photograph. A little preparation ahead of time will go a long way and help you make amazing pictures. 

Matt Zimmerman

In a country like India where people of vast religious and cultural differences exist documenting the ongoing festivals which come to knock doors almost one every month is a fun challenge most photographers would take up. We shall discuss some of the basic preparations that will help you to photograph a festival better than you would have without any sort of preparation. 

Choosing the Right Festival

Catherine Marciniak

If you are travelling there are chances that you will accidentally come across local festivals, but it is a good idea to plan ahead and do some research to find out which are the ones going on at the time of your trip. Ask yourself what type of festival or cultural event interests you the most. Do you like large events with thousands of participants and millions of spectators, or small local festivals which have a more relaxed atmosphere and offer a more intimate view of local life and culture? Do you enjoy religious festivals or celebrations of local cultural traditions? Some take place only on one day, while others last days or even weeks. For example Ganesh Chaturthi in Mumbai is celebrated for ten days at a stretch and the 11th day the idol immersion takes places where lakhs of people come to bid adieu to the lord. So it mainly depends on your taste in festivals and how you want to portray them. 

Learn About the Festivals 

Abhishek Shirali

If you want to take pictures that effectively portray a festival, you should find out beforehand what the festival celebrates and concentrates on and what it means. Is it a festival dedicated to a specific patron or saint, or is it a festival celebrating local culture and traditions? Then you should make sure to take pictures of most important parts of the of the procession, so that they feature the patron or the saint. If you are attending a cultural festival that shows different aspects of local culture such as handicrafts, music, art, and dance, then make sure that your pictures reflect the diversity of cultural activities. If you are attending a parade or procession, it can be a great advantage to find out the route of a parade or the programme of an event in advance. This allows you to plan ahead and choose a good vantage point from which to take pictures.

Finding an Observation 

Avinash Singh

Point One of the major challenges of taking pictures of festivals is to position yourself in such a way that you have enough space around you to move and select your subject matter while being close to the action. To take good pictures of crowded events, it is important to step back to get a better view of the event. Try to find a doorway or stand against a wall to make sure that your back is covered, but also try to find a good vantage point (such as a low wall, bench, or an overbridge), where you can be slightly above the crowd and have a better view of the ongoing activities. This allows you to stay in one position and take pictures as the parade or processions moves past you. 

Sometimes the layout of the street or the place would not allow you for a vantage point from which to observe and photograph the activities. In this case you must go where the action is and immerse yourself in the crowd. Remember that you would not be alone and you will be competing with other photographers for the best position. Have your camera ready to shoot and be prepared to take pictures quickly, since people are moving and won’t hold their positions for long. Digital-SLR cameras have a continuous shooting mode, which allows you take several shots per second. This is a great feature to photograph moving objects. You can also take Full HD videos on your DSLR and later take screen grabs from the video. However, the quality of a single movie frame is never as good as a still shot.

Choose a Variety of Subject Matters 

Thejas Panarkandy

To document a festival and create a visual story out of the pictures, it is important to focus on detail and individual participants in the celebration. This is the main challenge of taking photos of festivals i.e. to tell the story of the people who participate in it and not just show pictures of crowds. Pictures of masses do not really tell a story and rarely make great photos. But if you decide to show a large crowd, make sure there is a central point of interest, such as a float or group of participants that stands out visually. Otherwise your pictures will just show a confusing mass of people without any focus or point of interest. Instead of general wideangle shots, try to take pictures that are characteristic of the festival and at the same time show interesting people. There may be floats that are carried or driven, dancers, musicians, and a variety of vendors in addition to the audience. Try taking a few pictures of all these different people to create a lively and authentic portrayal of the festival.

Lighting Conditions 

Lumix UK

Unfortunately you cannot choose the time of day a festival takes place. If you take pictures mid-day you may end up with washed out colours and overexposed highlights. In the late afternoon the light is warm and your pictures will have an orange tint. Is the sun low in the horizon? Then the surrounding buildings will soon cast a long shadow on the festival activities, which will affect your photographs. So before you indulge in the revelry during a parade or festival, do a quick check of the weather and lighting conditions to make sure your photographs turn out as desired. If you take a picture of festival activities against a bright background, consider using your flash to brighten up the foreground. A powerful external flash will also help you light up dark scenes. Keep in mind that the built-in flash on most cameras is only intended to brighten objects that are reasonably close. If you want to take pictures at a greater distance, you should get an external flash. Also keep in mind that when using a flash, the shutter speed on most cameras is automatically set to 1/60 of a second, which is too slow to capture moving objects or people. Don’t forget to keep in mind that your camera’s auto-focus may not work well after it is dark, since it depends on contrast to measure distance. So consider external lighting such as flash and faster lenses with apertures of f/2.8 or higher.
 
Camera Equipment 
Since most festivals and cultural events take place in public spaces right in front of your eyes, you do not really need a long range telephoto lens. In fact, since there is a lot of movement during a festival, it is better to use a wide-angle zoom lens, which is usually faster and allows you to shoot with a higher shutter speed. The built-in zoom lenses in pocket and compact cameras should be sufficient to take great shots during a festival. The automatic exposure function on most cameras will choose an average setting of aperture and shutter speed, but since you will be photographing moving people, you should choose a manual setting with a higher shutter speed. This assures that your pictures of moving people are not blurry. Some cameras have automatic exposure presets, such as “portrait, “landscape,” or “sports,” which makes it easy to choose a setting that is suitable for the event. 
All digital SLRs and many compact digital cameras give you the option of saving photos in RAW format. This is an unprocessed image format that gives you greater freedom to adjust the image on your computer later. For example, when shooting in RAW format you could significantly brighten a dark image by changing its exposure value later. Although this method is not a substitute for ideal lighting conditions, it gives you greater control over the image, and you might be able to turn dark or overexposed photos into attractive pictures. The only drawback is that the RAW files are much larger than JPEG files (the most common format used by digital cameras). To avoid running out of memory, you should bring several memory cards and use cards with the highest memory capacity your camera can read. 

Safety Concerns 

sandeepachetan

Large festivals with large crowds also attract pickpockets and thieves who would not let any opportunity miss out of their hands. Pay careful attention to your surroundings while taking pictures. Since there is constant action during a festival, there is no time to put the camera in your bag between taking pictures, and you will most likely carry it around your neck during the course of the event. Keep a satchel or a waist pouch for easy access of your stuff like filters, memory cards and mobile phones, a wiping cloth and other important accessories. Keep your valuables like wallet and cash inside your bag and zip the bag properly. A handy waist pouch is the best option. Keep a bottle of drinking water and edibles like chocolate bars and biscuits along with you as dehydration and an empty stomach will assumingly give you more trouble than the crowd you are probably thinking of going inside. Wear comfortable rugged clothes which can take a few stretches without ripping apart. Cover your head with a scarf or a cap in case of sunny and hot situations. Keep your phone charged so you can contact for help whenever you feel something is out of your hand. Keep a cool attitude and do not indulge in any major conversations with anyone which would kill your valuable time. Last but not the least enjoy and immerse yourself in the beauty of the festival and every picture you make will be beautiful.

Tamron wins TIPA Award for four consecutive years

Tamron Co., Ltd, recently announced that it’s SP 150-600mm F/5-6.3 Di VC USD G2 (Model A022) has been awarded with the “TIPA Awards 2017- BEST DSLR TELEPHOTO ZOOM LENS” hosted by the TIPA (Technical Image Press Association).


According to an e
xcerpt from the Award Citation of the TIPA Jury,the long-range zoom is built for full-frame DSLRs but can also be used on APS-C DSLRs to deliver an incredible 225-900mm focal length range (approximate, depending on camera). Tamron’s improved VC (vibration compensation) reportedly offers a 4.5 stop advantage with three modes for a variety of shooting scenarios. The lens incorporates three low dispersion elements to aid in the elimination of chromatic aberrations and is constructed with 21 elements in 13 groups, with a minimum focusing distance of 86.6 inches (220cm). Other features include eBAND and BBAR coating to help reduce ghosting and flare, a fast ultrasonic silent drive ring-type motor, and leak-proof seals on the metal barrel.

The TIPA Awards are world-renowned as one of the most influential photo and imaging product awards in the industry. The Technical Image Press Association (TIPA) has a worldwide membership of photo and imaging magazines from 15 countries across five continents. Once a year the editors of TIPA’s member magazines meet to vote for the best photo and imaging products in each category.


Tamron Co., Ltd, also announced on March 31, 2017 that its SP 70-200mm F/2.8 Di VC USD G2 (Model A025) had won the grand gold award in the Interchangeable Lens / DSLR category at the Digital Camera Grand-Prix 2017 Summer. Gold awards were also awarded to Tamron’s SP 150-600mm F/5-6.3 Di VC USD G2 (Model A022) and the 10-24mm F/3.5-4.5 DiⅡ VC HLD (Model B023) lenses.


The Digital Camera Grand-Prix is a consumer-oriented awards ceremony for all manner of digital imaging-related solutions. Winners are selected by a panel of photographers, critics and distribution-related professionals with a view to choosing optimal products with which users can also enjoy photographs and photography, and not merely the taking of photographs. Full details of results and award-winning products are distributed at retail outlets, etc., in the form of a free magazine entitled Digital Camera Grand-Prix Award-winning Product Shopping Guide.

Exclusive preview of Panasonic GH5 in Mumbai

On 28thMarch 2017, Panasonic launched its most hyped camera of all times, the Lumix GH5. The new camera was launched in Delhi, but Panasonic gave people an exclusive preview of the GH5 before the official launch, at a workshop in Mumbai. The workshop was conducted by Nick Driftwood, an actor, photographer, filmmaker and an experienced director. Nick has been testing the GH5 and he shared his experiences of working with the GH5. Nick shared a lot of images and videos shot by him explaining various features of the GH5 and how it could be used to replace a photographers still and filmmaker’s video camera. The GH5 gets the hype from its most amazing feature which is the 6K screen-grab that can be extracted from 4K videos. Nick emphasised the fact that the latest demand in quality video production is putting more and more video makers in a dilemma. The dilemma of buying a camera that could do all. This is where the GH5 claims to focus on. A camera that can be good enough for production quality videos and great stills. The GH5 shoots 4K videos as well and slow motion full HD.


The Panasonic GH5 had received a lot of attention even when the camera was first announced last year, as rumors spread like a wild fire and every enthusiast looked forward to get their hands on the camera. The workshop also had arranged a hands on with several Lumix lenses compatible GH5 lineup. Summing up, the Panasonic GH5 is a micro four-thirds interchangeable lens camera with a 20.3 megapixel sensor, 4K video shooting and 6K photo. The GH5 also shoots slow motion full HD videos. It also features dual SD card slots. Along with the GH5, Panasonic has also showcased an XLR hot-shoe adapter for external microphones and a battery grip which will increase the shooting duration. The GH5 also shoots without a break which means you can keep shooting until you run out of memory.


Specifications

  • 20MP – Four Thirds CMOS Sensor

  • ISO 100 – 25600

  • 5-axis Sensor-shift Image Stabilization

  • 3.2″ Fully Articulated Screen

  • 3680k dot Electronic viewfinder

  • 12.0 fps continuous shooting

  • 4K – 3840 x 2160 video resolution

  • Yes High-Speed Video

  • Built-in Wireless

  • 725g. 139 x 98 x 87 mm

  • Weather Sealed Body