Category Archives: reviews

Sigma 50mm 1.2 Art Lens Review

Sigma recently launched the new 50mm F/1.2 DG DN Art lens for the Sony and the Panasonic mount. Now this is a DG DN lens which means it is for the full frame sensor and these lenses can be used on the Sony’s E-mount and the Panasonics L-mount as well. The MRP for this lens is Rs. 1,33,000, but it can be available for around Rs. 1,17,000 lacs at street price. That is a considerable discount as compared to the other lenses in the same segment. And at this price, the Sigma 50mm becomes a very interesting lens. 

Look Body and Feel

In terms of the look, body and feel, at first glance the lens looks sturdy, well-built and also pretty light. Infact it is only weighs 745 gms and being an art lens it comes with weather sealing and a metal mount. The lens is also different as compared to the usual lenses of today and features a host of buttons. I also love the shiny A on the lens denoting that this is the Art lens.

At the front you have a 72mm filter diameter and in terms of the buttons it has the focus ring, the aperture control ring, a lock, autofocus and manual buttons and also a click and de-click button as well. And you can tell that a lot of thought has gone into the details as you turn the aperture dial around to hear its click sound. There’s a different level of satisfaction from that sound, which can only happen if there has been a lot of attention paid to it.. The lens hood also has a familiar design with the unlock button to it, which has been part of the Sigma Art lens design. 

Images

Shooting with a 1.2 prime lens is always exciting because it can open really wide and with this lens as well, much like the other Art lenses that Sigma has, the performance is really good. The images are really sharp, very detailed and are able to deliver a pleasing performance that’s impossible to miss. Now as you might know that usually these lenses are always sharp on the centre and slightly soft in the corners. But in this case the lens displayed good sharpness in the corners as well which was good to see. 

The focusing is also very fast and you will hardly find it hunting under most conditions. Even in lowlight conditions I found the autofocusing to perform pretty well. 

Bokeh Performance

Another advantage that a prime lens gives you is the ability to get some great portraits and bokeh performance. For this lens, Sigma has used a 13-blade rounded diaphragm, which helps with delivering nice rounded bokeh’s. And in terms of performance, we found nice circular bokeh at the centre and cats eye in the corners. The portraits and the depth to the subject also look really good and using this lens really reminds me of why I like prime lenses so much. 

Chromatic Aberration 

When we checked the lens for chromatic aberration then it gave a CA value of 0.22 pixels through the quick MTF software, which is a pretty good CA value.

Flaring and Ghosting

In terms of flaring and ghosting we shot a number of pics and found the performance pretty decent. Under most conditions the lens was able to cut the flare and ghosting, unless we really pointed it directly into the Sun’s line of sight. So, I’d say that the performance was pretty decent in this case. 

Conclusion  

Honestly there is hardly anything to dislike about this lens. Its compact, its light, delivers good performance in terms of image quality, both in daylight and lowlight, plus it’s has the ability to deliver good bokeh, which is so important for a prime lens, especially if you are shooting weddings, street photography, etc. 

Now what sweetens this deal even more for me is the fact that it is also cheaper than some of the other lenses in the same segment and at a street price of Rs. 1,17,000, which means you can use that extra money to buy more equipment or other lenses that you might desire.

Vivo X Fold 3 Pro Camera Review

Vivo recently launched their first foldable phone in India, the Vivo X Fold 3 Pro. This is also the third foldable phone to enter the Indian market after Samsung and OnePlus, indicating that these types of phones in the premium segment are becoming popular with consumers. The OnePlus Open was also reviewed, and the appeal of these phones is not only their larger screen but also their impressive camera setups. The Vivo X Fold 3 Pro, co-developed with Zeiss like most of Vivo’s other flagships, will have its cameras tested in this review.

The unit received is in celestial black with specs of 16 GB RAM and 512 GB storage capacity and is priced at ₹1,59,999 in India.

First things first, upon holding the phone, it feels remarkably light, thin, and slim, weighing just 236 g without the cover. Despite its lightness and slim profile, the grip is not very satisfying, though it may improve with continued use.

The camera module at the back lacks the fancy design of the OnePlus Open. It features a black circular module that Vivo calls Big Eye, designed to resemble a luxury watch. However, it mostly appears as a simple circular module, with some interesting details like the outer metal ring, but not much visibility within the module itself.

Specifications:

  • 50 MP Main Camera with an f/1.68 lens and OIS
  • 50 MP Ultra-Wide sensor
  • 64 MP Telephoto Sensor with 3x optical zoom
  • Both inner and outer screen have 32-MP Selfie Cameras with f/2.4 apertures
  • Snapdragon 8 Gen 3 Processor
  • V3 Chip

Daylight Main Camera

The main camera of the Vivo comes with a 50-MP camera featuring an OmniVision OV50H sensor. It shoots at an actual resolution of 12.5 MP.

Images were shot in the Zeiss natural setting, and in most cases, the phone delivers pretty good images. It is able to produce sharp and crisp images. However, upon zooming in, the picture clarity isn’t the best compared to most cameras available today. Generally, it recognizes the scene well, but sometimes it tends to oversaturate or over sharpen the pictures. When the picture is oversaturated, it doesn’t sharpen the image, but when providing the actual scene, it tends to over sharpen, occasionally resulting in slightly underexposed images.

One observation while using the camera is that sometimes the screen display does not match the actual output. The final picture might be much better than what is shown, which can be misleading to the user. This might be considered nit-picking in most cases, and a regular viewer might not even notice such tiny details. However, these discrepancies can create doubt in the consumer’s mind.

Overall, the camera is decent in this case.

Daylight Wide Camera

The phone offers a 50-MP sensor with the wide camera, utilizing the Samsung JN1 sensor. The actual resolution of the wide camera exceeds that of the main camera at 13.8 pixels, and this difference is noticeable when zooming in on performance. There is increased clarity in the images when zoomed in, though, similar to widest lenses, significant zooming introduces a lot of noise.

In terms of overall image quality, the pictures are comparable to those taken with the main camera. They are pleasing to the eye, with the phone accurately recognizing scenes, though it sometimes oversaturates the pictures. Some distortion is also present in the images; for instance, in a picture of a car, the vehicle appears more stretched and wider than usual.

Daylight Telephoto

In the telephoto camera, the phone uses the 64-MP Omni Vision camera which comes with the OV64B sensor. This sensor has become quite popular in the industry, with OnePlus making it their go-to sensor for the telephoto lens. In previous reviews, this sensor was mentioned as one of the best telephoto sensors in the industry currently. The fact that more and more brands are using it indicates its success.

An interesting aspect of the telephoto category is that Vivo provides output at different actual pixels at different focal ranges. At 2x, it gives an output of 14.3 MP, and at 3x optical zoom and above, it provides an output of 18.2 MP. The performance of the camera is impressive. It is sharp, detailed, provides good output, and is definitely worth using.

However, there is a need to discuss this sensor further. Despite its quality, it has a challenge with the output it gives. There is a visible change in the colours of the image as one moves through the focal range, suggesting that this might be more of a hardware issue with the OV64B sensor rather than with the phones themselves. This issue has also been observed in OnePlus devices, initially thought to be fixable through software updates, but this has not happened. At the highest focal ranges, there is also noticeable colour fringing if a picture is taken at 100x.

Lowlight Main Camera

In low light, the camera demonstrates excellent performance. It accurately recognizes scenes and delivers a warm, saturated, and visually pleasing output. Even when zoomed in, its performance remains decent, with commendable handling of shadows and highlights.

Lowlight Wide Camera

In the wide category, the images appear satisfactory at first glance. However, upon closer inspection, it becomes apparent that the performance is below average. The images exhibit noticeable noise and significant distortion. Despite these drawbacks, the camera manages to maintain a commendable tonal range in the pictures, which is a positive aspect worth noting.

Lowlight Telephoto Camera

Much like its daylight performance, the camera excels in low light as well, delivering sharp, well-saturated images. The performance in this category was impressive.

Portraits

In portraits, the phone offers the option to shoot with 5 different focal ranges. This feature is beneficial for consumers, as Vivo now integrates it directly into portrait mode. In some phones, such as those with Leica lenses, Vivo has included similar options, which can be confusing for users. However, Vivo portraits generally exhibit warmth, saturation, sharpness, and overall good quality. Edge detection is reliable, even in backlit environments. The phone performs well in both daylight and lowlight conditions, excelling in bokeh performance, particularly in lowlight situations.

However, a notable drawback is that the camera tends to alter colours from the actual scene, especially evident in images shot at higher focal ranges. Additionally, despite settings indicating otherwise, skin smoothing is noticeable in photos.

Front Camera

Now, users have the option to utilize the back cameras for selfies, although the phone offers dual 32-MP front cameras for capturing pictures.

One notable observation about this phone is the significant disparity between what is displayed on the screen and the actual output, particularly with the front camera. The phone’s screen gives the impression of viewing images in 720p resolution, whereas the actual output is in HD quality. While zooming in reveals sharp details, selfies generally appear decent in most cases.

Video Performance

In terms of video, the phone allows users to shoot in 8k up to 30 fps and 4k up to 60 fps. One notable feature is the ability to shoot using all four focal ranges for video. However, when using the ultra-stabilization mode, the resolution drops to 1080p. Overall, the video output is good, with fast focusing and effective stabilization. The audio quality is also satisfactory, making it suitable for vlogging and similar uses.

Conclusion

So what do we think about the Vivo Fold 3 Pro Cameras, there are several aspects that stand out positively. The camera system delivers sharp, detailed output in both daylight and low-light conditions, which I find quite appealing. While there are areas where the cameras could be improved, this is common across most products. It’s worth noting that the market for foldable phones is growing, although it’s still relatively small. As for the price, at ₹1,59,999, it feels a bit high for a foldable phone in India. However, for anyone interested in a foldable phone with a strong camera, this could be a compelling choice.

NIKKOR Z 28-400mm f/4-8 VR Lens Review

Nikon recently launched the new 28-400 mm lens for its full frame Mirrorless Z range of cameras. The lens is priced at Rs. 1,28,995 and it comes in the all-round superzoom category. Now the reason why I call this lens an all-round lens, because it can go as wide as 28mm all the way upto 400, making it a very versatile lens to use.

But the important questions here is – who is this targeted to? It’s targeted to someone who is an amateur wildlife enthusiast, street photographers, may be sports, although it isn’t fast enough for that.

Look, Body and Feel

The first thing I notice about the lens is that it is pretty light. This weighs only 725 gms and for a superzoom lens that it pretty light. For this review I am using this with the Nikon Z7 ii and overall it feels like a sturdy package to lug around. At the front you have the 77mm diameter for the lens along with the focus and zoom ring on the lens.

NIKKOR Z 28-400mm f/4-8 VR Lens

The lens is slightly hard to extend, but over time I feel it will loosen up a little. But there is a lens lock button that is provided to avoid accidental lens creep. I like the build quality of the lens as well, it feels well-built and sturdy. What I am surprised with is the weather sealing, although the specs say that it does feature weather sealing, visibly it is lesser that other lenses that i’ve seen. So this means that the production standard might’ve improved for that to not be visible anymore.

Image Performance

Now with a lens like this where you have the F-stop at F/4-8, it will always be difficult to get the best performance in lowlight, because it won’t allow much light to get in, especially in lowlight scenarios. Another thing to note is that after 200mm, the lens also shifts to an F/8 for shooting.

Shutter Speed: 1/640s, Aperture: f/8, ISO:200, Focal Length: 400mm

Now in terms of images in daylight, the performance of the lens is pretty good. At 28mm the pics are sharp, detailed and also are pleasing to the eye. But as you start moving higher in the focal range you can see that the images do have certain softness on the edges and also on zooming in, it will lose some clarity. Now this isn’t something to be surprised about, most lenses in the superzoom category are like that, so this isn’t unusual.

In daylight the focusing is also fast. This lens uses the STM motor, which is the stepping motor to autofocus. It is pretty smooth and quiet, which can be useful when shooting videos. And since it has a longer focal ranges it can be very useful for shooting documentaries. The videos we shot with this were very good (watch video review here), stable and there was quality output. Another good thing that I liked is that the lens features in-built vibration reduction, which works upto 5 stops and the performance of that was also very good.

Shutter Speed: 1/200s, Aperture: f/8, ISO:2000, Focal Length: 400mm

But as good as the lens is in terms of autofocus in daylight, it does hunt slightly in the lowlight conditions. But truth be told I wasn’t expecting the lens to perform very well in lowlight, but I was surprised with the performance. The overall images are good, yes there is a focusing challenge, but when it focuses it delivers good pics. What I like is that with a focal range like this you can use this for street photography also, especially the pics showed good contrast and surprisingly were well lit.

The depth and bokeh as well on the lens were pretty good in both daylight and lowlight.

Minimum focusing distance

For a versatile lens with a superzoom, this lens also gives you the option for getting in closer. The minimum focusing distance of the lens at 28mm is 0.66 ft and at 400mm is 3.69 ft, which is pretty good. The images at both 28mm and 400 mm are pretty decent and I really like the performance in this case. Yes, at the closer range there is surely sharpness at the centre and more softness on the sides. But if used wisely then it can surely be an asset.

Lens flare and ghosting

In terms of the lens flare and ghosting, this is probably one of the best lenses that I have seen in recent times. There is hardly any lens flare of ghosting even when we shot intentionally to test it. The images from the lens under varied scenes don’t show any visible glaring and ghosting and that was something that I was really impressed with.

Shutter Speed: 1/125s, Aperture: f/7.1, ISO:200, Focal Length: 140mm

Chromatic Aberration

In terms of CA value, the lens does display a value of 0.84 pixels, which is on the higher side.

CA Value: 0.84 pixels

Conclusion

So how do I find the new Nikon 28-400 mm lens for the Z mount? Honestly my feelings are mixed. Yes it isn’t a lens that will completely blow your mind from the onset. Because it really isn’t a fast lens, which means that you start thinking about its performance, atleast in lowlight. But I was pleasantly surprised with it. The daylight performance is very good, it’s well built and overall gives a good performance. The performance in lowlight could be better though.

But more importantly it gives the user the opportunity to do away multiple lenses at a price of Rs. 1.3 lacs. Which means you don’t have to carry that additional gear. And that to me sounds like a good scenario to be in.

Bhavya Desai

OnePlus Nord CE 4 vs Vivo V30e Camera Test

In this review we are comparing the cameras of the OnePlus Nord CE 4 vs Vivo V30e cameras. Both of these phones come in very interesting price category, between ₹25,000 – 28,000. Now this is a very competitive market and also something that users tend to use a lot. Both these phones are the best variants that the manufacturers offer, 8GB RAM and a 256GB capacity which is expandable to 1TB using an external card. The OnePlus is more affordable of the two coming in with a price of ₹27,000, while the Vivo is for ₹30,000.

Camera Set up

At the back both these come with a dual camera set up which are identical, they both feature a 50-MP main camera and an 8-MP ultrawide camera set up. But there are two major differences between them, one the front camera of the Vivo is also a 50 MP camera while the OnePlus is at 16 MP and the other is that the Nord 4 CE is powered by the Snapdragon 7 Gen 1 while the Vivo is powered by the 6 Gen 1 processor. Now to the naked eye this might not seem much, but the processor can make a big difference to the performance of the phones, both in the cameras as well as the overall performance.

Both these are powered by the Android 14 with the layer of Oxygen and Funtouch OS.

Daylight Main Camera

A quick look at the sensors of the camera tells us that both manufactures have used different sensors, the OnePlus uses the Sony Lytia 600 sensor which we have now seen on the Open as well as the 12. While the Vivo uses the Sony IMX 882.

In terms of pics, for a camera which offers 50 MP the performance from both of them is ok. The Vivo in some cases boosts the saturation than the actual scene and giving out more reddish tinge to it. On the other hand, the OP was able to give the output as per the original scene. And because of this compensation, the vivo also boosts the contrast of the image leading to the shadow and highlights being blown out. On zooming in as well the images from the OP are sharper than the Vivo.

We put the phones in a challenging shooting scene with harsh light to see multiple things and in this case as well the Vivo was over saturating the pics and also blowing out some details. If you see the wire in this pic then it has blown out coz of the over compensation. I liked the performance of the OP in this case since it didn’t blow out the sky and made it appear bluish which was slightly dull in the Vivo.

But in cases where you are looking for a better saturation and poppy colours then the Vivo would come out on top with the images looking more pleasing to the eye. Although the flare performance could be better.

Daylight Wide

The wide camera of both the phones comes in at 8 MP and its isn’t the best resolution that you get today. But in this price bracket I don’t think the manufacturers can give you much more either.

The images from both of them are ok. The Vivo again displays signs of over saturation but the performance of the flaring is pretty good in this case, much better than OP. But closer to the actual scene, the OP is able to deliver it much better, the Vivo in this case consistently displayed a yellowish or reddish tinge in most cases. I also found the distortion performance of the OP much better.

Daylight Telephoto

In the telephoto category both the phones allow the user to click upto 2x and then shift to digital zoom of 10x for the Vivo and 20x for the OP.

2X
5X
10X

In this case the performance of both the phones up to 2 to 3x is decent. Anything beyond that I wouldn’t expect a lot. To the naked eye, the OP appears to be sharper on zooming in, but there is hardly any difference between the two honestly. What works for the Vivo in this case is the saturation compensation for vivo which makes some images appear more sharper and pleasing to the eye.

But overall, for zoom purposes and also at high focal ranges the OP is much sharper than the Vivo.

Lowlight Main

In lowlight, the main camera of the OP is again much better giving better sharpness and more saturation as well. The overall image from the Vivo appears to have some sort of a haze due to which the images aren’t looking sharp or saturated. Even on zooming in you can find more details in the pics from the OP. Overall the OP does seem to show a lot more clarity, saturation and also true to scene pics in this case.

Lowlight Wide

And this performance continues in the wide category as well. The Vivo gives a slight reddish tinge to the images while the OP gives a slight yellowing tinge in some cases under ambient light. But under more natural conditions the images from the Vivo seem better than the OP. The images do come slightly underexposed in the OP while they seem well lit and saturated in Vivo.

Lowlight Telephoto

Under this category neither of these phones are that great. At best they are passable.

2X
5X
10X

At 2x the OP displays much better shapes and quality but anything beyond that, both the phones start losing sharpness and in my mind images under such conditions can be used much. As you go higher into the focal range the difference seems more apparent. And in this case as well the OP has a much better quality than the Vivo.

Portraits

In terms of portraits the Vivo gives you the option to use the aura light to shoot more warmer portraits if you want. But the images from that are warmer and the fill of the light can be much better. Also, by default the setting for skin smoothening is on for the Vivo so if you are someone who doesn’t like that then you should put it off in settings.

In general, the images from either of the phones are decent. The output is sharp in most cases, but the edge detection could be better. Now with these types of phones I don’t expect them to have excellent output in terms of bokeh and depth, but in this case as well the OP is visibly much better. The depth is more real and better than the Vivo.

Front Camera

The front camera has quite a bit of difference between both of the phones. The vivo has a 50-megapixel camera, whereas the OnePlus has a 16-megapixel camera in terms of resolution, and the Vivo definitely has an advantage in this case on paper.

But despite the resolution advantage, the images from the OP are well saturated and good. In terms of portraits as well the pictures from both the phones are decent. The have a decent edge detection, especially in backlight scenarios and can be passed at decent images.

Video

When it comes to Videos, both the phones can shoot 4k upto 60 fps and the output from both of them is good. In daylight there is very little to choose between either of them, but in lowlight the OP seems much better than the Vivo. The stabilisation also works better in the OP as you can see from the samples.

Conclusion

So which phone has the better camera? The OnePlus or the Vivo? They both have something that works well for them, but in this case for me the OnePlus Nord CE 4 is the winner, not only because the camera is better under most conditions, but also since it features a much faster processer, specs and also is more economically priced than the Vivo.

Bhavya Desai

Xiaomi 14 vs OnePlus 12 Camera Comparison Test

The smartphone industry, particularly in the mid-range segment, has become a hotbed for innovation, with camera technology playing a pivotal role. As manufacturers strive to offer premium features at competitive prices, the camera has emerged as a key differentiator for consumers ranging from avid photographers to social media users. We’re examining two new releases priced at ₹69,999 each: The Xiaomi 14, launched in March, and the OnePlus 12, released in January. Positioned below flagship models from Xiaomi and OnePlus, these phones not only compete with each other, but also showcase their prestigious partnerships with iconic camera brands – Xiaomi with Leica and OnePlus with Hasselblad.

In this test, we’ll compare the camera performance of the Xiaomi 14 and OnePlus 12, exploring how these collaborations influence their photographic capabilities. Read the full article to find out which smartphone better suits your photography needs.

Xiaomi 14 Camera Setup

Rear Camera

  • 50 MP, f/1.6, 23mm (wide), 1/1.31″, 1.2µm, dual pixel PDAF, Laser AF, OIS
  • 50 MP, f/2.0, 75mm (telephoto), PDAF (10cm – ∞), OIS, 3.2x optical zoom
  • 50 MP, f/2.2, 14mm, 115˚ (ultra-wide)
  • Leica lens, Dual-LED dual-tone flash, HDR, panorama
  • 8K@24fps (HDR), 4K@24/30/60fps (HDR10+, 10-bit Dolby Vision HDR, 10-bit LOG), 1080p@30/60/120/240/960fps, 720p@1920fps, gyro-EIS

Front Camera

  • 32 MP, f/2.0, 22mm (wide), 0.7µm
  • HDR, panorama
  • 4K@30/60fps, 1080p@30/60fps, gyro-EIS

OnePlus 12 Camera Setup

Rear Camera

  • 50 MP, f/1.6, 23mm (wide), 1/1.43″, 1.12µm, multi-directional PDAF, OIS
  • 64 MP, f/2.6, 70mm (periscope telephoto), 1/2.0″, 0.7µm, PDAF, OIS, 3x optical zoom
  • 48 MP, f/2.2, 14mm, 114˚ (ultra-wide), 1/2.0″, 0.8µm, PDAF
  • Hasselblad Colour Calibration, Dual-LED flash, HDR, panorama
  • 8K@24fps, 4K@30/60fps, 1080p@30/60/240/480fps, Auto HDR, gyro-EIS, Dolby Vision

Front Camera

  • 32 MP, f/2.4, 21mm (wide), 1/2.74″, 0.8µm
  • Auto-HDR, panorama
  • 4K@30fps, 1080p@30fps, gyro-EIS

Daylight Main Camera

In the main camera, both phones are equipped with a 50-MP sensor, but the actual output is what truly matters. In this regard, the OnePlus produces images at 14.3 MP while the Xiaomi 14 delivers slightly lower at 14 MP. However, the Xiaomi 14 might have a slight edge in processing due to its use of the latest Omni Vision sensor, compared to the more established LYTIA sensor in the OnePlus.

When it comes to the quality of pictures, both phones seem to provide good results. The images appear sharp and detailed to the naked eye, making it hard to prefer one over the other. Upon closer inspection, however, the OnePlus photos tend to be slightly more saturated, giving them a reddish tinge. Conversely, the Xiaomi produces images that are more natural and true to the original scene. Additionally, the Xiaomi shows superior performance in handling glare, successfully reducing it in most instances where the OnePlus might display some glare. The handling of highlights and shadows by the Xiaomi is also commendable; thanks to a balanced tonal range, it manages to reveal more details in the images.

Daylight Wide Camera

Regarding the ultra-wide cameras, the OnePlus employs a 48 MP Sony IMX581 sensor, while the Xiaomi 14 uses a Samsung ISOCELL sensor. The actual output from the Xiaomi is approximately 14 MP, and the OnePlus produces an output of 13.2 MP. In this aspect, Xiaomi has a clear advantage.

The difference is also visible in the quality of the images. Xiaomi’s images show more natural whites compared to those from OnePlus. However, despite having a lower megapixel count, OnePlus excels by delivering sharper images upon zooming. This suggests that OnePlus has very effective backend processing, though its images are slightly more contrast, which could be a disadvantage.

In indoor settings, Xiaomi occasionally produces images with slightly more contrast than OnePlus, which was unexpected. Moreover, OnePlus images sometimes appear to have a reddish tinge.

Daylight Telephoto Camera

When it comes to telephoto capabilities, the two phones use different sensors. The Xiaomi is equipped with a Samsung ISOCHELL 50 MP sensor that produces a 14 MP output, whereas the OnePlus has a 64 MP OmniVision sensor with an output of 17.6 MP. Their zoom capabilities also vary. The OnePlus offers a zoom range of 3x and 6x, extending up to 120x, while the Xiaomi provides zoom levels of 3.2x, 5x, and 10x, with a maximum of 60x.

The OnePlus has a higher sensor resolution, which results in sharper images across its entire range. As the zoom level increases, the difference in sharpness between the two phones becomes more apparent. For those who prefer sharper images, the OnePlus would be the better choice. However, when it comes to overall image quality, especially at high zoom levels, there is little to distinguish between the two phones as both generally produce good results. Nonetheless, the OnePlus shows some inconsistency in tonal range as the zoom increases, an issue that is not present in the Xiaomi. The Xiaomi may not capture the sharpest images, but it maintains more consistent quality.

Lowlight Main Camera

Recently, there has been an increase in people taking pictures in low light settings, such as during dinners and social outings. In these situations, the Xiaomi’s performance is comparable to the iPhone, as it tends to produce more neutral and natural images. On the other hand, the OnePlus tends to saturate the pictures, which might be preferred by some users because it makes the colours more vivid, and many people like such vibrant pictures.

When it comes to details and sharpness, both the Xiaomi and the OnePlus perform similarly, though the OnePlus might have a slight advantage.

Lowlight Wide Camera

In terms of performance in low-light conditions, both cameras are decent. However, the OnePlus tends to oversaturate the pictures more than the Xiaomi, affecting the visibility of shadows and highlights. Despite this, the OnePlus still produces sharper images in this category.

It’s important to note that the overall performance of both phones varied. Sometimes, the Xiaomi’s images were overexposed, while at other times, the OnePlus’ images were underexposed. Therefore, neither phone delivered flawless results in this segment.

Lowlight Telephoto Camera

Much like its performance in daylight telephoto shots, the OnePlus produces a much sharper image. As one zooms in further, this becomes more evident. At the maximum zoom range of each phone, the images tend to be blurry, yet they appear significantly clearer on the OnePlus.

Although it was anticipated that the OnePlus might display varying colour tones in this aspect, the actual performance was surprisingly better than expected.

Portraits

Xiaomi has consistently performed well in portrait photography over the years, and this was also true for the Xiaomi 13 Pro, which received positive reviews. The brand’s portrait mode, although good, takes a unique approach by incorporating Leica filters, which might be confusing to new users who could initially think there are only two shooting options available.

Both Xiaomi and OP deliver high-quality images that are sharp, well-saturated, with good edge detection and bokeh effect. However, Xiaomi’s portraits are particularly appealing, especially in how they handle skin tones, making them appear more natural, saturated, and warm, thus pleasing to the eye. In contrast, OP offers better blur and sharpness, especially at higher focal ranges, but sometimes struggles with inconsistent tonal ranges.

Front Camera

Both phones feature a 32-megapixel front camera; however, the OnePlus offers only a single setting for taking pictures, while the Xiaomi 14 provides options for both wide-angle and standard (1X) shots. An interesting feature of the Xiaomi 14 is that it uses a timer when the volume down button is pressed to take a picture.

In terms of image quality, the OnePlus produces more natural-looking photos, whereas the Xiaomi enhances the exposure to make the images appear more striking. The Xiaomi 14 also has skin smoothing turned on by default, which users may want to disable for a more natural appearance. When capturing portraits, both phones deliver good detail and edge detection, but the Xiaomi slightly outperforms in terms of the sharpness of the details.

Video Performance

Both phones can record video up to 8K at 24 fps, though this feature has not been tested as it is unlikely to be used frequently by most consumers in the near future. When recording in 4K, both devices can shoot up to 60 fps. In this mode, the OnePlus generally produces better videos. Video stabilization is effective on both devices, but the Xiaomi tends to display more contrast, which can make some videos look underexposed. This was observed with HDR turned off as well, and some glare was noticeable in the videos shot with the Xiaomi 14.

In low-light conditions, however, the increased contrast in Xiaomi’s videos results in better visual quality. Additionally, the Xiaomi outperforms the OnePlus in terms of flare handling in these settings. It is also worth mentioning that Xiaomi’s sound recording quality is superior.

Overall, the OnePlus is favoured for its better overall performance.

Conclusion

Which phone has the better camera, the Xiaomi or the OnePlus? In this comparison, the Xiaomi 14 seems to have the advantage. It captures neutral photos under most conditions, which is highly appreciated. Additionally, it produces warmer-looking portraits, which seems to be popular among users. Although it doesn’t perform as well as the OnePlus in video recording, its superior macro capabilities contribute to it having a better camera overall.

The choice might differ if considering the overall quality of the phone, where factors like the operating system, usability, and display come into play. However, it’s worth noting that the Xiaomi 14’s user interface has improved significantly with the introduction of Hyper Touch OS. Expectations are that it will continue to get better with future updates.

Instax PAL Review

Instant printing cameras offer a unique blend of nostalgia and modern technology, allowing users to capture and print photos instantly. These devices cater to a wide range of consumers, from photography enthusiasts who appreciate the tangible feel of printed photos to younger generations seeking the novelty and immediacy that these cameras provide. The new Instax PAL from Fujifilm is interesting because it’s different from other instant cameras. It costs ₹10,999 but doesn’t print photos by itself. You need to buy a separate printer called the Square link for another ₹15,000. If you want the camera, printer, and 100 films, it’s all ₹22,000 together. The camera is really small and has a 5MP camera inside. This setup makes you wonder if it’s really worth buying because it’s quite expensive and you need to buy extra things to get it to work fully. This review looks into the Instax PAL to see if it’s a good deal. It’s not common for an instant camera to need a separate printer, so we’ll see if this camera is still a good choice despite the extra cost and effort.

The PAL is packaged in a small, strong box that even includes a neat little void spot for the warranty. Setting it up with other devices is quick and easy, usually done in just a few minutes. The black colour option looks sleek and stylish, though it can be a bit hard to read because of this. Despite worries about it getting scratched, it holds up well, although it does attract a lot of fingerprints.

Here are three key points to understand about this device:

  1. It comes with a small 1/5-inch sensor and isn’t protected against weather conditions.
  2. On the top, you’ll find buttons for turning it on/off and selecting modes, and at the bottom we have a Link/Fun button that lets you print photos directly to a printer.
  3. The device can be charged with a USB Type C cable, has a spot for attaching to a tripod, and can use a micro SD card for extra storage. It can also hold 50 photos in its built-in memory. 

The best part about the PAL is how easy it is to use; it’s practically fool proof. For example, when set in Link mode, it prints straight to the printer without any complicated steps. There’s also a Fun mode for other features. The printing process is straightforward – just a simple action.

Fujifilm has made the PAL more enjoyable by adding small, fun details like custom sounds for capturing photos, and when turning the camera on or off. These little additions are aimed at making the camera more appealing to its target audience, and they do add a charming touch. However, there are a few downsides. The remote display on the phone is of very low quality, though the actual printouts look much better. The printer’s charging port can be tricky to open, and because the camera is point-and-shoot, it’s hard to know exactly what you’re capturing. This can lead to wasting film if you print directly without checking.

Apps

Fujifilm has made a great app for the Instax PAL camera, making it easy and fast to connect. Unlike other apps that can be complicated and put people off, this one is simple and lets you do a lot, like editing photos and making animations. However, you need to download two different apps – one for the camera and another for the printer, which is a bit inconvenient. It would be better if just one app could handle everything. Even though you can print directly from the camera using a special mode, the process involves switching to the printer app to print. This feature could be fun for events like kids’ birthday parties where you want to make special keepsakes for guests. Just remember, transferring a photo from the camera to your phone takes about 15 seconds, and it can take a while if you’re moving a lot of pictures at once.

Results

But what about the photo quality? With a 1.5 MP sensor, don’t expect stunning images. However, using the camera is quite fun. Watching the photo print and slide out brings a unique joy. The picture quality is decent enough for snapshots of family, vacations, pets, etc., perfect for decorating fridges or desks. It’s unclear, though, how often people will use it, considering the cost of paper and media.

A quick tip: After taking a photo and it starts printing, give it a few minutes to fully develop. The photo might not look great right away, but with a little patience, it will improve. Don’t toss it out too soon thinking it didn’t work.

Conclusion

The Instax PAL, priced at 11k, raises the question: Who would buy this, especially when you can get an action camera that’s also small but does more for a similar price? Considering you need to spend an extra 15k for the printer and cartridge, it seems pricey.

However, for those who already own an Instax printer, the PAL could be a great addition. It’s a small, easy-to-carry camera that lets you print photos on your existing printer, meaning you don’t have to carry a big camera on trips.

It seems like the Instax PAL is more appealing to people who are already part of the Instax world. For newcomers, the total cost might not seem worth it just for the experience. But, it’s hard to ignore that this camera is fun and unique to use.

OnePlus Buds 3 Review

What can be considered as good sound is subjective, but with the slew of phones getting launched in the budget category, earbuds are also a category that has heated up in the past few years. OnePlus, who entered this segment a few years back have had some products that’ve done well in the market, while others that haven’t. They recently launched the OnePlus Buds 3 at a price of ₹5,499, which offers features that aren’t available in this segment. Does it deliver a punch in this segment? Let’s find out.

Design and Specs

OnePlus Buds 3 – Metallic Grey or Splendid Blue

The OnePlus Buds 3 are available in Metallic Grey or Splendid Blue, featuring a metal construction with a dual matte plus glossy finish that strikes a balance between style and subtlety. These stem-cell design buds offer IP55 rating for water and dust resistance. Their stems are slightly curved inwards and with the rubberized ear tips, they are comfortable for prolonged periods.

OnePlus Buds 3 Stems

The stems are equipped with capacitive touch controls, allowing users to swipe up or down to adjust the volume, tap once to answer calls or skip tracks, and long-press to switch noise cancellation modes. However, they lack a default gesture for pausing or playing music, which can be customized Bluetooth settings on OnePlus or Oppo devices. The touch controls on the OnePlus Buds 3 are responsive and reliable, although they can be a bit unresponsive at times.

The design of the case is similar to the Pro series and features the OnePlus logo, pairing button and the Type-C charging port at the back. Each bud weighs approximately 5 grams, with the case contributing an additional 40 grams.

OnePlus Buds 3 Case

In terms of technical specifications, the Buds 3 are equipped with 10.4mm dual drivers and support Bluetooth 5.3, along with the LHDC 5.0 audio codec, in addition to standard SBC and AAC codecs, making them compatible with a wide range of Android and iOS devices. They also feature multiple device pairing and Google’s Fast Pair for a quicker connection process with Android devices.

OnePlus Buds 3 Case

Sound Quality

The OnePlus Buds 3 offer good audio quality, producing a bass-heavy sound with minimal distortion. There’s no need to turn the volume up high to enjoy the deep sounds. Sometimes, they play the deeper and middle sounds too loudly, but they usually work well with musical instruments and the singing sounds quite balanced. It’s advisable to adjust the EQ settings for a better experience across different types of music.

The microphone quality on the Buds 3 is commendable, providing clear call audio even in outdoor environments. This ensures that conversations are easily understandable by the person on the other end.

In terms of active noise cancellation, the Buds 3 perform satisfactorily for their price range. While audio quality is best with noise cancellation off, turning it on significantly reduces background noise. The transparency mode is also effective, allowing for awareness of surroundings without needing to remove the buds.

The Buds 3 excel in syncing audio and video, including high-bitrate content, and their gaming mode reduces latency for a seamless gaming experience. The feature that pauses and plays audio upon removing and reinserting the buds works smoothly, enhancing user convenience.

Battery

The OnePlus Buds 3 boast remarkable battery performance, delivering around 7.5 hours of playtime with Active Noise Cancellation (ANC) enabled. When ANC is turned off, users can enjoy an extra 3 hours of usage. For daily listeners, charging the case once a week suffices. These results are especially notable when using the LHDC codec on OnePlus devices, enhancing the overall listening experience.

Conclusion

For the price of Rs. 5,499 and with offers the OnePlus Buds 3 are a pretty good product. And you can see an improvement in audio quality and tuning as well, indicating that the company is listening to the feedback and also heading in the right direction. Although they haven’t reached perfection yet. The Active Noise Cancellation (ANC) is effective, the microphone delivers clear sound, the earbuds fit comfortably in the ear, and they boast impressive battery life. We give our thumbs up to the OnePlus Buds 3 and surely recommend them for anyone looking for quality earbuds.

OnePlus Watch 2 Review

The latest addition of the OnePlus watch has been launched after a gap of nearly 3 years with a price of Rs. 24,999. At this price point this watch is competing with the likes of Samsung Gen 4 and Fossil’s Gen 6 watches and the likes of others in that category. Now this isn’t really a premium category watch like your Apple and Samsungs watches. And OnePlus knows that, with this they are trying to target a user that is looking for value for money + premium features and also someone who piggybacks on the OnePlus ecosystem. 

Look, Body and Feel

The first thing I notice about the watch is its big dial, a 1.43-inch dial beams out at you with a premium build quality, especially for the price point. And this builds on the IP 68 water resistant rating plus a military grade durability. But while the look is premium the button and rotation dial quality feel average. 

The colour is the flagship green, which can be seen on the OnePlus Pad, OnePlus Open, and the OnePlus 12. But at 80 gms the watch certainly feels heavy on the wrist, may be because of the stainless steel build, in comparison the Apple Watch that I use is about 32 gms. The display can go upto 1000 nits and this now also has an improved resolution of 466×466, which is more than the 454 pixels before. It is bright as daylight and you won’t have an issue viewing this under any conditions.

Dual Chipset

To improve the efficiency of the watch it now runs with a dual chipset, one is the Snapdragon W5 performance chipset that runs Wear OS 4, and the other is the BES 2700 efficiency chipset that runs the RTOS operating system. These run concurrently and in most cases I found it to be running smooth and fast. There is not much lag and the watch is able to handle what you throw at it efficiently. Yes, it isn’t lighting fast as I am use to with the Apple Watch, but full points to OnePlus on this one.

Graphics and Animations

But where I feel the let-down are the graphics. When I use the watch, the graphics, the animation, there just seems something missing in them, I can’t put a finger on it, but something is there. And its even more surprising since it features a 60 hz refresh rate, same as the apple watch which is actually pretty good, but for some reason it does feel that fluid. But the Wear OS 4 runs smooth and feels at home with the back button swipes for android, it’s just so intuitive to just do that. 

Faces & Customisations

One of the interesting things about a smart watch is its faces, and in this case I found the ones in the O Health app to be limited. But you can download upto 80 more faces online, unfortunately that didn’t work for me since under embargo that didn’t seem to fire up. I do have a bone to pick when it comes to customisations as well. I felt those to be limited as compared to what I am use to with other options. But may be in this price segment this could be offering more? 

But the good thing is that with Wear OS 4 now you can get things done easily and also use the google apps on the watch. The watch pairs fast, which is convenient and also will download the apps and access pretty well. But do note that in India specifically Google Pay and Google wallet wont work in India. And also for any iPhone fans, this is not compatible with the iPhones. 

A Battery Powerhouse

One of the biggest things that OnePlus is pushing with this is the battery life. And with its 500 mAh battery, this is truly a battery power house. It allows upto 100 hours of battery and also now offers a power saving mode as well. And what’s interesting, in that mode you can get access to loads of basic functions, which lot of the other watches wont allow you to do. For instance, most smart watches just show the time in the power saving mode. 

But in any case, if the battery also dies then you just need 10 mins to charge your watch. This comes with a 7.5-watt VOOC Charger, which could be better built honestly, but it supports fast charging and is also more than the usual 2.5 watt industry standard.

Health Apps

Now primarily you always use a watch for its heath features and the OnePlus Watch 2 also offers a host of them. And in most cases they work pretty well. Like for instance it accurately detected the bpm and in both the watches I used and that was pretty close. But the metric of calculating steps seemed quiet off. This does feature the new dual frequency for better precision, but there was surely a mismatch in the steps on both my watches. Now I dont know which watch is really giving the accurate step count honestly, but they aren’t the same. They have also enhanced some of the workout modes as well like the badminton mode, which I am looking forward to using it when my injury heals. 

Conclusion

So how do I find the OnePlus Watch 2? Now one of my vices are watches actually, I really love them and I invest in them a lot as well. And for approx. 25k, I think this watch offers a lot and is surely decent. Yes, it isn’t the best at everything it does, but for that you also need to spend a lot more, like the Apple watch, which is nearly 2 times this price. 

The way I look at it is that, this watch isn’t the best at everything, but it actually is consistent at everything, and for the price and the features it offers, I can see it being an appealing buy for users.   

OnePlus 12R vs Redmi Note 13 Pro+ Camera Comparison Test

Welcome to Asian Photography Magazine’s latest smartphone camera review. Today, we’re focusing on the camera capabilities of two recently launched mid-range smartphones: the OnePlus 12R and the Redmi Note 13 Pro+. Both models are priced competitively, with the OnePlus 12R starting at ₹39,999 and the Redmi Note 13 Pro+ at ₹31,999.

Interestingly, the OnePlus 12R hasn’t seen any updates to its camera compared to its predecessor, the 11R. However, it now features the powerful Snapdragon 8 Gen 2 processor and some under-the-hood improvements, which could enhance its camera performance. On the flip side, the Redmi Note 13 Pro+ boasts a significant camera upgrade, moving from a 50 MP to a 200 MP main camera. It also comes equipped with the MediaTek Dimensity 7200-Ultra processor, promising better overall performance.

In this review, we’ll dive into which smartphone offers the better camera experience for consumers looking for quality photography without breaking the bank. Let’s find out which device takes the lead in the mid-range camera showdown.

Camera Setup

OnePlus 12R

  • Wide: 50 MP, f/1.8, 24mm, 1/1.56″, 1.0µm, PDAF, Laser AF, OIS
  • Ultra-Wide: 8 MP, f/2.2, 16mm, 112˚, 1/4.0″, 1.12µm
  • Macro: 2 MP, f/2.4
  • Rear Video: 4K@30/60fps, 1080p@30/60/120/240fps, gyro-EIS, OIS
  • Front: 16 MP, f/2.4, 26mm, 1/3″, 1.0µm
  • Front Video: 1080p@30fps, gyro-EIS

Redmi Note 13 Pro+

  • Wide: 200 MP, f/1.7, 23mm, 1/1.4″, 0.56µm, multi-directional PDAF, OIS
  • Ultra-Wide: 8 MP, f/2.2, 120˚
  • Macro: 2 MP, f/2.4
  • Rear Video: 4K@24/30fps, 1080p@30/60/120fps, gyro-EIS
  • Front: 16 MP, f/2.4
  • Front Video: 1080p@30/60fps

Daylight Main Camera

The OnePlus 12R has a 50 MP Sony IMX 890 camera, while the Redmi Note 13 Pro+ features a 200 MP main camera. Despite these differences, both phones produce images with a similar quality of 12.5 megapixels. The Redmi’s photos look more true to life, and the OnePlus’ photos are brighter and more colourful, which might be more appealing to some people, though I personally prefer the more natural look of the Redmi.

When it comes to how clear and detailed the photos are, both phones are pretty much the same. However, because the OnePlus makes images more vibrant, they can seem a bit sharper. The OnePlus also does a better job with HDR, making photos have better contrast and making colours look warmer and more inviting. Additionally, the OnePlus captures skin tones more realistically, while the Redmi tends to lighten them a bit too much.

Daylight Ultra-Wide Camera

In the ultra-wide camera category, both phones are equipped with an 8-MP sensor and produce images at this resolution. The pictures from both devices are warm, vibrant, and pleasing to look at. However, the Redmi sometimes shows slight colour fringing. On the other hand, the OnePlus occasionally suffers from over-sharpening, leading to a loss of detail in shadows and highlights in some images. Despite these minor issues, the performance of the ultra-wide cameras in both phones is quite similar, leaving little to differentiate between them.

Daylight Telephoto Camera

Both phones, the OnePlus and the Redmi, don’t have a special zoom camera, so they zoom in using their main camera and make the picture smaller to fit. The OnePlus can zoom in 2X, 5X, and 10X, while the Redmi does 2X, 4X, and 10X zoom. Despite this, both phones still produce photos that are 12.5 megapixels in size.

When zooming up to 5X, the OnePlus takes pictures that look warmer and more colourful, but the Redmi’s photos are clearer and sharper. This difference is even more noticeable when you zoom in more. At 10X zoom, thanks to its 200-megapixel sensor, the Redmi captures images that are much sharper and detailed, while the OnePlus photos show a lot of graininess.

Lowlight Main Camera

When it comes to taking pictures in low light, the quality of the photos from the main camera changes a lot compared to daylight. The Redmi’s pictures look yellowish, too bright, and the colours are too warm. On the other hand, the OnePlus takes pictures that look more real and gentle, which makes them nicer to look at. The OnePlus pictures also have more contrast, making them stand out more. However, just like in bright light, the Redmi pictures are sharper and have more details than the OnePlus pictures.

Lowlight Ultra-Wide Camera

In low light, the Redmi’s photos have a yellow tint, while the OnePlus photos lean slightly red. However, the Redmi’s images show noticeable distortion, making the OnePlus the better choice for clearer pictures. The OnePlus also captures colours that look more natural. When it comes to details and sharpness, both phones perform almost the same, offering very similar quality.

Lowlight Telephoto Camera

In low light conditions using zoom, the quality difference between the cameras becomes clearer. The OnePlus doesn’t capture details as sharply as the Redmi does. However, the OnePlus photos look more pleasing and natural, while the Redmi photos have a yellow tint and are more vivid than the actual scene.

Portrait

When it comes to taking portraits, the OnePlus phone does a better job. The pictures are more colourful and vibrant, making them more appealing to look at. They also have a warmer tone, while the Redmi phone’s photos have a slight blue tint. If you zoom in, you’ll notice that the images from the OnePlus are clearer and more detailed. Both phones are pretty good at figuring out where the edges of objects are, though.

In low light situations, the OnePlus phone still takes better pictures, showing off more detail and contrast. The Redmi phone’s pictures tend to have a reddish colour on people’s skin. Also, the OnePlus is better at recognizing edges in these conditions.

Macro

Honestly, I don’t see the point of including a 2-MP macro camera in these phones. It feels outdated, and it doesn’t really add much value. I understand that brands want to offer a triple camera setup at an affordable price, but it would be better if they included features that are actually useful.

From my experience, the image quality from these macro cameras is just average. They’re okay for basic use, but I wouldn’t recommend relying on them for macro photography.

Front Camera

Both phones have a 16 MP camera for selfies. The OnePlus phone takes more natural-looking photos, while the Redmi phone’s pictures look a bit yellow in dim light. Also, the Redmi tends to make skin look smoother in photos, but the OnePlus provides sharper contrast.

Video

When recording 4K videos at 30 FPS with the back cameras, the OnePlus phone clearly outperforms the Redmi. The colours in the OnePlus videos are brighter and more eye-catching. Plus, the OnePlus videos are smoother and have better contrast. On the other hand, the Redmi’s videos sometimes show burn marks, and when shooting in low light, there are noticeable flares and ghost-like effects. Overall, the OnePlus delivers superior video quality.

Conclusion

When comparing these phones, I initially thought the OnePlus 12R wouldn’t perform well in photography because it has the same camera setup as the 11R, especially since the Redmi has introduced an upgraded main camera. However, the OnePlus 12R actually offers more consistent camera performance. Additionally, its software, OxygenOS, provides a smoother and more optimized experience, making it worth the extra cost.

So, if you’re deciding which phone to buy, the OnePlus 12R not only has superior cameras but is also the better choice overall.

Text and Images by Bhavya Desai

OnePlus 12 vs iQOO 12 Camera Comparison Test

Both, the OnePlus 12 and the iQOO 12 launched in December 2023 and January 2024, within a gap of a month. And since the time of these launches, there has been a lot of buzz about their cameras, especially since both of these brands are owned by the same parent company. BBK Electronics owns both, OnePlus and Vivo, and Vivo internally owns iQOO.

And both these devices have a very similar camera set-up, in fact they also use similar sensors and processors as well, making this comparison very interesting. The OnePlus 12 starts at ₹69,999 and the iQOO 12 starts at ₹57,999 and let’s find out which is the better camera between the two.

Look, Body & Feel

The iQOO 12 has been designed in association with the BMW M edition and you can see the reminiscence of that across the design, I really like the weight of the phone, it is really light and you hardly feel as if you are holding anything. But the camera module perspective the iQOO is very simple, they’ve not spent much time in trying to jazz up the module. It pretty much slapping on the module in the black background. The OnePlus on the other hand have some unique things about the 12, like the glitter effect when the light falls on it, also the flowy texture.

I have spoken about that in detail in my review of the OnePlus 12 Review here so you can see that as well.

Now both of the phones come with a triple camera set up and they have been updated of the latest software of Funtouch and Oxygen OS.

Camera Set-up:

iQOO 12

  • Wide: 50 MP, f/1.7, 23mm, 1/1.3″, 1.2µm, multi-directional PDAF, OIS
  • Telephoto: 64 MP, f/2.6, 70mm, 1/2.0″, PDAF, OIS, 3x optical zoom
  • Ultra-Wide: 50 MP, f/2.0, 15mm, 119˚, AF
  • Rear Video: 8K@30fps, 4K@24/30/60fps, 1080p@30/60/120/240fps, gyro-EIS
  • Front: 16 MP, f/2.5
  • Front Video: 1080p@30fps

OnePlus 12

  • Wide: 50 MP, f/1.6, 23mm, 1/1.43″, 1.12µm, multi-directional PDAF, OIS
  • Telephoto: 64 MP, f/2.6, 70mm, 1/2.0″, 0.7µm, PDAF, OIS, 3x optical zoom
  • Ultra-Wide: 48 MP, f/2.2, 14mm, 114˚, 1/2.0″, 0.8µm, PDAF
  • Rear Video: 8K@24fps, 4K@30/60fps, 1080p@30/60/240/480fps
  • Front: 32 MP, f/2.4, 21mm (wide), 1/2.74″, 0.8µm
  • Front Video: 4K@30fps, 1080p@30fps, gyro-EIS

Daylight Main Camera

In the primary camera both of these have a 50-MP camera but they feature different sensors, the OP12 features the Sony LYT808 sensor while the iQOO 12 features the OmniVision OV50H sensor. But the output from OnePlus is at 14.3 MP and the iQOO is close behind at 13.9 MP. Now why is this important for you to understand. While all manufacturers claim that the phones have a 200-MP camera, 50-MP etc., the output actually it captures isn’t in its full resolution, unless you are activating it. So, these things can be deceptive and often users feel that this is the resolution that the phone shoots at.

To test the phones, I chose a setting where there are shadows, darker areas and also brighter areas so that it pushes the phones to do more and the images from the iQOO were slightly underexposed and over sharpened in most cases, while the OnePlus gives more saturated output. The colour vibrancy is also visibly more on the OnePlus than the iQOO. In terms of the HDR performance, in some cases the iQOO is much better with bringing out the shadows and highlights, while in the other the OnePlus is better. There is also a hint of slight reddish tinge in the images from the iQOO. In terms of sharpness and details both the phones deliver a good performance overall.

Daylight Ultra-Wide Camera

In the ultra-wide category the iQOO shoots with a 50-MP camera at a 15mm focal range and the OP shoots with a 48-MP camera with a 14mm focal range, and the output is bigger also in the iQOO with a 13.8 MP vs the 13.2 MP of the OP.

And in this case the performance was mixed from both the phones, in some cases the OP would be better and in the other iQOO would be better. Neither of them gives a consistent performance that you can really nail. Sometimes the images are underexposed on the OP and sometimes on the iQOO. Sometimes the HDR is better on the OP and other times better on the iQOO.

But like the primary camera, the iQOO again gives hints of reddish tone in them. While the OP 12 continues to give a slightly more vibrant image, which is slightly more saturated than the original scene. In terms of the sharpness and detail they both have a neck-to-neck performance with hardly to choose between them.

Daylight Telephoto Camera

In daylight both the phones feature the same sensor, which is the 64-MP OmniVision sensor, but the zoom capabilities that both of these offer are different. The OP 12 gives a range of 3x and 6x zoom which goes all the way up to 120x. On the other hand, the iQOO gives a zoom of 3x and 10X zoom up to 100x hybrid zoom.

In the images I like the fact that the iQOO gives you a more consistent tonal range across the focal range, which I found the OP 12 to not give. But yes, from the images perspective, both these phones give a good output. There is good sharpness and details in both, but slight over sharpening in the iQOO, especially at the higher focal range because of which the images also seem processed and sharper.

At the max focal range both the phones deliver ok result. You can’t really use these images, but one thing I’d like to mention is that with OP it’s a lot easier to shoot at the max focal range since it locks focus, which is very difficult to do with the iQOO.

Lowlight Main Camera

The performance in the lowlight category from both the phones is very different. When it comes to the primary camera, the results from the iQOO are slightly underexposed and over sharpened. The OP also over sharpens images in some cases, but is able to deliver a more natural and accurate output of the two. But I found the HDR performance of the iQOO to be much better in this case.

Lowlight Wide Camera

In the wide category the images similar to the daylight, both phones had a mixed output. Giving underexposed images sometimes and giving proper natural output the other times. But the images overall seemed more natural from the OP than the iQOO.

Lowlight Telephoto Camera

And much like the daylight performance the lowlight telephoto performance is also varied. You can see the difference in the images and the tonal range between the different focal range. The images are more contrasty and poppy in the OP and the iQOO processes those images more. Now both of these have the same sensors, but the OP delivers a closer to the real look. It’s as if they’ve been able to tweak the processing and signalling much better than iQOO. But the images are sharp and detailed in both phones, however at the max focal ranges you can see the stark difference in the output between both of them.

Macro

While OP has a higher hand in lowlight telephoto, in macro the iQOO with its super macro mode is really good. It allows you to blur the background which the OP won’t do. The images from the OP 12 also come out nice, but with the super macro mode the images from the iQOO are much better.

Portrait

In portraits both the phones allow you to shoot at 1,2 and 3x but the performance varies in both of them. They do deliver sharp and detailed images, but the OP gives a much warmer tone in the images, which might be liked more by the users. The iQOO adds a slight yellow tinge to the subject while the OP adds a slight reddish tinge. Neither of the phones deliver the actual scene in daylight. But in terms of the edge detection in daylight the iQOO is much better, sharper and well defined edges as compared to the OP.

But as good as the iQOO is in the daylight with edge detection, it’s is pretty average overall in lowlight portraits. The images are oversaturated, much too warm and also sometimes at the high focal range shows colour fringing again. The OP in this case delivers an OK performance, the images come slightly underexposed, but much better that the iQOO for sure. So overall in this case I would say the OP is more consistent overall in portraits. 

Front camera

And OP is able to continue that in the front camera as well. It has a new 32-MP camera versus the iQOO 16-MP camera which at best delivers an ok performance. The images from the OP are sharper, much better and also is able to deliver more. Even in portrait the camera is able to sense the depth much better. For instance, I took this pic at F1.4 from both the phones and the iQOO gave less depth as compared to the OP. Yes, it does go as wide as 0.95 but even then I thought the depth was ok. In edge detection also the camera is much better.

Video Performance

In video both can shoot up to 8k but the iQOO goes up to 30 fps whereas the OP can go up to 24 fps. The OP also gives you 5 lenses to shoot from as compared to the iQOO.

In terms of output both the phones have a good output, but the samples from OP looks more vibrant and natural, the stabilisation is good in both but it is better in the OP again and overall in the video as well I felt that OP was better.

Other things

Every time that I was shooting with the IQOO the screen would show the live feed much darker than the actual output. That was surprising since there was no way for me to tell if what is the output the camera would show. Also the iQOO was heating up more than the OP as well.

The camera UI is something that I have included in this comparison coz I felt that the fluency of the camera app was better in the OnePlus and also the screen at 4500 nits is just phenomenal.

Conclusion

So which is the better camera between the two? Yes, both of these manufacturers need to work on certain aspects of their cameras even now, but overall in terms of not only the camera, but also the specs, the optimisation of how the phone works overall, OnePlus is the much better camera and phone in most aspects.

Text and Images by Bhavya Desai