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A Beginner’s guide to HDR Photography

If you want to take advantage of the latest technology and add some wow factor to your vacation photographs then HDR photography is a good place to start. In this article we are focusing on giving you tips on How to take great HDR photographs and process them with the help of HDR processing software.

Diego Delso ©

What is HDR?
HDR stands for high dynamic range. As per the name, this technique aims to add more “dynamic range” to your photographs. The dynamic range is the ratio of light to dark in the photographs. So in this technique rather than clicking only one photograph, you need to click at least three photographs at different exposures of a same frame. You can then use the image editing software to stack these images together to get the final HDR image.


Where to use HDR?
Many times while shooting some scenes you face the problems as there is too much contrast in the scene and to capture those scenes correctly exposed is a very difficult task. So in such situation HDR will be very helpful. 

Here are some of the situations where you can use HDR: Landscapes: 
Huge wide landscape photos usually have a lot of contrast between the sky and land, which is very difficult for your camera to capture with just one photo. But with HDR you can capture sky details without making land look too dark and vice versa.

Portraits in Harsh light:
Lighting is one of the important aspects to click a good photograph. But too much light on someone’s face (Harsh light) can cause dark shadows and bright glare. Using the HDR technique one can even the all out and make your subject looks better.


Low-light or Backlit scenes:
If you are getting very dark photos-which often happens when you are shooting backlit scenes. In such situation HDR technique can brighten up the foreground without overexposing the well lit portion of your photograph.

Where not to use HDR?
As you can learn now when to use HDR technique, but there are some drawbacks too in using this technique. Sometime HDR actually makes your photos look worse. 
Here are some situations where you should avoid using HDR technique:
With the moving subject:
If any of your subjects are moving then using the HDR technique increases the chances of getting blurry photographs. Because HDR takes multiple photos with different exposures. So if your subject is moving in one of the frame then the final image won’t look good.

High contrast situations:
Some photographs looks good if there is high contrast in it. Situations like if you want to highlight a dark shadow or a silhouette in your photograph, then using the HDR technique will make the photograph look less interesting.
Shooting HDR photos have two major components. One is shooting and another is post processing.
Shooting Techniques:
Follow these steps to capture a perfect HDR photograph.
• Discover the Auto exposure mode in your camera. Auto exposure mode is the main components while shooting HDR. If your camera doesn’t have this feature then you have to set exposure manually for every photograph you take. For HDR you have to take photographs on at least EV -2, 0, +2. You can take more than three photograph as per your wish but at least three photos are must.
• Set your camera on AV mode and determine the aperture. AV mode will be easier and most convenient setting to start with. This setting will let you select the aperture you want for the exposure and let camera decides to take the shutter speed. While shooting HDR you have to consider what needs to stay the same during the brackets. So after selecting the AV mode you have to decide what aperture you want to shoot in. Again aperture values depends on what scene are you shooting. For landscapes you want to get focus the entire scene with no blur in the background, so when selecting aperture remember that higher the aperture greater the depth of field.
• After selecting the exposure there is one more major component is to set your white balance. White balance is very important to your photos colour balance. Auto white balance will work most of the time. But you need to know the different white balance settings too. If your camera couldn’t capture the colours in the scene like you see them. It’s time to change your white balance settings.
• Select your ISO. ISO is simply your cameras sensitivity towards light. The higher the ISO, the more sensitive it becomes. But the downside of the ISO is the more the ISO, the lower the quality of the photograph. High ISO produces lots of noise. So you need to set your ISO as low as possible. 100 ISO will be ideal for HDR photographs.
• With the higher aperture and low ISO settings shutter speed going to become slower. And shooting handheld in such situation can cause some shake in your photographs. So to get the sharp shot in such situation, using the tripod is must. The type of tripod you need is simply depends on you and your shooting style. If you don’t do so much travelling and drive to the location directly and setup then you may invest in a strong, heavy tripod legs. If you love to travel, hike then you will need something light weight, compact tripod.
• Another way to get rid from the camera shake is to use a self timer. This gets rid of the possible shake from holding down the shutter with your finger.
• Now that you have learned all the techniques and ready to shoot, one major thing can make a big difference is to get use of the manual focus. Auto focus is an amazing technology but it isn’t so great while shooting landscapes. If you really want to get everything in focus then you have to switch to manual focus. AF mostly pick certain spots of the frame usually centre and make sure it is as sharp as possible. With manual focus you can set your focus point to infinity to get the entire frame in focus.
• Take the shot.

Post processing
Now that you have taken series of images in different exposure, you need to stack them together and edit it in the HDR image processing software. Given below are the few techniques with the use of Photomatix pro software that will help you get closer to your desired result.


• Open the Photomatix pro software. Click on the load bracketed photos and then click on the browse and select the series of photos you took for the HDR and click Ok. If you don’t have bracketed images, you can still process like HDR using Load single image option. But this will not give you that much impact which you will get through bracketed images.
• If you have any moving elements such as cars or people in your frame. Photomatix allows you to isolate and correct the ghosting. But we can’t give you assurance that it can isolate the ghosting 100%. So to reduce the ghostings check the show option to remove ghosting. If you want to reduce noise or chromatic aberration then check these two options too. You can change your white balance settings too if you shot photos in RAW format. Then after doing all click align and show Deghosting.
• There are two option for removing the ghosting. One is selective deghosting and other is automatic deghosting. Auto deghosting works well most of the time. After deghosting is done press Ok.
• There are inbuilt presets in this software but ideally we would not suggest you to use them. Choose the default presets and process the HDR the way you want to. After you are happy with the result click Apply button and save the final image.
Conclusion
While these are not an in-depth list of HDR tips, it is a good start to get you on the right track to capture your first high dynamic range photos.

Is this the darkest hour for Steve McCurry?

Last month, one of the biggest photography scandals broke, and it involved none other than the legendary photographer Steve McCurry. Online portal PetaPixel broke the story, after they published an online article about it in May. The photography icon came under question, after photographer Paolo Viglione saw a botched print at a show in Italy. The photographer wrote a blog post about this, which was soon taken down, but it triggered off a hunt among people who went scavenging to see what other such images they could find.

Soon a number of images and articles started surfacing over the internet that claimed that McCurry had used Photoshop and altered his images. People started foraging through Steve’s work across his career, and a number of images surfaced at different times of his career which were allegedly altered. While some images were found to be edited in terms of colour and saturation, others depict cloning and adding and removal of elements.

Here are some of the examples of images that are doing the rounds on websites, social media and blogs:

The above images have allegedly both been taken from McCurry’s website, and a player is missing in one of them.

Another image, with two versions, founded on Italian photgrapher and founder of Echo Photojournalism, Gianmarco Maraviglia’s Facebook page, shows carts, figures and other elements missing.

An image shot in Tokyo, of which two versions were found allegedly on McCurry’s own blog, which has now been deleted in its entirety. Notice elements like signboards and buildings altered or cloned.

Also found on McCurry’s blog, this image shot in Honduras has two versions, with visible elements on the right of the image and the floor missing.

Shot in India, this image has two versions online, with a figure in the background missing in one of them.

In an interview with TIME, McCurry admitted to use of the editing tool Photoshop, but said that he now considers himself as a ‘visual storyteller’ and not a photojournalist. McCurry said to TIME, “I’ve always let my pictures do the talking, but now I understand that people want me to describe the category into which I would put myself, and so I would say that today I am a visual storyteller.” He stated in the interview that, “Reflecting on the situation… even though I felt that I could do what I wanted to my own pictures in an aesthetic and compositional sense, I now understand how confusing it must be for people who think I’m still a photojournalist”, and added, “going forward, I am committed to only using the program in a minimal way, even for my own work taken on personal trips”.

However, McCurry’s practice has been criticised by industry peers, including ethics committee chairman of the National Press Photographer’s Association (NPPA), Sean D. Elliot, who said in a statement that it is an ethical lapse, “(McCurry) bears the responsibility to uphold the ethical standards of his peers and the public, who see him as a photojournalist” adding, “Any alteration of the journalistic truth of his images, any manipulation of the facts, regardless of how relevant he or others might feel they are to the deeper ‘truth,’ constitutes an ethical lapse”.

Whatever the controversy or scandal, McCury finds himself in quiet the soup with more and more his work being ridiculed with memes being shared on social media platforms. Whether you consider this to be ethical is something that we would leave for you to decide, but undoubtedly this in McCurry’s career is one of his darkest hours.  

Steve McCurry portrait image – Source: uk.phaidon.com

Fujifilm brings a water resistant 2X teleconverter for the X-Series

Fujifilm X-Series users will soon be able to purchase a 2x teleconverter compatible with two of the company’s telephoto zoom lenses, delivering a maximum equivalent focal length of 1219mm for its interchangeable lens compact system. The XF2X TC WR teleconverter will be weather and dust-resistant when used with the X-T1 and X-Pro2 camera bodies combined with the XF50-140mm F2.8 R LM OIS WR and XF100-400mm F4.5-5.6R LM OIS WR lenses.

The converter consists of nine elements in five groups and adds 30.2mm to the physical length of the camera/lens set-up. With the 2-stop light loss, the AF system of the X-cameras will revert to contrast detection with the 100-400mm F4.5-5.6 lens, but phase detection will still work with the 50-140mm F2.8. Both lenses will need a firmware update in order to operate with the new teleconverter so that adjusted aperture and focal length values can be recorded in the EXIF data and displayed on-screen.

Fuji suggests that the converter will be compatible with other lenses in the X-Series range, and has set up a website on which it promises to post information about future lens compatibility.

The Fujifilm XF2X TC WR teleconverter will be available in June priced $449

Samyang announces 14mm F2.8 and 50mm F1.4 autofocus FE lenses for Sony’s E-Mount cameras

The global optics brand, Samyang Optics announced the long-awaited launch of two autofocus lenses: 14mm F2.8 and 50mm F1.4 lenses for Sony E mount Mirrorless cameras with full frame sensor size. This launching expands the boundaries of Samyang Optics photo lens line-up from manual focus only, to now include autofocus lenses.

According to the press release both 14mm F2.8 ED AS IF UMC and 50mm F1.4 AS IF UMC are specifically designed to work in harmony with full frame mirrorless cameras in Sony E mount. The flow of light is devised based on the uniqueness of the distance from glass to sensor in mirrorless cameras to create optimal performance. The 14mm F2.8 and 50mm F1.4 are compatible with full frame sensors to deliver the wideness and sharpness of image to photographers.

The 67mm filter diameter brings the maximum amount of light into the lens to create the best work of light in photography. The 14mm F2.8 is the widest angle available in the market and the F1.4 of 50mm and F2.8 of 14mm apertures are by far the brightest of full frame mirrorless lenses. According to the press release Samyang Optics’ exceptional optical technology, aspherical lenses have been included in both lenses to minimise aberration and unnecessary light dispersion, delivering high resolution from the centre to the corners of the image.

These new products will be the first autofocus lenses in over 40 years of Samyang’s class-leading core optics technologies. These new 14mm F2.8 and 50mm F1.4 are compatible with both phase detect and contrast detect sensors to operate fast and accurate focus detection.

These two new autofocus lenses from Samyang Optics will be exhibited at the Photo & Imaging 2016 Show in Seoul, South Korea. The lenses will be globally available from July 2016.

Tamron announces the launch of the SP 35mm and SP 45mm for Sony mount

Tamron has announced the release of SP 35mm F/1.8 Di USD (Model F012) and SP 45mm F/1.8 Di USD (Model F013) for Sony mount. The first two lenses in the series are compatible with full-frame DSLR cameras and offer fast apertures and versatile, fixed focal lengths. These lenses have been quite a success for Tamron and now the lenses are available in Sony mount also. 

The Sony mount version was announced on 12th May and is being launched first in the Japanese market, with overseas launch to follow at a later date. The lenses are already available for Canon and Nikon cameras.  

The Sony mount version does not include VC, since Sony digital SLR bodies incorporate built-in image stabilization functionality. The name of the Sony mount model is “SP 35mm F/1.8 Di USD” and “SP 45mm F/1.8 Di USD” without VC designation.

Olympus joins the action camera race with its Stylus TG-Tracker

Olympus expands the outdoor video experience with the latest member of the Tough product family, the new Olympus Stylus Tough TG-Tracker. According to the press release the Stylus Tough TG-Tracker is the first rugged experiential camera that combines Olympus’s Tough rugged capabilities with an advanced Field Sensor System, a 204° ultra-wide-angle F2.0 high-speed lens and Ultra HD 4K 30p video capture to record action video with corresponding activity data. The Stylus Tough TG-Tracker’s built-in Field Sensors include GPS, a barometric-pressure sensor, a temperature sensor, an e.Compass and an accelerometer. Data logs can be displayed simultaneously with recorded images using the Olympus Image Track app.

According to the press release the Olympus Tough series, the Stylus Tough TG-Tracker is optimized for the most extreme shooting environments, with five rugged capabilities: waterproof to depths of 100 feet,dustproof, shockproof from 7 feet, freeze proof to 14°F, and crushproof up to 220 pounds of force,— no protective case required. The Stylus Tough TG-Tracker represents a new category of rugged cameras with its Field Sensor System that’s capable of capturing location, altitude and depth, g-force and air and water temperature while users record videos and still images of their outdoor adventures.

A high-intensity LED headlight is integrated into the camera body for shooting support in low-light conditions. The bundled SG-T01 Steady Grip helps with stable framing during hand-held shooting. The Olympus Stylus Tough TG-Tracker’s compact body and tilt-out LCD monitor provide for quick and easy video capture, including low- and high-angle shooting.
The Olympus Stylus Tough TG-Tracker will be available in green and black beginning in June 2016 with an estimated street price of $349.99 (U.S.) and $479.99 (Canada).

Main Features
Field Sensor System for capturing all the action of outdoor adventures
GPS 
Barometric-pressure sensor 
Temperature sensor 
e.Compass 
Accelerometer 
Rugged capabilities: waterproof, dustproof, shockproof, freeze proof and crushproof.
High-quality images captured with an ultra-wide-angle lens
TruePicTM VII for 4K Image Processor and backlit CMOS sensor
Versatile shooting style and superb controls
Compatibility with the Olympus Image Track smart-device app.

Canon India appoints C Sukumaran as the Assistant Director of Consumer Systems Products Division

Canon India announced the appointment of C Sukumaran to the designation of Assistant Director of Consumer Systems Products (CSP) division at Canon India.
 
According to the company the CSP division offers printers for consumers as well as enterprise across different verticals. Canon has a vast range of all-purpose printers, both inkjet and laser, catering to the printing requirements of home segment, students, SOHOs, SMEs as well as dedicated offices.
 
Canon India reported that in his new role as the Assistant Director, C Sukumaran will be leading CSP division’s Laser and Inkjet printer business in India and will be accountable to take the marketing and sales of the products to the next level. He will be reporting to Mr. Andrew Koh, Vice President, CII Group, Canon India. With a special focus on driving growth, market share and profitability for inkjet and laser printing products, he is looking forward to working closely with the partners to create the required reach. 
 
Sukumaran has been associated with Canon for over 15 years. Prior to joining the CSP division, he was working as the Assistant Director of the Business Imaging Solutions (BIS) division. His key responsibilities included driving the sales for BIS division’s multifunctional devices and solutions. He was actively involved in managing all channels-direct, distribution, government and handling global accounts for copiers, DR Scanners and the software solutions along with supporting sales of projectors and NVS products. 
 
The company also stated that with his two decades of experience in B2B space, he will bring with him a deep insight of Enterprise sales, channel set-up and operations, sales planning and execution. He is a strong believer in utilizing technology to create efficiency and capability across the teams. His key organizational strengths, according to Canon, include sales, enterprise knowledge, people leadership, business leadership, general management, new market entry and penetration, and strategy and execution.
 
C Sukumaran is a graduate in Science from University of Bangalore. He has a keen interest in following news and research in business, economic and political arena. Reportedly, being a sports enthusiast, he also loves to play cricket, table tennis and volleyball. Besides that, he is reportedly also deeply interested in developing leaders and driving change in a seamless manner and hence, he actively pursues coaching and mentoring as a practice. According to the company reports, his predecessor, Gautam Paul will be looking after the projection, surveillance cameras and CBS business in Canon India.

RICOH Announced the 2nd RICOH THETA Developers Contest

RICOH Imaging Europe S.A.S recently announced their second annual developers contest. The competition, reportedly looks out for new applications and gadgets that utilize the RICOH THETA camera which takes 360-degree, fully spherical images or videos in one capture. Once registered, applicants will have time till 31st August 2016 to submit their final version of their app and gadget designs. 


As a part of RICOH’s 80th anniversary celebrations this year, the contest challenges developers to create innovative apps and gadgets that work in synchronization with the RICOH THETA. According to the company, the winners of the contest will receive a trip to Tokyo, Japan, for the awards ceremony and the first prize winner will be awarded a cash prize of one million Yen.


Applicants will also gain early access to an exciting new platform which has been optimized for cloud-based applications leveraging the Internet of Things (IoT). The new IoT platform makes it possible for developers to efficiently and cost-effectively build cloud-based applications, which typically require significant expertise in cloud services and servers and a longer development time. It will be interesting to see what the company comes up with since 360 degree videos and photos seem to be the future of the industry. 

Canon EOS 1300D Entry-Level DSLR Launched Starting Rs. 29995

Canon India yesterday launched the EOS 1300D, an entry-level DSLR priced at an accessible level, to help beginners and photo hobbyists discover greater possibilities in photography. Equipped with an 18.0 megapixel CMOS sensor and ISO speed expandable up to 12,800, the new EOS 1300D is reportedly capable of capturing high quality images and Full HD movies and easily share them on the go through its connectivity features. According to media reports, built-in Wi-Fi and NFC support are also included in the EOS 1300D as an all-inclusive package to address the needs of ever increasing social media savvy users.

 Mr. Andrew Koh, Vice President of Consumer Imaging and Information Centre, Canon India said, “Photography as a hobby and sporting a DSLR camera is quite the rage in India presently. So is social media, and everybody wants to share their images online with their friends immediately. With this a precursor, we are thrilled to launch the EOS 1300D – a DSLR camera with inbuilt Wi-Fi & NFC. The EOS 1300D creates great looking images and allows instantaneously sharing them as well – thus meeting the requirements of first time users, social media junkies and hobbyists alike.”


According to the company, the EOS 1300D facilitates image transfer to smart devices through the Canon Camera Connect app (via Wi-Fi), or a tap between the camera and the compatible smart device to establish a connection for file transfer (via Near Field Communication, NFC).

 Through the Camera Connect app, users will be able to shoot remotely. Upon connecting the EOS 1300D with a smart device, users can adjust camera settings such as shutter speed, aperture, and ISO speed, and then capture the shot on their smart device. Reportedly, the EOS 1300D comes with five creative filters to deliver different creative expressions – soft focus, grainy black and white, toy camera effect, fish-eye effect, and miniature effect. Apart from filters, strength level, colour tones and focal points are also customisable for some of the filters.


 For users accustomed to using cameras on smart devices and are beginning their foray into DSLR photography, the EOS 1300D is said to provide new avenues to explore on their photography journey. Powered by a DIGIC 4+ dedicated image processor and an 18.0 megapixel APS-C size CMOS sensor (approximately 25 times larger than a standard smartphone), the EOS 1300D is said to render higher resolution images with lesser noise, even under low-light conditions.

 The EOS 1300D is also said to come with a high performance optical viewfinder, which enables faster framing and higher focusing precision, essential factors to capturing fleeting moments. The optical viewfinder also reportedly, provides a more accurate representation of what the camera sensor sees, for a better idea of the final image. With an enhanced 920,000-dot LCD monitor, Canon hopes the users will find it easier to check on the focus during Live View shooting.


 The EOS 1300D is equipped with a 9-point Auto-focusing system that aims to allow fast and accurate auto-focusing on the subject. The camera’s AI Servo AF constantly tracks and focuses on moving subjects such as pets and children, even as the subject moves towards or away from the camera. With this AF system, every moment will be captured in picture-perfect clarity.

The company also stated that as a part of Canon’s range of DSLR cameras, the EOS 1300D will provide full access to Canon’s extensive range of EF/EF-S lenses to suit a variety of occasions. Canon’s EF/EF-S lenses range from macro lenses for extreme close-up details, telephoto lenses to shoot long-distance subjects like animals in a zoo, and ultra-wide-angle lenses to capture dramatic landscapes or small enclosed environments. Over 70 lenses in Canon’s EF/EF-S range can be used with the EOS 1300D to achieve the optimum composition.



 Dimensions: Approx. 129.0 x 101.3 x 77.6mm

Weight: Approx. 440g (body only)

Image sensor: 18.0-megapixel APS-C CMOS sensor

Imaging processor: DIGIC 4+

ISO speed: 100-6,400 (expandable to 12,800)

Continuous shooting speed: 3 fps

Maximum video quality: Full HD 1080p (30fps)

AF: 9 AF points

Wi-Fi: Yes

NFC: Yes

LCD: 3-inch (920,000 dots)


 The EOS 1300D will be available at a price point of INR 29,995/- inclusive of the EF-S 18-55 IS II kit lens, while the double zoom variant (including EF-S 18-55 IS II & EF-S 55-250 IS II lenses) is priced at INR 38,995/-. Both variants will be available from April 2016 onwards.

 

 

 

 

Exclusive hands-on with a prototype of the new Canon flagship, EOS-1D X Mark II

We are barely a month into the new year, and Canon has announced the new EOS-1D X Mark II DSLR camera. The new flagship camera has a 20.2 megapixel 35mm Full Frame Canon CMOS sensor and Dual DIGIC 6+ Image Processors. The camera can capture images at up to 14 frames per second, and HD video up-to-4K 60P, with Canon’s proprietary Dual Pixel CMOS Autofocus (AF) technology. We had an exclusive chance to get our hands on a prototype of the latest canon flagship, and here’s the lowdown.

At first look, the camera seems to have quite a similar body-layout to its predecessor the Canon 1DX. The camera feels strong in hand with its rugged and weather resistant construction, and there are subtle grip changes that Canon has done to improve the hold. While the camera features continuous shooting speeds of up-to-14 frames per second (fps) with Auto Exposure (AE) and predictive AF for viewfinder shooting and up to 16 fps in Live View mode. Its Dual DIGIC 6+ Image Processors are said to help in transferring image data at high speed for extended bursts during continuous shooting of up-to-170 consecutive RAW images at 14 fps. The camera can shoot 4K 60P and Full HD 120P video with Dual Pixel CMOS AF.

Canon informed that the camera has a Digital Lens Optimizer to help correct aberrations in-camera, and this previously required post-processing on an external computer. The camera’s has an improved 61-point viewfinder AF with expanded coverage and all AF-points selectable and supported to a maximum aperture of f/8. There is a central area expansion of approximately 8.6% vertical and peripheral area expansion of approximately 24% vertical.

There are other changes like continuous red illumination of all AF points within the camera’s Intelligent Viewfinder II, and compatibility with both CF and CFast memory cards for better performance with faster transfer rates and buffer speeds.

Canon informed that the camera will cost around Rs. 4.5lac body only, and will be available to buy by April 2016.