Author Archives: Administrator

Reuters issues a worldwide ban on RAW photos Adds a new spin to the on-going processing debate

In an unprecedented move, one of the largest news agencies in the world changed their policy on shooting and supplying RAW to them. Reuters announced that it has implemented a new worldwide policy for freelance photographers which bans them from sending photos that are processed from RAW files. Ideally it means that photographers/contributors/freelancers will now only send photos that have been originally saved to their
cameras as JPEGs.

According to Petapixel the announcement was made to freelance photographers this week via this short email from a Reuters pictures editor and a Reuters spokesperson has confirmed this policy change. The decision
comes in line increase both ethics and speed. Does this also put an end to long on-going debate of whether photo-journalistic pictures shouldn’t be processed? For a while now there are always discussions on the topics of post-processing of pictures. While many seem to agree that most genres can do finishing, photo-journalism shouldn’t be privy to these applications. The spokes person added that “As photojournalists working for the world’s largest
international multimedia news provider, Reuters Pictures photographers work in line with our Photographer’s Handbook and the Thomson Reuters Trust Principles,” Reuters says. “As eyewitness accounts of events covered by dedicated and responsible journalists, Reuters Pictures must reflect reality. While we aim for photography of the highest aesthetic quality, our goal is not to artistically interpret the news,” Reuters added. Restricting photographers to original JPEGs will also reduce the time it takes for photos to go from camera to client, Reuters says. “Speed is also very important to us. We have therefore asked our photographers to skip labour and time consuming processes to get our pictures to our clients faster.” RAW photos do allow for a greater degree of post-processing flexibility, so based on the new policy, it appears that Reuters found that photos processed from RAWs are more likely
to distort the truth.
 

Bhutan Photo Campaign: Win holiday trips to the Kingdom of Bhutan

A small Kingdom in the Himalayas called Bhutan has inspired many around the world by placing the happiness of its people ahead of economic wealth. This is the principal idea behind Gross National Happiness (GNH), Bhutan’s development philosophy which the King refers as ‘development with values’. His Majesty adds that GNH is the ‘national conscience guiding us towards making wise decisions for a better future’. 
Taking pride in the idea of HAPPINESS, the tourism industry of Bhutan promotes Bhutan with the tagline “Happiness is a place”. This is to simply assure that happiness can be found in simple things and these simple things can be found anywhere and in anything.
In an effort to allow everyone from across the globe to share what HAPPINESS means to him or her, the Tourism Council of Bhutan has introduced the Bhutan Photo Campaign. The Bhutan Photo campaign is a simple way of sharing what HAPPINESS means to everyone with photographs on www.HappinessIsaPlace.com.
The campaign is dedicated to the selfless Kings of Bhutan for introducing and promoting the Philosophy of GNH. The Honourable Prime Minister of Bhutan, His Excellency Tshering Tobgay launched the Bhutan Photo Campaign on 30th July2015.
To promote the campaign, attractive prizes will be given away for the photographs with highest LIKES and SHARES from the campaign page. The campaign will end in December 2015.

Canon 760D Review

The canon 760D was first launched in February 2015. An entry level DSLR, it features an APS-C sensor and forgoes some of the flashier elements similar to the 5Dc. As quoted by Canon in their release, “The EOS 760D is the first entrylevel EOS camera to incorporate a top LCD panel, in addition to the main display”. We got hold of a body with an 18-135mm lens for a review, let’s see how it performed.

Look body feel
The Canon EOS 760D is comparatively almost identical to the EOS 750D. It has the same 24.2-megapixel APS-C sensor, the same DIGIC 6 processor and the same AF system that provides hybrid focussing whether you’re using live view or the viewfinder as the EOS 750D. Although compared to the Canon EOS 700D, a few important improvements have been made across the board. Focus points have been upped form 9 to 19 and we get the DIGIC6 processor rather than DIGIC 5 for faster shooting and processing. An additional add-on is that Wi-Fi and NFC are included, unlike the 700D. There’s no need to buy pricey Wi-Fi adapter or wireless memory card anymore. It provides a sophisticated top LCD panel which displays important information such as ISO speed, exposure level and battery life. Much alike higher-ends cameras, operating the menus and settings in the EOS 760D is achieved through Quick Control Dial and Main Electronic Dial – an advanced method that allows users to adjust their settings and search for images with maximum convenience and minimal effort. The mode dial of the camera is pretty much the same; however the position of it allowed Canon to fit in an LCD display on the right part of the top plate, something which is generally a feature of a high-end pro DSLR. It lets you read exposure settings without activating the rear screen or looking through the viewfinder. The grip however is much more comfortable than the previous to carry. Mounted on a 50mm the camera bodyweight hardly feels anything. the pairing of an amazing sensor and the DIGIC 6 processor allows the user a standard sensitivity range of ISO 100 to12,800 equivalents which performs well in low-light conditions. For the price and the range the ISO performance is better than other equivalents in the market. The touch screen on the LCD also has good touch capability and calibration.

Performance


The Canon 760D uses 19-point, all cross-type autofocus sensor that’s inherited from the EOS 70D. It replaces the earlier 9-point, all cross-type phase detection autofocus sensor of the 750D,more than doubling the total number of points. The camera gives a Mac video resolution of 1920 x 1080. Together, the pairing of an amazing sensor and the DIGIC 6 processor allows the user a standard sensitivity range of ISO 100 to12,800 equivalents which performs well in low-light conditions. For the price and the range the ISO performance is better than other equivalents in the market. The touch screen on the LCD also has good touch capability and calibration.


ISO


The Canon EOS 760D offers you a native sensitivity range of ISO 100-12,800 with an expansion setting of ISO 25,600 for stills. It’s also possible for the cameras to set sensitivity automatically within the range ISO 100-6400.The native range for movies is ISO 100-6400with an expansion setting of ISO 12,800. The camera gives no or low noise at the higher ISO, and the noise control works well through the range. For more on how the camera performed check out the ISO chart.

The Canon EOS 760D offers you a native sensitivity range of ISO 100-12,800 with an expansion setting of ISO 25,600 for stills. It’s also possible for the cameras to set sensitivity automatically within the range ISO 100-6400.The native range for movies is ISO 100-6400with an expansion setting of ISO 12,800. The camera gives no or low noise at the higher ISO, and the noise control works well through the range. For more on how the camera performed check out the ISO chart.

Conclusion
Overall, this camera provides more than enough to the ones who want to go beyond the auto mode and explore. It’s fun and easy to use. The top LCD and Quick Mode Dial both make it worth the money you are paying for it. However, if you are looking for something basic and never going to switch out of your program mode than this might not be it.

Look, body and feel rating – 4 *
Light camera body, with touch screen and the all-new function button placement makes this camera very easy to use.

Performance rating – 4 *
With the new sensor and the functionality, the camera performance is as good as any semi-professional, entry-level full frame camera.

Overall rating – 4 *
It’s lighter in weight, like all the APS-C bodies from Canon. The performance and looks are close to any present entry-level full frames, which make this worth the buy for its cost.


Nikon P900 Review

Launched recently in the optical zoom range market, the P900 has an 83x ratio equating to 24-2000mmin 35mm terms. Nikon claims this allows you to see things not visible to the human eye – such as details on the surface of the moon. There’s also a digital zoom, which boosts that reach to 166x, or 4000mm. A major issue with long zooms is image blur at the longest end of the zoom range, as the effects of camera shake are exaggerated. Nikon’s solution is to include its latest Dual Detect Optical VR system, which it claims offers a 5-stop shutter speed advantage. We thought that it would be a great idea to put these things to test and see how the P900 performed.


Look Body and Feel

The P900 like the other previous bridge models features the same 1/2.3-inch, 16million-pixel sensor. That’s the same size sensor as in many compact cameras – and, despite appearances, we feel that reason the P900 is classed as a compact camera is because of the lens being fixed and not the camera size. The P900 features a good quality plastic body. The camera has a large rubberised grip, with a large thumb grip on the rear of the camera as well. The left-hand side also features a rubber grip.

You can easily hold the camera with your hands thanks to the apt size and weight of the camera. The majority of options are available on the menu button; the camera body, like a DSLR, has less buttons on the body which makes it easy to hold and use.

You can set the exposure compensation, focus mode, self-timer and flash options with the scroll wheel on the back, or customise the Function (fn) button to give access to other options such as the ISO setting, or drive move. There is a snapback zoom button on the left of the lens barrel, and the side zoom control can be used to change the zoom, or can be set to manual focus. The electronic viewfinder (EVF) is a decent size, bigger than some other compact cameras, but not as large as those found on mirrorless cameras. The front of the lens has a 67mm filter thread, which makes it possible to attach filters, although unfortunately the camera doesn’t come with a lens hood, or shade, and there aren’t any options to buy one on the website itself. The interface menus are clearly laid out, with options spread over five main screens, including a shooting menu, movie options, Wi-Fi options, location data options, and setup options. The screen is not a touch-screen; however, it does have good viewing angles, and shows a good resolution with clear results.



Performance

When it comes to producing rich and vibrant colours straight from the camera; the P900 does not disappoint you. The standard setting that the camera provides is apt for most of the shooting conditions and the vivid option in the camera helps you boost saturation although, if it’s not used with care, it can lead to slightly cyan skies in landscapes for an example. The Monochrome mode in the camera works apt but as there’s no way to revert to a full colour image if you change your mind later since there’s no camera RAW option; you need to be sure you want a black and white image before using it. You can also change the look of your images more dramatically by using the Effects mode, where you’ll find filter effects such as Cross Process and High-Contrast monochrome amongst all. Images taken at the longest optical zoom display a good amount of detail, and for those occasions when you need even more reach, shots taken using the digital zoom are also usable at small prints – but the 83x optical zoom offers such a high magnification that you may never need the digital zoom because the optical zoom covers it all. The P900 also performs well at shorter focal lengths. At normal focal lengths the images are pretty sharp and vibrant in colours. If you zoom in on the higher focal length images you’ll realise that the images are soft on the edges. It’s also worth pointing out that it’s only at the very widest focal length can you use the maximum f/2.8 aperture setting: as soon as you zoom a little, the maximum available aperture decreases to 4-5.6.Not all the aspects of the P900’s operations are as fast – for instance, the playback can take a second or two to respond, leaving you wondering if it’s working at all. On the plus side, making your way through menus is generally quicksand intuitive.



Conclusion

Clearly the big selling point of the P900 is its 83x zoom. It’s currently the market leader in this respect, but how long it retains that distinction remains to be seen. The downside of having such a huge optical zoom is that the camera needs to be large. The P900 is pretty much the same size as a DSLR with a kit lens attached. Although it’s great to have the option full manual control, and a range of exposure modes, it seems a little remiss of Nikon to not include raw format shooting – it’s something which appeals to enthusiasts.

 

Look, body and feel rating – 3 1/2 *

If you’re after a camera with a huge zoom range you can’t get bigger than this, for now at least. Images taken in good light look great, with vibrant colours. Having the option of full manual control is also helpful.


Performance rating – 4 *

It could be a small audience, but those looking for an ultra-zoom bridge camera should find the P900 very capable, especially if they don’t mind only being able to shoot JPEGs. The P900 is inexpensive purchase, but the price is likely to come down, and it has the longest zoom range of any camera currently on the market.


Overall Rating – 4 *

It could be a small audience, but those looking for an ultra-zoom bridge camera should find the P900 very capable, especially if they don’t mind only being able to shoot JPEGs. The P900 is an expensive purchase, but the price is likely to come down, and it has the

Fujifilm XT-1 Review

Fujifilm’s latest addition to its popular mirrorless cameras, the Fujifi lm XT-1 is aimed at professional photographers who like to carry light and still get striking photographs. With this launch, Fujifilm looks to strengthen its X-series of cameras which include the X-E2, X-M1 etc. The camera features 16 megapixel 23.6mm x 15.6mm (APS-C) X-Trans CMOS II sensor and boasts of fast focussing. Let’s see how it performs.

Look, Body and Feel


At first glance, the Fujifilm XT-1 looks strikingly similar to older analogue SLR cameras but then the eyes instantly go to the big 3-inch LCD screen at the back and the big circular electronic viewfinder. The traditional X-E2 design has been modified and perfected and looks nothing like its predecessor now. The 2.6M dots OLED electronic viewfinder is large and crystal clear. When you have your eye to the viewfinder it feels like an LCD in itself. It has three large circular dials at the top of the camera body which controls the ISO, shutter speed and exposure control from left to right respectively. The design is sleek and the weather resistant body looks well built. There are a lot of buttons spread throughout the tiny body of the camera which is to provide easy access to the user without having to look at the LCD too many times. The3:2 tilting LCD is also a good touch, and the joints feel strong and quite sturdy. The view mode button that was replaced in the X-E2 has been added back again in this model, and you can switch on the viewfinder proximity sensor with the touch of a button. The camera is compact and packs a lot of physical features in terms of buttons, dials and switches. The grip is also quite good due to the leather finish on top of the magnesium alloy body but the small size of the camera might pose a problem to some.

Performance


The Fujifilm XT-1 was tested with the standard Fujinon 18-55 2.8-4 lens for our review. The camera performed excellently and the images were sharp, the colours were crisp and overall gave excellent quality images. The autofocus performed quite well, as promised by Fujifilm as we used it to take photographs of static objects with moving foreground and background objects. The 16 megapixel APS-C “X-TransCMOS II” sensor delivers to its reputation and the camera has seen considerable improvements in terms of faster autofocus compared to other mirrorless cameras from Fuji. The exposure dial came in handy to selectively expose a part of the frame and the results were quite good. The Fujifilm XT-1 also produced some vibrant colours. The camera which reportedly boasts of having the “world’s fastest AF of 0.08 seconds” also has a staggering burst mode of 8 fps with subject tracking features. As already stated this camera is all about buttons and dials, which Fujifilm has taken to new heights. There are six programmable buttons on the camera and the user can change the settings according to their needs.


The ISO performance of the camera is also quite good. It handles low-light very well till ISO 3200. Artifacts and grains start to appear from ISO 6400 but the photograph still remains sharp and quite usable. They start showing extreme grains at ISO 12800, which is the H1 or High1ISO. H1 and H2 should be avoided as much as possible and should only be used if extremely necessary when using this camera. A welcome feature that comes in handy for most modern photographers these days is the video capability of a camera. The camera allows the user to shoot full HD videos and HD videos at both 30 and60 fps. The videos recorded in the FujiXT-1 were crisp and the focussing was amazingly smooth. Another feature that Fujifilm has been constantly providing with its upper end mirrorless cameras is the Wi-Fi connectivity. This feature allows the user to instantaneously share JPEG images from the camera to different locations and social media sites over the Wi-Fi. One important thing missing from the camera is a built-in flash, which comes in handy in many situations. But Fujifilm has aptly added a small lightweight external flash as an accessory which has a guide number of eight meters at ISO 100. The flash attaches directly to the hot shoe. Another accessory that is compatible with this camera is an external battery pack, which is a very good feature to have during long shoots and is a welcome change to the mirrorless camera.

Conclusion
If you are looking to buy a high-end mirrorless camera not just for still photography but also for video recording this camera is highly recommended. Priced at around `119000 with fast and smooth focussing, a large tilt-swivel LCD, 2.36M doodled electronic viewfinder,8fps continuous shooting and good ISO performance this is a documentary photographer’s dream. Fujinon lenses another accessories from Fuji for this camera are trustworthy and have a very good built quality. Even though the number of buttons and dials in the camera and the small size can be problem for few, the Fuji XT-1is a good purchase for its price.

Look, body and feel rating – 3*
Beautifully designed, but too many dials can be confusing to some.
Amazing colour output, fast focussing, good video quality.

Performance rating – 5*
Amazing colour output, fast focussing, good video quality.

Overall rating – 4 1/2*
The Fujifilm XT-1 is a powerhouse of features, and the future of mirrorless cameras.

Artistique: Photography and the ‘Artform’

As we have reiterated time and again that at Asian Photography ‘innovation’ is the key to everything that the magazine does. And one such innovation that we are proud of in recent years is Artistique. An initiative that was started to celebrate the ‘World Photography Day’ and promote ‘Photography as an Artform’ has quickly turned into a platform that allows new and upcoming talent to showcase their work to the industry, apart from push the messages mentioned earlier. We are particularly proud of this since it has not only given us the opportunity to innovate but also give back to the industry that has given us so much. 
 
What is Artistique about?
 
Artistique is divided into 2 segments, the Exhibit and the Contest. The exhibit involves bringing together a number of photographers from the fraternity under one roof to exhibit their pictures under a common theme. While the contest gives the opportunity to the amateurs, hobbyists, enthusiasts among other the chance to show their talent to the great and have their pictures exhibited at the same platform as these greats. 

Furthermore it is a complete non-profit and non-commercial activity where some of the industry partners come together and lend their services as part of their contribution to the industry and overall objective. The objective is very simple. It’s simple, celebrate the World Photography Day and promote the culture of picture-taking by bringing together a number of photographers under one platform and exhibit their images.

It is a combination of images brought together by photographers from various genres promoting a single message for the industry. But while in its inception the message was to achieve all of these objectives, over the past two editions, it has quickly encapsulated a lot more than this. 
 
Who are the photographers that have exhibited?

At AP we do everything in style and when we put our minds and hearts to something then we don’t resist from pulling all the stops. So in order to make the initiative a success and take it to new levels we have had some of the best photographers exhibit their work in the past few editions. Some of these include:

Kakubhai
Ali Rangoonwala
Jatin Kampani
Arko Datta
Martin Prihoda
Sudhir Shivaram, to name a few

Apart from this we have also given the opportunity to new and upcoming talents to exhibit their work at the same platform as these greats.

The Jury

Each year a new jury presides over the selection of the winners and the pictures of the exhibit. And some of the jury members from the past include:

Jatin Kampani
Vikram Bawa
Arko Datta
Girish Mistry
Adeel Halim
Mukesh Parpiani
Ali Rangoonwala, 
Bhavya Desai, to name a few


How has Artistique evolved?

While the need to create something new has been in our DNA, we have ensured that the creativity doesn’t stop there. Since its inception, Artistique has continuously evolved year after year to encompass a bigger value and objective in mind. From the toddling steps in 2013 to encompassing a bigger reach in 2014, the platform has grown enormously in just two editions. 

2013

The 1st edition brought together four renowned photographers under one roof to promote the industry in a four-day exhibition held at the prestigious Piramal Art Gallery, Mumbai from 16th-19th August 2013. The exhibition witnessed everyone from budding students of photography and teachers to amateur photographers, enthusiasts and industry veterans from the photo-fraternity gathering to celebrate the art of photography with Artistique.

We brought together a pool of famous Indian photographers like Kakubhai, Jatin Kampani, Ali Rangoonwala and Arko Datta to exhibit their pictures under one roof under the theme of ‘Black and White’. But what was important was that the images showcased by these photographers were never before seen work.
 
2014

For the 2014 edition the exhibition saw a combination of professionals as well as upcoming talents exhibit their work together. Apart from noted photographers the idea was to provide upcoming and talented photographers a platform to push their talent. In the professional sphere the internationally acclaimed Canadian photographer Martin Prihoda and India’s famous Wildlife Photographer Sudhir Shivaram exhibited their exquisite work.

Due to the popular demand after the inaugural edition, the 2nd edition was a 10-day exhibition, which witnessed a footfall of approximately 1000 people. The exhibition also included a small space that was dedicated to the amateurs and readers of the magazine. These pictures were carefully handpicked by the jury of Vikram Bawa, Arko Datta, Jatin Kampani and Bhavya Desai.
 
What’s new for the 2015 edition?

We at AP have always ensured that we push the envelope on a continuous basis. So for this year we are envisaging to make ‘Artistique’ a travelling ART exhibit in Bangalore, Delhi and Kolkata, apart from Mumbai.

The idea this year is to invite an internationally renowned photographer and an upcoming Indian photographer for this edition. In order to encompass and promote our message we will take the same exhibit to the other cities so that all the enthusiasts, hobbyists and art lovers from across the country get a chance to see the exhibit and its message.

We would also be having interactive sessions with noted photographers in order to impart their knowledge and experience to our audience.

Artistique this year is set to be bigger and better than ever. The team at Asian photography is more excited than ever, as we will be travelling across the four corners of the country. We will have chance to not just promote the art of photography, but also interact with our readers from North, East, West and South of India, who will visit the exhibition. So, get ready, as Artistique is coming to your neighbourhood soon!

Bhavya Desai

Canon introduces two new entry-level DSLR camera and expands the IXUS and PowerShot range in addition to launching the super compact EF-M22mm f/2 STM Lens

Canon has launched two new DSLRs EOS 760D and EOS 750D, equipped with features catered to amateur photographers. Canon is also expanding the PowerShot and IXUS range in addition to introducing the most compact lens in the EF-M range, the pancake EF-M22mm f/2 STM, in silver.
Canon EOS 760D and EOS 750D
Both entry-level cameras, EOS 760D and EOS 750D feature a 24.2 megapixel CMOS sensor, paired with the latest Canon DIGIC 6 image processor. The ISO speed of these two cameras ranges from 100 to 12,800 (expandable to 25,600). The EOS 760D and EOS 750D operate on a new 19-point all cross type system. Both cameras are both equipped with Wi-Fi and NFC function. The new CameraConnect app allows users to control the EOS 760D and EOS 750D remotely and upload content onto social media via their smart devices.
A key difference between the two cameras is that the EOS 760D is the first entry-level EOS camera to incorporate a top LCD panel in addition to the main display. Similar to higher-end DSLR cameras, operating the menus and settings in the EOS 760D is achieved through a Quick Control Dial and Main Electronic Dial. Conversely, the EOS 750D features a navigation button control scheme.
POWERSHOT SX410 HS & IXUS 275 HS
The 20.0-megapixel POWERSHOT SX410 HS features a 40x long zoom (and 80x zoom using ZoomPlus technology) and Canon DIGIC 4+ image processor, whereas the IXUS 275 HS is a high performance 20.2-megapixel camera equipped with 12x optical zoom (and 24x zoom using ZoomPlus technology), a DIGIC 4+ image processor and Full HD movie recording capability in the lifestyle IXUS range.
EF-M22mm f/2 STM Silver
Canon has introduced a compact lens in the EF-M range, the pancake EF-M22mm f/2 STM Silver. The lens is now available in silver, and incorporates a wide aperture that achieves a bokeh effect. With its wide focal length of 22mm, it aimed at natural, landscape, and street photography.
Products will be available in stores during the second quarter of 2015 and the prices will be announced in due course.

Nikon India Announces the High-Definition D-SLR D810A for Astrophotographers

Nikon India has introduced the Nikon D810A, a D-SLR built specifically for the astrophotography. 
The manufacturer informed that the chief among the D810A’s strength is its ability to capture astronomical subjects that emit the H-alpha wavelengths of light such as nebulae and other distant galaxies in red, allowing astrophotographers to see them just as imagined. The 36.3 megapixels camera has features such as longer exposures in low-light conditions with minimal noise, and a live view preview function. 
On the announcement, Mr. Hiroshi Takashina, Managing Director, Nikon India said, “Nikon is always up for a challenge and empowering astrophotographers with a dedicated camera of unprecedented image quality was one intriguing task. We are thrilled to announce the launch of Nikon D810A, a class-leading, high-definition D-SLR that will bring astrophotographers one step closer to capturing the majestic vastness and beauty of space while offering them a new perspective in stunning detail.”
 “The Nikon D810A has been designed keeping in mind the obstacles that astrophotographers face; it is a result of an amalgamation of advanced imaging technology and suite of outstanding features. Nikon D810A is a 36.3 megapixels camera crafted with unique ability to capture subjects with H-alpha wavelengths, ensuring rich vibrant capture for images of the cosmos that are true to the eye,” said Mr. Sajjan Kumar, Vice President – Imaging Division, Nikon India.

4K video might be missing from Canon EOS 5Ds

If rumours are to be believed then the new Canon camera might not have a very important feature. Barely a few days ago the news and pictures of the to-be-announced Canon 5Ds was leaked online. While the camera was said to feature a stunning high-resolution of 50.6MP, but to the disappointment of many it lacked 4K video. 
While it lacks 4K, the camera will be able to shoot 1920×1080 video at 30fps.The camera is also said to include other features like 100% field of view viewfinder, an electronic level, shutter speed of 1/8000s, a 3.2-inch 1.04-million-dot LCD screen, mini HDMI out, and an external microphone terminal.
The website Canon Rumours reported that the 5D line would feature 3 different cameras, two 5Ds cameras and a 5D Mark IV. They are saying that the 5D Mark IV will be coming this year, and will be a “low-light event and sports type camera”. The camera is also rumoured to feature 4K video. 
At the same time, Canon’s 1D C DSLR camera now costs $8000, after a massive drop of price of $4000 from $12000.

The History of BYAS

Madan Gopal Vyas, MD, BYAS FOTO WORLD, Hyderabad, narrates the nine decade long journey of BYAS, and how he is restarting the photography academy that his father once ran with the dream of spreading knowledge of photography.

To start with I would like to share the history of how the BYAS and company came into existence. My grandfather Late Shri Shankarlalji Vyas, who hailed from an agriculturist family in Jaisalmer, Rajasthan, came to Hyderabad Deccan, in search of a livelihood. He chose the photography business, as he had a little exposure to this line of activity during his brief stint in Nasik. But he thought that Nasik was a small place and there would be better scope in Hyderabad, because it was a prosperous state under the Nizams. He started his studio in Kothi area, opposite Residency, in the year 1920. During this journey of 93 long years, a lot of changes, developments took place not in the industry but also at a political level in Hyderabad and also in the country.
As my father Shri Goverdhan Das ji Vyas recalls his father’s memories while he worked with him, I would like to share some of them in brief with you here.
Those days, photography was a rare and very secret type of business; very few people were involved in this activity, one of the first ones being Raja Deen Dayal in Secunderabad. Photographs were exposed on glass plates and prints were taken on black and white paper.  The enlargements were done only in England and my grandfather used to send them to England by post. It used to take about 27 days to reach there and then another one month to get them back. The money was sent by money order. To do this, he had to walk all the way up to the cantonment areas located beyond Secunderabad. He was smart enough to get this done, and we can now safely say that he was using the concept of “outsourcing” in those days. Now, we all know it is a common business practice all over the world.
In those days, it was a very big studio at Kothi, and he had, at one point, 40 employees working for him. Imagine in those days he has provided so much employment and fed forty families.
Another turning point in their studio was – one fine morning the HEH the Nizam of Hyderabad with his full convoy of security persons etc and family were passing through the kothi area, saw the impressive display of good portraits and photographs of his family and ancestors particularly, the photos of the parents of Princess Niloufer – and visited the studio. He enquired about the rates of those family photos. To which my grandfather humbly responded – “Sarkar, who toh amulya hai” (They are priceless). The Nizam was very much impressed and after that for all functions and celebrations of the Royal family, my grandfather was called for taking photos. While this continued, he was again very happy with the services and quality of work and conferred the title of Shahi Photographer to BYAS and Company on the 29th of September, 1929. During this time the Nizam also suggested to open another studio and sent the officials of the then City Improvement Board and showed three locations to choose from, one was at Abids, the place where GPO stands now, the second one was the Lepakshi showroom land at Gunfoundry, and the third one was at Basheerbagh. My grandfather chose Basheerbagh, because it was cheap and big, and he was very practical and forward-thinking; he thought it was the centre of the twin cities.
My grandfather had employed professionals in the studio like Mr Shukla from Bombay, and along with him he also learned professional photography. During this time my father Shri Goverdhan Das ji Vyas also joined the studio. He was just 12 years old and used to do his schooling at Vivek Vardhini and after school hours used to help his father in the studio. As my grandfather was not keeping too well, my father had to discontinue studies after class 9, and joined the family business full time. Even today, at the age of 87, he is very active in the day to day activities of our business. During the long years of his experience he has seen the complete changes, from Black and White glass plates to cut films to roll films to colour films and now to digital photography. 
Over the years many people who were working with him left and started on their own, as my father always encouraged entrepreneurship. In between the independence movement, Razakardaur, liberation of Hyderabad happened. However, my father moved on with times and kept on focussing on his business. In the year 1965 the studio was shifted to Bashirbagh. At this time he thought to share the knowledge he has gained, and started a training institute called Ganesh Institute of Photography. It was a short course of two months with one hour of class daily with both theory and practicals. The fee charged was just Rs 50 for total course, including material. At the end of the course, exams were conducted and a diploma was awarded to all successful students. Hundreds of students utilised these programme and were employed in government jobs, even abroad. Students from nearby towns like Nanded, Aurangabad etc also used to come for this course. One of the students got the job in Osmania University. The business which was supposed to be a secret and with very few people, my father thought to impart the knowledge and make it available to one and all. Likewise, he was instrumental in starting the first association for photographers at state level and also at South India level. In those days there was a ban or quota on imports of photography goods. The SIPATA could collectively negotiate with the government for releasing more photography goods to the industry and this helped all, but particularly the small businesses. He worked a lot for the associations and in fact used to travel to Madras and Delhi at his own expense in the interest of the trade. 
My father had three brothers and therefore he ventured and started a studio in Tandur, RR district about 60 years ago, and even today it is run by his younger brother Shri Gyanchandji Vyas and family. The other two brothers settled in Jaisalmer and are in photography business even now.
Goverdhan Das ji Vyas married Mrs Kesar Devi Vyas and she was big support even in the studio. His motto was to serve the industry 24/7. The press photographers used to come for films even at midnight and he used to service them with a smile and encouraging words. Goverdhan Das ji Vyas is blessed with five sons and all of them are in the same photography business in Hyderabad. All are very well educated. Mr Bhanwarlal Vyas and Mr Madhav Vyas joined the family business in 1965/66 which was a great support to my father. In fact Mr Madhav Vyas has done a diploma in photography from JNTU, now known as JNAFAU, and he was a good help in teaching the students of the photography institute.  His third son Dr Motilal Vyas has done his PhD in Astronomy and Astrophysics, and he worked for NASA. He has done scientific photography, he had covered the total solar eclipse of 16 February, 1980 using all types of cameras, including field, regular SLRs and telescope attached SLR camera bodies. This was first of its kind and unheard of.
The fourth and fifth sons, me and my younger brother are also associated in the same business for last more than 30 years. My father had to close the photography institute for business reasons but I wanted to continue my father’s dream of spreading the knowledge of photography, and hence stared the BYAS ACADEMY OF PHOTOGRAPHY, wherein we conduct seminars, trainings, workshops with practical sessions for all everyone, including students, amateurs, professionals and hobby photographers.
In the year 1989 we had organised the FIRST STATE PHOTOGRAPHY TRADE AND PROFESSIONALS CONVENTION at Indira Priyadarshini hall. It was graced by Ms Kumud Ben Joshi, the then Governor of our state as Chief Guest and the guests of honour were Shri N. Bhagwandas IAS, then Chief Secretary and Mr P R S Rao, Chairman and MD of Hindustan photo films. On this occasion, we felicitated all senior photographers from press, studios and traders from our state. This was appreciated by one and all.
Friends, during this long journey of nine decades, my father was always open to the changing times and challenges faced by the industry, he adapted to all the newer developments and the technology from black & white to today’s latest technology of digital photography. Now, the fourth generation of our family is also in the business, and my father has always encouraged to go for new technology, to take risks and at the same time do clean and transparent business. The idea is to care and share. 
And now BYAS PHOTOGRAPHY ACADEMY, formally started last year, holds a vision to spread the knowledge of photography among beginners, students, and others.
Every month we conduct two batches of students in a two days course of Basic Photography, apart from regular one day workshop with Nikon, Canon, Panasonic, and Sony. Sony came forward to co-sponsor the two Days Basic Photography Course for beginners since last 8 months.
Also Asian Photography sponsored their monthly magazines for our every participant who attends the workshop and basic photography course. Thanks to AP team.

Madan Gopal Vyas 
MD, BYAS FOTO WORLD