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iPhone 14 Pro Max Camera Review

It’s September and every iPhone user or even photographers look forward to this launch. In the iPhone presentation, Apple stated that this is the best phone they’ve developed yet. Of course they are suppose to say that.

But the bigger question is ‘Is this the best iPhone camera for me?’ and whether you should upgrade from an earlier iPhone or from an Android smartphone? So we’ve been testing the 14 Pro Max for some time now and there’s a lot to say about its camera. So do read the full article to know if it’s really worth to upgrade or no?

iPhone 14 Pro Max price starts at ₹1,39,900 and goes up all the way to the ₹1,89,900 price for the 1TB. We have reviewed the silver colour which is the top of the line edition and as you know the silver colour ideally looks pretty white. 

Look, Body and Feel

When it comes to look, body and feel, the phone look and feels really premium and if you’ve been using a lot of the iPhone in the past few years then you would surely know what I am talking about. 

But let’s dive into the cameras on the 14 Pro Max and these are also relevant to the 14 Pro as well since they share the same camera set up. Also there is already a new update that came to the iOS 16 and it has already been updated on this device before reviewing.

Camera Specs

At the back you have the familiar look of the 3-camera set up like the 13 pro max that we have become so familiar with. But what’s noticeable and different now is that the camera bumps have become much bigger and protrude out more than before, and they will make it unstable on the desk, especially when you tap it from the top left while using it.

But while the cameras look the same, inside you now have a new 48-megapixel quad sensor camera along with the new 12-megapixel ultra-wide camera and the 12-megapixel telephoto camera with 3x zoom. 

48-Megapixel Main Camera

ProRAW:

Now what’s very important to you is that not only is the megapixels have increased but the pixel size has also increased to 2.44 qm now, which means each pixel will let in more light for possibly an improved and sharper image in both daylight as well as lowlight conditions.


And since the Max allows you to shoot 10-bit RAW with this bigger sensor the images it captures does tend to have more details. And the good thing is that it not only allows you to shoot at 1x, but also at all the available options up to 3x. But one thing that you have to note though is that while using macro, night mode or activating flash the images will be shoot at 12-megapixel, which means that the camera is using the centre 12-megapixel part of the sensor.

At 1X

At 2X

At 3X

The average file size of the images that we shot in RAW was about 55 MB and as you get closer on zoom it switches to the 12-megapixel with images at 2x and 3x for about 24 MB and 31 MB. Which is a decent size, it isn’t overly large and with a 1 TB space, you’ll never run out of that atleast. 

Also note that when shooting on ProRAW the Live photos won’t work when ProRAW mode is on though.

Regular Mode:

When shooting in the regular mode the camera delivers despite everything that you throw at it honestly. The focussing is very fast and accurate and the output is really crisp, sharp and the details are also very good even on zooming in. What we liked about the phone is that it is also able to accurately deliver true to scene images without overcompensating which many phones tend to do overall using AI algorithms. 


Also what we really liked is the performance that the combination of this hardware and software delivers now. At one end you have the improved cameras and on the other, the iOS 16 really improves upon the experience with features like Copy edits – that allows you to paste edits to images to make life really easy.


We are impressed with is the performance of the phone when clicked against a backlit environment as well. The phone does capture the subject well although it does add a slight red tinge to the image. 

Low Light Performance:

With the new sensor combined with the bigger pixels, the lowlight performance of the 14 Pro Max is great. It is able to focus on the highlighted area of choosing fast and captures great details. 



We’ve taken 2 images of the table, one under the normal ambient lighting and the other by bringing the aperture down to create a mood. Under both the scenarios the images have come sharp and display great detail, which has been highlighted in the box. 

Distortion and Macro:  

But when you are shooting with the Pro Max using the wide camera, you will find some level of distortion and unlike the OnePlus 10 Pro, it doesn’t have distortion compensation. 


Macro

Also another thing to note is that by default the macro mode isn’t on in the Pro Max which might make you feel that it doesn’t have one. So you need to put it on from the camera settings. 

In terms of the images since the phone doesn’t really feature a macro lens at best we would say its performance is average as you can see when zoomed in the images do loose its sharpness.

Portrait Mode
Undeniably one of the most widely used feature in the iPhone camera is the Portrait mode and honestly for the 14 Pro Max as well it does what you expect it to do. But one thing we are disappointed with is the edge detection sometimes. While it works well in delivering the images with beautiful depth, sometimes we find the edge detection slightly off with the phone blurring some portion off. But we are sure that this will improve with software updates. 

At 1X

At 2X

At 3X

Low Light Portrait

Front Camera

The front camera has seen an update with the 14 pro series and it now features auto focus tracking. The tracking does work well and why this is important is since many users use these phones to vlog etc. And the phone does track the subjects very well as you can see.


In terms of the images the images are pretty good as you can see from the samples. Again one of the strengths of the iPhone has always been to deliver the images true to the scene which is very important for the photographer. Once again you can shoot in the RAW mode here as well and it will use the 12-megapixel image and give out a 25MB file and drop down to 7-megapixel when you zoom in for a 14MB file. 

Video Performance

Videos have really been one of the strongest points of the iPhones over the years and with this Apple has just made it better. Of course you now have the option of shooting 4k at 24 fps as well and the introduction of the new Action mode as well. And as usual the iPhone doesn’t disappoint and delivers great video output with nice saturation and sharpness. The autofocus tracking is really fast both in the front as well as back cameras. But the phone does heat ever so slightly when used in 4K but should get better with software updates. 

Now there is a noticeable shutter roll but that’s honestly nit-picking since it uses so much AI to do things and it will be there on any phone.

Action Mode
The action mode honestly is really empowering and if you have the creativity to shoot with it then it will really give you some good output. We took some shot using the action mode and even with as basic as this you can see the difference. But the resolution in the action mode can only go upto 2.8k since it might be using the more central part of the sensor to shoot this. And this is pretty common for most small sensors so it isn’t a surprise.

Cinematic Mode
In the cinematic mode when shooting videos, the phone only allows 30 fps in HD and 24 fps and 30 fps in 4k mode. And you can only use the 1x and 3x zoom for the same. The sample output is pretty good and looks good as usual. But we are not sure how many people will really use the cinematic mode to shoot regularly, may be to make reels etc.?

Battery
So a lot of iPhone photographers and users consider battery performance as a crucial part before buying the phone. And this is important as well if you shoot a lot of videos like us using 4k. In our use of the phone we would end up with 30-40% at the end of the day, which was pretty impressive 

Conclusion
So how are the cameras of the iPhone 14 Pro Max? To be honest it is really difficult to beat this by any other camera in the market currently. The output in stills is really great and the combination of that hardware and software just make the overall experience of using this really good. Yes, the macro and distortion performance can be better and also the Samsung does offer high level of zoom. But honestly, we are not sure if an average user might even notice these things or use these features very often. 

When it comes to video the iPhone has been ruling the roost for a while now and with this edition it might’ve widened that lead even further. So if you deep pockets and are looking for the best that Apple has to offer, then this is surely the phone for you.

Sony India announces collaboration with PTI

Sony India has announced a new relationship with Press Trust of India (PTI), India’s largest independent news agency, under which PTI would make Sony India its exclusive digital imaging solution supplier for news photographers and video journalists across the nation. Sony India will also provide product service support and training to PTI picture and video journalists as part of this agreement.

PTI publishes around 2,000 stories and 200 images every day and collaborates with over 500 Indian publications. The news organisation has a long tradition of producing great visual journalism, and its journalists will now employ Sony’s superior imaging technology to cover big events around the country.

“We are pleased to announce this collaboration with PTI, an organization with such a vast reach in the country,” said Sunil Nayyar, Managing Director of Sony India. “PTI is a highly trusted news source in the country, and it is such an honour for us to be collaborating with them, to be supporting PTI who delivers top-class photo and video for news across the globe”.

Vijay Joshi, the Chief Executive Officer of Press Trust of India said, “At PTI we believe that technology is one of the foundational pillars for producing good journalism. We recognize that Sony has always been at the forefront of creating innovative technologies when it comes to cameras. Partnering with Sony was therefore a no-brainer for us, especially as we step into video journalism. We are excited with the opportunity this holds as our photo-journalists will be able to seamlessly work in tandem with their video colleagues, thanks to the common technology solution the Sony system offers.”

Once the shift is complete, all PTI journalists will be outfitted with Sony’s most recent cameras and lenses. This will allow all of the news agency’s journalists to effortlessly cooperate and tell the stories that matter, regardless of media.

“The use of our mirrorless cameras including the flagship Alpha 1 and the latest Alpha 7 IV along with a broad selection of Sony’s E-mount lenses including G Master™ models will allow PTI journalists to capture all the major events in the country and document stories like never before. All our mirrorless cameras are equipped with the latest technologies, where powerful hardware and software work together to deliver best imagery in a most flexible way. The advanced image processor and full-frame image sensor make better use of the light, produces less noise, sharp details giving a more beautiful image. We are also glad to enable PTI to deliver high quality video in the field of journalism using our dedicated video lineup like PXW-Z190 and PXW-Z90.” said Mukesh Srivastava, Head of Digital Imaging Business at Sony India.

Gurinder Osan, the Photo Editor of PTI, said “Completely changing the camera gear of an entire team is a difficult and responsible decision but our choice was re-affirmed after elaborate on-field testing and comparisons that went in favour of Sony’s mirrorless camera system for their robust and well-established technology. Digital cameras are more like computers and getting the performance that balances smart innovations with the subtle art of photography is what helps today’s visual creators redefine themselves and move into the future. All of this is besides the host of features that the Sony cameras offer, notable being their auto-focus performance, low light capability, reduced weight and bulk, range of lenses and overall efficiency.”


IMAGE: From L-R: Mukesh Srivastava, Head of Digital Imaging Business at Sony India; Tomohiro Nakashima, Deputy Managing Director of Sony India; Sunil Nayyar, Managing Director of Sony India; Vijay Joshi, the Chief Executive Officer of Press Trust of India; Gurinder Osan, the Photo Editor of PTI and Amit Gemini, the Chief Technology Officer of PTI.
 

Tamron is Developing a 70-300mm f/4.5-6.3 for Nikon Z Mount

Tamron has announced the 70-300mm f/4.5-6.3 Di III RXD, the company’s first Z-mount system lens, as the thinnest and lightest telephoto zoom for full-frame mirrorless cameras.

The lens looks to be similar to the Sony E-mount 70-300mm f/4.5-6.3 Di III RXD, which was released in 2020, and shares many, if not all, of the design decisions found in that lens, including promises of being the “smallest and lightest” telephoto zoom for full-frame cameras. It also features the same optical structure of 15 elements in 10 groups, which Tamron claims is “precisely structured to minimise axial chromatic and other aberrations that are prone to develop with telephoto zoom lenses.”

Tamron claims that at 300mm, the design provides “excellent resolution” from edge to edge and produces crisp pictures across the zoom range owing to the company’s anti-reflection BBAR Coating.

The mirrorless lens is 5.9 inches long, has a maximum diameter of 77mm, and weighs 20.5 ounces. According to Tamron, the compact dimensions and light weight make it perfect for travel and allow for simple access to landscape and sports photography, as well as portraiture, bird photography, and “casual shots.”

Tamron’s Rapid eXtra-silent stepping Drive (RXD) powers the lens autofocus, which the firm claims enables highly rapid and accurate autofocus and lets users to retain tack-sharp focus on continually moving scenes often captured with telephoto zoom lenses.

The lens will be compatible with Tamron’s Lens Utility software and allows users to update the lens firmware after purchase. It is also moisture resitant.

The price of the lens will be Rs. 63,000 and it will launched on September 29, 2022.

OnePlus 10T vs OnePlus 10R Camera Test

The OnePlus 10T, the company’s latest flagship offering in India, has finally been released recently, adding a new smartphone to the OnePlus 10 series. The device is priced between the entry-level OnePlus 10R and the high-end OnePlus 10 Pro. If you’re wondering what’s new about the OnePlus 10T, the flagship Snapdragon 8+ Gen 1 CPU, quicker charging with the basic model, new colours, and more are all included. It has the same design as the OnePlus 10 Pro.
If you’re looking for a OnePlus flagship, there are a lot of alternatives to choose from. This article compares the cameras of the two devices, 10T vs 10R, to assist you decide which gadget to buy. Now what’s very interesting about both these cameras is that while they look different, inside they are exactly the same not only in terms of specs, but also their sensors used, which makes it very exciting to see how their performance is. 
Most of you might know that the ‘T’ series has always been special from OnePlus as it comes with high-end specs in a budget friendly price. So in terms of price the OnePlus 10T starts at 50k approximately whereas the OnePlus 10R is a more budget friendly device that starts at 35k. But what is different with that price is that the 10T comes with the latest Snapdragon 8 + Gen 1 processor whereas the 10T comes with the MediaTek Dimensity 8100-Max processor. 
Both the smartphones come with the 150W SuperVOOC charging and don’t support wireless charging.
Camera Specs
Now as mentioned earlier that these cameras look different but they aren’t different. They both feature a 3-camera setup that has a 50-MP main camera, 8-megapixel ultra-wide camera and a 2-megapixel Macro lens.
Image Quality
Like usual we tested the cameras in a variety of conditions to test how they perform.
Daylight Images 
In terms of the daylight images, we clicked a lot of pictures with both the phones and found that the 10T was underexposing the images slightly and also in some cases adding a purplish tinge. The images also seemed one-stop under when it comes to saturation. Even on zooming in the images from 10R showed more clarity rather than the 10T. They also seemed truer to the scene. Even in lowlight the images displayed similar results.
Ultra wide Lens
In terms of wide-lens both the phones displayed decent results. The sharpness was more on the 10T this time but it still had a bluish tinge in the pics. But the distortion performance of the 10T was again good with the 10R showing the building slightly tilted.
Zoom Performance
Since there is no telephoto lens on both phones, they depend on digital zoom to take their pictures. While they have the capability to do this the output from both the phones is honestly is pretty average and we wouldn’t recommend using their zoom unless it’s the last resort. 
Portrait Images
In the portrait mode the 10R is pretty good. Although it did have the tendency to make blacks pop out more, it was adding to the mood of the images we shot. But with this blacks popping out the images did tend to loose sharpness on the edges, whereas the 10T had sharper edges on zoom but a haze sort of a look on the pics.
Macro Pics
Both the phones have a 2-megapixel macro lens and like the other cases in this as well the 10T was giving under saturated pics and adding a purple tinge to it. It also seemed slightly slow in focussing for some reason.
Front Camera Performance
Both the phones feature the same 16-megapixel front camera and the output with the same is ok. It’s not that great neither is it bad.
Video Performance
Now when it comes to video capability both the phones can shoot 4K up to 60 fps and slow-motion up to 240fps. But what is noteworthy is that with the front camera the 10R only gives the option to shoot at 1080p and not 720p. In terms of performance the 10R in this case was adding a red tinge to the samples we shot.
One the other hand the 10T only allows you to shoot with one lens only, as compared the 10R allows the use of two lenses.
But in terms of output both phones were shooting decent output and also in the slow-motion category they were decent. 
Conclusion
So what do we think about the cameras of the 10T vs 10R? Honestly the one big take away for us is that we are slightly surprised by the 10T’s performance here. Especially since it is a much better hardware specs phone than the 10R. The overall performance of the 10R here is much better than the 10T, but you also need to understand that this is a new phone that just got launched recently. So hopefully with updates these issues should get fixed. But at the moment when it comes to cameras, the 10R seems to have an edge.

OnePlus 10T vs OnePlus 10R Camera Test

The OnePlus 10T, the company’s latest flagship offering in India, has finally been released recently, adding a new smartphone to the OnePlus 10 series. The device is priced between the entry-level OnePlus 10R and the high-end OnePlus 10 Pro. If you’re wondering what’s new about the OnePlus 10T, the flagship Snapdragon 8+ Gen 1 CPU, quicker charging with the basic model, new colours, and more are all included. It has the same design as the OnePlus 10 Pro.

If you’re looking for a OnePlus flagship, there are a lot of alternatives to choose from. This article compares the cameras of the two devices, 10T vs 10R, to assist you decide which gadget to buy. Now what’s very interesting about both these cameras is that while they look different, inside they are exactly the same not only in terms of specs, but also their sensors used, which makes it very exciting to see how their performance is. 

OnePlus 10T vs OnePlus 10 Pro Camera Test

So the OnePlus 10T is now available on shelves all across the world. Unlike the 10 series, which has at least two variants in the worldwide market, this gadget stands alone and has the standard characteristics of flagship killers. So you get maximum performance with a few concessions on the display and cameras to get a competitive pricing. OnePlus previously produced a top-tier premium flagship device, the OnePlus 10 Pro. Given its age, the new 10T offers a few improvements over its predecessor, but the Pro model continues to be a top-tier flagship. OnePlus 10T and OnePlus 10 Pro pricing starts at 50k and 62k respectively. But when it comes to their cameras there is a different ideology that each of them follows. So in this article we will help you with which one should you choose and which has the best camera overall?

Fujifilm introduces the X-H2S digital mirrorless camera for Rs 2,39,999

Fujifilm has recently released the Fujifilm X-H2S mirrorless digital camera in India. The new camera is the company’s newest addition to the X-series camera portfolio. According to the firm, the camera was designed to meet the photographic demands of professional photographers and videographers of all genres. In terms of features, the X-H2S now boasts a newly designed subject-recognition AF technology as well as an upgraded Autofocus (AF) mechanism. The camera can record up to 6.2K footage at 30 frames per second and 4K films at 120 frames per second.

The Fujifilm X-H2S digital camera is priced at Rs 2,39,999 and will be available for purchase beginning July 23 through the company’s official website, authorised shops, and e-commerce platforms such as Amazon and Flipkart.

The X-HS2 is equipped with a 26.16MP sensor with back-illumination and a stack-layer construction. It is the first stacked APS-C sensor, according to the firm. Aside from that, the sensor can capture blackout-free burst photos at up to 40fps. In terms of video performance, the sensor can capture 4K/60P footage without cropping and with much decreased rolling-shutter effect. The camera is powered by a whole new CPU, the XProcessor 5, which promises to give double the processing performance of the previous version. The CPU, according to the business, may enable quicker processing rates, low ISO sensitivity, and decreased noise at higher ISO settings. Furthermore, the chipset enables the camera to provide functions like as subject-detection AF, tracking the targeted targets, and shooting 4:2:2 10bit films. The camera also has built-in memory, which helps to enhance the amount of grammes that can be photographed constantly. The camera promises to be able to shoot up to 1,000 frames per second with an electronic shutter at up to 30fps in JPEG and 20fps in RAW. The X-H2S also includes an electronic viewfinder with a 5.76 million-dot resolution and 0.8x magnification. The camera also has two memory card slots that accept CFexpress Type B and SD cards. In addition, the business has released various new accessories for the X-H25 camera. Vertical battery grip VG-XH, file transmitter FT-XH, cooling fan “FAN-001,” and cover kit CVR-XH are included.

Canon expands its RF Lenses Portfolio with Two New Lenses

Canon recently announced the release of the RF 24MM F1.8 MACRO IS STM and RF15-30MM F4.5-6.3 IS STM lenses, which are flexible and lightweight additions to the EOS R mirrorless camera line. These two lenses round up and complete the inexpensive RF lens lineup. The RF lens lineup now contains 30 lenses, thanks to the acquisition of these two lenses.

The RF24MM F1.8 MACRO IS STM completes the economical line of RF prime lenses, which now includes focal lengths of 16mm, 24mm, 35mm, 50mm, and 85mm. Similarly, the RF15-30MM F4.5-6.3 IS STM now completes the cheap zoom lens lineup, encompassing focal lengths ranging from 15mm to 400mm. Both lenses take use of the EOS R camera system’s wide diameter and short back focus, resulting in a compact optical system and great image quality across the board.

Wide-angle with Beautiful Bokeh

One of the primary advantages of utilising the RF24MM F1.8 MACRO IS STM on a full-frame EOS R camera body is its small size. This lens is exactly the same size as the iconic RF35mm f/1.8 IS STM lens, making it ideal for travel and landscape photography as well as everyday use.

When mounted on an APS-C body, the focal length is reduced to 38mm, which is closer to the field of vision of the human eye, making it appropriate for portraiture or street photography. The RF24MM F1.8 MACRO IS STM is at least two stops brighter than a conventional kit zoom lens at f/1.8, allowing it to generate exquisite bokeh, a breathtaking background blur effect that a zoom lens cannot accomplish. Its wide aperture also makes it an excellent choice for astrophotography.

The RF24MM F1.8 MACRO IS STM can also function as a macro lens, which is a rare feature for a wide-angle lens. It can reach up to 0.5x magnification with a minimum focusing distance of only 0.14m. This 24mm/f/1.8 combination produces a unique wide-angle close-up with gorgeous bokeh, making it great for food or flower photographs when travelling or as a daily lens.

When used with a compatible camera body with in-body image stabilisation, the RF24MM F1.8 MACRO IS STM has a native lens image stabilisation (Optical IS) of up to 5 stops and can go up to 6.5 stops (In-Body IS). This allows for exact photographs with minimum camera shaking in low-light situations, with slow shutter rates, or in other camera-shake-prone situations. The RF24MM F1.8 MACRO IS STM, when used with the quiet Stepping Motor (STM), is ideal for video. Vloggers that frequently use a tiny tripod or selfie stick will enjoy how light it is and how little it is.

Versatile with Near Macro Capabilities 

The RF15-30MM F4.5-6.3 IS STM is designed to satisfy the budget of photography enthusiasts while giving a realistic focal length range that includes 15-30mm. Its tiny size, weighing roughly 390g, making it ideal for individuals who travel. The RF15-30MM F4.5-6.3 IS STM lens is approximately 53% lighter than the RF15-35mm f/2.8L IS USM lens (approx. 390g vs approx. 840g).

The RF15-30MM F4.5-6.3 IS STM covers a far broader field of view than any normal kit lens at 15mm, allowing users to incorporate the atmosphere or surroundings with the subject, especially in tiny rooms or tight situations where backing up is not possible. The broader 15mm end is especially useful for indoor photography and magnificent landscape photography. Users may record photographs with a natural angle of view and perspective that is closer to the human eye at the 30mm zoom telephoto end. The RF15-30MM F4.5-6.3 IS STM features a very versatile 24-48mm zoom range when placed on an APS-C EOS R camera, delivering a larger field of view at the wide end than a kit lens. Even if the user converts to a full-frame camera in the future, the lens can still be utilised, making it a fantastic long-term investment. Using two Ultra-low Dispersion lenses, the RF15-30MM F4.5-6.3 IS STM corrects chromatic aberration across the zoom range, resulting in sharp and clear pictures with minimum colour blur.

When connected with a suitable camera body with in-body image stabilisation, the RF15-30MM F4.5-6.3 IS STM offers a native lens image stabilisation (Optical IS) of up to 5.5 stops, which may be increased to 7 stops (In-Body IS). This allows for low-light shooting with minimum camera shaking and shots with low shutter speeds that would normally need the use of a tripod. In manual focus mode, the RF15-30MM F4.5-6.3 IS STM can attain a magnification of up to 0.52x on the 15mm broad end. The 319 has a 0.128m minimum focusing distance. Both the RF24MM F1.8 MACRO IS STM and RF15-30MM F4.5-6.3 IS STM have wide angle capabilities that will come in helpful for interior photography, which is typically constrained by space limitations, while their compact and lightweight size makes them easy to use outdoors. Their wide angle(s) of view, built-in IS, and smooth video autofocus make them well-suited for shooting films in addition to producing superb still photographs.

RF24MM F1.8 MACRO IS STM is priced at Rs. 58,495 and will be available in stores from Mid-July

RF15-30MM F4.5-6.3 IS STM is priced at Rs. 52,495 and will be available in stores from September

Nikon launches its best ever vlogging camera, Nikon Z30

Nikon India has recently unveiled a lightweight and portable mirrorless camera aimed at content makers and video bloggers. Nikon Z30 is an APS-C/DX-format mirrorless camera that increases the company’s Z series collection.

According to the company, the new Nikon Z30 was designed with artists in mind and features a simpler design that includes improved button positioning, an easy-to-use UI, dedicated focus keys, a lengthy video recording duration, and more. The camera also has a built-in microphone, a movie record indicator light, an auto transition to self-portrait mode, and 4K UHD resolution recording.

The Nikon Z30 has a 20.9MP sensor and is powered by the company’s Expeed processor. According to the firm, the Z30 is a video camera capable of recording up to 125 minutes of footage. Aside from that, the camera can collect photos at a rate of up to 11 frames per second. Other camera capabilities include eye-detection AF, continuous AF, and a variety of focusing settings such as Single Autofocus (AF-S), Continuous Autofocus (AF-C), and Manual Focus. Along with that, the camera has animal-detection AF, which recognises the eyes of pets for focused framing in both video and stills. The camera’s highest ISO sensitivity for movies is 25600 and for still photos it is 51200. The Z 30 has a 7.5cm touch-sensitive vari-angle display and can record up to 4K resolution movies.

Canon EOS R3 Review

In this video we review the Canon EOS R3, which is the latest instalment of the Canon Flagship Mirrorless Camera from the R Series. It features some new technology like eye-focus tracking, its and this is also the first exclusive review of the Canon R3 in India, which naturally had us very excited.
This camera is aimed at sports photographers, photojournalists and wildlife photographers and in order to test it we did some special shoots. 
The price of the camera is Rs. 4,99,995 (body only) and we tested it using four RF lenses, the Canon RF 600mm f/11, Canon RF 50mm f/1.2, Canon RF 70-200mm f/2.8 and Canon RF 50mm f/1.8.