Author Archives: Anirudh Iyer

Western Digital introduces World’s Fastest 2TB micro SD UHS-I Card in India

Western Digital recently introduced its first and the world’s fastest microSD UHS-I Card in 2TB capacity from its SanDisk brand. “We aim to inspire people to create more and are committed to helping content creators transform ideas into stories without worrying about storage limitations. We are happy to introduce the world’s fastest 2TB microSD card; so, people around the world have more time to focus on capturing the moment, wherever their adventure takes them.” says, Khalid Wani, Senior Director Sales, India, Western Digital.

With up to 2TB of capacity, the new SanDisk Extreme PRO microSDXC UHS-I Card is designed for modern creators offering massive capacity to capture for longer and store more. Whether you’re recording high-quality 4K UHD point-of-view video, capturing pristine high-resolution stills, or wanting to expand storage for your Android devices, laptops, or handheld gaming consoles, this microSD card delivers unparalleled performance. Now one can save precious moments with blazing fast read and write speeds up to 250MB/s and 150MB/s respectively when used with SanDisk QuickFlow microSD UHS-I Card USB-A Reader (sold separately). Further this card load apps quickly and enables smooth performance. The SanDisk Extreme PRO microSD UHS-I card withstands extreme conditions and rough handling, despite const ant use. Further, RescuePRO Deluxe data recovery software effectively restore photos, videos, documents, and other types of files in a wide range of formats that have been accidentally deleted, corrupted, or lost due to formatting. With a lifetime limited warranty, this card is built to last and provide exceptional performance for years to come.

Key features include: Ideal for action cams, drones, Android devices, and handheld gaming devices. When used with an SD adapter: cameras, including Digital Single Lens Reflex (DSLR) and Mirrorless (MIL), camcorders, laptops, portable audio recorders; Read speeds up to 250MB/s and write speeds up to 150MB/s when used with SanDisk QuickFlow microSD UHS-I Card USB-A Reader (sold separately); Capture for longer and store more with up to 2TB of storage that can hold up to 2,808 minutes of 4K UHD video recorded at 30 fps (641MB/minute); Recover and restore files with the RescuePRO Deluxe data recovery software, free, for two full years; Backed by a lifetime limited warranty, SanDisk branded cards perform over the long haul.

The range starts with the SanDisk Extreme microSDXC UHS-I Card the 2TB capacity is available at ₹16,997 MSRP, on Amazon.in.

Framing Timeless Elegance – Bharat Rawail

Bharat Rawail is a prolific fashion and commercial photographer, capturing images with an element of simplicity with elegance. He has worked with brands, modelling agencies and celebrities in his career of over 15 years, aiming to create stunning photos with immaculate detail. He is renowned for his style, and he is a brand ambassador for Nikon and Nanlite.

Asian Photography spoke to him about storytelling, vision, trends, creative blocks and more. Excerpts:

How do you approach storytelling through your images in commercial projects?

In all my projects, commercial or not, I focus on making the subject the heart of the narrative. In still images, for a viewer to connect with the photos, I believe you need to connect with what the person and their expressions are trying to communicate to you at that moment.

My approach is simple: ensuring that the subject feels seen and represented in the best possible way. In all my photos, the eyes are always the centre of attention, followed by the expression and posing. I prefer to keep the face well-lit and make sure the subject feels seen at the moment. 

How do you ensure the brand’s narrative aligns with your artistic vision during a shoot?

© Bharat Rawail

When working with brands, my goal is to adapt to their narrative, ensuring that their product and story remain the focus. When a brand reaches out to me for a campaign, they are already positive about leveraging my style for their project. Every photo I take must not only reflect the brand’s identity, but also resonate with their target audience.

I ensure the brand’s narrative aligns with my vision to create a balance between creativity and purpose. I approach each campaign by bringing my style and creative sensibilities to merge with the brand’s story and objectives. The aim when platforming a brand in my work as a photographer is to elevate their messaging through my lens while staying true to their essence.

To achieve this, I use various lighting techniques, compositions, and more to highlight the product and support the narrative. I also constantly view the project through the shoes of a customer at various steps in the process, to make sure the photos effectively communicate the right messaging to me.

What do you do when clients push for ideas or concepts you disagree with creatively?

Creative disagreements are inevitable, I think it’s idealistic to expect otherwise. I believe that’s what leads to fresh and innovative outcomes. When clients push for ideas or concepts that differ from my approach, I am a firm believer in teamwork to achieve the end result. Pre-production is where I resolve such differences – it’s where brainstorming, ideation, and mutual decision-making happen. I love to invest time in the prep phase, welcoming ideas and discussing them thoroughly to ensure alignment before we step onto the set. A strong pre-production process should lead to mutual creative decisions; if it doesn’t, the pre-production isn’t complete.

During the shoot, I like to strictly focus on execution while staying open to all possibilities. I make it a point to capture everything: shots from the mood board, shots inspired by the client’s ideas, my own creative interpretations, and lastly, experimental shots.

I also take the time to explain my reasoning behind certain approaches, helping clients understand my process. Often, the vision becomes clearer when the client has a visual reference to see how my approach aligns with their goals. All creative processes have to be collaborative, the intention of finding mutual ground bridges the gap between creative fulfilment and client objectives.

How are fashion trends in different regions influencing your work? 

Fashion trends from different regions influence my work by shaping how I adapt wardrobe choices to highlight the subject’s personality. For me, clothes complement the person and express the personality of the subject I’m capturing.

I feel fortunate to collaborate with some of the best stylists in India, whose experience ensures that wardrobes are fresh, on-trend, and authentic to the subject. During pre-production, we work together to strike a balance between trends, the concept, and the subject’s individuality. 

Staying updated on trends is invaluable, and collaborating with creative minds keeps me informed about what’s in style. My approach bridges these trends with my own sensibilities to create a look that merges the outfits with the personality.

© Bharat Rawail

How do you keep your work fresh and avoid becoming repetitive?

To keep my work fresh and avoid repetition, I make it a priority to find inspiration daily. I spend 15–20 minutes each day exploring platforms like YouTube, Pinterest, Instagram, and Behance, as well as studying the work of DOPs, photographers, and other creatives. 

This practice keeps me consistent and creatively stimulated, ensuring my perspective evolves with time. Regular introspection is another key part of my process. I often review my work from the past month or two to track growth, and consider how I could shoot my older work differently today. This helps me refine my style – it helps me recognise elements that resonate deeply with me and areas where I can push boundaries to keep experimenting.

How do you handle creative blocks or periods where you feel uninspired?

© Bharat Rawail

When faced with creative blocks, I like to take a mindful approach to ensure I can deliver my best work. When possible, I give myself a break to recharge and return with renewed energy and focus.

Pre-production often helps me reignite my creativity. Collaborating with my team to brainstorm ideas and refine concepts can kickstart a creative flow, turning a challenge into an opportunity for fresh perspectives. If the block persists, I turn to my hobbies – I indulge in my favourite meals or take short holidays to refresh my mind.

However, I know that breaks aren’t always feasible. On such days, I focus on the outcome and commit to working through the challenge. By focussing on the details of a single idea and meticulously planning its execution, I have found I feel better equipped to handle the block and deliver work that stays true to my standards. This balance of self-care, collaboration, and discipline ensures I stay creatively resilient.

What’s the most valuable lesson you’ve learned from a failed project or a project whose result didn’t meet expectations?

I was recently collaborating with a renowned stylist. While the team was talented, the final result felt disconnected and didn’t align with my usual standards.

In hindsight, I realised that my eagerness to impress had caused me to sideline my creative instincts and decision-making process. Overwhelmed by the opinions of the stylist, talent, and team, I failed to protect the creative space needed to execute my vision. The result was a confused outcome that lacked the authenticity and quality I strive for.

Since then, I’ve learned the importance of holding my ground during a project, no matter how many opinions come my way. While I welcome creative inputs as valuable feedback, I’ve stopped aiming to please everyone. If someone chooses to work with me, it’s because they trust my style and vision. Confidence in my own expertise and experience is crucial to delivering work that meets my standards and stays true to my creative identity.

How important do you think social media is for a photographer’s career today, and how do you leverage it?

© Bharat Rawail

Social media has been a game-changer for all creatives. What started as a platform for sharing personal lives has evolved into an irreplaceable tool for showcasing work and building professional credibility. I view my Instagram account as my portfolio – it’s a space to highlight my work and establish legitimacy. Today, your Instagram profile undeniably determines how people perceive your professionalism and reliability.

As we move into an increasingly digital era, social media has become indispensable. Platforms like Instagram not only allow photographers to build their portfolios, but also enable them to grow as freelancers and business owners. It’s a great way to connect with other creatives, find inspiration, and engage with potential clients.

In fact, much of my early business came through Instagram, helping me build a foundation before my work gained recognition outside the platform. Leveraging social media strategically allows me to expand my network, showcase my work, and stay relevant in a competitive industry.

How do you keep learning and growing as a photographer? Do you attend workshops, follow online courses, or have any mentors?

As a self-taught photographer, my learning, and growth have always been rooted in curiosity and experimentation. My journey into photography began spontaneously during a vacation, and since then, I’ve embraced a hands-on, trial-and-error approach to mastering the craft. I firmly believe that exploring on your own often leads to the most exciting discoveries.

I make it a point to experiment during every shoot, constantly pushing the boundaries of my style and comfort zone. Collaborating with a diverse range of creatives also plays a significant role in helping me refine my perspective and explore new ideas. I frequently study the work of international photographers, paying close attention to their lighting techniques and creative processes.

By immersing myself in global influences, I like to ensure that my work remains relevant and timeless.

What advice would you give to aspiring fashion photographers who are just starting out in the industry?

© Bharat Rawail

My advice to aspiring fashion photographers is simple: just start. Pick up your camera and commit to taking pictures that you like. The key is to learn and create consistently. Initially, don’t confine yourself to a specific style – explore and experiment. Shoot everything that interests you, from landscapes and food to portraits and fashion. Finding your unique style takes time, often years, so be patient.

Don’t be discouraged if your early work doesn’t match the quality of your inspirations. It takes practice and persistence to close that gap. Focus on staying consistent and disciplined; these qualities are typically underrated in creative fields, but are essential for long-term growth.

Dedication to your craft and your creative development will accelerate your progress. Every shoot, every experiment, and every challenge contributes to shaping your perspective as a photographer. Stay curious, stay open, and keep pushing forward – your journey is what will set you apart in any industry.

Nikon Releases Firmware Update 5.10 for Flagship Z9 Camera

Nikon has announced firmware version 5.10 for its flagship mirrorless camera, the Nikon Z9, launched in December 2021. This update introduces advanced features tailored for professional video recording, enhancing flexibility and usability.

A notable addition is the new Shutter Mode, enabling users to set the shutter angle in 15 steps between 5.6° and 360° when shooting in [M] mode. This feature simplifies achieving optimal motion blur by eliminating the need to manually adjust shutter speed when changing frame rates.

Further improvements include customizable options for video exposure aids. Users can now alter the color of the zebra pattern display and adjust the size, transparency, and position of brightness indicators like histograms and wave-form monitors. These updates ensure precise exposure control while accommodating individual preferences or specific shooting scenarios.

Nikon reaffirmed its commitment to supporting photographers and videographers by continuously enhancing its products through firmware updates.

For more details on the firmware update and Nikon’s full product lineup, visit Nikon India.

Sony India Announces FE 28-70mm F2 G Master Lens at ₹2,99,999

Sony India recently announced its first G Master standard zoom lens with constant F2 max, the FE 28-70mm F2 G Master (SEL2870GM). This premium E-mount lens boasts a large aperture of F2 across the entire zoom range to achieve beautiful bokeh, high resolution and unrivalled autofocus for both stills and video, with sharpness and contrast to rival prime lens quality. All this is achieved in a compact, lightweight and well-balanced design that gives professionals and creators the ultimate freedom to capture a variety of scenes with just one lens where no shots can be missed including portraits, weddings, sports, documentaries and cinematic video.

The FE 28-70mm F2 G Master is the first G Master standard zoom lens with a constant F2 aperture making it ideal for both stills and video. Advanced design and optical simulation result in a zoom quality that rivals prime lenses with three XA (extreme aspherical) elements manufactured using original techniques to ensure high corner-to-corner resolution at F2 throughout the zoom range. Floating focus also allows sharpness, even at close focus down to 0.38 m/1.25 ft throughout the zoom range. Sony’s original Nano AR Coating II minimises flare/ghosting and optics designed to suppress internal reflections provide further flare resistance, ensuring high clarity whenever a strong light source appears in the frame. The G Master optics deliver soft bokeh for deep, dimensional images because of carefully controlled spherical aberration at both the design and the manufacturing stages with XA elements and a newly developed 11-blade aperture unit. The Super ED (extra-low dispersion) and ED glass elements effectively reduce chromatic aberration. 

The FE 28-70mm F2 G Master delivers stress-free shooting with all the advantages of zoom and good image quality. Innovative technologies including advanced optics and XD (extreme dynamic) linear motors make all this fit in a constant F2 zoom that is only 92.9 x 139.8 mm (3-3/4 x 5-5/8) and weighs just 918 g (32.4 oz). 

Four XD (extreme dynamic) linear motors and the latest algorithm precisely control the large and heavy focus group. It delivers reliable focus tracking and instant response, which are essential for weddings or sports events where every frame counts. This lens is fully compatible with the α9 III ‘s high-speed continuous shooting with AF/AE tracking of up to 120 frames per second, with tracking continued even whilst zooming.

By using the latest optical technology, Sony’s lens effectively subdues focus breathing, resulting in refined movie imagery. Rack focus and zoom effects can be used with F2 depth of field to create smooth, natural transitions and critical focus for high frame rate 4K 120p/FHD 240p recording is easy due to the high AF tracking performance. The XD linear motors and the newly developed aperture unit operate quietly and support α body breathing compensation with the α series camera’s image stabilisation “Active Mode”.

Important control functions include Linear Response MF for intuitive manual focus, adjustable zoom ring torque, and an aperture ring with a click ON/OFF switch. There are also two customisable focus hold buttons, an iris lock switch, and an AF/MF switch. The filter diameter is 86 mm, and the lens hood has a window for easy variable filter operation.

Buttons and switches feature silicone gaskets, the lens mount includes a rubber ring, and all other critical areas are designed to prevent the intrusion of dust and moisture to ensure maximum reliability in challenging outdoor conditions. A fluorine coating on the front element effectively repels contaminants and makes cleaning easy.

The FE 28-70 F/2 G Master Lens will be available across all Sony Centers, Alpha Flagship stores, Sony authorized dealers and major electronic stores across India from 29th November 2024 onwards at price of ₹299,990. 

IIT Hyderabad and Nikon India inaugurate the first Nikon “Centre of Excellence”

IIT Hyderabad and Nikon India, recently inaugurated its first “Centre of Excellence” (CoE) at the Indian Institute of Technology (IIT), Hyderabad. This first-of-its-kind CoE aims to offer advanced imaging technologies to trainees, visiting scholars, and collaborators across the country, fostering impactful collaborations between IIT Hyderabad researchers and Nikon teams. As a hub for innovation, the centre will empower researchers to explore biological systems across scales – from single cells to human tissues – advancing research breakthroughs in high-resolution imaging.

Equipped with state-of-the-art imaging technologies, the Centre of Excellence offers a Confocal Microscope System AX R with NSPARC and TIRF. It also houses a Nikon Inverted Microscope System ECLIPSE Ti2-E for fluorescence imaging, a Nikon ECLIPSE Ts2-FL Inverted Routine Microscope, and a Nikon SMZ800N with a fluorescence attachment for macro imaging. Drawing upon its resources, technical expertise, and experienced staff, the centre will address critical challenges in cell biology and other research areas, facilitating innovative studies across various scientific fields.

Speaking on the launch, Sajjan Kumar, Managing Director of Nikon India, said, “We are thrilled to bring state-of-the-art microscopy systems to the greater scientific community in Hyderabad. This Centre of Excellence equipped with our most up-to-date imaging technologies, will not only drive scientific research but also empower researchers and students with the means to push the boundaries across various scientific disciplines. Our goal is to foster an innovative learning environment that will encourage further developments and benefit the community at large.

 “Nikon’s dedication to advancing science is reflected by this first of its kind “Centre of Excellence”. By partnering with IIT Hyderabad, we are confident that we can make a substantial impact on India’s research landscape, equipping scientists with advanced high-resolution imaging tools that will drive innovation and discovery,”.

Prof. B. S. Murty, Director of IIT Hyderabad, added, “It gives us great pleasure to work with Nikon India to establish this Centre of Excellence. This initiative aligns perfectly with our goal of fostering innovative research and diverse learning opportunities. In various academic and research domains, the Centre will serve as a catalyst, inspiring our researchers and students to push the boundaries of what is possible”.

The Nikon Centre of Excellence at IIT Hyderabad marks a significant step in bridging industry and academia, offering a vital platform for collaboration, knowledge-sharing, and skill development. With advanced imaging resources, the centre will drive discoveries across diverse research fields and build a strong community of future scientists. By providing practical experience aligned with global advancements in microscopy, this partnership underscores Nikon’s commitment to advancing research and education, benefitting both the scientific community and the wider region.

Sony India Celebrates 30 Years Presence in India

Sony India celebrates 30 years of offering products and services to the Indian market in November 2024. Since its inception in 1994, Sony India has been at the forefront of revolutionising consumer electronics, reshaping the entertainment landscape and setting new standards in product quality and innovation across key product categories such as televisions, home and personal audio, digital imaging and gaming.

Sunil Nayyar, Managing Director of Sony India, commented, “For 30 years, Sony has been more than a brand, it has been a companion in the lives of millions of Indian families. We are deeply grateful for the trust and love our consumers have shown us. This milestone is a testament to our shared journey of innovation, creativity and connection. As we look ahead, we are committed to continuing to deliver experiences that inspire and bring people closer together.”

At Sony, every product and service is designed with Kando – the Japanese concept of deeply moving and inspiring people. From enabling families to enjoy blockbuster movies together, to listening to music in its purest form, to compelling gaming experience and empowering creators’ intent with world-class cameras, Sony’s mission has always been to bring people closer to what they love. 

Sustainability remains a cornerstone of Sony India’s operations, aligning with the global “Road to Zero” environmental plan. Beyond its business operations, Sony India has made a impact on society through its CSR initiatives. Some of these programmes focus on skill development, heritage preservation, village development, elderly care and medical support.

As Sony India steps into its fourth decade, the company remains steadfast in its mission to create products that inspire wonder and connection. From reimagining home entertainment to pushing the boundaries of technology, Sony is committed to shaping a future filled with possibilities.

HP Demonstrates its Latest Innovations at Labelexpo India 2024

HP India showcased its latest innovations at the recently concluded Labelexpo India 2024. The showcase included solutions tailoured for growing market segments such as in-mold labels, lamitubes, flexible packaging, shrink sleeves, folding cartons, and security printing. Aiming to optimize job lengths and operational efficiency, HP Indigo technology empowers businesses to boost productivity and reduce their total cost of ownership.

The HP Indigo 6K Digital Press headlined the display, demonstrating its ability to handle diverse applications with speed and precision. Virtual highlights include the revolutionary HP Indigo V12, capable of printing at up to 120 meters per minute for high-volume label production.

HP also unveiled workflow solutions like the PrintOS software suite, featuring tools such as Spot Master, which enables accurate spot colors in minutes while reducing waste. The booth will also focus on sustainable printing technologies, including carbon reduction initiatives and brand protection tools.

Winners of HIPA 13th Season Announced

Hamdan bin Mohammed bin Rashid Al Maktoum International Photography Award (HIPA) recently announced the winners of their 13th Season in Dubai with Chinese photographer Liping Cao winning the Grand Prize of $200,000 for his black-and-white image. The award was given by Her Highness Sheikha Latifa bint Mohammed bin Rashid Al Maktoum, Chairperson of the Dubai Culture and Arts Authority (Dubai Culture).

The image won the prize as it captures a poignant scene of nature and technology in harmony: towering wind turbines rise prominently on the horizon, their blades slowly rotating in the breeze, embodying the quiet power of renewable energy. Behind them, the sky is speckled with drifting clouds, creating a dynamic backdrop. The dry riverbed beneath the turbines adds depth to the image, reminding us of the importance of sustainable practices in a world facing environmental challenges.

Sheikha Latifa affirmed that Dubai, with its visionary approach, is a nurturing space for innovative initiatives and awards, establishing itself as a global source of inspiration and a gathering place for creative minds and exceptional talents from diverse fields. She noted that the Hamdan bin Mohammed bin Rashid Al Maktoum International Photography Award reflects the emirate’s inspiring ethos, cultural richness, and the strength of its visual and creative arts landscape.

“This award, with its diverse categories, embodies Dubai’s ambitious vision and leadership, enhancing its position on the global stage as a magnet for photographers and creatives in general. It showcases Dubai’s ability to build bridges of communication among people and communities by honouring talented individuals who, through their creative work, tell the stories of cultures, document traditions, and convey powerful messages that reflect society and heritage,” Her Highness said.

Sheikha Latifa also highlighted that the award aligns with the UAE’s commitment to the Sustainable Development Goals, focussing in its current cycle on ‘Sustainability’, a theme that reflects the forward-thinking mindset of the award’s organisers and their conviction in the critical role of culture and the arts in advancing sustainability, thereby contributing to the well-being of societies. 

Ali bin Thalith, HIPA’s Secretary General, thanked Sheikh Hamdan for his continued support of HIPA and the art of photography. “In our thirteenth year, we have extended our reach to 205 countries. What truly matters to us is the advancement of the photographer and the photography industry. His Highness’ vision for nurturing human creativity is apparent from his decision to raise the total prize purse under the award to $1 million.

More than a quarter of the winners in this season’s awards reside in the UAE, benefitting from a creative environment that stimulates innovation and competitiveness, Bin Thalith highlighted. “This reinforces the UAE’s leadership in attracting global talent and innovators,” he said.

James ‘Jimmy’ Philip Nelson, a Dutch photographer known for his work with indigenous communities, received the Photography Appreciation Award for his significant contributions to photography and projects that foster greater understanding between different cultures.he Photography Content Creator Award went to Emirati photographer Salma Ali Humaid Alsuwaidi for her pioneering work documenting the wildlife and bird species of the UAE. Her book, ‘Common Birds and Their Nests in the United Arab Emirates,’ significantly contributes to the scientific and artistic communities.

The inaugural HIPA Photographer of the Year Award was presented to Samy Al Olabi, a Syrian astrophotographer renowned for his images of celestial objects and nature photography, particularly in the dark skies of the Arabian Peninsula. He is famous for his projects photographing stars from the dark corners of the Arabian Peninsula. His work has been featured in more than 80 local and international publications. 

Her Highness Sheikha Latifa bint Mohammed bin Rashid Al Maktoum, honoured the winners in the ‘Sustainability’ category. Ruijuan Huang from China took the first prize, with French photographer Virginie Ellis and Ranganathan Mukkai from India finishing second and third respectively.

H.E. Ali Khalifa bin Thalith, HIPA Secretory General, presented the ‘General – Colour’ winners. Rahul Vishwanath Sachdev from India won first prize, followed by Youmn Mohammed Almanla from Saudi Arabia, and Ahmed Abdallah Al Housni from Oman.

In the ‘General – Black and White’ category, American photographer Renee Capozzola took the first prize, followed by Hikkaduwa Liyanage Prasantha Vinod from Sri Lanka, and Ateeb Hussain from India.

His Excellency Abdulrahman bin Mohamed Al Owais, Minister of Health and Prevention and Chairman of the Board of Trustees of HIPA, honoured the winners of the ‘Portfolio (Story-Telling)’ category, where Palestinian photographer Fatma Alzahra Shbair won first place, with Sarah Wouters from the Netherlands taking second spot and Wen Bing from China finishing third.

Her Excellency Hala Badri, Director General of Dubai Culture, presented the Sports Photography awards. Tobias Friedrich from Germany took the first prize, followed by Karim Iliya from the USA, and Hendra Agus Setyawan from Indonesia respectively.

His Excellency Abdulrahman bin Mohamed Al Owais, Minister of Health and Prevention and Chairman of the Board of Trustees of HIPA , honoured the winners In the ‘Short Video (For Social Media)’ category, Aleksandr Tsuprun from the Russian Federation won first prize, followed by Norbert von Niman from Sweden, and Abhin Kizhakke Veettil from India who finished third.

November 2024

Asian Photography India November 2024 issue is out now!

Cover by: Siddharth Sharma 📷

In this issue read:
~Capturing The Landscape of Love – Marcus Bell
~House on The Clouds – Siddharth Sharma
~How To Be A Second Shooter – Photo & Video
~Tech Trends in Wedding Photography
~The Importance of Time Management in Wedding Photography
~Tamron 28-300 vs 50-300 Review & Shootout
~Stuffcool Click20 Magnetic Powerbank Review