RED Digital Cinema, a subsidiary of Nikon Corporation, has announced the release of the V-RAPTOR [X] Z Mount and KOMODO-X Z Mount digital cinema cameras. These cameras integrate the Nikon Z mount, expanding lens compatibility for filmmakers and content creators.
Part of the new Z CINEMA series, co-developed by Nikon and RED, these models aim to provide flexible solutions for cinema and high-end production. The Nikon Z mount’s large diameter and short flange distance allow users to leverage a range of lenses, including NIKKOR Z lenses for sharp rendering and minimal aberration. The cameras also support Nikon F lenses via the Mount Adapter FTZ II.
The V-RAPTOR [X] Z Mount features an 8K VV global shutter sensor, offering a wide dynamic range and improved color capture. The camera includes RED’s Global Vision tools, designed to maintain details in highlights and varying lighting conditions.
The KOMODO-X Z Mount, equipped with a 6K Super 35 global shutter sensor, supports 6K recording at up to 80 fps and 4K at up to 120 fps. The camera is compatible with RED’s R3D Redcode RAW format, allowing efficient video data management and grading flexibility.
Both models support power zoom control for the newly-launched NIKKOR Z 28-135mm f/4 PZ lens and enhanced autofocus. Both these cameras will be available through RED Digital Cinema Inc and authorized RED dealers.
Nikon India Pvt. Ltd. has announced the launch of the NIKKOR Z 28-135mm f/4 PZ, a power zoom lens designed for full-frame Nikon Z-mount mirrorless cameras. First revealed in October 2024, this lens is tailored to meet the demands of professional videographers, offering seamless zoom control, minimising focus shifts, and can resolve 8K video.
According to Sajjan Kumar, Managing Director of Nikon India, the lens is built for dynamic video production, providing smooth operability and versatility. Its power zoom mechanism allows for precise zoom control across 11 speed settings, while the internal zoom design ensures stability, especially when using a gimbal.
Ideal for documentaries, weddings, and solo shoots, the lens offers a wide focal range with a minimum focus distance of 0.34m at the wide end.
Designed for professional setups, the lens supports matte boxes, follow focus systems, and remote zoom control via Nikon’s NX Tether, SnapBridge, and NX Field. It also features Nikon’s Meso Amorphous Coat to reduce flare and ghosting, a stepping motor (STM) for silent autofocus, and a fluorine coating for dust and water resistance.
With this release, Nikon continues to push the boundaries of imaging technology, empowering filmmakers and content creators with cutting-edge tools for high-quality video production.
Nikon India Pvt. Ltd. announces the launch of the NIKKOR Z 35mm f/1.2 S, a high-performance wide-angle prime lens designed for professional photographers and videographers. With its fast f/1.2 aperture, this lens delivers exceptional detail, depth, and beautifully soft bokeh, making it ideal for portrait, street, and wedding photography, as well as cinematic video production.
As part of Nikon’s S-Line series, the NIKKOR Z 35mm f/1.2 S ensures outstanding optical performance with three ED glass elements and one aspherical ED glass element, minimising aberrations and maximising sharpness. Advanced Meso Amorphous, Nano Crystal, and ARNEO coatings significantly reduce ghosting and flares for superior clarity. The lens’ multi-focussing system, powered by stepping motors (STMs), provides fast and precise autofocus for both stills and video.
Optimized for videographers, the lens ensures smooth exposure transitions, suppresses focus breathing, and features a click-less control ring for silent operation. With dust and drip resistance, it is built for reliability in challenging shooting conditions.
Sajjan Kumar, Managing Director of Nikon India, stated that the NIKKOR Z 35mm f/1.2 S exemplifies Nikon’s commitment to pushing the boundaries of optical excellence, offering professionals a powerful tool to elevate their creative expression.
The NIKKOR Z 35mm f/1.2 S will be available soon at authorized Nikon dealers and online stores.
FUJIFILM India has launched the highly anticipated FUJIFILM X-M5, the latest addition to its renowned X Series of mirrorless digital cameras. Known for its compact design, cutting-edge technology, and exceptional image quality, the X-M5 sets a new standard for photography and videography enthusiasts.
Weighing just 355g, the X-M5 is the lightest camera in the X Series and features a 26.1-megapixel back-illuminated X-Trans™ 4 CMOS sensor and the advanced X-Processor 5 engine, delivering professional-grade performance in a lightweight body. Its innovative subject-detection autofocus, powered by AI, can track animals, vehicles, and more, ensuring precision in diverse shooting scenarios.
The X-M5 boasts impressive video capabilities, including 6.2K/30P 4:2:2 10-bit recording, 4K/60P, and 1080/240P, complemented by a powerful digital image stabilizer for smooth footage even during handheld shooting. The camera also introduces a Vlog Mode with intuitive touchscreen controls and a 9:16 vertical shooting feature tailored for social media content.
With a high-quality design, compact size, and versatile features, the FUJIFILM X-M5 is perfect for professionals and enthusiasts, empowering them to explore new creative horizons. Available soon across India, the X-M5 is poised to redefine visual storytelling.
Sony is unveiling the upcoming BURANO Version 2.0 firmware update, scheduled for release in March 2025. Based on feedback from the filmmaking community, the update introduces significant new features, improved usability, and enhanced performance.
Key highlights include expanded recording formats, such as a new 3.8K Full Frame crop mode capable of 120 fps and a 1.9K mode supporting up to 240 fps, enabling filmmakers to prioritize speed and flexibility. Anamorphic shooters can utilize the new Super 35 4.3K mode at 60 fps. Additional updates include 24.00 fps support in X-OCN 16:9 modes, a 1.8x de-squeeze setting, and expanded high-frame-rate options up to 110 fps.
Monitoring and operational improvements include standardized SDI video output across formats, breathing compensation, image stabilization metadata, and on-screen display enhancements. A redesigned interface places status information outside the image and adds View Finder Gamma Display Assist for S-Log3 monitoring. The update also supports PL Mount lens control for Focus, Iris, and Zoom using the optional GP-VR100 handgrip.
BURANO Version 2.0 enhances image output with improved S-Log3 and 3D LUT presets, better Auto Focus performance at key frame rates, and advanced exposure tools derived from Sony’s flagship VENICE system. White balance memory has been expanded from three to eight presets, and Active/High Image Stabilization is now available in Full Frame 6K and Super 35 modes.
The update further adds live event functionality, including variable ND control via RCPs, enhanced Camera Remote SDK compatibility, and tally control over LAN. Users will also benefit from ease-of-use features like media formatting from the status screen and settings for CAM ID and Reel Number.
Available in March 2025, BURANO Version 2.0 will be free to download for Indian users directly to their cameras via Mac or PC.
Western Digital recently introduced its first and the world’s fastest microSD UHS-I Card in 2TB capacity from its SanDisk brand. “We aim to inspire people to create more and are committed to helping content creators transform ideas into stories without worrying about storage limitations. We are happy to introduce the world’s fastest 2TB microSD card; so, people around the world have more time to focus on capturing the moment, wherever their adventure takes them.” says, Khalid Wani, Senior Director Sales, India, Western Digital.
With up to 2TB of capacity, the new SanDisk Extreme PRO microSDXC UHS-I Card is designed for modern creators offering massive capacity to capture for longer and store more. Whether you’re recording high-quality 4K UHD point-of-view video, capturing pristine high-resolution stills, or wanting to expand storage for your Android devices, laptops, or handheld gaming consoles, this microSD card delivers unparalleled performance. Now one can save precious moments with blazing fast read and write speeds up to 250MB/s and 150MB/s respectively when used with SanDisk QuickFlow microSD UHS-I Card USB-A Reader (sold separately). Further this card load apps quickly and enables smooth performance. The SanDisk Extreme PRO microSD UHS-I card withstands extreme conditions and rough handling, despite const ant use. Further, RescuePRO Deluxe data recovery software effectively restore photos, videos, documents, and other types of files in a wide range of formats that have been accidentally deleted, corrupted, or lost due to formatting. With a lifetime limited warranty, this card is built to last and provide exceptional performance for years to come.
Key features include: Ideal for action cams, drones, Android devices, and handheld gaming devices. When used with an SD adapter: cameras, including Digital Single Lens Reflex (DSLR) and Mirrorless (MIL), camcorders, laptops, portable audio recorders; Read speeds up to 250MB/s and write speeds up to 150MB/s when used with SanDisk QuickFlow microSD UHS-I Card USB-A Reader (sold separately); Capture for longer and store more with up to 2TB of storage that can hold up to 2,808 minutes of 4K UHD video recorded at 30 fps (641MB/minute); Recover and restore files with the RescuePRO Deluxe data recovery software, free, for two full years; Backed by a lifetime limited warranty, SanDisk branded cards perform over the long haul.
The range starts with the SanDisk Extreme microSDXC UHS-I Card the 2TB capacity is available at ₹16,997 MSRP, on Amazon.in.
Bharat Rawail is a prolific fashion and commercial photographer, capturing images with an element of simplicity with elegance. He has worked with brands, modelling agencies and celebrities in his career of over 15 years, aiming to create stunning photos with immaculate detail. He is renowned for his style, and he is a brand ambassador for Nikon and Nanlite.
Asian Photographyspoke to him about storytelling, vision, trends, creative blocks and more. Excerpts:
How do you approach storytelling through your images in commercial projects?
In all my projects, commercial or not, I focus on making the subject the heart of the narrative. In still images, for a viewer to connect with the photos, I believe you need to connect with what the person and their expressions are trying to communicate to you at that moment.
My approach is simple: ensuring that the subject feels seen and represented in the best possible way. In all my photos, the eyes are always the centre of attention, followed by the expression and posing. I prefer to keep the face well-lit and make sure the subject feels seen at the moment.
How do you ensure the brand’s narrative aligns with your artistic vision during a shoot?
When working with brands, my goal is to adapt to their narrative, ensuring that their product and story remain the focus. When a brand reaches out to me for a campaign, they are already positive about leveraging my style for their project. Every photo I take must not only reflect the brand’s identity, but also resonate with their target audience.
I ensure the brand’s narrative aligns with my vision to create a balance between creativity and purpose. I approach each campaign by bringing my style and creative sensibilities to merge with the brand’s story and objectives. The aim when platforming a brand in my work as a photographer is to elevate their messaging through my lens while staying true to their essence.
To achieve this, I use various lighting techniques, compositions, and more to highlight the product and support the narrative. I also constantly view the project through the shoes of a customer at various steps in the process, to make sure the photos effectively communicate the right messaging to me.
What do you do when clients push for ideas or concepts you disagree with creatively?
Creative disagreements are inevitable, I think it’s idealistic to expect otherwise. I believe that’s what leads to fresh and innovative outcomes. When clients push for ideas or concepts that differ from my approach, I am a firm believer in teamwork to achieve the end result. Pre-production is where I resolve such differences – it’s where brainstorming, ideation, and mutual decision-making happen. I love to invest time in the prep phase, welcoming ideas and discussing them thoroughly to ensure alignment before we step onto the set. A strong pre-production process should lead to mutual creative decisions; if it doesn’t, the pre-production isn’t complete.
During the shoot, I like to strictly focus on execution while staying open to all possibilities. I make it a point to capture everything: shots from the mood board, shots inspired by the client’s ideas, my own creative interpretations, and lastly, experimental shots.
I also take the time to explain my reasoning behind certain approaches, helping clients understand my process. Often, the vision becomes clearer when the client has a visual reference to see how my approach aligns with their goals. All creative processes have to be collaborative, the intention of finding mutual ground bridges the gap between creative fulfilment and client objectives.
How are fashion trends in different regions influencing your work?
Fashion trends from different regions influence my work by shaping how I adapt wardrobe choices to highlight the subject’s personality. For me, clothes complement the person and express the personality of the subject I’m capturing.
I feel fortunate to collaborate with some of the best stylists in India, whose experience ensures that wardrobes are fresh, on-trend, and authentic to the subject. During pre-production, we work together to strike a balance between trends, the concept, and the subject’s individuality.
Staying updated on trends is invaluable, and collaborating with creative minds keeps me informed about what’s in style. My approach bridges these trends with my own sensibilities to create a look that merges the outfits with the personality.
How do you keep your work fresh and avoid becoming repetitive?
To keep my work fresh and avoid repetition, I make it a priority to find inspiration daily. I spend 15–20 minutes each day exploring platforms like YouTube, Pinterest, Instagram, and Behance, as well as studying the work of DOPs, photographers, and other creatives.
This practice keeps me consistent and creatively stimulated, ensuring my perspective evolves with time. Regular introspection is another key part of my process. I often review my work from the past month or two to track growth, and consider how I could shoot my older work differently today. This helps me refine my style – it helps me recognise elements that resonate deeply with me and areas where I can push boundaries to keep experimenting.
How do you handle creative blocks or periods where you feel uninspired?
When faced with creative blocks, I like to take a mindful approach to ensure I can deliver my best work. When possible, I give myself a break to recharge and return with renewed energy and focus.
Pre-production often helps me reignite my creativity. Collaborating with my team to brainstorm ideas and refine concepts can kickstart a creative flow, turning a challenge into an opportunity for fresh perspectives. If the block persists, I turn to my hobbies – I indulge in my favourite meals or take short holidays to refresh my mind.
However, I know that breaks aren’t always feasible. On such days, I focus on the outcome and commit to working through the challenge. By focussing on the details of a single idea and meticulously planning its execution, I have found I feel better equipped to handle the block and deliver work that stays true to my standards. This balance of self-care, collaboration, and discipline ensures I stay creatively resilient.
What’s the most valuable lesson you’ve learned from a failed project or a project whose result didn’t meet expectations?
I was recently collaborating with a renowned stylist. While the team was talented, the final result felt disconnected and didn’t align with my usual standards.
In hindsight, I realised that my eagerness to impress had caused me to sideline my creative instincts and decision-making process. Overwhelmed by the opinions of the stylist, talent, and team, I failed to protect the creative space needed to execute my vision. The result was a confused outcome that lacked the authenticity and quality I strive for.
Since then, I’ve learned the importance of holding my ground during a project, no matter how many opinions come my way. While I welcome creative inputs as valuable feedback, I’ve stopped aiming to please everyone. If someone chooses to work with me, it’s because they trust my style and vision. Confidence in my own expertise and experience is crucial to delivering work that meets my standards and stays true to my creative identity.
How important do you think social media is for a photographer’s career today, and how do you leverage it?
Social media has been a game-changer for all creatives. What started as a platform for sharing personal lives has evolved into an irreplaceable tool for showcasing work and building professional credibility. I view my Instagram account as my portfolio – it’s a space to highlight my work and establish legitimacy. Today, your Instagram profile undeniably determines how people perceive your professionalism and reliability.
As we move into an increasingly digital era, social media has become indispensable. Platforms like Instagram not only allow photographers to build their portfolios, but also enable them to grow as freelancers and business owners. It’s a great way to connect with other creatives, find inspiration, and engage with potential clients.
In fact, much of my early business came through Instagram, helping me build a foundation before my work gained recognition outside the platform. Leveraging social media strategically allows me to expand my network, showcase my work, and stay relevant in a competitive industry.
How do you keep learning and growing as a photographer? Do you attend workshops, follow online courses, or have any mentors?
As a self-taught photographer, my learning, and growth have always been rooted in curiosity and experimentation. My journey into photography began spontaneously during a vacation, and since then, I’ve embraced a hands-on, trial-and-error approach to mastering the craft. I firmly believe that exploring on your own often leads to the most exciting discoveries.
I make it a point to experiment during every shoot, constantly pushing the boundaries of my style and comfort zone. Collaborating with a diverse range of creatives also plays a significant role in helping me refine my perspective and explore new ideas. I frequently study the work of international photographers, paying close attention to their lighting techniques and creative processes.
By immersing myself in global influences, I like to ensure that my work remains relevant and timeless.
What advice would you give to aspiring fashion photographers who are just starting out in the industry?
My advice to aspiring fashion photographers is simple: just start. Pick up your camera and commit to taking pictures that you like. The key is to learn and create consistently. Initially, don’t confine yourself to a specific style – explore and experiment. Shoot everything that interests you, from landscapes and food to portraits and fashion. Finding your unique style takes time, often years, so be patient.
Don’t be discouraged if your early work doesn’t match the quality of your inspirations. It takes practice and persistence to close that gap. Focus on staying consistent and disciplined; these qualities are typically underrated in creative fields, but are essential for long-term growth.
Dedication to your craft and your creative development will accelerate your progress. Every shoot, every experiment, and every challenge contributes to shaping your perspective as a photographer. Stay curious, stay open, and keep pushing forward – your journey is what will set you apart in any industry.
Hi and welcome back to Asian Photography and today is special. Special because we are going to review Nikon’s latest prime lens, the 50mm F/1.4, which is only their second 1.4 prime lens for the Z mount, the first one being the 35 F1.4, we have reviewed that one as well.
Still from our review video
When I see this lens, then I am wondering – is Nikon trying to redefine the market one lens at a time? Because there is one thing that Nikon is doing much better than the competition. Priced at ₹80k while the competitors are ₹1.3 lakh+
Whose it For?
The 50mm is probably my favourite lens and for the ones that’ve been shooting for a while, these were the lenses that everyone would invest in, before brands started giving the options for the 24, 35mm, etc. The beauty of this lens is that it is versatile and can be used for a variety of applications – street photography, portraits, weddings, etc. And it is built like that as well.
Look, Body & Feel
At first glance you can instantly feel that this lens is light and compact as compared to other 1.4 lenses. It weighs 420g with a filter size of 62mm. It feels well-built and premium, which means that the materials used are good and at this price point it is weather sealed.
And when attached to the Nikon Z6III, which we have used to review this lens, it feels well-balanced.
Feels well-balanced with Z6 III – still from our review video
This lens has very minimal controls. There is one ring set to control focus, and another ring you can set to do other functions like exposure compensation in-camera. And that’s it. There’s no dedicated aperture ring, no more custom programmable buttons, no AF-MF switch, and no other bells & whistles. It also doesn’t come with their VR image stabilization technology.
With that in mind, let’s move on to the image quality tests, and let’s see if they have cut any corners.
Image Quality
The pics from the lens are good. In daylight the pictures are sharp and well-detailed, yes they aren’t the sharpest on the edges but the quality that it is able to deliver is great.
In lowlight, the image quality is similar to daylight with adequate amount of sharpness throughout the frame, more in the center and tapers off in the sides.
Autofocus
Even the autofocus performance of the lens is good. This has a stepping motor and at most it works fast and silent, which makes making pictures very easy and stealthy. So be it day time or night time, due to its wide aperture this lens is super fast at acquiring focus.
Bokeh
With a prime lens you are always looking for those beautiful bokeh and this lens doesn’t disappoint. The bokeh are well rounded and nice. In some cases, you do see the onion or egg shapes but overall they are very pleasing to the eye.
CA Value
As usual, we tested the lens through QuickMTF and got a CA value of 0.60 pixels, which at this price point is decent. This is one area where more expensive lenses might have the edge on this one, but regardless, it can be corrected in post very easily.
Lens flare and ghosting
There is very minimal lens flaring and ghosting in the lens and if you use it smartly then it can actually give you some creative output.
Flaring performance
Conclusion
So what do we think about the NIKKOR Z 50mm F/1.4 lens? Nikon has possibly hit the sweet spot with this lens. You get all of this performance in a compact and light body for a price of Rs. 80k. And in comparison there are options from the competitors that start at ₹1.3 lakhs and I know what you are thinking. Nikon also has that option with their F/1.8 S lens. But this also makes me wonder why would a consumer buy this when they can get a S lens for ₹50k?
Nikon has announced firmware version 5.10 for its flagship mirrorless camera, the Nikon Z9, launched in December 2021. This update introduces advanced features tailored for professional video recording, enhancing flexibility and usability.
A notable addition is the new Shutter Mode, enabling users to set the shutter angle in 15 steps between 5.6° and 360° when shooting in [M] mode. This feature simplifies achieving optimal motion blur by eliminating the need to manually adjust shutter speed when changing frame rates.
Further improvements include customizable options for video exposure aids. Users can now alter the color of the zebra pattern display and adjust the size, transparency, and position of brightness indicators like histograms and wave-form monitors. These updates ensure precise exposure control while accommodating individual preferences or specific shooting scenarios.
Nikon reaffirmed its commitment to supporting photographers and videographers by continuously enhancing its products through firmware updates.
For more details on the firmware update and Nikon’s full product lineup, visit Nikon India.
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