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OnePlus Nord 5 Camera Review – Best Nord Yet?

Last year, when we reviewed the OnePlus Nord 4, it left us wanting more. This year, the Nord 5 arrives with bold promises – it’s the first Nord to feature a Snapdragon 8-series chipset and the first mainstream OnePlus device with a 144Hz OLED display. But what we’re really here for is the camera – especially since it borrows tech from the flagship OnePlus 13. This is priced at ₹31,999 but will be available starting from ₹29,999 with bank discounts. According to OnePlus, this is their most complete Nord yet. So, do the cameras live up to that claim? Let’s find out.

Design & Build

OnePlus continues to push the envelope with its design and build. Ever since the OnePlus 13, they’ve embraced a flat design that feels premium in the hand. The Nord 5 comes in three colour variants with a sleek glass back – thankfully, it’s less slippery than the OnePlus 13. At just 8.1mm thick, it’s comfortable to hold and carry. It also gets an IP65 rating for water resistance this time. A welcome addition is the new Action Button on the left, which can be customised to perform various tasks – including launching the camera and capturing photos. It adds a tactile dimension to the shooting experience, taking a cue from the iPhone. The camera layout is minimal – an exclamation mark-style design with a raised module. You also get signature metallic camera rings, just like the flagship models.

Camera Setup & Specs

Here’s a quick look at the camera hardware:

  • Dual rear cameras
  • 50MP main camera with Sony LYT-700 sensor (14.2MP output)
  • 8MP ultrawide (9MP output)
  • 50MP front camera with Samsung JN5 sensor (14.2MP output)
  • Snapdragon 8s Gen 3 processor
  • 144Hz OLED display with 1400 nits peak brightness
  • 6800mAh battery—the biggest in its segment (for now)

Daylight Main

50 MP main camera with Sony LYT 700 sensor, 14.2 MP images. The camera gives you 3 focal ranges to shoot at 24mm, 28mm and 35mm and the output is at 14.2 MP and overall the pics it shoots are pretty good. The images are vibrant, saturated and pleasing to the eye. In fact, for my liking they are over-saturated since I prefer the more original and natural look. But as I’ve said before – users tend to like these things and I don’t expect people to complain. The sharpness also on zooming in is decent, pleasantly surprising actually. Yes there is some processing that you can see – but in most cases the image sharpness was decent. The shadows, highlights and HDR performance is also surprisingly good. But under backlit scenarios the sharpness and focusing takes a beating. And as compared to the Nord 4 in daylight – this is a massive improvement.

Daylight Wide

8 MP ultrawide camera, 9MP images. The wide camera is a 8 MP camera and like we’ve seen before they output the images at 9 MP. With a 8 MP camera I dont expect the sensor to do much and at best the images from this one are ok. The images show high contrast with highlights and shadows coming under. It still shows good colour tonality as compared to the main camera, which means it is maintaining consistency. The sharpness surely takes a beating and can be better on zooming in, but you can’t expect much with this. There is also distortion seen in the images as well.Overall the performance is decent.

Daylight Telephoto

Just like last time, there is no dedicated telephoto camera and lens in this phone. The main camera is used to shoot tele photos and they are processed in the background. There is optical zoom until 2x and then it switches to digital zoom – all the way up to 20x. In terms of performance I was pleasantly surprised. The images are actually sharp and usable up to 5x and even on zooming in you can see the clarity (at least most of it). There is also very minimal colour shifting as well and it is able to maintain the consistency. But once you move 10x and above then you can see some colour fringing, which is more apparent at the max focal range. But honestly a regular consumer wouldn’t notice any of these things and I am impressed with this performance.

Lowlight Images

In the low light category the images overall are better than I expected. With the main camera the images look well saturated, sharp and pleasing to the eye. The colour reproduction is also good. Yes the images surely seem processed and once you zoom in you can see that. But even under those conditions – they are able to maintain good sharpness.In the wide – much like the daylight the camera does struggle slightly – the shadows and highlights performance takes a beating and the sharpness is also ok. You also see a lot of lens flaring as well in the wide camera, which wasn’t evident in the main camera. There is also a display of colour shifting in the images with some of them displaying a reddish tinge. So I wouldn’t really use the wide camera in low light unless it is absolutely necessary. But like the day – the telephoto again shines with a decent performance in lowlight as well. The images are well saturated and look good. Yes you can easily spot the over processing in most cases, but to the naked eye, they are good. The sharpness is also decent until 5x, and at max zoom range the images aren’t usable honestly.

Portraits

The Nord 5 allows you to shoot portraits at 1x and 2x lenses, and three focal lengths – 24, 35 and 48mm. With such a good camera performance thus far – I was looking forward to the portraits. And I don’t know how to put this – but the images are good, but not impressive enough for me. In daylight the images display good consistency and look natural and pleasing to the eye. We put the phone in a difficult scenario with mostly the light coming in from the back. And the image sharpness in this case was a hit and a miss. The depth performance was good and so was the edge detection – but when you look at the images you don’t feel like they are sharp. There is some haziness looming around them.In low light the sharpness looks lack luster in some cases with some sort of haziness in the images. However the edge detection is pretty good. The depth performance is also impressive with the bokeh looking round and cats eye. There is a slight tinge of yellow and red in some cases, but not something to complain about. At times when it focuses then the images are sharp, otherwise they aren’t. Overall I think there is room for improvement in this.

Front Camera

The front camera allows you to shoot with three lenses and focal lengths, 0.8x or 21mm, 1x or 25mm and 2x or 49mm. Powered by the 50MP Samsung JN5 sensor, images from all 3 lenses are 14.2MP.The output of the front camera is pretty good. It displays sharp details and also delivers good accuracy which is closer to the original scene. So I am impressed with this one.

Front Camera Video

This camera is a massive upgrade where it could only shoot 1080p. On the Nord 5, you can shoot 4K up to 60fps on the front camera.

Video Performance

On the rear camera, you can shoot up to 4k up to 60fps, but only at 1x and 2x. At 0.6x, the view drops down to 1080p 30fps. This is very similar to last year’s. Video quality wise, the output is natural looking, a little bit more saturated and vibrant that what you see with your eyes, and has good dynamic range with no visible signs of over-processing, which is a plus. The OIS gives you super stable footage. In low light, the Nord 5 has good detail in the shadow, and because of the image stabilization, it looks better overall but there is a little bit of flaring. But the image quality overall is a noticeable improvement as compared to the previous phone.

Battery & Display

This might be the first phone we’re seeing and reviewing with a battery pack exceeding 6500mAh. And it is just great. It also supports 80W fast charging and even after using it a lot there is still a lot left over for you to last. For an average user I think it will last more than a day and half easily. So great work OnePlus on this one.

Now this display is just amazing. I think in this price segment – ive never seen anything like it. This is the first ever 144Hz panel on a mobile phone, and it supports HDR. The usage experience is buttery smooth and the visuals are poppy and vibrant, something you’d expect from an OLED display. And it feels that Oneplus has taken this one right out of the flagship book because this actually looks and feels amazing.

Conclusion

So, is this the most complete Nord ever? Honestly—yes. I’m pleasantly surprised. Mid-range phones usually leave me with mixed feelings, but this one delivers on most fronts. Photos are vibrant and detailed, video performance is solid, and the front camera is a standout. Portraits could be better, but with that stunning display, excellent battery, and price tag of ₹30K, OnePlus might just have a winner on its hands. And to the team that worked on this camera setup – bravo. Please send them to work on the next flagship coz according to me – they’ve earned it.

July 2025

Asian Photography Magazine July 2025 Issue is out!

📸 Cover by: Kristine Zula

In this issue, explore:

~ Arachnid Aesthetics – Christian Brockes
~ Capturing Floral Fascination – Kristine Zula
~ Miniature Marvels – Sandip Guha
~ Decay Diaries: Discovering the Beauty of Rot, Rust, and Ruin Through Macro
~ Where Does Macro End and Micro Begin?

Small Scale, Big Stories

Subscribe to the magazine here!, get 12 months free!

Every year around this time, we turn our focus to the world of Macro – a realm that might seem unremarkable from a distance but, upon closer inspection, reveals a breathtaking tapestry of detail and wonder. These tiny marvels hold the power to mesmerize, but they also bring their share of challenges. For those unfamiliar, venturing into macro photography can feel daunting. 

With this issue, we aim to demystify that perception through insightful articles, expert perspectives and practical tips to help make the world of macro more accessible.

In our Pro Profile section, we speak with Christian Brockes, who explores the techniques, patience, and passion behind documenting insect life. Kristine from macro.viewpoint shares how macro photography has shaped her creative journey and deepened her connection with nature and mindfulness. Closer to home, Sandip Guha offers a lens into his precision-driven process, the hardships faced, mistakes made, and the pursuit of that elusive ‘bucket shot.’ Each photographer brings a unique voice to this issue, sure to both inspire and encourage you to explore macro for yourself.

In our Tips section, we explore key themes – like the boundary between macro and micro. Where does one end and the other begin? It’s not just a technical question, but a philosophical one, prompting us to see beauty not only in the grand but also in the minute.

We also discuss macro ethics – a crucial conversation, especially relevant to today’s world. Ethical storytelling and photography extend beyond journalism. In macro, it raises questions about our environmental impact, the treatment of living subjects, and our collective responsibility to nature.

One of the more experimental themes we’ve explored is bioluminescence – a striking metaphor for beauty emerging from darkness. In the deepest waters, light exists not in abundance, but in resilience. It’s a reminder that wonder can lie hidden in the shadows – waiting to be noticed.

We’ve skipped a dedicated feature on macro gear this time, since it was covered in depth last year. However, we’ll make that content available on our website for easy reference. And don’t forget – our E-version is now completely free, making it easier than ever to dive into this edition.
Until next time…
Happy Reading!


Creative Commons Launches ‘CC Signals’ to Help Photographers Battle AI

Creative Commons has unveiled “CC Signals,” a new framework that lets data holders (photographers) specify how their content can be used by AI systems, especially for training purposes. Inspired by its widely used open licensing system, CC Signals aims to bring transparency and ethical standards to content reuse in the AI era.

The initiative addresses growing concerns over how publicly available content is used to train AI. By offering a clear, limited set of reuse options, CC Signals provides a middle ground between unrestricted data scraping and closed, paywalled ecosystems.

“CC Signals are designed to sustain the commons in the age of AI,” says Creative Commons CEO Anna Tumadóttir. General Counsel Sarah Hinchliff Pearson adds that collective action is key to ensuring a more open, fair AI future.

Creative Commons is inviting public feedback as it develops the framework, with an alpha launch planned for November 2025. More details and early design insights are available on the organization’s website.

March 2025

Asian Photography India March 2025 Issue is Out Now!

📸 Cover by: @latikanath

In this issue, explore:

A New Dimension in Fashion – @anaibharucha
Fearless Frames, Lasting Legacy – @latikanath
Being a Woman in War Photography
Bursting Myths About Female Photographers
Guiding the Next Wave of Women Photographers

Sony India Celebrates 30 Years Presence in India

Sony India celebrates 30 years of offering products and services to the Indian market in November 2024. Since its inception in 1994, Sony India has been at the forefront of revolutionising consumer electronics, reshaping the entertainment landscape and setting new standards in product quality and innovation across key product categories such as televisions, home and personal audio, digital imaging and gaming.

Sunil Nayyar, Managing Director of Sony India, commented, “For 30 years, Sony has been more than a brand, it has been a companion in the lives of millions of Indian families. We are deeply grateful for the trust and love our consumers have shown us. This milestone is a testament to our shared journey of innovation, creativity and connection. As we look ahead, we are committed to continuing to deliver experiences that inspire and bring people closer together.”

At Sony, every product and service is designed with Kando – the Japanese concept of deeply moving and inspiring people. From enabling families to enjoy blockbuster movies together, to listening to music in its purest form, to compelling gaming experience and empowering creators’ intent with world-class cameras, Sony’s mission has always been to bring people closer to what they love. 

Sustainability remains a cornerstone of Sony India’s operations, aligning with the global “Road to Zero” environmental plan. Beyond its business operations, Sony India has made a impact on society through its CSR initiatives. Some of these programmes focus on skill development, heritage preservation, village development, elderly care and medical support.

As Sony India steps into its fourth decade, the company remains steadfast in its mission to create products that inspire wonder and connection. From reimagining home entertainment to pushing the boundaries of technology, Sony is committed to shaping a future filled with possibilities.

Winners of HIPA 13th Season Announced

Hamdan bin Mohammed bin Rashid Al Maktoum International Photography Award (HIPA) recently announced the winners of their 13th Season in Dubai with Chinese photographer Liping Cao winning the Grand Prize of $200,000 for his black-and-white image. The award was given by Her Highness Sheikha Latifa bint Mohammed bin Rashid Al Maktoum, Chairperson of the Dubai Culture and Arts Authority (Dubai Culture).

The image won the prize as it captures a poignant scene of nature and technology in harmony: towering wind turbines rise prominently on the horizon, their blades slowly rotating in the breeze, embodying the quiet power of renewable energy. Behind them, the sky is speckled with drifting clouds, creating a dynamic backdrop. The dry riverbed beneath the turbines adds depth to the image, reminding us of the importance of sustainable practices in a world facing environmental challenges.

Sheikha Latifa affirmed that Dubai, with its visionary approach, is a nurturing space for innovative initiatives and awards, establishing itself as a global source of inspiration and a gathering place for creative minds and exceptional talents from diverse fields. She noted that the Hamdan bin Mohammed bin Rashid Al Maktoum International Photography Award reflects the emirate’s inspiring ethos, cultural richness, and the strength of its visual and creative arts landscape.

“This award, with its diverse categories, embodies Dubai’s ambitious vision and leadership, enhancing its position on the global stage as a magnet for photographers and creatives in general. It showcases Dubai’s ability to build bridges of communication among people and communities by honouring talented individuals who, through their creative work, tell the stories of cultures, document traditions, and convey powerful messages that reflect society and heritage,” Her Highness said.

Sheikha Latifa also highlighted that the award aligns with the UAE’s commitment to the Sustainable Development Goals, focussing in its current cycle on ‘Sustainability’, a theme that reflects the forward-thinking mindset of the award’s organisers and their conviction in the critical role of culture and the arts in advancing sustainability, thereby contributing to the well-being of societies. 

Ali bin Thalith, HIPA’s Secretary General, thanked Sheikh Hamdan for his continued support of HIPA and the art of photography. “In our thirteenth year, we have extended our reach to 205 countries. What truly matters to us is the advancement of the photographer and the photography industry. His Highness’ vision for nurturing human creativity is apparent from his decision to raise the total prize purse under the award to $1 million.

More than a quarter of the winners in this season’s awards reside in the UAE, benefitting from a creative environment that stimulates innovation and competitiveness, Bin Thalith highlighted. “This reinforces the UAE’s leadership in attracting global talent and innovators,” he said.

James ‘Jimmy’ Philip Nelson, a Dutch photographer known for his work with indigenous communities, received the Photography Appreciation Award for his significant contributions to photography and projects that foster greater understanding between different cultures.he Photography Content Creator Award went to Emirati photographer Salma Ali Humaid Alsuwaidi for her pioneering work documenting the wildlife and bird species of the UAE. Her book, ‘Common Birds and Their Nests in the United Arab Emirates,’ significantly contributes to the scientific and artistic communities.

The inaugural HIPA Photographer of the Year Award was presented to Samy Al Olabi, a Syrian astrophotographer renowned for his images of celestial objects and nature photography, particularly in the dark skies of the Arabian Peninsula. He is famous for his projects photographing stars from the dark corners of the Arabian Peninsula. His work has been featured in more than 80 local and international publications. 

Her Highness Sheikha Latifa bint Mohammed bin Rashid Al Maktoum, honoured the winners in the ‘Sustainability’ category. Ruijuan Huang from China took the first prize, with French photographer Virginie Ellis and Ranganathan Mukkai from India finishing second and third respectively.

H.E. Ali Khalifa bin Thalith, HIPA Secretory General, presented the ‘General – Colour’ winners. Rahul Vishwanath Sachdev from India won first prize, followed by Youmn Mohammed Almanla from Saudi Arabia, and Ahmed Abdallah Al Housni from Oman.

In the ‘General – Black and White’ category, American photographer Renee Capozzola took the first prize, followed by Hikkaduwa Liyanage Prasantha Vinod from Sri Lanka, and Ateeb Hussain from India.

His Excellency Abdulrahman bin Mohamed Al Owais, Minister of Health and Prevention and Chairman of the Board of Trustees of HIPA, honoured the winners of the ‘Portfolio (Story-Telling)’ category, where Palestinian photographer Fatma Alzahra Shbair won first place, with Sarah Wouters from the Netherlands taking second spot and Wen Bing from China finishing third.

Her Excellency Hala Badri, Director General of Dubai Culture, presented the Sports Photography awards. Tobias Friedrich from Germany took the first prize, followed by Karim Iliya from the USA, and Hendra Agus Setyawan from Indonesia respectively.

His Excellency Abdulrahman bin Mohamed Al Owais, Minister of Health and Prevention and Chairman of the Board of Trustees of HIPA , honoured the winners In the ‘Short Video (For Social Media)’ category, Aleksandr Tsuprun from the Russian Federation won first prize, followed by Norbert von Niman from Sweden, and Abhin Kizhakke Veettil from India who finished third.

November 2024

Asian Photography India November 2024 issue is out now!

Cover by: Siddharth Sharma 📷

In this issue read:
~Capturing The Landscape of Love – Marcus Bell
~House on The Clouds – Siddharth Sharma
~How To Be A Second Shooter – Photo & Video
~Tech Trends in Wedding Photography
~The Importance of Time Management in Wedding Photography
~Tamron 28-300 vs 50-300 Review & Shootout
~Stuffcool Click20 Magnetic Powerbank Review

Chennai Photo Biennale 2024 Announced

The Chennai Photo Biennale is back with the fourth edition, featuring a host of exhibitions and programs from 20th December 2024 till 16 March 2025. The theme is ‘Why Photograph?’ and unfolds a set of inquiries into our relationship with photography. In this era of visual saturation, CPB4 brings together slower approaches to image
making.

The CPB4 is set to open in two phases – Phase 1: 20 Dec 2024 and Phase 2: 17 Jan 2025.The Biennale
closes on 16 March 2025. Both phases will include a set of primary shows of the CPB Foundation as well as the CPB Invitation shows that are pre-existing works and projects invited to be part of the CPB4.

Phase 1: Exhibitions opening on December 20, 2024
CPB Primary Shows – Dec 2024 include: “Roots that Reach for the Sky” curated by Jaisingh
Nageswaran, featuring a diverse group of artists including Alina Tiphagne, Aishwarya Arumbakkam,
Arun Karthik, Brinda Anantharaman, Krithika Sriram, Osheen Siva, Priyadarshini Ravichandran,
Sathish Kumar, Shankar Raja Narayana, Sridhar Balasubramaniam, Steevez Rodriguez and Vivek
Mariappan.

The show is supported by the Goethe-Institut; and Contemporary practices by women in
photography and lens based art showcasing works by artists from India and around the world
including Fast Forward Collective (UK), Hannah Cooke (Germany), Nony Singh (India), Indu Antony
(India), Offset Projects (India), Ann Griffin (Switzerland), Farheen Fatima (India) among others at the
Lalit Kala Akademi, supported by the Goethe-Institut Chennai, British Council, Pro Helvetia and other
cultural partners.

CPB Invitation shows – Dec 2024 include: “Madras, Margazhi & Music” featuring portraits by Amar
Ramesh at Narada Gana Sabha.


Phase 2: Exhibitions opening on January 17, 2025
CPB Primary Shows- Jan 2025 include: “Love and Light: A Site of Infinite Possibilities”, a retrospective
of Sunil Gupta curated by Gupta-Singh Archives at the Egmore Museum, supported by Tarun &
Tarana Sawhney, Vadehra Art Gallery and Jaiveer Johal; “What Makes Me Click!” – Celebrating &
spotlighting 20 photography projects by children globally showcased at the Government Museum,
Egmore curated by CPB Prism and the Children’s Photography Archive, UK, with support from Rohini
Nilekani Philanthropies featuring photography by children from India, Cambodia, Singapore, Gaza,
Turkey, New York, Guatemala, Greece, UK and South Africa. Participating institutions include the
Bronx Documentary Centre (New York), Girl Museum (London), Museum of Photography
Thessaloniki, Art Reach India (New Delhi), Objectifs (SIngapore) and more.

The exhibition will be curated as an interactive installation along the campus of the museum campus with photographs as
well as engaging playful activities for all ages including a pinhole camera and slide projections; Open
Call Exhibition featuring 40 photographers at a public venue in Chennai. Entries were received from
across 30 countries.

The exhibition will showcase single images and photo essays selected by an
established international jury including Alessia Glaviano, Brendan McCleary, Gwen Lee, Joseph
Radhik, Julie Héraut, Michael Weir, Smita Sharma, Umah Jacob, and Varun Gupta; Darkroom
Residency Showcase, showcasing works by artists from India and UK – Ārun(Chennai), Holly

Birtles(UK) and Soham Joshi(UK). The show is supported by the British Council in partnership with
PhotoWorks UK and CPB Graduate Students’ Showcase.
CPB Invitation Shows – Jan 2025 include: ‘Photography Strictly Prohibited’ – a retrospective of
Navroze Contractor at Folly, Amethyst Chennai; ‘Postcards from Home’ by Manisha Gera Baswani at
Raw Mango Store, Chennai; LM Sen Archive by Emami Art at Alliance Française Madras Gallery,
Chennai; ‘Poetics of Space’ by Sebastian Cortez at Folly, Amethyst CPB Invitation Shows – Feb 2025;
‘Indianisms’ by Prashant Panjiar and ‘Limits of Change’ by Parvathi Nayar and Nayantara Nayar at
Lalit Kala Akademi, Chennai.

CPB Invitation Shows – Mar 2025 include: So far and Hereafter by Nandini Valli Muthiah at Lalit Kala
Akademi, Chennai.

Product Photo of Fujifilm X-T50

FUJIFILM India launches the FUJIFILM X-T50 at ₹1,49,999

FUJIFILM India has unveiled the X-T50, the latest addition to its X series of mirrorless digital cameras. Priced at ₹1,49,999 for the body, the X-T50 combines exceptional image quality with a compact, lightweight design, targeting both photography enthusiasts and professionals.

The X-T50 is equipped with a new 40.2-megapixel X-Trans CMOS 5 HR sensor and the X-Processor 5, ensuring high-resolution images and advanced performance. Despite its powerful capabilities, the camera is lightweight, weighing only 438 grams, making it a convenient option for photographers on the go.

A major highlight of the X-T50 is its 5-axis in-body image stabilization, offering up to 7 stops of stabilization. This feature enables steady handheld shooting even in low-light conditions. The camera also supports 6.2K/30P video recording with tracking autofocus, catering to both still photography and video recording needs.

The X-T50 also introduces a Film Simulation dial on the top plate, a new feature that allows users to switch between 20 different Film Simulation modes, including the newly added “REALA ACE.” This mode offers faithful colour reproduction and smooth tonal gradations, enhancing the creative potential for both stills and videos.

The X-T50’s AI-based autofocus system can detect a wide range of subjects, including animals, birds, vehicles, and drones. An advanced AF prediction algorithm further improves the camera’s ability to track fast-moving subjects, ensuring precise focus in dynamic shooting scenarios.

The FUJIFILM X-T50 is now available for purchase from all online and retail outlets.

Nikon Unveils Z6 III with World’s First Partially Stacked CMOS Sensor at ₹2,47,990

Nikon has recently launched the Z6 III in India, featuring a 24.5-megapixel partially stacked CMOS sensor. This release marks a significant advancement in camera technology, distinguishing it from its predecessors and higher-end models. The camera is priced at ₹2,47,990 for the body only.

The Z6 III’s sensor architecture is unique, with components arranged as bars at the top and bottom of the pixel area, rather than across the entire sensor. This partially stacked design enhances processing speeds up to 3.5 times faster than the Z6 II’s traditional BSI CMOS sensor, leading to notable improvements in continuous shooting, autofocus, video frame rates, and rolling shutter effects.

In terms of viewfinder, the Z6 III features an exceptionally bright electronic viewfinder (EVF) capable of up to 4,000 nits, enhancing visibility in various lighting conditions. Video capabilities are also a highlight, with the camera supporting 6K RAW recording at up to 60fps and 4K RAW at up to 120fps. Nikon reports a 20% increase in autofocus speed compared to the Z6 II, along with extended sensitivity down to -10EV for better low-light performance. The ISO range reaches up to 51,200 for videos and 64,000 for photos, accommodating detailed imaging in dim conditions.

The Z6 III includes an advanced in-camera Vibration Reduction (VR) system, achieving an 8.0-stop stabilization. This system also features focus point VR, reducing blurring around the edges and aiding in subject framing. The camera is built with robust materials, combining Sereebo P series carbon fibre and magnesium alloy, and is designed to withstand challenging environments. It offers dust and moisture sealing and can operate at temperatures as low as -10 degrees Celsius.

Set to be available by the end of June 2024, the Nikon Z6 III will be sold across Nikon outlets in India. This camera, with its innovative sensor design and advanced features, aims to attract both professional photographers and enthusiasts seeking high performance.