Category Archives: news

Tamron is Developing a 70-300mm f/4.5-6.3 for Nikon Z Mount

Tamron has announced the 70-300mm f/4.5-6.3 Di III RXD, the company’s first Z-mount system lens, as the thinnest and lightest telephoto zoom for full-frame mirrorless cameras.

The lens looks to be similar to the Sony E-mount 70-300mm f/4.5-6.3 Di III RXD, which was released in 2020, and shares many, if not all, of the design decisions found in that lens, including promises of being the “smallest and lightest” telephoto zoom for full-frame cameras. It also features the same optical structure of 15 elements in 10 groups, which Tamron claims is “precisely structured to minimise axial chromatic and other aberrations that are prone to develop with telephoto zoom lenses.”

Tamron claims that at 300mm, the design provides “excellent resolution” from edge to edge and produces crisp pictures across the zoom range owing to the company’s anti-reflection BBAR Coating.

The mirrorless lens is 5.9 inches long, has a maximum diameter of 77mm, and weighs 20.5 ounces. According to Tamron, the compact dimensions and light weight make it perfect for travel and allow for simple access to landscape and sports photography, as well as portraiture, bird photography, and “casual shots.”

Tamron’s Rapid eXtra-silent stepping Drive (RXD) powers the lens autofocus, which the firm claims enables highly rapid and accurate autofocus and lets users to retain tack-sharp focus on continually moving scenes often captured with telephoto zoom lenses.

The lens will be compatible with Tamron’s Lens Utility software and allows users to update the lens firmware after purchase. It is also moisture resitant.

The price of the lens will be Rs. 63,000 and it will launched on September 29, 2022.

Fujifilm introduces the X-H2S digital mirrorless camera for Rs 2,39,999

Fujifilm has recently released the Fujifilm X-H2S mirrorless digital camera in India. The new camera is the company’s newest addition to the X-series camera portfolio. According to the firm, the camera was designed to meet the photographic demands of professional photographers and videographers of all genres. In terms of features, the X-H2S now boasts a newly designed subject-recognition AF technology as well as an upgraded Autofocus (AF) mechanism. The camera can record up to 6.2K footage at 30 frames per second and 4K films at 120 frames per second.

The Fujifilm X-H2S digital camera is priced at Rs 2,39,999 and will be available for purchase beginning July 23 through the company’s official website, authorised shops, and e-commerce platforms such as Amazon and Flipkart.

The X-HS2 is equipped with a 26.16MP sensor with back-illumination and a stack-layer construction. It is the first stacked APS-C sensor, according to the firm. Aside from that, the sensor can capture blackout-free burst photos at up to 40fps. In terms of video performance, the sensor can capture 4K/60P footage without cropping and with much decreased rolling-shutter effect. The camera is powered by a whole new CPU, the XProcessor 5, which promises to give double the processing performance of the previous version. The CPU, according to the business, may enable quicker processing rates, low ISO sensitivity, and decreased noise at higher ISO settings. Furthermore, the chipset enables the camera to provide functions like as subject-detection AF, tracking the targeted targets, and shooting 4:2:2 10bit films. The camera also has built-in memory, which helps to enhance the amount of grammes that can be photographed constantly. The camera promises to be able to shoot up to 1,000 frames per second with an electronic shutter at up to 30fps in JPEG and 20fps in RAW. The X-H2S also includes an electronic viewfinder with a 5.76 million-dot resolution and 0.8x magnification. The camera also has two memory card slots that accept CFexpress Type B and SD cards. In addition, the business has released various new accessories for the X-H25 camera. Vertical battery grip VG-XH, file transmitter FT-XH, cooling fan “FAN-001,” and cover kit CVR-XH are included.

Canon expands its RF Lenses Portfolio with Two New Lenses

Canon recently announced the release of the RF 24MM F1.8 MACRO IS STM and RF15-30MM F4.5-6.3 IS STM lenses, which are flexible and lightweight additions to the EOS R mirrorless camera line. These two lenses round up and complete the inexpensive RF lens lineup. The RF lens lineup now contains 30 lenses, thanks to the acquisition of these two lenses.

The RF24MM F1.8 MACRO IS STM completes the economical line of RF prime lenses, which now includes focal lengths of 16mm, 24mm, 35mm, 50mm, and 85mm. Similarly, the RF15-30MM F4.5-6.3 IS STM now completes the cheap zoom lens lineup, encompassing focal lengths ranging from 15mm to 400mm. Both lenses take use of the EOS R camera system’s wide diameter and short back focus, resulting in a compact optical system and great image quality across the board.

Wide-angle with Beautiful Bokeh

One of the primary advantages of utilising the RF24MM F1.8 MACRO IS STM on a full-frame EOS R camera body is its small size. This lens is exactly the same size as the iconic RF35mm f/1.8 IS STM lens, making it ideal for travel and landscape photography as well as everyday use.

When mounted on an APS-C body, the focal length is reduced to 38mm, which is closer to the field of vision of the human eye, making it appropriate for portraiture or street photography. The RF24MM F1.8 MACRO IS STM is at least two stops brighter than a conventional kit zoom lens at f/1.8, allowing it to generate exquisite bokeh, a breathtaking background blur effect that a zoom lens cannot accomplish. Its wide aperture also makes it an excellent choice for astrophotography.

The RF24MM F1.8 MACRO IS STM can also function as a macro lens, which is a rare feature for a wide-angle lens. It can reach up to 0.5x magnification with a minimum focusing distance of only 0.14m. This 24mm/f/1.8 combination produces a unique wide-angle close-up with gorgeous bokeh, making it great for food or flower photographs when travelling or as a daily lens.

When used with a compatible camera body with in-body image stabilisation, the RF24MM F1.8 MACRO IS STM has a native lens image stabilisation (Optical IS) of up to 5 stops and can go up to 6.5 stops (In-Body IS). This allows for exact photographs with minimum camera shaking in low-light situations, with slow shutter rates, or in other camera-shake-prone situations. The RF24MM F1.8 MACRO IS STM, when used with the quiet Stepping Motor (STM), is ideal for video. Vloggers that frequently use a tiny tripod or selfie stick will enjoy how light it is and how little it is.

Versatile with Near Macro Capabilities 

The RF15-30MM F4.5-6.3 IS STM is designed to satisfy the budget of photography enthusiasts while giving a realistic focal length range that includes 15-30mm. Its tiny size, weighing roughly 390g, making it ideal for individuals who travel. The RF15-30MM F4.5-6.3 IS STM lens is approximately 53% lighter than the RF15-35mm f/2.8L IS USM lens (approx. 390g vs approx. 840g).

The RF15-30MM F4.5-6.3 IS STM covers a far broader field of view than any normal kit lens at 15mm, allowing users to incorporate the atmosphere or surroundings with the subject, especially in tiny rooms or tight situations where backing up is not possible. The broader 15mm end is especially useful for indoor photography and magnificent landscape photography. Users may record photographs with a natural angle of view and perspective that is closer to the human eye at the 30mm zoom telephoto end. The RF15-30MM F4.5-6.3 IS STM features a very versatile 24-48mm zoom range when placed on an APS-C EOS R camera, delivering a larger field of view at the wide end than a kit lens. Even if the user converts to a full-frame camera in the future, the lens can still be utilised, making it a fantastic long-term investment. Using two Ultra-low Dispersion lenses, the RF15-30MM F4.5-6.3 IS STM corrects chromatic aberration across the zoom range, resulting in sharp and clear pictures with minimum colour blur.

When connected with a suitable camera body with in-body image stabilisation, the RF15-30MM F4.5-6.3 IS STM offers a native lens image stabilisation (Optical IS) of up to 5.5 stops, which may be increased to 7 stops (In-Body IS). This allows for low-light shooting with minimum camera shaking and shots with low shutter speeds that would normally need the use of a tripod. In manual focus mode, the RF15-30MM F4.5-6.3 IS STM can attain a magnification of up to 0.52x on the 15mm broad end. The 319 has a 0.128m minimum focusing distance. Both the RF24MM F1.8 MACRO IS STM and RF15-30MM F4.5-6.3 IS STM have wide angle capabilities that will come in helpful for interior photography, which is typically constrained by space limitations, while their compact and lightweight size makes them easy to use outdoors. Their wide angle(s) of view, built-in IS, and smooth video autofocus make them well-suited for shooting films in addition to producing superb still photographs.

RF24MM F1.8 MACRO IS STM is priced at Rs. 58,495 and will be available in stores from Mid-July

RF15-30MM F4.5-6.3 IS STM is priced at Rs. 52,495 and will be available in stores from September

Nikon launches its best ever vlogging camera, Nikon Z30

Nikon India has recently unveiled a lightweight and portable mirrorless camera aimed at content makers and video bloggers. Nikon Z30 is an APS-C/DX-format mirrorless camera that increases the company’s Z series collection.

According to the company, the new Nikon Z30 was designed with artists in mind and features a simpler design that includes improved button positioning, an easy-to-use UI, dedicated focus keys, a lengthy video recording duration, and more. The camera also has a built-in microphone, a movie record indicator light, an auto transition to self-portrait mode, and 4K UHD resolution recording.

The Nikon Z30 has a 20.9MP sensor and is powered by the company’s Expeed processor. According to the firm, the Z30 is a video camera capable of recording up to 125 minutes of footage. Aside from that, the camera can collect photos at a rate of up to 11 frames per second. Other camera capabilities include eye-detection AF, continuous AF, and a variety of focusing settings such as Single Autofocus (AF-S), Continuous Autofocus (AF-C), and Manual Focus. Along with that, the camera has animal-detection AF, which recognises the eyes of pets for focused framing in both video and stills. The camera’s highest ISO sensitivity for movies is 25600 and for still photos it is 51200. The Z 30 has a 7.5cm touch-sensitive vari-angle display and can record up to 4K resolution movies.

Canon introduces the Cinema Excellence Suite on Wheels

Canon India has announced the debut of the Cinema Excellence Suite, a one-of-a-kind platform for showcasing the company’s comprehensive range of cinema imaging technologies to the film industry. Over the course of three months, this adaptable engagement will assist to demonstrate the EOS R System Mirrorless cameras and Cinema EOS camera’s whole production and post-production workflow experience directly to cinematographers, DOPs, directors, and production companies in Mumbai.

The Cinema Excellence Suite is Canon’s latest venture in accordance with their video first approach for the camera business. It is an industry – first project for the cinema market. The suite, designed in a transportable configuration to allow mobility, will include Canon’s Cinema EOS series and RF System cameras and lenses, as well as a display of Atomos and Sennheiser accessories. There will be a shooting zone as well as a full-fledged post-production set-up to familiarise the audience with the complete production cycle to make the suite more immersive.

The Suite will be outfitted with the most recent EOS R System Mirrorless cameras, including the EOS R3, EOS R5, EOS R6, and EOS R, as well as sophisticated RF lenses and EOS Cinema Cameras, including the EOS C500MKII, EOS C300 MKIII, EOS C70, and the newest EOS R5C. DOPs may also try out Canon’s renowned Sumire Prime and EF Cine lenses.

The Cinema Excellence Suite will begin its tour in Film City and will travel from point to point on a predetermined timetable, with visits at notable production companies, film studios, and significant institutions with concentrated curriculums on filmmaking.

Commenting on the inauguration, Mr. Manabu Yamazaki, President and CEO, Canon India said, “Cinema as an art has kept evolving ever since its inception, but what stays at its core is the passion of captivating audience attention through impeccable storytelling. From silent movies of yesteryears to the new age movies as we know today, visuals and hence the right imaging equipment play a vital role in building a riveting narrative and creating magic on screen. At Canon, it has been our constant endeavour to contribute to the world of cinema through our expansive line-up of Cinema products and solutions. With an objective to further strengthen our connect with cinema enthusiasts and filmmakers, we are delighted to launch the Cinema Excellence Suite, an industry first initiative for the film fraternity.”

Talking about Canon Cinema Excellence Suite, Mr. Manabu further added, “The suite will enable Cinematographers and DOPs to experience Canon’s exhaustive cinema portfolio first-hand and accordingly make an informed decision of investing in the right equipment. India is renowned for having the largest film industry in the world, hence through this initiative we are looking forward to an engaging response from the fraternity and further reinforce our foothold in the booming cinema segment.”

Mr. C Sukumaran, Senior Director-Consumer Systems Products and Imaging Communication Business, Canon India added “Filmmaking as an art drives our country and Mumbai is fondly referred to as the ‘city of dreams’ giving birth to some of the most widely beloved films. We are strongly committed to empower the cinema segment with the best-in-class technologies to capture every emotion on the big screen. In the past few years, we have seen a massive increase in video content consumption, owing to the rise in digital content, streaming platforms and OTT production houses. In line with this phenomenon, we recently launched the EOS R5 C, which is a high-quality and high-performance hybrid cinema model. It brings to the table not only uncompromising video quality but also unshakable image quality. In order to further enable our supremely talented fraternity of filmmakers, we at Canon are proud to launch a unique platform like the Canon EOS Cinema Excellence Suite. The Suite houses the best of EOS R System Mirrorless cameras and Cinema EOS cameras and comes equipped with a shooting zone as well as a full-fledged post-production set-up with an aim to familiarise the audience with the entire production workflow.”

Padma Shri Santosh Sivan, Director, Cinematographer and Filmmaker and Canon’s Cinema EOS Ambassador said, “I take great pride in being a Canon Cinema EOS Ambassador and ever so more today considering the launch of this exclusive mobile platform dedicated to cinema enthusiasts. While we as cinematographers have access to a wide range of products in today’s world, the Canon Cinema Excellence Suite takes the experience of choosing the right imaging products a notch above. It is a very intriguing format in the form of a vehicle housing products and accessories, shooting zones and a full-fledged post-production setup. I look forward to being a part of more such unique activations with Canon that enable filmmakers to make their art finer with superior imaging technology.”

Canon has launched ground-breaking technology in the last several years that has radically revolutionised the movie image sector in terms of innovation. Canon’s newest addition to the Cinema EOS line, the EOS R5 C – the company’s first camera to provide internal 8K 60P Cinema RAW Light recording – will also be featured in the Suite.

Canon celebrates 19th consecutive year of No. 1 share of global interchangeable-lens digital camera market

Canon has recently stated that their interchangeable-lens digital cameras (digital SLR and mirrorless cameras) had held the top spot in the worldwide market for 19 years 1 from 2003 to 2021.

Canon developed the essential imaging system components used in its EOS series of digital interchangeable-lens cameras, including CMOS image sensors, image processors, and interchangeable lenses, with the basic concept of “Speed, Comfort, and High Image Quality” in mind. Canon continues to support the diverse needs of customers by assembling a diverse product lineup ranging from high-performance flagship models that are highly trusted by professionals to entry-level models that allow users to enjoy high-image-quality shooting with simple operation, as well as a rich selection of RF and EF series lenses that enable a wealth of creative expression.

Canon debuted the groundbreaking EOS Kiss Digital (EOS Digital Rebel or EOS 300D in various territories) in September 2003, at the start of digital SLR cameras. This game-changing camera, which was competitively priced and featured a tiny, lightweight design, secured the worldwide market’s top share and laid the way for expansion in the digital SLR industry. Canon has continued to release ground-breaking products since then, including the professional-model EOS-1D series and the EOS 5D series, which cleared the path for digital SLR video recording. Canon’s ambition to create the optimum lens mount and maximise the attractiveness of its new RF lenses led to the creation of the EOS R System, which debuted in October 2018. Canon has subsequently proceeded to broaden the spectrum of photographic inventiveness and new visual expression options, including the July 2020 introduction of the EOS R5, the first camera to enable 8K video recording.

Canon unveiled the EOS R3 full-frame mirrorless camera in 2021 (available in November 2021), which has the high performance and durability needed by professional and enthusiast customers, as well as eight new RF lenses 3. Canon managed to maintain its No. 1 position in the worldwide market for the 19th consecutive year while increasing its roster with new releases such as the EOS VR System.

Canon will continue to refine its diverse imaging technologies based on its core optical technology, while also strengthening and expanding the EOS series of cameras and the RF/EF series of lenses, opening up new avenues of image capture to meet the needs of increasingly diverse users and promoting the spread of photo and video culture.

Samsung Launches Galaxy S22 Series in India

The Samsung Galaxy S22 Ultra, S22+, and S22 smartphones have landed in India. This year, Samsung chose to launch the top S Series phone in India using a Qualcomm Snapdragon CPU rather than an Exynos chipset. In India, the new Samsung Galaxy S22 series starts at Rs 72,999. The Galaxy S22 Ultra is the highest-end edition of the S22 series and, without a doubt, the most powerful Samsung smartphone in 2022. What’s intriguing is that, despite our expectations that Samsung will discontinue the Galaxy Note series entirely, Samsung has, in a manner, morphed the Galaxy S22 Ultra into the most recent Galaxy Note handset. Of course, the Galaxy Note branding is absent, but the S-Pen pen slot can now be seen on the S22 Ultra phone itself. It should be noted that the S22 and S22+ do not support the S-Pen pen.

The 6.8-inch Edge QHD+ dynamic AMOLED 2X display on the Samsung Galaxy S22 Ultra has a variable refresh rate of up to 120Hz. The gadget offers a touch sampling rate of 240Hz for gaming. Other display options include Vision Booster and Eye Comfort Shield. The display also has an ultrasonic fingerprint scanner and a punch-hole selfie camera with a 40MP resolution and an aperture of F2.2. The gadget has dimensions of 77.9 x 163.3 x 8.9mm and weighs 229g. The Snapdragon 8 Gen 1 octa-core processor powers the Galaxy S22 Ultra. The phone has an Android 12-based One UI 4.1 interface and up to 12GB of RAM. The phone will be available in storage and RAM configurations of 8GB RAM, 12GB RAM, as well as storage choices of 128GB, 256GB, and 512GB. As previously stated, the Samsung Galaxy S22 Ultra supports the S-Pen pen, and Samsung says that the S-Pen has reduced latency.

When it comes to cameras, the smartphone has a quad-camera arrangement with 12MP Ultra-Wide, F2.2 + 108 MP Wide, F1.8 + 10MP Telephoto, 3x Optical Zoom, F2.4 + 10MP Telephoto, 10x Optical Zoom, and F4.9. With AI Super Resolution technology, the gadget provides 100X Space Zoom, including 10x Optical Zoom and 10x Digital Zoom. The S22 Ultra is powered by a 5,000mAh battery and supports wired and wireless charging speeds of up to 45W and 15W, respectively. Wireless PowerShare reverse charging is also available. In terms of connection, the gadget supports 5G, LTE, Wi-Fi 6E, and Wi-Fi Direct Bluetooth v 5.2. There is also IP68 dust and water resistance. The Samsung Galaxy S22+ and S22 have comparable features, however the key variations are in the display, camera, and battery. The Galaxy S22+ features a 6.6-inch FHD+ Dynamic AMOLED 2X Display with a variable refresh rate of up to 120Hz and a touch sampling rate of up to 240Hz in Game Mode. The Galaxy S22, on the other hand, has a 6.1-inch FHD+ display. Other display aspects are comparable.

Both devices use the same triple cameras: a 12MP Ultra-Wide, F2.2 + 50MP Wide Dual Pixel AF, OIS, F1.8 + 10MP Telephoto, 3x Optical Zoom, OIS, F2.4. A 10MP selfie camera with an F2.2 aperture is located on the front. The CPU stays the same, and the gadget is available with 8GB of RAM and 128GB or 256GB of storage. Both devices use the One UI 4.1 interface, which is based on Android 12. The S22+ includes a 4,500mAh battery with wired charging rates of up to 45W and wireless charging speeds of up to 15W. The S22, on the other hand, is powered by a 3,700mAh battery that supports 25W wired fast charging and 15W wireless charging. Other characteristics are comparable to those found on the Galaxy S22 Ultra.

Galaxy S22 Ultra (12/512GB)

INR 1,18,999
Burgundy, Phantom Black

Galaxy S22 Ultra (12/256GB)

INR 1,09,999
Burgundy, Phantom Black, Phantom White

Galaxy S22+ (8/256GB)

INR 88,999
Phantom Black, Phantom White, Green
Galaxy S22+ (8/128GB)

INR 84,999
Phantom Black, Phantom White, Green

Galaxy S22 (8/256GB)

INR 76,999
Phantom Black, Phantom White, Green

Galaxy S22 (8/128GB)

INR 72,999
Phantom Black, Phantom White, Green


Nikon releases the NX Field remote shooting system’s updated Firmware Ver.1.1.0 for professional agencies

Nikon India has just published NX Field firmware Ver. 1.1.0, a remote shooting solution for professional agencies. This version adds compatibility for Nikon’s full-frame (Nikon FX-format) mirrorless cameras, the Z 7II, Z 6II, Z 7, and Z 6.

Remote operation of the quiet shooting function, which is unique to mirrorless cameras, is enabled with firmware Ver. 1.1.0, and these remote cameras may be used even in locations and situations that necessitate silence operation, such as music halls and chess tournaments. Face- and eye-detection autofocus (AF) is also available in Nikon mirrorless cameras enabling simpler and smoother focus on the subject’s face and eyes when remote shooting.

Furthermore, the focus points distributed throughout a wide region of the frame make it simple to gain focus on things located at the frame’s boundaries, allowing for greater freedom in creating photographs.

The firmware update includes a new capability for interval timer shooting with both compatible digital SLR and mirrorless cameras, allowing the user to define the shooting interval and amount of shots on the remote camera to enable automated shooting even from a distance.

Nikon collaborated with one of Japan’s main newspapers, the Yomiuri Shimbun, to shoot the 34th Ryuo Shogi (Japanese Chess) Tournament and the 46th Kisei Go Tournament utilising NX Field. Silent shooting allowed for the uninterrupted capturing of the most thrilling and dramatic moments in the contests.

Nikon will continue to release NX Field2 upgrades to serve professional photographers who are on the frontlines of reporting and capturing important moments.

  • To use the Nikon Field system, WT-7 wireless transmitters must be linked to cameras.
  • The Nikon Z 9 will be supported in the future.

OM Digital Solutions announces its first camera after Olympus buyout

The OM System OM-1 is a post-Olympus flagship camera. OM Digital Solutions, the new company formed after Olympus sold off its camera business to a Japanese investment fund, has announced its first camera. The OM System OM-1 is a flagship Micro Four Thirds mirrorless camera that serves as a successor to previous high-end Olympus models like the O-MD E-M1 Mark III.

The OM-1 name will be a familiar one to Olympus shooters a 35mm SLR camera with the same name launched the OM line in 1972. The new OM System OM-1 still has the Olympus name on the body, though the company tells DPreview that this is likely to be the last model where that’s the case.

The OM-1 has a new 20-megapixel stacked CMOS sensor and an updated CPU that allows it to capture stills at 50 frames per second with autofocus and autoexposure, or up to 120 frames per second when utilising the electronic shutter with certain Pro-series lenses attached. The OM-1 can also record 4K video at 60 frames per second for up to 90 minutes on a single battery or two hours when powered by an external source.

The body has been modified, yet it still resembles prior Olympus cameras. It has an IP53 rating for weather sealing. The viewfinder now boasts a 5.76 million-dot OLED monitor, and there’s a 1.62 million-dot 3-inch articulating touchscreen with a redesigned menu system.

At $2,199 (Approx. Rs. 1,70,000) for the body alone and $2,799 (Apprx. Rs. 2,10,00) in a kit with a refreshed 12-40mm f/2.8 lens, the new OM-1 is likely to be a hard sell for photographers who aren’t already invested in Olympus cameras. But it also looks like a big upgrade for those who are  it’s a significant overhaul that brings the Micro Four Thirds line up to date and suggests the new ownership is serious about continuing Olympus’ legacy. The availability in India is yet to be confirmed.

Nikon launches NIKKOR Z 400mm f/2.8 TC VR S

Nikon recently released the NIKKOR Z 400mm f/2.8 TC VR S, a fast-super-telephoto lens with a built-in 1.4x teleconverter that allows users to easily increase their reach by switching between two focal lengths of 400mm and 560mm. This “two-in-one” lens is fast and accurate, as well as sturdy, lightweight, and small, allowing users to record rapid-moving objects while on the go.

The lens, which combines cutting-edge technology with great optical performance, is an example of the superior NIKKOR Z S-Line line, which is developed to exceed industry norms in order to redefine optical perfection and assist professional photographers’ image expression. Photographers can trust on the NIKKOR Z 400mm f/2.8 TC VR S to capture a range of images properly from afar and in difficult shooting conditions, whether they are capturing people at adrenaline-pumping sporting events or in the unpredictable wilderness.

“We are delighted to introduce the first large aperture super telephoto lens, the new NIKKOR Z 400mm f/2.8 TC VR S which covers easily switchable 2 focal lengths – 400mm and 560mm with a single lens while delivering superb and realistic rendering and optical performance. It is equipped with built-in teleconverter (1.4x), a state-of-the-art autofocus technology using Silky Swift VCM (SSVCM) while achieving high speed, high accuracy and quiet AF and a unique anti-reflection coating with the highest anti-reflection performance. If we talk about Wildlife, Sports & Photojournalism, this lens will help photograph with greater ease and accuracy while having smaller size and lighter weight designed for professionals to easily carry it around.

It is an ideal combination of technological advancement and convenience, compatible for users who wish to have a super-telephoto lens equipped with a large aperture showcasing our commitment to developing the right products for our users” said Sajjan Kumar, Managing Director, Nikon India Private Ltd.

The NIKKOR Z 400mm f/2.8 TC VR S will be available at Nikon Authorized Stores in India in mid-February 2022 for INR 12,51,995.00/-.

Visit Nikon’s website for more information about the new NIKKOR Z 400mm f/2.8 TC VR S and other Nikon products.