Tamron recently introduces a new 35-150mm F/2-2.8 Di III VXD lens for full-frame Sony E-mount cameras, as well as an upgraded 28-75mm F/2.8 Di III VXD G2 standard zoom. The Tamron 18-300mm F/3.5-6.3 Di III-A VC VXD for Fujifilm X-mount cameras is perhaps the most exciting news, since it is Tamron’s first ever Fujifilm fit lens, as well as the first superzoom lens for that camera.

Tamron’s mirrorless camera lens lineup is expanding rapidly, and these two new additions for Sony’s full frame E-mount cameras provide highly cost-effective alternatives to Sony’s own lenses. Tamron claims that the 35-150mm F/2-2.8 Di III VXD is the world’s first F/2 mirrorless zoom lens. At full zoom, the maximum aperture drops to F2.8, but it’s still a very outstanding maximum aperture for a lens with this zoom range.

The Fujifilm X-mount 18-300mm F/3.5-6.3 Di III-A VC VXD is a really intriguing lens. It certainly benefits from Tamron’s experience in superzoom lenses, and it’s extremely reasonably priced as a possible all-in-one travel lens for Fujifilm customers who previously had just Fujifilm’s own considerably shorter XF18-135mmF3.5-5.6 R lens.


Tamron 35-150mm F/2-2.8 Di III VXD

The focal range of the Tamron 35-150mm F/2-2.8 Di III VXD is unique, falling midway between a normal zoom and a short telephoto zoom. It has a 35mm angle of vision at the short end of the zoom range, which is a semi-wide field of view, and a short telephoto at maximum zoom. Although the maximum aperture is just F2 at 35mm, it lowers to F2.8 at 150mm, which is still an outstanding maximum aperture for that focal length.

Tamron’s VXD (Voice-coil eXtreme-torque Drive) linear motor focus mechanism is used for “extremely high-speed and high-precision autofocus,” and the lens elements comprise four LD (Low Dispersion) and three GM (Glass Molded Aspherical). When shooting at wide apertures, Tamron promises constant excellent image quality to the corners of the frame and minimized onion ring bokeh (concentric circles).

Other characteristics include close-focusing capabilities with a minimum focus distance of 0.33m (at the broad end) and a moisture-resistant construction with fluorine coating to repel water, as well as the inclusion of a lens hood.

Tamron 35-150mm F/2-2.8 Di III VXD will be available from October 28.


Tamron 28-75mm F/2.8 Di III VXD G2

Tamron’s 28-75mm F/2.8 Di III VXD G2 is an upgraded version of the company’s previous 28-75mm F2.8 lens for full-frame Sony E-mount cameras. It has a somewhat larger range of focal lengths than Sony’s own 24-70mm F2.8 G Master lens, but it is smaller and far less expensive, while having the same constant F2.8 maximum aperture.

This new 28-75mm F2.8 G2 version features a new optical design that improves performance and matches the resolution of the newest mirrorless cameras. Tamron’s VXD (Voice-coil eXtreme-torque Drive) linear motor focus mechanism improves AF speed and precision, and a new design improves operation and ergonomics.

Tamron 28-75mm F/2.8 Di III VXD G2 will be available from October 28.

Tamron 18-300 mm F/3.5-6.3 Di III-A VC VXD for Fujifilm’s X-mount

The Tamron 18-300 mm F/3.5-6.3 Di III-A VC VXD, which will be available on October 28th, is the first superzoom lens for Fujifilm X-mount cameras, with a zoom range of 16.6x, dwarfing the 7.5x range of its nearest competition, the Fujinon XF18-135mmF3.5-5.6 R.

The 18-300 mm F/3.5-6.3 Di III-A VC VXD has a full-frame equivalent focal range of 27mm to 450mm, with magnification ranging from wide-angle to near super-telephoto. It features a maximum magnification ratio of 1:2 for close-ups and employs Tamron’s VXD (Voice-coil eXtreme-torque Drive) linear motor focus, as well as Tamron’s VC (Vibration Compensation) mechanism. This will be particularly handy for Fujifilm cameras that lack in-body stabilization.

This lens, like the two new Sony-fit lenses mentioned above, should be available on October 28th, however Tamron warns that it may be delayed due to current worldwide pandemic circumstances.

Canon recently announced the launch of the EOS R3, their most advanced and capable full-frame mirrorless camera to date in the EOS R series of cameras. It features a newly developed (approximately 24.1-megapixel) back-illuminated stacked CMOS sensor, new Eye Control AF, and is capable of recording 6K 60p RAW or 4K 120p 10-bit movie.

The new EOS R3 will appeal to advanced enthusiasts, professional and hybrid shooters with its high-speed shooting capabilities, ultra-low light performance, advanced tracking, and recognition capabilities for various applications such as wedding, sports, wildlife, and cinematography.

Commenting on the flagship launch, Mr. Manabu Yamazaki, President & CEO, Canon India said, “India is one of the most important markets for Canon’s camera business. Given the uniqueness of the photography industry here, we have been focused on catering to the varied and evolving needs of photography enthusiasts who are swiftly moving from casual photography to professional photography. The introduction of EOS R system has been a revolutionary milestone for us in India as we build a strong customer base for mirrorless cameras. Continuing the momentum, we are truly delighted to launch Canon EOS R3, the latest addition to the EOS legacy of professional cameras. With over three decades of continuous EOS innovation, the R System has been acknowledged in the industry for offering greater creative possibilities and even more dynamic ways of capturing every moment. With the launch of the Canon EOS R3, we are providing users with high level functionalities required to elevate the photography and videography experience for professionals and enthusiasts.”

Mr. C Sukumaran, Director- Consumer Systems Products and Imaging Communication Business, Canon India added, “With mirrorless cameras getting wide acceptance amongst users especially the professional segment, it has been our constant endeavour to support the growth of the ecosystem with breakthrough technologies and innovations. The introduction of Canon EOS R3 camera is a testament to our consistent efforts of expanding imaging possibilities for users. Backed by many firsts for Canon – it is the first EOS series camera to be equipped with our newly developed 35mm full-frame back illuminated stacked CMOS sensor and is also our first digital camera to feature Eye Contol AF functionality. With the EOS R3, we bring forth some next-generation features developed on the concept of high speed, high sensitivity, and high reliability for both stills and video captures. We are confident that photography enthusiasts will be delighted by the new camera and what it has to offer to capture the perfect shot.”

The 24-megapixel stacked BSI sensor has a lesser resolution than the 45-megapixel R5 sensor, but the R3 is all about quickness, rapid AF performance, and low-light capabilities. Canon claims that it can shoot at up to 30 frames per second with the electronic shutter and 12 frames per second with the mechanical shutter, and that the highest native ISO is 102,400. In the Canon Log 3 profile, the R3 can shoot 6K at 60fps and uncropped 10-bit 4K at 120fps.

The R3 appears to be quite similar to the EOS-1D X Mark III, which effectively fills the same position in Canon’s DSLR portfolio. It features a one-piece magnesium alloy construction with a built-in vertical grip, and Canon claims it is weather and dust resistant in the same way as the EOS-1D DSLRs. The body has wired LAN, Wi-Fi, Bluetooth, and USB-C ports, as well as a CFexpress card reader and a UHS-II SD card slot. A 3.2-inch vari-angle LCD screen is also included.

Canon EOS R3 is expected to be available for sales in India by November end this year and will be priced at INR 4,99,995/- (body only).

Canon is also releasing two new lenses for the EOS R system which is Canon RF 100-400mm f/5.6-8 and Canon RF 16mm f/2.8 lens. Canon RF100-400 mm f/5.6-8 and Canon RF16mm f/2.8 are expected to be available for sales in India by October this year and will be priced at INR 58,995/- and INR 26,995/- respectively.

Fujifilm recently announced the release of the “Fujifilm LTO Ultrium9 Data Cartridge” (LTO9). A novel recording medium that meets with the ninth generation LTO Ultrium magnetic tape storage media standards, suited for backing up and storing huge amounts of data. LTO9, which uses Fujifilm’s patented technology, has a storage capacity of up to 45TB (18TB for non-compressed data), which is a 50% increase over the previous version of LTO tape. The new LTO9’s large capacity responds to the increasing data storage need amidst the rapid growth of IoT technology and the acceleration of Digital Transformation, while also contributing to CO2 emissions reduction, an essential job that must be tackled internationally.

Magnetic tapes are gaining popularity as a storage medium that allows for the secure long-term storage of large-capacity data at a cheap cost, particularly in India, where digitalization is becoming more important. Furthermore, they have a much reduced environmental effect because there is no need to keep it turned on at all times during data storage, reducing the amount of CO2 emissions created throughout its lifespan by 95 percent when compared to hard disk drives (HDDs).

Fujifilm has always been at the forefront of innovation and has made significant contributions to the world’s digital revolution. With the advent of 5G networks and high-definition 4K / 8K video, the amount of data created globally has risen dramatically in recent years, as has the growth of IoT, information and communication technologies, and the application of Artificial Intelligence for Big Data analysis. This includes “cold-data,” or data created a long time ago and infrequently accessed, which is believed to account for more than 80% of all data. The use of accumulated data, particularly cold data, for creating next-generation technologies is quickly rising, as is the necessity for dependable and cost-effective long-term storage of such data for future use. However, utilizing a huge quantity of power for using and storing big amounts of data would result in increasing CO2 emissions. In their attempts to address climate change, which is one of the key societal concerns, big data centers and private companies are aggressively embracing renewable energy to meet their electricity need, or developing a data infrastructure with low power consumption.

Speaking on the launch of the product, Mr. Koji Wada, Managing Director, Fujifilm India said, “At Fujifilm, we look towards providing a fitting solution to the problems of the ever-evolving world. With digitization taking the centre stage today, industries needed a smart and sustainable solution to their data storage needs – hence, we have announced the launch of our latest LTO Ultrium9 Data Cartridge in India. With a maximum capacity of 45 TB, the cartridge ensures safe storage of your computed data in a device that is not only affordable, but also environmentally conscious. At Fujifilm, we are vigilant and alert at recognizing the fallacies in technology and innovation, as we have for a long time, and develop solutions that will help tackle those short-comings. We are sure that this product will immensely benefit the Indian digital industry and will prove to be a game changer.”

Today, there is a larger emphasis on digitalization in India. With the increased need for digital storage, the carbon footprint has steadily increased. To counteract this, magnetic tapes are gaining popularity as a storage medium that provides long-term storage of large-capacity data safely at a low cost and has a significantly lower environmental impact because it does not need to be constantly powered on during data storage, reducing the amount of CO2 emissions generated during its lifecycle by 95 percent when compared to hard drives (HDDs).

The new LTO9 incorporates barium ferrite magnetic particles (BaFe magnetic particles), which have been finely manufactured using Fujifilm’s patented “NANOCUBIC technology” and are uniformly dispersed to coat tape surfaces, producing a smooth and thin magnetic coating with little unevenness. As a result, the maximum storage capacity is 45TB (18TB for non-compressed data), which is 1.5 times the capacity of LTO8. For added convenience, the new tape offers high-speed data transfer of up to 1,000MB/sec (400MB/sec for non-compressed data).Furthermore, there is no need to have it switched on at all times when storing data, decreasing the amount of electricity consumed in the process when compared to HDDs. Magnetic tapes can also be kept offline as a type of security to reduce the risk of data damage / loss in cyber attacks. Magnetic tape has long been a popular storage medium for huge data centers and research institutes due to its ability to safely store large amounts of data for lengthy periods of time.

The recording media market is always evolving, and we will see more advancements in the near future as each developer strives to provide the best solution to meet all of our technical demands. This will help humanity take another step further in its never-ending pursuit of technological advancement, and Fujifilm will always be in the forefront of making a positive difference.

Tamron has recently announced the release date for the Sony E-mount model 18-300mm F/3.5-6.3 Di III-A VC VXD (Model B061) on September 24, 2021, an all-in-one zoom lens for APS-C mirrorless cameras.

The 18-300mm F3.5-6.3 VC VXD zoom lens has a full-frame equivalent focal length range of roughly 27mm to 450mm. The world’s first APS-C mirrorless camera zoom lens with a 16.6x zoom ratio, the lens provides the benefits of a flexible all-in-one zoom lens suitable for a wide range of photography settings. Tamron’s VXD (Voice-coil extreme-torque drive) linear motor focus mechanism is used in its AF drive system for enhanced quietness and agility. The lens has unique lens components that are carefully placed to retain high resolution performance from edge-to-edge and deliver outstanding picture quality, making it the best all-in-one zoom lens available.

Furthermore, with a MOD (Minimum Object Distance) of 0.15m (5.9 in) at the 18mm wide end and a stunning maximum magnification ratio of 1:2, this lens works admirably while photographing close-up. Tamron’s patented VC (Vibration Compensation) system is built into the lens, significantly minimizing picture blur produced by camera shaking in low-light circumstances or in the ultra-telephoto range at slower shutter rates.

The lens also has the same unified 67mm filter size as most other Tamron lenses for mirrorless cameras. This is a very flexible lens with a broad range of additional characteristics for comfortable photography that allows you to effortlessly enjoy great image quality from wide-angle to ultra-telephoto.

Fujifilm announced the inauguration of its Experience Centre at Museo Camera Centre for the Photographic Arts, Gurugram. The Fujifilm Experience Centre, in collaboration with Museo Camera, will be the first-of-its-kind where the company will be conducting monthly workshops with their X Ambassadors.

Inaugurating on World Photography Day, Mr. Koji Wada, Managing Director, Mr. Masaki Zenko, Senior Manager of Photo Imaging Division and Mr. Arun Babu, General Manager Electronic Imaging and Optical Devices Division at Fujifilm India were present at the centre. To encourage consumers to learn new skills in photography, Fujifilm India will run a series of workshops every month with their X-Ambassadors.

On World Photography Day, the company is organizing a special six-hour long workshop on the “Art of Travelling” with X-Ambassadors, hosted by esteemed photographers like Dinesh Khanna, T Narayan and Sundeep Bali. These influential and renowned photographers will discuss Culture & Heritage, Documentary & Wildlife and Commercial & Travel centered around the theme of Travel and Photography. The workshop is open to all consumers at a nominal fee and will begin at 11:00 AM on 19 th August 2021 at the Fujifilm Experience Centre in Museo, Gurugram.

Commenting on the inauguration, Mr. Arun Babu, General Manager Electronic Imaging and Optical Devices Division, Fujifilm India Pvt Ltd, said, “We are excited to launch our first ever Experience Centre at Museo Camera Centre for the Photographic Arts, Gurugram. The state-of-art center will be a hub for conducting educational workshops for photography enthusiasts and showcase our extensive line of products. Fujifilm has been a pioneer in camera & its equipment's and with our X Ambassadors on board, we are pleased to share our combined expertise with young professionals and photography enthusiasts. Museo Camera Center is a symbol of bringing the best of the photography world together for everyone and we are happy to be partnering with them."

Alongwith the workshops, Fujifilm will display their extensive product line-up through a demo and product experience zone. Customers will get to experience the complete range of Fujifilm X and GFX mirrorless cameras here. At the Museo, consumers will also get a chance to seek inspiration from the photographs clicked by renowned photographs and displayed at the Centre’s Gallery.

On the occasion of World Photography Day, Canon India recognized and celebrated the thriving photography community and the passion that they exhibit in their work. As part of this celebration, the brand announced #BehindTheShot campaign to celebrate the sheer creativity and hard work that photographers put in their photos to bring alive the emotions and create a wider impact.

For the same, the brand showcased six renowned photography experts who came together to reflect upon their most memorable shot. They further shared their experiences on how much pain and efforts were taken to get that one perfect shot, which in the end became worth their time. Through this film, Canon India invites photography enthusiasts to come forward and share their #BehindTheShot story/images and be part of this creative journey with the brand. In addition to this, Canon India organized an online round table discussion where 7 Ace photographers came on a common platform to discuss about their passion for photography, and further address audience queries.

The brand also unveiled the latest chapter of its award-winning digital campaign #ShiftYourFocus, wherein the brand acknowledged nature’s timeless contribution to art and photography. As part of the brand’s CSR efforts, Canon India also conducted a photography workshop for 10 children from its adopted SOS Children’s Village in Faridabad, to foster the imaging culture amongst the youth. The session was undertaken by Canon India employees to educate children about photography as a profession and the basic skills required for the same in case they want to make it as a career.

Sharing his thoughts on this commemorative day, Mr. Manabu Yamazaki, President and CEO, Canon India said, “Amongst various forms of art, Photography steals the limelight of being one of the most beautiful and expressive forms of art, capable of bringing out numerous emotions to life. And what better occasion other than the World Photography Day, to admire and rejoice this art, thereby fueling the everlasting passion of photography amongst its patrons. As one of the leading brands in the imaging industry, we constantly endeavor to spread the very joy of photography across communities through all means available. To make the day larger than life, Canon India is all set to encourage the imaging culture by organizing virtual photography workshops, a live webinar with Canon Ambassadors along with social media campaigns for all the photography fanatics in the country.”

Mr. C Sukumaran, Director, Consumer System Products & amp; Imaging Communication Business, added, “We at Canon, have always believed in empowering photographers and honoring their hard work, and further spread the knowledge of photography. Our campaign #BehindTheShot is an ode to photographers and their creative genius and we want to celebrate the endless hours that they put in to make a picture perfect. We also take pride in our portfolio of cameras and lenses, which has been delivering a unique and engaging experience for photography enthusiasts across genres. To promote the growth of the industry, we endeavour to constantly evolve with the changing consumption trends and come up with industry-first innovations for our customers.”

The brand has also introduced several regional workshops and webinars to reach out to customers and cultivate the passion of photography. In the northern region of the country, Canon India reached out to 1000+ photography enthusiasts through their specially curated photography workshops and webinars led by select Canon trainers and mentors to cover themes like Film making & Cinematography, Portrait & Lighting Photography, Product and Wedding Photography, Street/ Travel Photography and an introduction of EOS R5, EOS R6 and RF lenses. In addition to this, Canon has also planned an interschool photography competition in association with Bal Bharti school, Noida which will see participation from over 100 schools.

While in the west region, Canon India has organised webinars with brand mentors including Aishwarya Sridhar, Pritesh Rao and Canon trainer conducted sessions with Symbiosis Institute, Cuncolim United Higher Secondary School and Subhash Photo respectively. In the south region, Canon conducted webinars covering topics such as food, wildlife, new-born and product photography with up to 300 participants in attendance.

In the east region, Canon conductied online webinars led by mentor Anoop Guha, for Durgapur Silpanchal Photographers and KIIT University students. Additionally, they participated in an exhibition organized by Photography Charchaa (Kolkata) and in a live demo activity organized by Dum Dum photography association.

Sony has recently launched the Sony ZV-E10 mirrorless camera in India. It is the second camera of the ZV-series after the Sony ZV-1, which was launched in 2020. This series camera is targeted towards video content creators, and by launching the Sony ZV-E10, the company has pumped up the concept of vlogging to next level. This is because the Sony AV-E10 displays various vlog-specific features. While some of the features have been acquired from Sony ZV-1, such as the Bokeh Switch button and Product Showcase setting, there are some new features as well enclosed in the Sony ZV-E10.

Unlike the ZV-1, this vlogging camera comes with interchangeable lens options. Now consumers can attach the company’s E-mount prime lens, telephoto lens, zoom lens, macro lens, ultra-wide lens, or fish-eye lens to the camera.

Sony ZV-E10 features a 3-inch side flip-out touchscreen LCD panel. It is armored with a 24.2-megapixel APS-C Exmor CMOS sensor. It can shoot 4K videos at 30fps, and Full HD videos up to 120fps. It comes with an 11fps continuous shooting supported by the camera. The real-time eye tracking feature works for both – animals and humans – while shooting images.

Sony ZV-E10 has a dedicated button to change between Slow and Quick mode, Photo and Video mode. This allows users to easily shoot slow motion videos without going into settings manually. A standard and active mode image stabilization is present in the camera for taking firm video footages.

One of the highlights of the latest vlogging camera is that users can livestream without any hassle. Users can livestream directly through the camera using the USB-C cable attached to their desktop, or a laptop. The camera also has headphone and microphone ports.

The camera comes in two colour variants – black and white. The white colour option is new and looks beautiful. The camera body is priced at Rs. 59,490 for body only and Rs. 69,990 with Sony E 16-50mm f/3.5-5.6 PZ OSS lens.

Koji Wada stepped into the role of Managing Director for Fujifilm India, the imaging technology company, as of June 29, 2021. He has taken over from his predecessor, Haruto Iwata, who will now lead the operations in the Asia-Pacific region of Singapore as Managing Director. In his new role, Wada will spearhead Fujifilm’s operations and business strategy in India focusing on organizational growth and profitability with an integrated approach towards sales, marketing, and business policies.

Wada has been contributing to the businesses across corporate offices in Japan, Myanmar, Thailand and India. He brings a vast experience of over 20 years. Before taking over his role as managing director, he was responsible for leading the medical business of the company in India as a general manager.

‘I had joined Fujifilm in 2001 and it has truly been an incredible journey for me,’ Wada said. ‘During my tenure at the company, I have had the opportunity to work with an excellent team of skilled and motivated professionals. As I transition into the new role, I am looking forward to collaborating with the teams across various divisions to take the company to newer heights. With India as a market thriving with opportunities, we will continue with our endeavor of “Never Stop” adding value to the lives of consumers and stakeholders.’

This is Wada’s second stint in India. He was marketing manager of PI, EI, RM for Fujifilm India in 2007. Post that Wada was appointed as the secretary to Global CEO Shigetaka Komori.

Later, Wada was made the general manager for Fujifilm Thailand in 2014 and then managing director for Fujifilm Myanmar in 2017. In 2019, he was appointed as the senior manager of ME and director of FFIN.

Canon recently announced the launch of new firmware updates for three Cinema EOS Cameras, EF – EOS R 0.71x adapter and two Cinema lenses. The EOS C500 Mark II, EOS C300 Mark III, EOS C70 cameras, EF – EOS R 0.71x adapter for the EOS C70 and Canon Compact Servo lenses will receive highly requested updates with the new firmware arriving in the coming July.

EOS C500 Mark II and EOS C300 Mark III feature updates

Both the EOS C500 Mark II and EOS C300 Mark III will receive updates that will optimize on-set workflow and overall usability. To further enhance monitoring and external recording flexibility, the 12G-SDI output will support FullHD and 2K resolutions with the new update. Simultaneous MON.Out and HDMI outputs will also be supported, allowing for increased video outputs on set. Canon’s new “XC Protocol” that supports remote camera control usage with Canon’s RC-IP100 controller will also be added. 1.8x Anamorphic de-squeeze option will also be added to existing ratios, increasing support for Anamorphic lenses.

EOS C500 Mark II New Anamorphic Recording Modes

In addition, the C500 Mark II will gain two additional Anamorphic recording resolutions: 4192 x 3140 (4:3) and 3768 x 3140 (6:5). These resolutions will be available during Full Frame Sensor Mode in Cinema RAW light recording, broadening its abilities for 4K anamorphic recordings.

EOS C70 firmware update

The recently launched EOS C70 will also receive feature improvements in response to user feedback. The HDMI Out will be updated to support View Assistance for external monitoring. Seven EF lenses will also receive full Dual Pixel CMOS AF and metadata support when used with the EF – EOS R 0.71x adapter. This update will also allow users to turn off the AF Frame when the adapter is used and the camera is not in AF mode. Lastly, a 2x option is added to Magnification, allowing for flexibility during frame magnification.

EF- EOS R 0.71x Adapter updated with support for Seven Additional EF lenses

Accompanying the EOS C70’s update is the new firmware for the EF – EOS R 0.71x adapter. This new update will add support for seven new EF lenses. New models supported are:

EF16-35mm F4L IS USM

EF16-35mm F2.8L II USM

EF24-105mm F4L USM

EF70-200mm F2.8L IS II USM

EF70-200mm F2.8L IS III USM

EF70-200mm F4L IS USM

EF70-200mm F4L IS II USM

The firmware updates allow the camera to recognize and support the new seven lenses fully. This includes accurate conversion of F-number values, metadata, Auto Exposure and Auto Iris functions as well as Dual Pixel CMOS AF operation across large areas of the frame. Lastly, the firmware also allows for peripheral illumination correction function to be utilized.

CN-E18-80mm T4.4L IS KAS S and CN-E70-200mm T4.4L IS KAS S support for EOS R5

Rounding up the firmware updates will be a new firmware to improve usability on the CN-E18-80mm T4.4L IS KAS S and CN-E70-200mm T4.4L IS KAS S compact servo lenses. The new firmware update will allow both lenses to communicate with Canon’s EOS R5 full-frame mirrorless camera, a combination that has been widely requested by many users. This will result in functions such as metadata, optical correction, autofocus, auto exposure and image stabilisation functions being supported, allowing the capabilities of the lens to be used with the EOS R5. All firmware updates except for CN-E18-80mm T4.4L IS KAS S and CN-E70-200 T4.4L IS KAS S are expected to be available in July.