CP+ and World Mobile Congress Cancelled on Coronavirus scare

Increases importance to Photokina 2020?

With the world in frenzy over the coronavirus epidemic, some of the biggest shows globally have been cancelled on safety and security concerns. Two of the biggest shows in the photography and mobile segments, CP+ in Japan (scheduled to start from 27^th February) and the Mobile World Congress in Spain (scheduled to start from 24^th February) have been called off.

But what makes things interesting in the photography world now is the increased focus on Photokina 2020? With Koelnmesse turning a new leaf by making the show an annual affair and starting on 27^th May this year, does this cancellation throw light on Photokina as an important global event for the year? Number of new products were expected to be introduced at the CP+ and WMC shows this year by some of the biggest manufacturers in the industry.

With growing feelings from global visitors to Photokina that the show is becoming more of a regional show, the current situation puts the light back on the worlds premier photographic show again, atleast for this year. There is no indication from CIPA, the organizers of CP+ if there has been another date scheduled yet. 

But with the Photokina 2020 show scheduled in May this year, it is expected that the world would’ve put the virus scare behind them by then. 

In a statement CIPA President, Masaya Maeda said that given there is no effective treatment or containment measures to deal with the novel coronavirus (COVID-19), we have chosen to cancel CP+2020 because we put top priority on the health and safety of visitors and exhibitors. The event was originally scheduled to be held over 4 days at PACIFICO Yokohama from February 27. 

CP+ is a trade show for consumers. The main feature of this show is that visitors can actually handle the newest camera and related equipment to get a feel for how they operate. The event attracts around 70,000 unspecified visitors and therefore we cannot completely eliminate the risk of infection. The CIPA believes it is important to avoid such risk at all cost. While it is truly regrettable, we have decided to cancel this year’s show. 

After a long time, Nikon has shared the details of its latest flagship DSLR, the D6. Rumors of a new Nikon camera were running uncontrolled throughout most of 2019, with the camera maker giving a stop to those in September 2019 by letting us know that the D6 was in process.

Five months forward and the highly awaited Nikon D6 has finally been officially announced. With a amazing spec sheet, the Nikon D6 is all set to give the Canon EOS 1D X Mark III plenty of competition. The Nikon D6 comes with a 20.8MP sensor, providing the same resolution as the D5, but it now comes with a new Expeed 6 processor and provides up to 14fps burst shooting with ‘E-type’ lenses. Switch into live view, and the D6 will shoot silently at up to 10.5fps at full resolution, photographers can also go for 30fps for 8MP files and 60fps for 2MP files if required. The native ISO range covers values of 100 to 102,400, with an increase range up to 3.2 million. Possibly the biggest change for Nikon users is an all-new autofocus system. Though the total number of focus points has went down from 153 to 105, now all the focus points can be selected and cross-type, and each uses a ‘triple-sensor arrangement. Nikon also claims that the detection area for single focus points and groups is enlarged, so focus can still be attained even if the subject changes slightly outside the zone in use. In terms of video, the D6 proceeds to offer 4K/30p recording, but now provides with focus peaking and an option for MP4 recording.

The D6 is Nikon’s first professional DSLR which will not support Compact Flash media, like the D5. The D6 will come with dual XQD / CFExpress card slots. There have been some other changes as well, including a maximum exposure time of 30 minutes, the choice to shoot different quality or sizes of JPEGs to different cards. The Nikon D6 also offers Wi-Fi with Bluetooth and GPS.. The D6 has gigabit ethernet like the D5, but Nikon is claiming 15% faster transfer speeds. Weight has increased a little, from 1405g to 1440g including battery and memory cards. The Nikon D6 will be available April of 2020 with a suggested retail price of $6499.95 USD.

Canon India recently launched EOS-1D X Mark III in Delhi, India. The flagship product from the Canon EOS 1D series, which can be easily known by the camera design. Canon claims EOS-1D X Mark III carry together the best of technology to captures amazing image quality and performance for professionals across all photography and videography form. The EOS-1D X Mark III features the latest advancements and innovations in digital imaging technology making it truly deserving of the ‘flagship’.

Carrying forward the inheritance built by its forerunner EOS-1DX Mark II, the launch of the new EOS-1D X Mark III is intent at challenging the growing imaging section such as wedding, wildlife, fashion, sports and film-making. This premium flagship camera is example for supplying the creative aspirations of professional photographers and videographers by presenting best in class images at an fastest speed. The new technology offers an chance to experience invention like never before. With its capabilities to capture images in dark surroundings coupled with capturing the perfectly timed shot, the camera provides the highest possible image quality in all shooting conditions. The EOS 1DX Mark III comes with Face + Eye + Head detection features which offers an unmatched subject tracking during live view still and video shooting, making it the fastest and best AF System DSLR full frame camera available in the market.

Canon 1Dx Mark III is priced at an MRP of INR 575,995/- (incl. of taxes) for the body, including 512 GB CF Express Card and Reader, the EOS-1D X Mark III will be available mid-February onwards at select retail outlets across the country.

Every year we have made it a point to tell our readers, the direction in which the photographic industry is heading. The trends article started as a one off in our earlier issue and with time has become an annual feature in the magazine that the readers have admired a lot. So once again it is the start of another year and here is our trends issue. As mentioned before, this article is more than what meets the eye. For many it might see as if it is random styles, technology and trends put together. But the points mentioned below culminate after a lot of thought, internal debate and also the future. So these are the trends that we feel will become big in the industry in the year 2020.

End of the DSLR, its Mirrorless time

This point has already featured in the last 2 editions of this article but the importance of this is going to be the greatest in this year. For the simple reason that the only two primary manufacturers that are still in the DSLR business have also almost entirely shifted to mirrorless. Canon is the only brand in 2019 that launched a DSLR, with its EOS 90D. All models introduced by Nikon were in the mirrorless category. Of course, Canon is rumoured to be working on a professional camera which mostly likely might launch at CP+ this year. And Nikon will also probably have some product in that category. But largely all the other manufacturers are now in the mirrorless game and 2020 probably might see the last of these models being launched.

Film photography

When I had spoken about this point a few years back in one of the articles, Film was showing some minuscule signs of resurgence. But thanks to the power of social media filters, the film community has nearly doubled in the past few years. And this is evident with the continual release of film products launched by a variety of manufacturers.

For instance, Fujifilm has released its famed ACROS II film in Japan in December 2019 and Kodak also released its Ektachrome E100 film in 4×5 sheets and 120 medium format film with the 35mm rolls already available for some time now. Ilford is also another manufacturers that has been continually manufacturing film for professionals. This only means that the consumers of these products are only increasing.

Mirrorless lenses

Although this pretty much is a no brainer, with the popularity of the mirrorless format, lenses have played a very important role in its popularity. And although most manufacturers started slow, their growing portfolio of lenses and development is a testament of their commitment to the format. However we still haven’t seen some of the best focal lengths making it to the category. But this is changing fast. Manufacturers are already in the midst of launching/developing popular lenses in the mirrorless format so that the users can make the most out of their photography.

Cloud storage and other formats

With the increase in the megapixels and videos capturing capabilities of cameras, storage is one of the key areas that has needed importance. The requirement of faster cards, compact drives and lesser clogging of your internal memory has given the rise to Cloud Storage and other formats. And moving forward these services will only become more popular with more and more primary technology manufacturers also offering competitive prices for cloud storage.

And manufactures like WD and SanDisk are introducing portable SSD solutions like SanDisk Extreme Pro SSD that are targeted towards photographers offering high transfers speeds and compact/portable solutions.

Synergy between apps and cameras

With smart devices practically taking over our daily lives, 2020 will see a lot more synergy between apps and cameras. Most manufacturers already have apps that are available to transfer and control the basic settings of your cameras since the past few years. But lets be honest, the user interface of these apps aren’t that great and neither do they have the advanced features that they could.

With the UI of the cameras improving continuously, it is only a matter of time that apps also will become good and this year will see a lot of that happening.

Pop goes the colour

When it comes to photography styles, let’s face it, we aren’t really having any breath taking/sky tearing innovations. And to be fair there is only so much that a photographer can think of. Over the year’s styles tend of re-emerge with certain modifications and ‘Loud Colours’ is a trend that we predict will be big in 2020.

And this will be all around, when it comes to shoots, weddings, pictures, ambiance, clothes and the works. So get ready to see those colours pop in 2020.

Quick assembled accessories and battery powered lights

One of the most difficult categories to predict are accessories. For the simple reason that it is a fast-changing environment with any product suddenly gaining popularity overnight and disappearing overnight. But 2020 will see the popularity of quickly assembled accessories rise phenomenally.

And closer to the lights, which play a very important role in photography, will see battery powered lights becoming very popular. Manufacturers are already offering such solutions today and the move is not only environment friendly but also to offer solutions with better technology and performance.

Vertical photos and videos (For full screen status updates)

Until recently taking videos in the vertical format was a taboo and frowned upon. Even photos in that orientation would not be preferred with lesser content squeezed into the frame. But the end of 2019 and the beginning of 2020 has already seen an upward trend of the vertical format. Status updates, videos and pictures in this format have taken social media platforms like WhatsApp, YouTube and Instagram by storm. And if that popularity is anything to go by then it is surely here to stay.

Videos are taking over Photos

The popularity of the vertical format bring me to my next point, and that is Videos are literally taking over. Thanks to Instagram, YouTube and a certain Tik Tok, the consumption of video content is outweighing that of the pictures. And this is evident with the abundant features that are offered with the cameras these days.

First reaction pictures in Wedding

Capturing emotions and the mood of weddings has always been important. But there is a trend that is likely to be very popular in the coming year, which is ‘First Reactions’. The style includes capturing the first reactions of the couple, family and friends during the wedding festivities. This could be the groom seeing the bride the first time, friends seeing the newly wedded couple the first time or family controlling their emotions on realisation that their daughter is now married.

There are dedicated photographers during weddings to only capture these moments since they are natural, important and memories that make the big day special. And this is a trend that will see a lot of the wedding industry adapting this year.

From being constant innovators over categories to being instrumental in introducing the world with micro four thirds technology (jointly with Olympus), Panasonic finally took the plunge into the full-frame world with the launch of the S1 and the S1R, adding the SH1, the world’s first 6k video mirrorless camera to have been certified by Netflix under its Post Technology Alliance Programme to their portfolio as well. Bhavya Desai spoke to Sandeep Sehgal, Business Chief – IBG, Panasonic India on the industry and the company’s aggressive plans for the coming year.

With the launch of the S series, Panasonic has taken the plunge in the full-frame category. What are your expectations from the new products?

Panasonic has always been known for keeping a customer centric approach and customers have expressed their desire for full-frame to be introduced by Panasonic. By entering into full-frame segment, we not only expect to gain support from professionals and high-level amateurs in Indian market, but further increase the trust in our micro four thirds system, thereby giving a positive effect on its sales. Also our G series and S series can be used in different ways according to applications and situations, enlarging the scope of users’ photography. This will raise the Lumix brand in both series which will lead to a combined effect in becoming preferred brand in the camera industry. We have also introduced Lumix S1H for cinematographers, which is the world’s first 6k video mirrorless camera to have been certified by Netflix under its Post Technology Alliance Programme. With this announcement we have seen a huge surge in demand of S1H and with growth of OTT platform in India, we expect more penetration in cinematography segment. Overall we are targetting no. 2 position in full-frame mirrorless camera market by the end of the fiscal year 2019.

How has the response for the products been so far?

We have been getting very encouraging response in the market for our flagship S-Series camera, where we have been successful in positioning Lumix S1 as one of the finest hybrid mirrorless camera, while Lumix S1R as one stop solution for still photographers in India. We are delighted to inform that Lumix S1 has become first choice for photographers and videographers in wedding segment, which contributes to 65% of overall market. Customers are really appreciating the Dual Image Stabilization (5 axis 6.5 Stop ), Vlog with 14+ Stop Dynamic range and colour science of the Lumix S Series which has been the reason for the rapid success.

The announcement of the L Mount alliance was great news for the industry. What is the progress of the same and when can we see the first adapters and mounts for the same?

While newly developing the full-frame mirrorless cameras, we have focussed on maximising the benefits for users. We formed an alliance to offer our FF customers a complete range of great lenses from the beginning itself. Both Leica and Sigma have their own excellent lens concepts and brands. With this collaboration of technology, we are confident we can provide complete solution to end user. Sigma MC21 is already available in the market which makes a larger set of Sigma EF lenses compatible with L Mount. They have also announced MC-31 to be available by Jan-2020 which will ensure PL Mount cinema lenses compatibility with L Mount. Apart from that, Sigma L Mount lenses 14-24 f/2.5, 45mm f/2.8, 35mm f/1.2 are already available in the market. Overall, by next fiscal year we are targetting a combined lens strength of approximately 46 L Mount lenses.

With the new launches Panasonic seems to be focussing on the premium range of products, whereas there is a big market in the medium range category as well (above G95). Can we expect products in these categories as well?

Lumix is present in all the segments in Indian market and has currently four series for Indian market (G-series, FZ Series, GH-Series and S-Series). In terms of price point G-Series and FZ-Series are catering to market that lies in 50k-100k bracket, GH-Series is meant for customers in 100k-150k price bracket and our flagship FF segment S-Series in 200k-300k price bracket for the end customers. We have been doing pretty well in micro four thirds cameras in all series at all price brackets and the GH-Series (GH5 and GH5S), present in the 100k-150k market, which is also our flagship series in micro four thirds segment have been most successful camera in wedding segment. We are also planning to introduce two more models in this price bracket from next year onwards both in micro four thirds and full frame category.

What are the trends that you see in the photo-imaging market in India currently?

We are already witnessing shift from Pro-cam market to interchangeable lens camera segment (which includes mirrorless and DSLR). With the shift of amateur photography consumer towards smartphones, the entry-level interchangeable lens segment has witnessed a decline of 13-17%, but the overall positive is that mirrorless segment, especially the high-end feature-rich category has been growing very fast and it is expected to overtake DSLR segment by FY2022-23. Presently mirrorless cameras are estimated to account for about 23% of the segment by the end of ongoing fiscal year.

Panasonic products have always been great, but their availability has been a challenge for a number of years. How do you plan to iron out this challenge?

At the outset, I would reiterate that Panasonic is available on all the sourcing channels in India. Availability doesn’t seems challenge anymore, as we have now established network of distributors and 300 sub-dealers. These include 75 retailers PAN India, which works on franchise basis and we dedicate them as Panasonic Lumix 4K Zone. We have also introduced Lumix Professional Services in two cities, Bangalore which caters to elite customers in South and in the West India and Delhi which caters to North and East India. We have also expanded our footsteps at LFR Stores in Central India and have similar plan at selective stores in West and North India. Also to update for our entry level models of Lumix, we are also available online on Amazon and Flipkart.

What would you say are your near-term and long-term objectives for your business?

Being pioneers in mirrorless segment, our objective is to make Lumix as most preferred brand among users in India. We are working in very focussed approach in developing Brand Lumix and creating pool of loyalists for the brand. We have already established offering for the customers in micro four thirds segment and developing similar in full-frame category. We will be introducing many new models next year to strengthen our product portfolio and will be focussing on education-based approach in making brand Lumix most preferred brand in interchangeable mirrorless camera segment in India.

Fujifilm has just launched an upgraded version of the Fujifilm X-Pro2, Fujifilm X-Pro3 as the latest mirrorless camera in their lineup. The X-Pro3 comes with an old fashioned viewfinder that is known as “Advanced Hybrid Viewfinder”. Fujifilm reportedly has offered an X-Processor 4 image processing chip. In addition, the X-Pro3 features corrosion-resistant titanium on the exterior along with a magnesium-alloy interior. The front of the Fujifilm X-Pro3 look similar to old fashioned film cameras. The camera has also reportedly provided optional DuraTech surface-hardening coating in DR Black and DR Silver finish to give scratch resistance. The camera has a weather-resistant structure that is sealed in 70 places and is apparently capable of operating at temperatures as low as minus 10-degree Celsius.

At the back, the Fujifilm X-Pro3 has an all-new look and feel with a tilting LCD monitor that fits flush on the rear side and can be flipped around 180 degrees. The LCD monitor houses the 1.28-inch LCD panel at the back that displays shooting settings even if the camera is turned off. This brings a retro-style feel. According to the company, the tiny alternate screen can be set in a ‘Classic’ mode that displays the Film Simulation mode selected, that looks similar to the packaging icon of the corresponding photo film. Users can also select the ‘Standard’ mode on the LCD panel to view the current shutter speed, aperture, and other shooting settings, all without opening the primary LCD monitor. Fujifilm reportedly has removed the previous four-way controller set that was available on the X-Pro2. Instead, there are distinct buttons to select appropriate settings just like how a photographer adjusts the images on a film camera.

At the top, there are controls to adjust ISO settings and shutter speed. The Fujifilm X-Pro3 has a back illuminated 26.1MP X-Trans CMOS 4 sensor that is powered by the X-Processor 4 image processing engine, which was seen on the Fujifilm X-T3 and X-T30 in the past. The camera also has the Advanced Hybrid Viewfinder that can be enabled as an optical viewfinder (OVF) or an electronic viewfinder (EVF). To simulate the colour negative film-like experience, the X-Pro3 reportedly has the Classic Neg mode that is added along with the Film Simulation mode. There are also basic mirrorless camera functions such as HDR Shooting and Multiple Exposure. Further, the X-Pro3 supports up to 4K video recording with 30fps frame rate. In terms of connectivity, the Fujifilm X-Pro3 has a USB Type-C port and a 2.5mm jack for microphone and wired remote attachments. The camera also has Bluetooth support and includes two UHS-II SD card slots.

The X-Pro3’s price is set at roughly Rs. 1,27,600 for the regular Black colour option while its DR Black and DR Silver colour variants are priced at Rs. 1,41,800 approximately. The regular Black model will go on sale in the US on November 28. However, its DR Black and DR Silver options will be available for purchase from December 12. There is no word on India launch as of now.

Nikon has announced the Nikon Z50 entry-level mirrorless camera. The Z50 is available for a cost of approx. Rs 61,200 for body-only. The Nikon Z50 includes a 20.9-megapixel APS-C CMOS sensor with Nikon DX-format, hybrid-AF autofocus and Eye-AF. The camera is powered by an EXPEED 6 image-processing engine with a high standard sensitivity of up to ISO 51,200 for low light situations. The Z50 can record 4K videos at 120p slow-motion, time-lapse and interval timer modes with in-camera video trimming and up to 20 Creative Picture Controls. The camera offers built-in stabilisation for smooth footage while shooting Full HD or 4K videos. There’s a 3.2-inch flip-down LCD touchscreen which can be used for selfies and vlogging. The camera also has 2360k-dot electronic viewfinder offering a 209-point Hybrid AF System and coverage of approximately 87 percent horizontally and 85 percent vertically. Connectivity options include WiFi, Bluetooth and a UHS-I SD card slot. The camera can be connected to smartphones using the SnapBridge app for sharing images and video. Users can also transfer video to their smart device with support for RAW images and advanced remote capture. The Nikon Z50 can be bundled with the new Nikkor Z DX 16-50mm standard zoom and the Nikkor Z DX 50-250mm telephoto zoom lenses. When paired with the new lenses, Dual Detect Optical VR is enabled on the Z50 to help avoid camera shake when shooting. The new lenses offer in-lens optical Vibration Reduction (VR) technology with camera shake compensation equivalent to 4.5 stops and 5.0 stops respectively. The Z50 is also compatible with the current line of Nikkor Z lenses through the Mount Adapter FTZ. Nikon Z50 20.9-megapixel mirrorless camera is available for a price of approx. Rs 61,200 for body-only from November. The Z50 with a one-lens kit with the Nikkor Z DX 16-50mm f/3.5-6.3 VR lens will be available for approx. Rs 71,200 while the two-lens kit with both the Nikkor Z DX 16-50mm f/3.5-6.3 VR and Nikkor Z DX 50-250mm f/4.5-6.3 VR lenses can be purchased for approx. Rs 96,100.

Fujifilm India launched its first co-branded Wonder Photo Shop in Bengaluru in association with GK Vale, making it the fifth ‘Wonder Photo Shop’ concept store of its kind in India for the ultimate photo printing and brand experience. It is located at Church St, Shanthala Nagar, Ashok Nagar, Fujifilm aims to celebrate Bengaluru’s love for photography, art and culture. The store embodies a holistic vision of photography, from picture taking to printing, sharing and social networking, as a creative life experience. With the theme ‘Photo Renaissance’, the store offers an opportunity to experience an immersive and interactive retail space with Fujifilm’s state-of-the-art products and services to meet the aesthetic taste of the youth of our country. With this new store, Fujifilm aims to provide a learning center, giving customers an opportunity to experience the various product features thus enhancing the customer experience. At the co-branded store, consumers can indulge in the full range of instax cameras and Share Printer SP-2, the award-winning line of X Series digital cameras and high-quality lenses on display. Additionally, customers can witness the true photographic heritage of Fujifilm and develop their own vision to creatively use their photos.

 

Speaking on the occasion, Mr. Haruto Iwata, Managing Director, Fujifilm India said, “We are happy to open our first co-branded Wonder Photo Shop in association with GK Vale. At Fujifilm, we are passionate about the preservation of people’s memories, and keeping the spirit and culture of photography alive. We want to inspire people to have fun, to enjoy photography and to learn more about what they can do with their pictures and their cameras. With our new Wonder Photo Shop, we are committed to offer our customers a place that offers all experiences in one from picture taking to picture making”.

 

Commenting at the inauguration of the store Mr. Anand Sukumar from GK Vale said, “We are extremely excited about our association with Fujifilm India. We are happy to open our doors to the customers and offer them an integrated photography experience in Bengaluru – a wonderland of opportunities. Being in the business for 110 years, we understand the ever changing needs of customers extremely well. Fujifilm’s wonder Photo shop store is a fantastic example of what can happen when passion meets hobbies, experiences, fun, profession and memories.”

 

“The Wonder Photo Shop puts the customer at the heart of the experience and provides a wonderful place for customers to unlock their creativity and develop a refreshing perspective on photo printing. With more than 80 years of history and experience in the photo industry, we are confident that our latest Wonder Photo Shop will strengthen our presence in the country. We are committed to preserve the culture of photography and Wonder Photo Shop will act as a catalyst to achieve that goal,” added Mr. Centhil Nathan, SVP and Head-Photo Imaging at Fujifilm.

The jury of the 2019 edition named the photographer and photojournalist Raghu Rai, laureate of the first edition of the Academy of Fine Arts Photography Award – William Klein.

The Academy of Fine Arts Photography Award – William Klein was created in 2019 by the Academy of Fine Arts in tribute to William Klein, photographer, painter, visual artist, graphic designer, director of documentary, advertising and fiction films.

As a consecration award, this prize is intended to reward a photographer for his/her entire career and commitment to photography. It rewards one photographer of all nationalities and ages. Endowed with the sum of 120,000 euros, it is awarded every two years, alternating with the Photography Award Marc Ladreit de Lacharrière.

An exhibition retracing the career of the photographer will be held from October 24, 2019 to November 24, 2019 in the exhibition space of the Academy, at the Palais de l’Institut de France.

The jury of the 2019 edition :

• Laurent Petitgirard, Perpetual Secretary of the Academy of Fine Arts, co-chair

• Zhong Weixing, founder of the Chengdu Contemporary image museum, co-chair

• William Klein, Honorary Member

• Yann Arthus-Bertrand, Bruno Barbey, Jean Gaumy, Sebastião Salgado, members of the photography section of the Academy of Fine Arts

• Jean-Luc Monterosso and Bernard Perrine, correspondents of the photography section of the Academy of Fine Arts

• Alessandra Mauro, curator

• Alberto Anaut, president of PhotoEspaña and director of La Fábrica.

Born in December 1942 in Jhang (British India – current Pakistan), Raghu Rai qualified at civil engineer, started photography at the age of 23 in 1965. He joined The Statesman newspaper as their Chief photographer (1966 to 1976), and was then Picture Editor with Sunday – a weekly news magazine published from Calcutta (1977 to 1980).

In 1971, impressed by Rai’s exhibition at Gallery Delpire, Paris, Henri Cartier Bresson nominated him to Magnum Photos of which he is still a partner today. In 1982, he took over as Picture Editor-Visualiser-Photographer of India Today, India’s leading news magazine. He worked on special issues and designs, contributing trailblazing picture essays on social, political, and cultural themes of the decade (1982 to 1991).

In the last 18 years, Raghu Rai has exclusively devoted his work to India. He has produced more than fifty picture books on different aspects/life and themes on India : Delhi, The Sikhs, Calcutta, Khajuraho, Taj Mahal, Tibet in Exile, Mother Teresa and so on. His thorough work on the 1984 Bhopal Gas Tragedy, a special assignment from Greenpeace International, was compiled into a book with 3 sets of exhibitions traveling from 2002 to 2005.

Many exhibitions have been dedicated to him around the world including retrospectives at Arles Photography Festival in 2007, at the National Gallery Of Modern Art of New Delhi in 2008 or whether at the Aicon Gallery of London in 2011.

He was awarded the Padmashree in 1972, one of India’s highest civilian awards ever given to a photographer, for the body of works he produced on the liberation war of Bangladesh and its refugees. In 1992 he was awarded Photographer of the Year in the United States for the story Human Management of Wildlife in India published in National Geographic. In 2009 he was conferred Officier des Arts et des Lettres by French Government. In 2018, he has been honored by Lucie Foundation, New York as Master of Photojournalism.

His photo essays have been published in many of the world’s leading magazines and newspapers. In 2012, Raghu Rai created the Raghu Rai Center for Photography to share his 50 years of knowledge and experience with the young generations.

Raghu Rai lives in New Delhi with his family and is currently working on his 57th publication.