Category Archives: news

Asian Photography: Hands-on with Sony A9

Building upon the ever-growing interest in adventure sports and wildlife photography, Sony India recently introduced its new digital camera, the α9 (model ILCE-9). The camera is geared at those interested in adventure sports and wildlife photography.

According to Sony, this is the most technologically advanced, innovative digital camera that Sony has ever created, and they say that the new camera “offers a level of imaging performance that is simply unmatched by any camera ever created – mirrorless, SLR or otherwise.”

We had a chance to get our hands on the camera and try it out, so let’s take a look at what’s new about this camera.



The new mirrorless camera offers many impressive features including high-speed, blackout-free continuous shooting at up to 20fps, 60 AF/AE tracking calculations per second, a maximum shutter speed of up to 1/32,000 second5and much more. These are made possible by its 35mm full-frame stacked Exmor RS CMOS sensor, which enables data speed processing at up to 20x faster than previous Sony full-frame mirrorless cameras. This sensor is paired with a brand new, upgraded BIONZ X processing engine and front-end LSI that maximises its overall performance, according to Sony.


Sony prides on the speed of the α9, which is the the outcome of new stacked 24.2 MP Exmor RS image sensor, new BIONZ X processor and front end LSI. Sony informed that the α9 liberates processing power as its new components allow faster AF/AE calculation while also reducing EVF display latency. The processor and front end LSI are responsible for the larger continuous shooting buffer therefore allowing photographers to shoot at a blazing 20 fps with continuous AF/AE tracking for up to 362 JPEG or 241 RAW images. We tried the camera in continuous shooting mode, and it gave us quite an impressive output.


The camera also offers tracking with an uninterrupted view with AF/AE tracking calculation up to 60 times per sec, regardless of shutter release and frame capture. The camera was able to track the live-action we were shooting quite accurately.


It features 693 focal plane phase detection AF points covering approximately 93% of the frame. The Fast Hybrid AF system – pairing the speed and excellent tracking performance of phase detection AF with the precision of contrast AF – achieves approximately 25% faster performance when compared with α7R II, ensuring all fast-moving subjects are captured.

As the camera is aimed at wildlife photographers, it also offers silent and vibration-free shooting at speeds up to 1/32,000 sec. The electronic shutter in the A9 operates silently, without mechanical noise that can be disruptive when shooting sports, events or wildlife in a quiet environment. Sony said that the fact that the electronic shutter is vibration-free also minimises the likelihood of vibration-induced blur, further contributing to resolution and image quality. The manufacturerer also said that its maximum 1/32000 sec speed exceeds the limits of mechanical systems for vastly expanded exposure freedom as well as the ability to maintain shallow depth of field in bright conditions without having to use ND filters.

The α9 is equipped with an 5-axis image stabilisation system that provides a shutter speed advantage of 5.0 steps.

The camera also shoots 4K (3840x2160p) video recording. It uses full pixel readout without pixel binning to collect 6K of information, oversampling it to produce high quality 4K footage with exceptional detail and depth. The extremely popular 35mm size recording is also available in the α9.

The camera is available at Sony retail outlets for Rs 3,29,990. We will soon do a full-length review of the camera in our magazine. So, keep reading!



Building upon the ever-growing interest in adventure sports and wildlife photography, Sony India recently introduced its new digital camera, the α9 (model ILCE-9). The camera is geared at those interested in adventure sports and wildlife photography.

According to Sony, this is the most technologically advanced, innovative digital camera that Sony has ever created, and they say that the new camera “offers a level of imaging performance that is simply unmatched by any camera ever created – mirrorless, SLR or otherwise.”

We had a chance to get our hands on the camera and try it out, so let’s take a look at what’s new about this camera.

The new mirrorless camera offers many impressive features including high-speed, blackout-free continuous shooting at up to 20fps, 60 AF/AE tracking calculations per second, a maximum shutter speed of up to 1/32,000 second5and much more. These are made possible by its 35mm full-frame stacked Exmor RS CMOS sensor, which enables data speed processing at up to 20x faster than previous Sony full-frame mirrorless cameras. This sensor is paired with a brand new, upgraded BIONZ X processing engine and front-end LSI that maximises its overall performance, according to Sony.


Sample image


Sony prides on the speed of the α9, which is the the outcome of new stacked 24.2 MP Exmor RS image sensor, new BIONZ X processor and front end LSI. Sony informed that the α9 liberates processing power as its new components allow faster AF/AE calculation while also reducing EVF display latency. The processor and front end LSI are responsible for the larger continuous shooting buffer therefore allowing photographers to shoot at a blazing 20 fps with continuous AF/AE tracking for up to 362 JPEG or 241 RAW images. We tried the camera in continuous shooting mode, and it gave us quite an impressive output.


The camera also offers tracking with an uninterrupted view with AF/AE tracking calculation up to 60 times per sec, regardless of shutter release and frame capture. The camera was able to track the live-action we were shooting quite accurately.



It features 693 focal plane phase detection AF points covering approximately 93% of the frame. The Fast Hybrid AF system – pairing the speed and excellent tracking performance of phase detection AF with the precision of contrast AF – achieves approximately 25% faster performance when compared with α7R II, ensuring all fast-moving subjects are captured.

As the camera is aimed at wildlife photographers, it also offers silent and vibration-free shooting at speeds up to 1/32,000 sec. The electronic shutter in the A9 operates silently, without mechanical noise that can be disruptive when shooting sports, events or wildlife in a quiet environment. Sony said that the fact that the electronic shutter is vibration-free also minimises the likelihood of vibration-induced blur, further contributing to resolution and image quality. The manufacturerer also said that its maximum 1/32000 sec speed exceeds the limits of mechanical systems for vastly expanded exposure freedom as well as the ability to maintain shallow depth of field in bright conditions without having to use ND filters.

The α9 is equipped with an 5-axis image stabilisation system that provides a shutter speed advantage of 5.0 steps.

The camera also shoots 4K (3840x2160p) video recording. It uses full pixel readout without pixel binning to collect 6K of information, oversampling it to produce high quality 4K footage with exceptional detail and depth. The extremely popular 35mm size recording is also available in the α9.

The camera is available at Sony retail outlets for Rs 3,29,990. We will soon do a full-length review of the camera in our magazine. So, keep reading!

 

Decoding GST for the Imaging Industry

In many ways 1st July 2017 will etch its way in India’s history as a monumental change and reform in India’s taxation regime. Many call it ‘THE’ biggest move after India’s independence while others haven’t welcomed it with open arms. Whatever you may call it, an opportunity or a challenge, it is clear that the introduction of the Goods and Services Tax (GST) by the Government is one of the biggest moves in India’s existence. In this article Bhavya Desai decodes GST, its opportunities, impact and the implications on the imaging industry.


So if you have been listening to this word GST, which seems to be dominating the business circles in every conversation and have been wondering, how is this going to affect you? Then this article will give you a quick 101 on the same.


What is GST?


GST stands for Goods and Services Tax (GST) which is a comprehensive indirect tax levied on manufactures, sales and consumption of goods as well as services at a National level. Ideally it replaces all indirect taxes levied on goods and services by the Indian Central and State governments.


Basically it is a unified tax structure across India which eliminates differential duty structure and taxation system across different states in India.


How does this matter and affect the consumer?


So if you are wondering, how does this matter to me? Then you need to think again because the introduction of GST will have massive positive impact on the pricing structure of products, introducing a unified pricing policy to product categories across India.


For example, a camera purchased in Maharashtra earlier would be priced lesser or more (depending on the state) elsewhere. So if a camera was before VAT was costing Rs. 100 (excluding tax) in Maharashtra, then it’s eventual MRP would be Rs. 113.50 to a consumer. The same camera in Tamil Nadu would cost the consumer Rs. 114.50 since it levied a VAT of 14.5%.


Another simple example is of the automotive industry. Have you ever wondered that a car of same make and year bought by your friend/family in a different state was far cheaper than what you paid for? In simple words this was due to the introduction of number of layered taxes levied by the Govt on the showroom price of the car. Hence a luxury car in Delhi would cost at least 7-8% cheaper than in Mumbai since there were number of additional taxes that were levied on products entering Mumbai in the past.


So the biggest change that one will see with the implementation of the GST as a consumer is the unified taxation system on products across India. Which means now if you buy a camera, car, or any other product across the country, it will have the same prices across the states. So depending on the state you are, the % increase or decrease in prices will depend on what the % of taxes were earlier. 



But one good news as a consumer that you might find is that there isn’t been much of a change in the pricing of the products in the imaging industry despite GST being implemented. As Nikon India’s MD, Kazuo Ninomiya clarifies, “We welcome the new structure of the GST regime as it has brought the new era in the indirect taxation landscape of modern India, paving the way for a simplified tax structure for goods and services. With GST already in place, we are helping in smooth transition for retailers and distributors, who we have such long-standing relationships with. As of now, we are analysing the effect of current tax structure; though we have not made any price changes in our product range despite the tax changes.”


How are the GST categories classified?


Incase you are wondering how do the thousands of products across different categories in the Imaging and other industries get classified under GST? Well, it’s simpler than you think. The Govt. has broadly classified GST under four categories in terms of taxation levied:


GST Taxation brackets:


  • 6%

  • 12%

  • 18%, and

  • 28%


Each product category and products are defined under a Chapter of an HSN Code. Most products in the imaging industry are classified under the taxation bracket of 18% or 28% currently. 


Cameras are classified under chapter 90 of the HSN code. Chapter 90 of the HSN code contains goods like optical, photographic, cinematographic, measuring, checking, precision, medical or surgical instruments and apparatus. Under chapter 90, cameras are classified under HSN Code 9006 which attract 28% GST. HSN code 9006 pertains too photographic (other than cinematographic) cameras; photographic flashlight apparatus and flashbulbs other than discharge lamps. 


Further, cinematographic cameras and projectors, whether or not incorporating sound recording or reproducing apparatus are also classified under chapter 90 of the HSN code attracting 28% GST rate. Hence, digital cameras and analogue cameras attract a GST rate of 28% in India.

Camera lenses are also classified under chapter 90 of the HSN code as lenses, prisms, mirrors and other optical elements, of any material, mounted, being parts of or fittings for instruments or apparatus, other than such elements of glass not optically worked. Camera lenses conforming to the above classification are taxed at 18% GST.


Professional photographic lights and accessories are also classified under 28% GST bracket, which when compared to the sum of previous indirect taxes is not that much of a change from the previous taxes. 


Combined with the benefits that the Govt. has provided along with the minimal changes in the taxes are critical reasons why the manufacturers haven’t increased the prices of their products currently. 


What are the benefits of GST for the industry?


With an unprecedented move like this, there has to be a major benefit, both to the consumers as well as the sellers right? So as ambiguous as this may sound, if my understanding is correct then benefit in this case is more to the sellers and the govt, and I say this with all positivity by way of being make able to make products more available to the consumer, easily and swiftly.



As Epson India’s President and CEO, Kasai Toshiyuki said that GST definitely brings in uniformity across various players, big or small. “We at Epson believe that GST gives a fair chance for both small established players. It’s a platform to compete & leverage the various emerging opportunities that could be triggered from the implementation hence enhance business opportunities. It’s a big welcome move as it sets a long term growth driver. At Epson, we are hopeful that the new system will boost investments and benefit the economy.”


As a consumer the most critical point from a point of purchase is the price-point. But as an industry it is important for the manufactures to be transparent in order to conduct their business.


Sony says that as a company they believe in transparency and in the long run, the new tax regime will benefit customers as it encourages transparency. “Like in every other sector, GST will significantly improve the efficiency of business operations as it will create a much simpler indirect tax regime and reduce our compliance costs in the long term. Our logistics and inventory costs will also be positively impacted. The creation of a unified Indian market will also help us deliver better products and services to our customers. In the long term, it will help the government to collect taxes in a more efficient manner and increase their revenues significantly,” said Hiroyuki Tokuno, DGM Digital Imaging, Sony India.



Anuj Aggarwal, Vice President & CFO, Canon India said, “GST is definitely a paradigm-shifting tax regime and a welcome move from the government. Its implementation has initiated a new beginning in the indirect taxation landscape of modern India, paving the way for a simplified and homogenous tax structure for goods and services across all industries and verticals. I believe that introduction of GST is a positive step and would be beneficial for the industry in the long term. There were initial apprehensions and uncertainties which might have short-term impact. However, we must remember that replacing a complicated system of indirect taxation will make it easier for firms to do business across the country. This will boost investment and, through that, the economy is also set to benefit.”



As Tamron’s India President and CEO, Nitin Goyal puts it, “The Goods & Service Tax or GST is one of the biggest fiscal reforms in India since Independence. All businesses, small or large, will be impacted by this new indirect tax regime. GST will be levied on both goods and services and will subsume and replace the current indirect taxes such as excise, VAT, and service tax.”



So what exactly are the benefits to the Indian economy? I’ve listed some information below that makes things pretty clear.


  • Removing cascading tax effect: Under the current regime, the service tax paid on input services cannot be set off against output VAT. Under GST, the input tax credit can be availed smoothly across the spectrum of goods and services, thus reducing the tax burden on the end user and removing cascading effect.


  • Defined treatment for e-commerce: Many Indian businesses provide goods and services through the internet. Earlier, there were no specific provisions for treatment of the e-commerce sector. Currently, states have variable VAT laws for this sector. For example, online websites (like Flipkart and Amazon) delivering to Uttar Pradesh have to file a VAT declaration and the registration number of the delivery truck. Tax authorities can sometimes seize goods when there is a failure to produce documents.


Again, these e-com brands are treated as facilitators or mediators by states like Kerala, Rajasthan, and West Bengal which do not require them to register for VAT.

All these differential treatments and confusing compliances will be removed under GST. For the first time, GST clearly maps out the provisions applicable to the e-commerce sector and since these will apply all over India, there should be no complication regarding inter-state movement of goods any more.


  • Increased efficiency in logistics: The logistics industry in India had to maintain multiple warehouses across states to avoid the current CST and state entry taxes on inter-state movement. Most of the times, these warehouses were forced to operate below their capacity thus increasing their operating costs.


As GST goes live, these restrictions on inter-state movement of goods will lessen and the logistics sector might start consolidating warehouses across the country




What are the practical challenges that the industry is facing?


Naturally when you are implementing and executing an historic reform in the largest democratic economy in the world, one can’t expect things to be spot on. 



“The task of implementing such a gargantuan tax reform in one of the fastest growing economies is expected to be a tough challenge. In my view the government has done a fairly decent job in the implementation process. The only thing that they probably could have done better is the preparedness and training of the government official to deal with the queries at a local level,” says Pulin Soni, VP, Photoquip India.


Epson India’s President and CEO, Kasai Toshiyuki adds, “There are always challenges when a new process or system is rolled out. The same applies for GST. During the initial stages, there was a lack of information which created a lot of ambiguity and confusion in the market. Different taxes on different products also added to the confusion. If you look at it, the new GST tariff is higher than the previous VAT based rate (CVD+VAT) on MFP and consumables. Hence, our existing procured products material also required a MRP change post the roll out of GST.”


One of the biggest challenge that most businesses (especially distributors/retailers) in the industry were facing were the advances paid towards the stock procured before the 30th June 2017 which already had a paid up VAT tax. But the government put policies in place to help the businesses in such cases, offering 60% on the difference of paid up VAT to GST, albeit you register the stock statement with the GST Department before the 1st July 2017. This brought a much needed respite to the businesses since the increased rate of 28% in most cases was eating into the margins of the manufacturers and others. 


“In case of DSLR lenses since there was no loss on existing inventory which got transferred from VAT regime to GST regime there was not much issue. We appreciate step taken for compensation of CGST increased from 40% to 60% by govt. authorities on the previous stocks,” added Goyal.


And as for manufacturers, “We have not faced much challenge with the products that have been procured already since importers like us are allowed to take the input tax credit of the Countervailing duties (CVDs) on the closing stock in hand below 1 year of age,” added Kazuo Ninomiya, MD, Nikon India. 


Companies like Canon prepared well in advance to adopt GST from the beginning by ensuring clear communication. Through workshops and Electric Direct Mails, they created increased awareness of the new tax. “Once the tax rates were announced, comprehensive trainings and awareness sessions were conducted for employees and partners alike. Communication is key to effectively manage change, and we left no stone unturned to ensure a fair and transparent transition. As an organisation, we are agile to adapt to any situation and be flexible to changes.” 


However while these processes might have been put in place by the government and the companies, it’s implementation and execution is an entirely different story. The company did add that the road to implementation of GST hasn’t been devoid of challenges. “There are challenges on claiming credit of taxes on the products already procured especially imported products. Further due to non-availability of full credit to dealers on their inventory added to complications,” said Aggarwal.


No-information, rumours and more 


While most manufacturers ideally more or less prepared ahead of time for the change, it wasn’t all hunky-dory with the constant changes in the policies until the 11th hour. However, there is a consensus amongst most manufactures and the industry that the policies have become pretty clear after the 1st of July. But whatever said and done the months of June and July 2017 have lead for the industry to loose business. 


And like any other Indian movie, much of it was due to the confusion, speculation and misinformation to/in the trade. Although things were clear from the Govt. and the GST council, due to lot of interpretations from different people at different levels at the execution level, there were confusions. There could’ve been possible ways of providing much easier documentation that a regular trader/normal person can understand which help its rollout easier.


Naturally the bigger traders and listed companies have been following the GST Council for the larger part of their interest. Although some of our sources have mentioned that traders in the Tier II and III cities in some cases aren’t even aware of its implementation in the imaging industry. Although they couldn’t come on record to comment on this story, but they were still continuing to bill under the earlier VAT even post July. 


However, things seem to be settling down now with positive sentiments amongst the industry. The industry experts believe that post 15th August the markets should start working like before and by the time seasonal sale starts, things will be in full swing.


“The acceptance of the new policy and reform is open to the interpretation and perspective of the trader. If they are willing to accept this change then like other things it becomes easier to manage and one can find a way. However if you aren’t willing to change then you might find the new reforms as one challenge after the other,” says Nikhil Mehta, Proprietor, Mehta and Sons.


Undoubtedly GST is aimed at increasing the taxpayer base by bringing SMEs and the unorganised sector under its purview. For the Camera and Imaging industry considering above benefits in terms of CST, Entry taxes and others will make the Indian market more competitive than before and create a level playing field between large and small enterprises. It will also give Indian businesses an opportunity to better compete with foreign countries such as China, Philippines, and Bangladesh. 


However, all will not be smooth sailing since a policy change of such a huge nature is sure to be faced with teething troubles.


Canon announces two new cameras – EOS 6D Mark II and EOS 200D

Canon has announced two DSLR cameras on the occasion of National Camera Day, the EOS 6D Mark II and EOS 200D DSLR cameras designed for advanced-amateur and entry-level photographers, respectively. The EOS 6D Mark II camera is a Full-frame CMOS sensor DSLR camera, whereas the EOS 200D is a light and compact camera.

We at Asian Photography had a chance to get our hands on the new cameras a couple of weeks ago to check them out.  The successor to Canon’s popular EOS 6D, the new EOS 6D Mark II features several enhancements which include 26.2 Megapixel Full-frame CMOS Sensor, an optical viewfinder with a 45-point all cross-type AF system, Dual Pixel CMOS AF with phase-detection and full HD 60p, DIGIC 7 Image Processor, ISO 100-40000, vari-angle touch Screen, 3.0-inch LCD, built-in Wi-Fi, NFC, Bluetooth and GPS technology, high-speed continuous shooting at up to 6.5 fps, dust and water-resistant.

The new EOS 200D promises to feature the world’s fastest AF speed at 0.03 seconds, allowing for quick focusing on subjects in the frame. Canon informed that when designing the new EOS 200D camera, they took into consideration feedback from entry-level photographers who expressed interest in learning how to go beyond a camera’s program mode. The result was the creation of a convenient new user interface called Feature Assistant. With the new camera, users will be able to see on the camera’s Vari-angle Touch Screen how switching modes on the mode dial or tweaking camera settings like aperture and exposure compensation can alter the image they are about to capture, thus guiding photographers on their way to capturing more compelling images, such as ones with a shallow depth-of-field or being able to give moving subjects a frozen or flowing look.
The new cameras features include a 24.2 Megapixel CMOS (APS-C) Sensor, Dual Pixel CMOS AF, 3.0-inch Vari-Angle LCD Touch-Screen, built-in Wi-Fi, NFC and Bluetooth Technology, full HD 60p & External Microphone Input, DIGIC 7 Image Processor, ISO 100-25600 and an optical viewfinder with a 9-point AF System.

The EOS 6D Mark II DSLR camera is scheduled to be available in late July 2017 for an estimated retail price of $1,999.00 for body only, $3,099.00 with the Canon EF 24-105mm f/4L IS USM II lens and $2,599.00 with the Canon EF 24-105mm f/3.5-5.6 STM lens. In addition the EOS Rebel SL2 is scheduled to be available in late July 2017 for a retail price of $549.99 for body only and $699.99 with the Canon EF-S 18-55m f/4-5.6 IS STM lens.

EPSON takes the lead in InkJet Printer Market



Epson recently announced that it has secured the No.1 position in the Inkjet printer market (by Volume and Value) , as per IDC’s latest Hard Copy Peripherals (HCP) Quarterly market report for 2017 Q1. According to the press release the report highlights the increasing shift towards InkTank printers due to low cost of ownership and reiterates the growing demand for InkTank printers over laser printers.


Epson reportedly overtook HP as the market leader in terms of Unit share for the first time ever after posting a 26.5 percent growth Year on Year (YoY) in the Inkjet category. According to reports Epson captured 42.9% of the Inkjet market by Volume, while HP’s market share declined to 39.4 %. As per the report Epson’s Value market share has increased to 51.8% while HP has declined to 34.8%. Epson has led the Inkjet market by Value share for a few years now. According to IDC, demand from SMEs in smaller cities and home consumers were the driving force behind the growth of InkTank Printers shipments in 2017 Q1. The report also highlights that this is, for the first time in six quarters that the Printer market has registered growth with shipments reaching 799,164 in Q1 2017.



InkTank printers were first introduced by Epson in 2011. According to the company, the extremely low cost per print of 7 Paisa for Black and 18 Paisa for Colour struck a chord with consumers and Epson has seen its sale in India go up exponentially over the years. The cumulative global sales of Epson’s high-capacity InkTank inkjet printers have reportedly reached 20 million units. In India alone, according to Epson, they have sold in excess of 1.7 Million InkTank printers since its launch.


“We are extremely delighted to have achieved the No. 1 spot in the Inkjet printer market by volume. A continuous focus on creating customer value has helped Epson gain huge market acceptance within a short period, culminating in market leadership in the Inkjet printer category. Epson were the pioneers and the first to launch InkTank printers in India. Since then Epson’s InkTank Printers have been embraced by cost and quality conscious consumers across segments, be it home usage for children’s project reports, commercial usage in print and copy shops or office usage for black and colour printing. We have a built a huge amount of trust and faith in this product and the very fact that we have sold over 1.7 Million InkTank printers in India is a testimony to that fact”, said Mr. Samba Moorthy, Vice President-Sales & Marketing, Epson India.

Apple iPhone 7 Plus vs EOS 5D Mark IV – Camera comparison


After repeated questions from our Readers about Cameraphones vs DSRLs, we decided to compare a high-end smartphone with a high-end DSLR. Check out how the results came out pitting the Apple iPhone 7 Plus vs Canon EOS 5D Mark IV against each other. 

Directed and Produced By: Bhavya Desai
Camera Work: Souradeep Roy and Mrinmoy Choudhury
Editing and Sound: Souradeep Roy and Abhishek Desai

Tamron wins TIPA Award for four consecutive years

Tamron Co., Ltd, recently announced that it’s SP 150-600mm F/5-6.3 Di VC USD G2 (Model A022) has been awarded with the “TIPA Awards 2017- BEST DSLR TELEPHOTO ZOOM LENS” hosted by the TIPA (Technical Image Press Association).


According to an e
xcerpt from the Award Citation of the TIPA Jury,the long-range zoom is built for full-frame DSLRs but can also be used on APS-C DSLRs to deliver an incredible 225-900mm focal length range (approximate, depending on camera). Tamron’s improved VC (vibration compensation) reportedly offers a 4.5 stop advantage with three modes for a variety of shooting scenarios. The lens incorporates three low dispersion elements to aid in the elimination of chromatic aberrations and is constructed with 21 elements in 13 groups, with a minimum focusing distance of 86.6 inches (220cm). Other features include eBAND and BBAR coating to help reduce ghosting and flare, a fast ultrasonic silent drive ring-type motor, and leak-proof seals on the metal barrel.

The TIPA Awards are world-renowned as one of the most influential photo and imaging product awards in the industry. The Technical Image Press Association (TIPA) has a worldwide membership of photo and imaging magazines from 15 countries across five continents. Once a year the editors of TIPA’s member magazines meet to vote for the best photo and imaging products in each category.


Tamron Co., Ltd, also announced on March 31, 2017 that its SP 70-200mm F/2.8 Di VC USD G2 (Model A025) had won the grand gold award in the Interchangeable Lens / DSLR category at the Digital Camera Grand-Prix 2017 Summer. Gold awards were also awarded to Tamron’s SP 150-600mm F/5-6.3 Di VC USD G2 (Model A022) and the 10-24mm F/3.5-4.5 DiⅡ VC HLD (Model B023) lenses.


The Digital Camera Grand-Prix is a consumer-oriented awards ceremony for all manner of digital imaging-related solutions. Winners are selected by a panel of photographers, critics and distribution-related professionals with a view to choosing optimal products with which users can also enjoy photographs and photography, and not merely the taking of photographs. Full details of results and award-winning products are distributed at retail outlets, etc., in the form of a free magazine entitled Digital Camera Grand-Prix Award-winning Product Shopping Guide.

Exclusive preview of Panasonic GH5 in Mumbai

On 28thMarch 2017, Panasonic launched its most hyped camera of all times, the Lumix GH5. The new camera was launched in Delhi, but Panasonic gave people an exclusive preview of the GH5 before the official launch, at a workshop in Mumbai. The workshop was conducted by Nick Driftwood, an actor, photographer, filmmaker and an experienced director. Nick has been testing the GH5 and he shared his experiences of working with the GH5. Nick shared a lot of images and videos shot by him explaining various features of the GH5 and how it could be used to replace a photographers still and filmmaker’s video camera. The GH5 gets the hype from its most amazing feature which is the 6K screen-grab that can be extracted from 4K videos. Nick emphasised the fact that the latest demand in quality video production is putting more and more video makers in a dilemma. The dilemma of buying a camera that could do all. This is where the GH5 claims to focus on. A camera that can be good enough for production quality videos and great stills. The GH5 shoots 4K videos as well and slow motion full HD.


The Panasonic GH5 had received a lot of attention even when the camera was first announced last year, as rumors spread like a wild fire and every enthusiast looked forward to get their hands on the camera. The workshop also had arranged a hands on with several Lumix lenses compatible GH5 lineup. Summing up, the Panasonic GH5 is a micro four-thirds interchangeable lens camera with a 20.3 megapixel sensor, 4K video shooting and 6K photo. The GH5 also shoots slow motion full HD videos. It also features dual SD card slots. Along with the GH5, Panasonic has also showcased an XLR hot-shoe adapter for external microphones and a battery grip which will increase the shooting duration. The GH5 also shoots without a break which means you can keep shooting until you run out of memory.


Specifications

  • 20MP – Four Thirds CMOS Sensor

  • ISO 100 – 25600

  • 5-axis Sensor-shift Image Stabilization

  • 3.2″ Fully Articulated Screen

  • 3680k dot Electronic viewfinder

  • 12.0 fps continuous shooting

  • 4K – 3840 x 2160 video resolution

  • Yes High-Speed Video

  • Built-in Wireless

  • 725g. 139 x 98 x 87 mm

  • Weather Sealed Body


MoU signed between FTII and Canon to promote short courses in Film & Television

Minister of State for Information & Broadcasting, Col. Rajyavardhan Rathore has reportedly said that Technology has played a critical role in defining the contours of professional photography and art of film making. The exposure of budding young talent to the nuances of technology has a positive impact on their learning curve. This initiative would ensure the perfect blend of technology and young talent through the platform of FTII. The Minister stated this on the occasion of signing of an MoU between Film and Television Institute of India, Pune and Canon India Private Limited. Mr. Kazutada Kobayashi, President & CEO, Canon India was also present on the occasion. 

According to media reports the MoU between Film and Television Institute of India, Pune and Canon India Private Limited would promote film education through short-term courses across several towns and cities in the country. Under FTII’s unique initiative SKIFT (Skilling India in Film and Television) several short courses, mostly of skill-oriented nature have been proposed to be held in collaboration with State Governments, Universities and Educational institutions. 

FTII Pune, one of Asia’s leading and India’s foremost institute in film and television education has been preparing to break new grounds by pushing to democratise cinematic education by offering quality and affordable training to general public and practitioners alike at locations where there is a demand for such courses. According to reports, FTII is also in the process of aligning some of the short courses with Pradhan Mantri Kaushal Vikas Yojana (PMKVY) under National Skill Development Council. While speaking on the occasion Mr. Kazutada Kobayashi said that Film & Television Institute of India (FTII) was one of the most reputed institution across the world and Canon was proud to announce the partnership for SKIFT which has been designed to spread the art of cinematography and film making, across the length and breadth of the country. As a technology partner for this initiative, Canon India was delighted to add value to the program endeavored to scale skill development in film and television to greater heights. 

Canon, as ‘Technology Partner’ of SKIFT would be providing high-end cameras and accessories free of cost for the courses. This support would be a major contributing factor in keeping the course fees affordable while offering an opportunity to course participants to use cutting-edge equipment. According to the reports, the courses are proposed to be held in non-metros such as Guwahati, Jaipur, Vishakhapatnam, Raipur, Chandigarh, Raipur, Bhopal, Leh and Andaman & Nicobar Islands to begin with. Initially SKIFT would conduct courses such as Digital Cinematography, Documentary Film Making, Screenplay Writing, Acting, Film Criticism & Journalism and Film Appreciation.

Sony introduces new Super 35mm / APS-C Professional lens

Sony India has recently introduced a new Super 35mm / APS-C format power zoom lens. Promising the uncompromising image quality, the power zoom lens starts at 18mm wide angle and extends to 110mm at the telephoto end (27mm – 165mm equivalent in 35mm format), with 6.1x high zoom ratio even with inner focus; while maintaining a constant F4 aperture throughout for depth of field effects and stable exposure control across the entire standard zoom range.

It consists of 18 elements in 15 groups, including 6 aspherical elements and 3 Extra-low Dispersion (ED) glass elements. It is also said to feature a highly intricate 7 blade circular aperture design that delivers extremely high resolution image quality, particularly suited to professional 4K movie shooting.


According to Sony, the SELP18110G is the second lens to benefit from Sony’s Smooth Motion Optics (SMO) design and construction. It has been reportedly developed to eliminate unwanted image shifts while operating the lens during movie shooting. Sony also stated that the SMO addresses three particular aspects on lens operation that can have a significant impact on movie quality: Focus Breathing, where shifts in angle of view during focusing are minimized by an internal focus mechanism; Focus Shift, where small shifts in focus that can occur while zooming are eliminated by precise focus tracking adjustment; and Axial Shift, where axial image shifts while zooming, are minimized by a constant length design.


The reportedly high level of operatability and quiet operation of the new lens make it a compelling proposition for its integration into professional movie production environments. Its three separate rings are said to offer control over focus, zoom, and aperture, with optimal torque for a satisfying responsive, professional feel. Both servo and responsive manual mechanical zoom are fully supported and the zoom ring direction is switchable to match individual user preferences. Sony has also informed that the lens length will remain constant during any changes making it easy to use with matte boxes and other lens accessories. A first for α lenses, the SELP18110G has a 0.8mm pitch focus gear built right onto the lens, providing direct compatibility with standard focusing accessories.


The SELP18110G is said to offer extra versatility thanks to Optical SteadyShot technology that will provide in-lens image stabilization during handheld shooting. Making the lens ideal for outdoor use, it is reportedly complemented by a dust and moisture-resistant design.


Sony has revealed that the SELP18110G Super 35mm / APS-C power zoom lens for professional movie-makers and photographers will be available in select Alpha Flagship stores and select Sony Center across IndiaThe price of the SELP18110G ₹ 2,69,990 and the lens will be available from 10thMarch 2017 onward.


Nikon’s Ultra-Limited Edition 100th Anniversary DSLRs and Lenses

Nikon is celebrating its 100th anniversary this year. And part of the celebrations involves putting out some seriously limited edition DSLRs and lenses that will have all the Nikon users craving for them for sure.


The kits were revealed at the CP+ show, and they include two DSLRs and three lenses done in a gorgeous gunmetal gray and sporting 100th anniversary markings. According to news reports the cameras and lenses picked are the Nikon D5 and Nikon D500 DSLRs, and the ‘holy trinity’ Nikkor 14-24mm f/2.8G ED, Nikkor 24-70mm f/2.8E ED VR, and 70-200mm f/2.8E FL ED VR lenses.


According to some rumors, only 100 of each of these kits the D5, D500, and the lens trio will be made available for purchase. Pricing is not yet available, but they’ll cost a pretty penny more than the standard versions. After all, Nikon will only turn 100 once.