BenQ has introduced the PD2770U, a 27-inch 4K professional monitor featuring a built-in colour calibrator, aimed at post-production teams, studios, and independent creators. The monitor was unveiled at the Broadcast India Show 2025, markingIndia as the first market for its global launch.
The PD2770U integrates an internal calibration system that adjusts colour accuracy automatically based on ambient lighting, reducing the need for external tools. It covers 99% of Adobe RGB and DCI-P3 colour spaces, along with full Rec.709 support. The display is also certified by Pantone Validated, Pantone SkinTone, and Calman Verified for colour precision across various media formats.
The monitor supports centralised control through its RJ45 LAN port and DMS Local software, allowing studios to manage and synchronise colour calibration across multiple displays. Additional features include a Nano Matte Panel to reduce glare, a magnetic shading hood, Display Pilot 2 software for workflow tools, and a Hotkey Puck G3 controller for quick adjustments.
The BenQ PD2770U will be available in India from November through authorized retail outlets and the company’s official website.
Canon India unveiled the EOS C50, Canon’s compact digital cinema camera designed for professional video production at Broadcast India Show.
The Canon booth featured three immersive zones replicating real-world production environments: the Cinema EOS & DILC Zone, the Virtual Production Zone showcasing PTZ and C400 cameras with Cine Servo, and the R50V Zone for digital-first creators. Visitors experienced hands-on workflows across cinema, virtual production, and live broadcasting.
Canon’s product showcase spanned the full spectrum of content creation: the EOS R50V for creators and vloggers, the EOS R5 Mark II for hybrid filmmaking, and the EOS C400, C80, and EOS C50 for high-end cinematic and OTT productions.
Canon India President & CEO Toshiaki Nomura emphasized the company’s commitment to empowering visual storytellers with end-to-end solutions across broadcast, OTT, and cinema. “This year, we are proud to unveil the EOS C50 for the first time in India, alongside our acclaimed Cinema EOS and PTZ camera range. Our comprehensive imaging ecosystem is built to meet the evolving needs of modern production, from virtual sets and VR to live studios and streaming”
Nikon India unveiled the Nikon ZR, a full-frame cinema camera, at the Broadcast India Show 2025 in Mumbai. Developed in collaboration with RED Digital Cinema, the ZR features internal 6K RAW recording and RED-curated colour science, offering cinematic video and professional-grade audio in a compact 540g body.
Key Specifications:
RED R3D NE codec
Internal RAW video: 6K/60p (R3D NE, N-RAW, ProRes RAW HQ)
Dual base ISO: 800/6400
Monitor: 10.16cm (4-inch) vari-angle with a 3070k-dot resolution
Dynamic range: 15+ stops*
The world’s first in-camera 32-bit float , OZO Audio, 3.5mm line input
Slow motion: Up to 10x slow motion in Full HD (FHD 239.76p)
Cloud-ready: Frame.io integration
Monitoring: Waveform, histogram, LUTs
Stabilisation: 5-axis IBIS
Build: Magnesium alloy, dust-and-drip resistant
Weight: 540g
The Nikon ZR will be available in India from 16 October 2025 at ₹86,995 (body only).
Nikon has also launched a dedicated Z CINEMA Instagram account to provide updates and resources for filmmakers: https://www.instagram.com/zcinema_
The photography and imaging industry is constantly changing. Over the last decade it has faced increased competition from other imaging devices, especially smartphones—with many writing off cameras to become redundant in the near future. However the industry has shown resilience and continues to grow despite its challenges. But what is the future like? Bhavya Desai spoke to Mukesh Srivastava, Head of Imaging Business (Professional & Consumer Cameras), Sony Electronics on what’s in the long haul. Excerpts:
In the long haul, what is your assessment of the industry?
The imaging industry has always thrived on transformation—from DSLRs to mirrorless technology and now Artificial Intelligence. Each shift opens new possibilities in storytelling. As audiences evolve, so do creators—from established professionals in weddings, wildlife, film, and fashion to emerging content creators from Tier 2 and 3 cities driven by online learning and influencer culture.
The future lies in hybrid solutions that deliver both exceptional stills and cinematic video. Innovation now focuses on versatility—empowering every creator to tell stories without compromise.
Where do you think the next big growth in the industry is coming from?
The creator economy is reshaping how content is consumed. This was evident at this year’s WAVES Summit, where Prime Minister Narendra Modi highlighted its potential. Conversations extended to drones, micro-dramas, short-form storytelling, and even bodycams—signalling how imaging is broadening across industries like agriculture, logistics, and surveillance.
The future will be defined by how effectively technology empowers creators—simplifying workflows, enhancing connections, and expanding influence across audiences and cultures.
What are the current challenges for Sony today and how are you navigating them?
Our biggest challenge is clearly communicating the value of our extensive camera lineup. The needs of professionals, vloggers, and hybrid creators vary widely. To address this, we’re investing in hands-on workshops, short-form videos, and Alpha Classroom—helping users understand which product fits their creative journey. Whether online or in-store, our goal is to make each camera’s value clear and accessible.
How do you see the current imaging market in India evolving—are enthusiasts driving growth, or is it professionals?
India’s market has long been anchored by professionals, but a growing segment of enthusiasts and semi-professionals is now upgrading from smartphones. This mid-tier segment is fuelling growth, making India one of the most dynamic imaging markets globally. Today’s enthusiasts are tomorrow’s professionals, and they are elevating creative standards.
Smartphones are getting more advanced—how does Sony position its cameras in this competitive landscape?
Smartphones have made photography accessible—and that’s a good thing. They’ve rekindled interest in image-making. But as creators seek more control, Sony steps in. Our ‘Faraq Padta Hai’ campaign encourages amateurs to rediscover the joy of photography and capture better images with Sony cameras.
We position our products as tools for creative control – offering superior dynamic range, interchangeable lenses, and cinematic quality, while ensuring intuitive connectivity for an easy transition from smartphone to camera.
Do you see younger creators (YouTubers, content creators, vloggers) influencing Sony’s India strategy?
Absolutely. Young YouTubers, vloggers, and influencers are driving trends in short-form video, live streaming, and hybrid content. Their need for lightweight, connected, and affordable gear directly shapes our product design and marketing.
Their feedback informs everything—from autofocus and touch interfaces to app integration—ensuring every touchpoint reflects their aspirations and supports their creative journey.
Festive season is a busy time for both photographers and imaging companies. Over the years ZEISS has been a name that has been synonymous with high-quality optics and a signature look. Asian Photography spoke with Kunal Girotra, ZEISS’s Regional Head: India, Southeast Asia & SAARC – Photonics & Optics about their upcoming plans and India’s importance in their global growth. Excerpts:
What are your thoughts about the Indian market and how is the business?
ZEISS holds a dominant position in the premium segment of the Indian market for lenses and optical systems. Our strength lies in our unwavering commitment to innovation and quality. We support a wide array of brands with our lens lineup, a testament to our technological leadership. We continuously listen to our customers and innovate to meet their evolving demands. Unlike many competitors who focus on a price-sensitive consumer base, ZEISS competes on value, precision, and long-term benefits.
This strategy has resonated with discerning customers who are willing to invest in solutions that offer superior outcomes. The Indian market presents a unique landscape for the optics industry, distinct from consumer-driven markets like Europe, the US, or China.
What are the plans for the festive season?
We are preparing for the festive season with a strong focus on the e-commerce channel. We have established a robust online presence on major platforms including Amazon and Flipkart. This digital-first approach is paying off significantly, with the e-commerce channel experiencing a remarkable growth rate of nearly 90%. With 180 different products available online, we are able to reach customers even in remote regions where physical retail stores are not accessible.
Recognising that binoculars and lenses are popular gift items for nature enthusiasts during the festivals, ZEISS is actively participating in key e-commerce events and ensuring its products are featured prominently in festival offers, both online and in physical stores, maximising visibility and sales during the peak consumer spending period.
Which product categories are you focusing on growing in the next year?
Our product pipeline is robust, with several new and exciting developments in the works. We are not just creating incremental updates, but looking to develop innovative products that will once again set the standard for quality and performance in the industry.
How is India contributing to ZEISS’ global growth?
India is a pivotal and high-growth market for ZEISS, acting as a key driver of the company’s global expansion, particularly within the Asia-Pacific region. Alongside India’s sustained strong performance, ZEISS is experiencing remarkable growth in other Southeast Asian markets like Thailand and Singapore, with triple-digit growth expected this year. This success indicates a growing appreciation for ZEISS’ comprehensive range of photography and sports optics products.
To further fuel this growth, we are strategically entering new markets such as Vietnam, Indonesia, and the Philippines, where a rapidly growing e-commerce landscape will play a crucial role in making products accessible to a wider audience. This expansion, combined with the continued strong performance of its core growth markets, solidifies India’s significant contribution to ZEISS’ overall global success.
How would you define ZEISS’ long-term India roadmap for stakeholders and business partners?
We also take part in events, especially forest and wildlife events, to connect with our customers. Following a bottom-up approach, we spend time understanding consumer behaviour and identifying the right pricing “sweet spots”. While we remain a premium brand, we also offer products in price segments where customers are willing to buy, without compromising on innovation or quality. This strategy has been very successful.
OM SYSTEM (formerly Olympus) has announced the launch of two new products in India – the OM-5 Mark II interchangeable lens camera and the M.ZUIKO DIGITAL ED 50-200mm F2.8 IS PRO lens. The products are aimed at wildlife, macro, birding, landscape, travel, and street photography.
The OM-5 Mark II builds on the OM-5 series, offering upgrades based on user feedback. Compact and lightweight, it features splash, dust, and IPX53 freeze-proof protection certified to -10°C. The model includes 5-axis image stabilisation and a redesigned grip for improved handling.
The M.ZUIKO DIGITAL ED 50-200mm F2.8 IS PRO lens covers a 100-400mm equivalent focal range with a constant F2.8 aperture. The lens supports 5-axis sync image stabilisation, enabling up to 7 steps of stabilisation for handheld shooting at long focal lengths.
Both launches coincide with the festive season in India. The OM-5 Mark II with a 14-150mm kit lens is priced at ₹1,39,990 and will be available from 18 September 2025, bundled with complimentary 10×50 binoculars worth ₹14,990 as part of the launch offer. The M.ZUIKO DIGITAL ED 50-200mm F2.8 IS PRO lens will be available from 1 October 2025 on an order basis, priced at ₹3,29,990.
Alongside the launches, OM SYSTEM also announced its annual APAC photography competition, running from October to January, with results declared in March each year.
Nikon India has announced its support for the Youth India Programme as an official equipment partner. The initiative, led by Arya Chitra, General Manager of the Youth Global Program, is designed to build creativity and provide students with skills relevant to future careers.
The programme will engage with 20 schools and colleges during this financial year. It offers structured exposure to photography, filmmaking, storytelling, and responsible media use. Students will benefit from Nikon-led workshops, curated projects, and guided excursions. Dedicated media labs equipped with Nikon mirrorless cameras, media kits, and mentorship will also be set up in participating institutions.
According to Sajjan Kumar, Managing Director of Nikon India, early skilling plays an important role in preparing students for the future. The initiative encourages creativity, experiential learning, and career readiness.
The programme has begun its rollout with leading educational institutions, starting with the Global Indian International School network under the Global Schools Group. Arya Chitra highlighted “the Youth Programme is more than just photography/videography – it’s a movement of youth empowerment through creativity and purpose. Through storytelling, visual expression, and digital media, young Indians are finding their voice, and that voice is powerful.”
Nikon India has officially introduced the ZR – a compact full-frame cinema camera. Developed in collaboration with RED Digital Cinema, the ZR is Nikon’s first model to feature the RED R3D NE codec, allowing internal 6K RAW video recording.
The camera supports up to seven video formats, including 12-bit RAW, and offers features such as dual base ISO (800/6400), 5-axis in-body stabilisation, and a 4-inch vari-angle LCD that goes upto 1000 nits of brightness. It includes nine RED-curated imaging presets, real-time waveform, histogram, and zebra overlays, as well as support for multiple LUT formats.
Aimed at filmmakers, the ZR offers internal 32-bit float audio recording via both the 3.5mm jack as well as the digital hotshoe. It also features direct Frame.io cloud uploads, multiple subject detection options through deep-learning autofocus, and tools tailored for studio and multi-camera workflows.
Weighing 540g, the body is primarily designed for portability and durability. Nikon also introduced the ME-D10, a battery-free shotgun microphone that connects through the ZR’s digital accessory shoe.
The Nikon ZR will be available across India from October 16, 2025, at a retail price of ₹186,995 (body only).
The iPhone 17 series just dropped and despite the leaks and updates prior to the launch, this was an update that might’ve surprised many. With a new line up Apple has introduced the iPhone 17, iPhone Air and the iPhone 17 Pro models. And these have many patrons really excited – the Pro models and the iPhone Air run on the new A19 Pro chip, while the 17 use the A19 chip.
Apple’s iPhone 17 lineup features high-resolution sensors, AI-powered framing, a revamped thermal design and imaging upgrades across the board. For photographers and visual storytellers, this launch is less about incremental tweaks and more about what the new cameras can achieve.
In this I’ve dived into what do the cameras offer on these devices.
iPhone 17 Cameras: Two 48 MP Cameras
The base iPhone 17 keeps things tight with a two-camera setup and starts at a price point of ₹82,900, which still feels powerful. Although it looks the same as the iPhone 16 in terms of layout, at the back, it now houses two 48MP Fusion Cameras. It offers optical-quality 2x Telephoto; and a new 48MP Fusion Ultra-Wide camera.
iPhone 17 Back Cameras
While up front, Apple has introduced a new 18-megapixel camera with a new square sensor with Center Stage, ensuring users remain perfectly framed during calls or vlogs. For the first time, all iPhone 17 models also start at 256 GB of storage — a welcome news for those shooting high-res stills and video — and Apple has kept pricing consistent with last year.
New Square Sensor at the Front/Selfie Camera
The iPhone 17 now also features dual capture, allowing simultaneous front and rear video recording, a feature tailor-made for vloggers and event documentarians. Although this has been available on android devices for a long time, it’s still a welcome change for many users, maybe.
iPhone 17 Pro cameras: 48 MP cameras
Where the standard model makes smart refinements, the iPhone 17 Pro takes an audacious leap. The Pro models now feature three 48-megapixel Fusion cameras. iPhone 17 Pro camera offers 4× optical quality zoom at 100 mm and an all-new 8× reach at 200 mm, with a digital zoom maxing out at 40×. While this may sound like less reach compared to the iPhone 16’s 120 mm equivalent, Apple has focused on sharper, cleaner results, focusing on quality and not numbers.
Three 48 MP Cameras at the back of iPhone 17 Pro
The phone features a 56% larger sensor on the main camera along with an updated Photonic Engine, which is supposed to deliver richer colour accuracy and dramatically better low-light performance says Apple.
It’s not just the cameras that’ve changed – it is also the layout. Apple has also re-engineered the hardware to support these advances and the camera module on the back now has a new look which also houses some important elements. The Pro introduces a laser-welded vapour chamber that dissipates heat faster, so long video shoots or continuous burst photography won’t cause the device to throttle or heat up uncomfortably in hand. That’s critical, especially now that the iPhone 17 Pro is capable of ProRes RAW video capture — a feature that until recently belonged exclusively to cinema-grade equipment. In fact, as tradition Apple underscored its confidence by shooting the entire launch event on the iPhone 17 Pro itself, a bold statement on just how production-ready this device has become.
iPhone Air camera: One 48 MP All-in-One Camera
With the launch of the iPhone Air is Apple flexing Its engineering prowess. Adding to the family, the new iPhone Air stakes its claim with feather-light design at just 5.6 mm thin and built with titanium. It houses a 48 MP Fusion Main Camera with a built-in 2× telephoto lens and optical-quality zoom versatility, alongside the same 18 MP Center Stage front camera and dual-capture video found in its siblings. That means you get four-in-one framing flexibility—28 mm, 35 mm, and 52 mm equivalents.
iPhone Air camera housing
The Selfie Camera: A New Square Sensor
With the new front cameras, it is clear that Apple is looking to target the creators and make their life easier. The 18 MP front camera with Center Stage means your selfies and livestreams are always perfectly composed. And the new square sensor means that everyone fits into the frame without having to rotate the phone – that is surely a great move.
The dual capture feature lets storytellers record themselves and their subject in one take without third-party gear. The Fusion system allows photographers to crop deeply into 48 MP files without sacrificing sharpness. And with ProRes RAW now in your pocket, post-production workflows gain the kind of latitude usually reserved for full-frame rigs. Add in the vapor chamber’s thermal stability, and the iPhone 17 Pro becomes a device that can shoot, process, and export content at a professional level without compromise.
Stay tuned for the full review because in a longtime we are really excited about the new devices.
All models run iOS 26 and features Apple Intelligence. Pre-orders have started with availability from September 19 in over 60 countries. In India, iPhone 17 starts at ₹82,900; while the iPhone Air is at Rs. 1,19,900 and the iPhone 17 Pro starts at Rs. 1,34,900 and Max at Rs. 1,49,900.
India’s aviation regulator, the Directorate General of Civil Aviation (DGCA), has commenced the process of retroactively cancelling registration of certain Unmanned Aircraft Systems (UAS), including DJI drones, that were improperly registered under the Drone Rules, 2021.
A public notice dated 12 August 2025 identifies those misusing the Digital Sky platform to self-generate Unique Identification Numbers (UINs) with misleading declarations in Form D-2—specifically claiming drones were for “educational, research, design, testing or recreational” use when they were not, and registering foreign-manufactured drones imported without required DGFT authorization DigitalSky.Registrants under review will be provided an opportunity to respond within one month, by submitting documentation such as purchase invoices, import permissions, weighing certificates, and manufacturer details to drone.dgca@gov.in DigitalSky. Failure to respond may result in outright cancellation. Operating a drone with a suspended or cancelled registration is strictly prohibited and may lead to legal consequences under the Drone Rules, 2021 and the Aircraft Act, 1934
