After years of sitting out of the mirrorless battle, Canon has finally announced the arrival of the much-awaited EOS M, its first mirrorless camera. We had a firsthand look at the product at our office, and we give you a quick rundown of the concept it was designed with. Canon has engineered the EOS M with the intention of providing the users with the same image quality as its DSLRs, but in a compact size. The EOS M fits into the existing Canon EOS family smoothly, as all the accessories available for the other EOS DSLRs are perfectly compatible with it. Canon has kept in mind the ease-of-use its products offer, and has kept the generic body layout essentially the same as all of its EOS DSLRs.

The EOS M is equipped with an easy to operate touch screen interface and an 18MP sensor; just like the newly launched EOS 650D, Canon’s latest offering in the DSLR segment. The EOS M comes with a new, highly compact EF-M lens mount especially designed for its mirrorless products, though Canon does plan to offer an adapter along with the camera that allows users to mount any lens on the EOS M compatible with the EOS family. This means that existing Canon DSLR owners need not invest in a new set of lenses and can breathe easy!

But what makes the EOS M stand out from the rest? The camera works on a slightly different concept from the rest of the products in the market. The other brands, like Olympus and Panasonic (the original inventors of the technology) or for that matter even Sony, have concentrated on getting the Compact Camera technology up to the level of a DSLR minus the bulk. Canon has designed the EOS M in an attempt to reduce a DSLR to a more compact form, while at the same time delivering the same exact photo quality, as they have not compromised on the sensor size at all. 

Two new lenses have been introduced for the EF-M mount; an 18-55mm F/3.5-F5.6 IS and a 22mm f/2.0. The lenses are, when held, much more compact than their DSLR counterparts. The quality of the shots taken by both was at par with the 650D. A lot of Canon users have been eagerly awaiting the release of an adept mirrorless camera by the Japanese imaging giants, and the EOS M seems perfectly poised to fill that void.­

The camera is targeted at users who don’t want to bother with heavy equipment without compromising on the photo quality and ease of use, like street photographers, women, etc. The camera is equipped with a lot less buttons than its DSLRs, which combined with the firm grip makes holding it a lot easier. The 1040k dot 3:2 Clearview II LCD on the back panel of the camera is a multi touch interface that allows you to swipe through the photographs and menu functions just like a smartphone.

The camera however doesn’t feature a built-in flash, a small compromise in order to keep its size compact. But the company officials have mentioned to us that an external flash unit will be supplied in the kit with the EOS M, which can be mounted on any DSLR in the EOS range too. 

As seen in the images, the flash unit seems to be very compact, much more so than its competitors in the market. The camera’s sensor is an 18MP APS-C Hybrid CMOS, the same as the 650D; which, as we said before, is capable of delivering the same high resolution photographs and image quality as the existing Canon DSLR’s under the same price segment.

The camera’s body is an amalgam of magnesium alloy, stainless steel, and composite materials, though the final finish on each of the red, grey and black variants is done according to the colour. The EOS M is what we call the mirrorless version of the 650D; the sensor is exactly the same, which is expected to give the photos the required SLR-like quality; the touchscreen functions are also almost identical, and it enters the market at about the same time. The tentative price of the camera is expected to be somewhere around Rs. 50,000, including the 18-55 kit lens, but as it is not released here yet, the exact price will only be seen when it is. We will be doing a full performance review as soon as it arrives in the Indian markets. Considering Canon’s prowess in the imaging industry, the EOS M sure has the potential to be the next best thing in the already thriving mirrorless market. 

Nokia recently released its revolutionary 808 PureView, Nokia’s first smartphone to include its award winning PureView technology. The 808 PureView comes with a 41 MP sensor with Carl Zeiss optics, which makes it the best device the smartphone imaging industry can offer right now. This phone is one big step towards the smartphone imaging revolution, with more and more companies now trying to provide the customers with a better imaging experience in a smartphone than most high-end cameras.

After its launch, the 808 PureView has won the Best Mobile award at the prestigious Mobile World Congress, 2012, as well as the Best Imaging Innovation award from TIPA (Technical Image Press Association) The 808n PureView comes with a single core, 1.3 Ghz processor, with 512 MB of RAM, running on the Symbian Belle platform. The screen is a 16:9 4” inch AMOLED unit of nHD (640 x 360) resolution, covered by the sturdy Corning Gorilla Glass. The phone is only available on Amazon UK and Amazon US right now, but a worldwide release is expected.

As Samsung recently overtook Nokia in terms of worldwide smartphones’ sales, it can be safe to say that Nokia is planning to take the market by storm. The PureView technology looks promising, and Nokia plans to release more smartphones based on it .For the photographers too, it’s not really a bad deal either. Even though it is launched at a steep price of 500$, the 41 MP sensor makes sure that resolution will not be a problem, and add the latest imaging processing apps from the OVI store, and we might be looking at the best imaging oriented phone till date. Its performance can only be fully judged after its worldwide release, but it sure looks very promising on paper. 

With more and more people graduating from touchscreen smartphones or digital cameras towards a more professional equipment set, mirrorless cameras have been the obvious choice for many lately. DSLR manufacturers are constantly trying to come up with products with the functionality of a mirror less as well as the power of a DSLR. Canon, keeping that in mind, recently launched its EOS 650D (Rebel T4i), the first DSLR ever to feature a touch screen. You can swipe between photographs, operate it with multi touch, set gestures for specific functions etc.

Apart from the touchscreen, Canon has also added some other features to make it a competent entrant in the entry-level DSLR market. For one, it features the Canon DIGIC 5 processor, previously seen on a couple of its compact cameras. The processor gives way to an increased maximum ISO of 12800 (25,600 in extended mode). Canon has also added a built in microphone to capture sound with the video, and has a socket for an external microphone, if one wishes to record better sound quality. Apart from this, Canon has introduced two new scene modes, ‘HDR Backlight’, and ‘Handheld Night Scene’. 

Looking at the history of the Rebel series, Canon will most probably discontinue the 550D, and bring the 600D’s price a notch down to accommodate the new 650D. There aren’t many major changes in the camera, and if you have a fairly capable DSLR which you recently bought, this one is not for you. But for photographers graduating to DSLR’s from handhelds or smartphones, this might just be what you’re looking for, and the touchscreen sure wouldn’t hurt.

Here are some quick specs:

• 18 MP APS-C
• DIGIC 5+
• SDHC slot, USH-1 complaint
• Current xxD’s AF system (9 cross-type points, found in 40D, 50D, 60D)
• T3i metering system (63 zones like 7D and 5DIII)
• 5 fps
• Pentamirror Viewfinder
• ISO 100-12,800 expandable to 25,600
• Articulated touchscreen LCD
• Hybrid AF during video shooting

The MacBook, for a long time, has been known for its affinity with professional photographers for its editor-friendly softwares, as well as its powerful processors. Recently, Macbook got a major facelift with Apple’s integration of the famous Retina Display into its famous Pro series. The notebook features what Apple is calling, the new Retina technology, which provides a resolution of 2880 x 1800, nearly four times of that of a normal screen.

It’s especially handy when it comes to processing photographs, as the resolution is at par with what the camera churns out when shooting in RAW. Special upgrades have been made to RAW image processing softwares like Adobe Photoshop and Apple Aperture (in Mountain Lion), to accommodate the higher resolution, as this is the first time someone has introduced so much resolution in a computer.

Apple also claims that they have reduced the glare on the display by 75 per cent. How accurate that is remains to be seen. Apple has also had to customize a lot of its own applications to keep up with the Retina Display, like iTunes, iPhoto, Facetime, etc.  A lot of third party applications and games, like Diablo III, are also introducing fixes to accommodate Retina. You might have to wait for a little while before all your necessary third party applications are customized.

One problem with the Retina Display is its battery consumption. As the Retina Display takes up considerably more amount of power than the previous model, Apple scrapped off the big hard drive and replaced it with flash memory, to make way for a bigger 95 watt hour battery, compared to the previous, 77.5 watt hour battery. Apple claims that the battery life will not be much different from the previous model, which again, will be seen once it is launched. All in all, even though MacBooks have never really needed much recommendation or advertising, the enthusiastic, tech-savvy Indian consumer will still have to wait for a while to get a hold of that shiny, slim Pro in their hands, as there hasn’t been any official announcement on the date on the launch yet. 

Other Specs

Other than that, the new 15-inch MacBook is also lighter than the previous version. The machine’s aluminum body design weighs about 4.46 pounds, 1.1 pounds lighter than the previous one, and is 0.71 inches thick, which is just about as thick as a MacBook Air. The machine is packed with a heavy, 2.3 GHz quad-core i7 processor, Nvidia GeForce GT 650M graphics with 1GB of video memory, 8GB of 1600 MHz RAM, and 256GB of flash storage.

With all things beautiful, Leica as a brand has always been known to produce timeless beauties. At a time when all manufacturers are consistently moving towards the space-age, Leica has somehow still managed to grab eyeballs due to its ever popular, retro-look cameras. Mind you though, it is not only the looks that appease the professionals, it’s the combination of performance and style that makes Leica a force to reckon with.

So when the company recently released the M-Monochrom, a fully black and white camera for high dynamic range, low light B&W photography, we were particularly excited. For starters, the ISO range has been increased to 10000, from 2500 of the M9, which can be a picture changing feature when it comes to black and whites, as noise is one of the primary problems black and white photographers face. Leica here, like the M9, has targeted a really niche audience by the virtue of its price, as well as its the almost-redundant manual focus rangefinder design. The camera isn’t designed with any filter array to register color information, which makes sure that the sensor captures all the light which falls on it. Compare it to the black and white mode in a normal camera which closes the part of the sensor which registers colors to capture just blacks and whites, it certainly helps in decreasing the level of noise in your pictures. This is a major factor which allowed Leica to increase the camera’s ISO to 10000. Also, because there is no color information in play here, the noise isn’t spread throughout the image because of demosaicing (the process of reconstructing a full color image from incomplete color pixels captured by the sensor), which again considerably helps in decreasing the level of noise in the pictures. The M-Monochrom only shoots 34.7mb DNG files, and there is no option available for compression.

As the camera lacks live view, the histogram can only be seen after the picture has been taken, so how the picture is going to come out can only be seen after it has been taken. Also, as the histogram is not affected by factors like white balance or colour levels, obtaining correct exposure can prove to be considerably easier. Another high point of the M-Monochrome is the resolution. Because the sensor doesn’t register any colours, it records accurate luminance values for every pixel, which helps it in delivering true black and white photographs, which cannot be achieved by taking a B&W with a normal camera, or taking a color with a normal camera and processing it into a B&W. 

The body of the M-M has not been changed much from the M9. In fact, there haven’t been any major changes in the structure of Leica cameras for a long time now. The camera has been priced at $7500-$8500, though it is yet to be released in India. This one is, for sure, not targeted towards the masses, but film users who have been looking at moving to digital without comprising on the design might find it to be a deal of a lifetime. 

Epson India recently announced the appointment of Toshiyuki Kasai to the newly created position of President at Epson India. Toshiyuki will be based out of Epson India’s Bangalore headquarters. He is an Industrial Engineer from Waseda University and brings with him extensive experience spanning 30 years spent in various capacities within the Seiko Epson group. 

With India being a priority market, Epson India will no longer be reporting to the regional hub at Epson Singapore but will now be reporting directly to Seiko Epson Japan. This along with Toshiyuki’s appointment is indicative of the increased expectation from Epson India in the years to come.

Toshiyuki has a vast body of experience and has worked in various functions including production control, purchase, information systems, corporate planning, business planning, profit management and various project activities. This is Toshiyuki’s third posting out of Japan. He has spent seven years at Epson Portland (USA) in the late 80’s/early 90’s and subsequently was the Senior Vice President of Business Infrastructure at Epson Europe from 2004 to 2007. Prior to joining Epson India, Toshiyuki was the Head of Business Management for the Imaging & Information Division at Seiko Epson Japan. 

When we spoke to the new President he seemed excited and looking forward to providing the vision and direction to ensure further robust growth for Epson India while ensuring fair returns to all its stakeholders.

For long Jehangir Art gallery has been the IT place to showcase your art. For a longtime it was also hailed as one of the leading galleries to showcase photography work. But somewhere along the way, a new meaning of art sidelined the aesthetic beauty of photography. But all this changed recently when the Jehangir Art gallery reopened its doors to photography.

The Terrace Gallery is now partly owned by Mr. Kakubhai Kothari, having it named in favor of Kakubhai’s family who funded the renovation of the gallery. As part of the inauguration and to celebrate the occasion Kakubhai’s best wildlife images were featured at the venue. He introduced the exhibition with sheer pride to his visitors, giving them small insights to each photograph. 

 “I have been tracking and photographing these wild tigers and lions for fourteen years. I have made sure that I have created a bond with each one of them. Hence making them aware that, I am a person of no threat to them but a person who loves to bond and show the beauty of the wild cats in its habitat”. We punched in a question asking Mr. Kakubhai what would be his advice to young wildlife photographers. He said,”All I have to say is don’t force yourself or the animal to get your shot, be patient and let the animal get used to your presence”.     

The Terrace Gallery is divided into two sections, one section is in broad day light, which is the outdoor gallery offering a vast area space with a splendid city view. Along the sides of the outdoor gallery is the indoor gallery section, which is fully air-conditioned and designed with spot on lighting. The Terrace Gallery is an ideal place for photography and visual art.