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Trends in Photography 2026

I’ve been writing the annual trends article for the magazine for well over a decade now, and I honestly can’t remember a time when my thoughts felt this unsettled. The last time I found myself in a similar predicament was at the turn of the millennium—around 2000—when analogue photography was clearly on its way out. Digital technology was knocking hard on the door, and no one quite knew what to expect from it, or whether it could truly replace what we had known for decades.

Interestingly, I find myself in a very similar place today while writing this article. I’m not always sure what’s real anymore, what’s manipulated, what’s AI-generated, or even where the line between the two truly lies. More importantly, I’m still unsure how much of this is a passing phase—and how much of it is here to stay. It’s been a while since photography has made even seasoned practitioners pause and recalibrate their thinking this way.

And yet, after careful consideration, observation, and a fair bit of internal debate, here is my list of Trends in Photography for 2026.

  • Bhavya Desai

The Dominance of AI in Image Creation & Editing

While AI may feel like a recent disruptor, it has been part of photography for much longer than we realise—earlier disguised as algorithms working quietly behind the scenes. That said, there’s no denying that AI’s dominance in image editing, subject removal, scene expansion and enhancement tools has now reached a tipping point.

AI has firmly embedded itself into the everyday workflow of photographers. Used judiciously, it can be an asset like no other—saving time, enabling creative experimentation and removing technical barriers. From removing unwanted elements to intelligently expanding frames, AI now plays a pivotal role in modern photography.

The sheer level of computing power we now carry in our pockets is staggering—and clearly here to stay. And this is coming from someone who firmly believes in keeping images as untouched as possible. Yet even I find myself regularly using remove tools on devices today. And this is only the beginning. From image generation to increasingly complex creative tasks, AI is rapidly moving towards doing almost everything—whether we’re fully comfortable with it yet or not.

On-Camera Generative AI and Assisted Shooting

Still in its early stages, on-camera generative assistance is another trend that will quietly but surely gain momentum. It’s only a matter of time before photographers—both professionals and casual users—start accepting a certain degree of AI ‘hand-holding’ at the point of capture itself.

This goes beyond simple automation and enters the realm of generative assistance—helping users achieve more with minimal effort. Features such as Google Pixel’s ability to add the photographer into a group photo, or cameras offering intelligent framing suggestions, style recommendations and profile selections, are early indicators of where things are headed. In 2026, expect cameras to become more collaborative tools rather than passive recording devices.

The Return to Authentic Photography

Every action has an equal and opposite reaction—and photography is no exception. As AI-generated and AI-assisted imagery becomes more widespread, the demand for authenticity will grow just as strongly.

In 2026, authentic photography will trend precisely because of AI’s rise. While photographers will continue to push boundaries using technology, there will also be an increasing need for images that feel real—unfiltered moments, honest expressions and unmanufactured realities. As humans, we are inherently wired to recognise and respond to authenticity.

A clear parallel can be drawn from recent years: aggressive skin-smoothing once dominated portrait photography, only to be replaced by far more subtle and natural rendering by 2025. In the same way, I expect 2026 to see a conscious move toward imagery that embraces imperfections and truth.

Climate, Weather & Environmental Photography

As humanity moves into a new technological reality, the planet itself seems to be undergoing dramatic shifts. Few things illustrate this more starkly than the changing climate around us. Winters are colder, summers are hotter, and extreme weather events are becoming increasingly frequent.

Whether termed climate change or global warming, the effects are undeniable. As these realities intensify, climate and environmental photography will play a far more critical role in 2026. From documenting protests and ecological damage to capturing natural disasters and disappearing landscapes, this genre will become both a visual record and a call to action.

Photojournalism in an Unstable World

While climate documentation will be vital, the broader global landscape remains deeply fractured. Conflicts, political unrest, and social disparities continue to rise across regions.

As a result, photojournalism—particularly editorial and conflict/war photography—will see renewed relevance in 2026. There will be an increasing need to document these realities, whether through professional photographers on the ground or user-generated content emerging from conflict zones. In an age of misinformation, visual evidence will continue to hold immense power and responsibility.

Rising Flash and Memory Costs

The technology industry now faces a fresh challenge. After navigating microprocessor shortages in recent years, attention has shifted to constraints within the flash memory sector.

While this may spell concern for consumers, the flash memory industry itself is witnessing an overdue resurgence. Supply pressures and increased demand are likely to push up prices for flash storage and RAM—components essential to nearly every modern device today, from cameras and smartphones to computers and printers. While quantities may vary, their importance does not.

Photography Beyond the Algorithm

A quieter but meaningful shift is underway. For years, photographers and platforms alike were obsessed with pleasing algorithmic gods. Today, there’s a subtle but growing return to focusing on the medium itself rather than chasing visibility alone.

Photography is increasingly being created for personal satisfaction, long-term relevance and deeper storytelling—not just for instant uploads and fleeting engagement. That said, vertical images are undeniably here to stay. Formats may evolve, but intent is clearly changing.

The Quiet Rise of Pocket Printers

Including printers in annual trend lists is becoming harder each year—but pocket printers deserve attention. Once limited to instant-print ecosystems like Instax, compact printers have now become more versatile and accessible.

Users are rediscovering the joy of physical prints, using pocket printers to bring digital images into the real world. As technology improves and consumable costs decrease, this segment is poised for further growth—quietly reinforcing the timeless appeal of printed photographs.

Scams like WedMeGood and more

While technology has streamlined wedding photography discovery, it has also opened doors to exploitation. The rise of aggregator platforms has unfortunately led to an increase in challenges/scams—going alone by what we have seen in the industry in 2025—this year more such stories will be unearthed.

In 2026, awareness around these practices will grow, forcing both photographers and clients to become more vigilant. Transparency, direct engagement and trust will become key differentiators in the wedding photography ecosystem.

Photography in 2026 stands at a fascinating crossroads—caught between unprecedented technological power and an equally strong yearning for authenticity. AI will undoubtedly continue to reshape how images are created, edited and consumed. But at the same time, the value of truth, intention and human perspective has never been higher.

Perhaps the real trend for 2026 isn’t a tool, a format, or a platform—but a recalibration. A reminder that while technology may change the way we create images, the reason we create them remains timeless: to document, to communicate and to connect.

HIPA 2025 14th Edition: How Dubai Exemplifies Soft ‘Power’

The Hamdan bin Mohammed bin Rashid Al Maktoum International Photography Award (HIPA) closed its 14th season recently in Dubai with an awards ceremony at the Museum of the Future (MOTF), celebrating a global set of images that interpreted the theme of ‘Power’. The images included a touch of the elements to the intimate, including the nature’s fury to human endurance. 

  • By Bhavya Desai

This year’s edition drew an extraordinary 87,000 submissions from roughly 50,000 photographers worldwide – that’s a lot of entries – making the jurors’ life difficult. 

And at the heart of it all was an evening – set with the winning photographs of those whose work literalises the show’s theme. The US$200,000 Grand Prize went to Italian photographer Gianluca Gianferrari for a monumental shot of Mount Etna – molten fragments lighting up snow – an image that speaks to geological force and visual drama. 

Other category winners included Karine Aigner’s jaguar portrait (General—Colour) and Ali Jadallah’s portfolio “Burden of Survival”, which documents life under siege and uses storytelling to register human power and its costs. Those images – whether volcanic, predatory or political – treated power as a physical and moral force the camera can both reveal and question.  

But what caught my attention was that HIPA’s organisers framed the competition itself as an exercise in civic and cultural soft power: HIPA Secretary-General Ali Khalifa bin Thalith highlighted the award’s growing global reach and its aim of promoting photography as a tool for communication and social reflection. 

And as an ode to art itself – the ceremony was hosted at one of Dubai’s most symbolic cultural venues, the Museum of the Future – symbolising the push to expand programming (including the Dubai Photo Forum) underlining how the emirate is using flagship cultural events to position itself as a global conveyer for the arts. 

Officials said the scale of entries and the calibre of the jury demonstrate Dubai’s ability to attract and amplify work from across continents.  

Power in the frame

Judges noted that the strongest submissions treated “power” ambiguously and layered meaning into a single frame: natural force (volcanoes, oceans, storms), animal presence (the jaguar’s raw authority), institutional power and the human will to survive (Jadallah’s Gaza series), and even the kinetic authority of elite athletes. 

The new Drone (Video) and Portfolio categories continued to reward long-form, narrative approaches that use sequencing and motion to build a more complex sense of agency showcasing how story telling is king.

Special honours for Rick Smolan and Mark Smith

HIPA also presented special awards recognising careers and contemporary influence. American photographer and author Rick Smolan – a legend received an Appreciation Award similar to a Lifetime Achievement in our part of the world acknowledging the decades-long career in large-scale, impact-driven visual projects. 

Mark Smith was honoured with the Photography Content Creator Award for his prolific wildlife work and digital reach – the kind of storytelling that has made his work on nature and conservation visually viral. 

Stay tuned for exclusives with both these photographers in our magazine.

The Local Hero

UAE’s own Yousef Bin Shakar Al Zaabi also was honoured with a third place in the General Black and White category. This was his second time winning the award – with the previous one in a different category.

India Also Made The Cut

Indian photographers featured among the shortlist and prize-winners this year. In the main “Power” category, Deepak Singh Dogra and in the Drone (Video) category, Shantha Kumar Nagendran placed third. 

It wasn’t a surprise that there were many Indian participants across categories highlighting that, contributors from the subcontinent remain a consistent presence in the competition’s shortlist and exhibitions said the officials.

But apart from the cultural initiative HIPA’s 14th edition reinforced Dubai’s strategy of hosting major cultural platforms to foster artistic exchange and international visibility. 

By hosting the ceremony at the Museum of the Future and linking awards to public programming such as the Dubai Photo Forum, HIPA extends the life of the competition beyond a single gala. Exhibitions, talks and workshops help translate prize winning images into ongoing conversations about climate, conflict, conservation and creativity. 

That civic choreography – public venue, high prize money, international jury and media attention – is great optics and cultural diplomacy play that raises Dubai’s profile as an arts hub while giving photographers access to new audiences.  

India Travel Retail Market

GROWTH, TRENDS, COVID 19 IMPACT AND FORECASTS (2021-2026)

Travel Retail is the next great frontier of the Indian Retail Sector, and as people’s incomes rise, India’s position as a business powerhouse and tourist destination will also continue to solidify, leading to the growth and prosperity of this industry.

Covid-19 has all but wiped out the travel industry in India and the passenger numbers continue to be affected in India even in 2021 owing to existing lockdowns and restrictions in the wake of the second wave of the pandemic. In 2020, less than 3 million foreign tourists visited India with a dip of around 75% when compared to 2019 due to travel restrictions imposed. The Covid-19 outbreak is impacting duty-free shopping behaviour, spend, and browsing likelihood on a category level, with this being particularly the case with luxury items in India. As a result of the pandemic, shoppers have moved to online shopping in greater swathes than before, and several travel retail operators, including Delhi Duty-Free, have introduced new online retail services facilitating home delivery of travel retail exclusive and duty-absorbed products.

A combination of a large and growing population, increasing air connectivity, inbound tourism, and the growing disposable incomes and propensity to travel internationally by India’s middle class are some of the major factors fuelling the growth of India’s travel retail market.

As per a research, it is estimated that nearly 80% of the country’s duty-free shoppers are Indians which is quite unlike other markets in the region, such as Korea or Thailand, where most duty-free sales are from international travellers rather than local travellers. However, this is likely to change with the growth in international tourism in the country. While India accounts for only 4.8% of the Asia Pacific region’s total international tourist arrivals, its year-on-year growth rate has been well above the region’s average in recent years and as of 2019, India attracted nearly 17.9 million international tourists. The changes by the Indian Government to its e-visa regime are simplifying procedures, making it friendlier to international tourists and these developments will further help in the growth of India’s travel retail market.

The growth of e-commerce can be seen as part of a broader digitalisation of the travel industry in India and especially airports. This is in part due to younger profiles of travellers, growth of low-cost airlines, and airport privatisation. The introduction of Goods and Service Tax (GST) has decreased the cost and time of logistics and interstate transport which has made the Indian retail market more lucrative for foreign investors who can invest in single brands, multi brands, wholesale/ cash and carry, e-commerce and duty free.

Travel Retail is commonly used to describe the duty-free retail industry, in addition to all retail activities dedicated to travellers and tourists. A complete background analysis of the Indian Travel Retail Market which includes an assessment of the economy, market overview, market size estimation for key segments, and emerging trends in the market, market dynamics, and key company profiles are covered in the report. The Indian Travel Retail Market is segmented by Product Type into Fashion and Accessories, Wine & Spirits, Tobacco, Food & Confectionary, Fragrances and Cosmetics, Others (Stationery, Electronics, Watches, Jewelry, etc.) and by Distribution Channel into Airports, Airlines, Ferries and Other Distribution Channels. The report offers market size and forecasts for the Indian Travel Retail Market in terms of value (USD Billion) for all the above segments.

Airports Constitute the Major Retail Channels in India’s Travel Retail Market

Nearly 50% of an international airport’s revenue is generated from duty-free and travel retail activities and in terms of sheer size and range offered, the duty-free retail areas at Indira Gandhi International Airport in Delhi, Chhatrapati Shivaji International Airport in Mumbai are nothing less than high-end malls. The largest duty-free area in India is currently operated by Mumbai Duty-Free at Mumbai International Airport Limited (MIAL) followed by New Delhi International Airport Limited (DIAL) which is operated by New Delhi Duty-Free Services (DDFS). The duty-free revenue per passenger for New Delhi and Mumbai was the highest in India at USD 11 and 10 per passenger for FY2019.

The future of airport retail is defined by data, omnichannel, and personalisation. Online pre-purchase orders for airport pickup are more popular in the Indian market than anywhere else in the Asia Pacific region and there is a growing response by duty-free operators to the increasing flexible payment, ordering pickup, and delivery needs of customers. Delhi Duty-Free’s ‘Shop and Collect’ plan for instance offers an extra 10% discount to those who pre-book orders at the airport on their outbound journey and pick them upon return.