Tag Archives: Contemporary Photography

How Gen Z Is Redefining Fashion Photography Trends

Gen Z grew up in a digital world that moves fast, speaks visually, and rewards individuality. Their influence on fashion photography is not subtle. It is reshaping how images are made, how stories are told, and how brands communicate. What once followed rigid rules now feels fluid, candid, and personality driven. The shift is cultural as much as aesthetic. Gen Z wants honesty, creativity, and connection, and their expectations have pushed fashion photographers to rethink the craft from the ground up.

A Break from Gloss and Perfection

For decades, fashion photography leaned toward polished surfaces. Retouching was heavy. The lighting was flawless. Models looked almost otherworldly. Gen Z does not respond to that ideal. They grew up seeing unfiltered posts, real faces, and chaotic timelines. For them, perfection is not the goal. Relatability is.

This preference has changed the industry. Many brands now commission campaigns that feel raw and loose. Photographers shoot with natural light, minimal retouching, and an emphasis on character rather than flawlessness. Grain, blur, and texture are no longer mistakes. They are intentional ways to signal authenticity.

Gen Z wants images that feel lived in. The result is a more grounded visual language where the viewer feels close to the moment rather than outside of it.

The Rise of Personal Aesthetic

Older generations often followed trend cycles set by runways and magazines. Gen Z follows personal taste instead. They curate identities from thrift stores, subcultures, nostalgia, and online communities. This mix of influences shapes how they approach photography.

Gen Z photographers are not afraid to blend styles. They might combine Y2K colour palettes with 70s film aesthetics and 90s rave visuals. They borrow freely and confidently. The outcome is an eclectic approach where individuality matters more than tradition.

Because of this, the fashion world now embraces a wider range of creative voices. New photographers no longer feel pressured to mimic established professionals. They can build entire careers on distinct aesthetics that reflect their personality. Brands see value in that uniqueness and increasingly hire photographers who bring a strong signature look rather than a conventional one.

Digital First Storytelling

Gen Z consumes most of their fashion content on phones. This changes everything. Vertical formats, looping videos, quick cuts, and interactive elements push photographers to think about how their images will be experienced rather than just how they look.

Fashion photography is no longer only about the final still. It is about the surrounding ecosystem. Behind the scenes clips, short interviews, studio process videos, and dynamic transitions all contribute to the storytelling. Gen Z wants to feel like they are part of the creative process. They look for transparency and personality behind the shots.

Because of this, photographers now plan shoots with multiple formats in mind. A strong campaign includes stills, motion, and social specific content. The set becomes a playground where spontaneous moments can be just as valuable as planned shots.

Low Budget Creativity Takes Center Stage

Gen Z is resourceful. Many started photographing with phones or inexpensive cameras. They learned to work with limited tools and solve problems creatively. That mindset continues even as they enter the professional world.

This has created a shift toward low budget ingenuity. Photographers use found objects for props, thrifted outfits for styling, and natural locations instead of high cost studio builds. They rely on creativity to elevate simple setups. This approach resonates with audiences who see beauty in innovation rather than luxury.

Brands have taken note. Many campaigns now lean into a DIY feel because it aligns with Gen Z values. The work feels accessible, clever, and real. The emphasis is on the idea rather than the budget.

Diversity as a Standard, Not a Statement

One of the most meaningful changes Gen Z brings to fashion photography is a commitment to representation. Diversity is not a trend for them. It is a baseline expectation. They want to see people of all skin tones, genders, body types, and identities featured with respect and visibility.

This shift affects casting, styling, lighting, and narrative choices. Photographers are pushed to understand how to work with different skin tones, how to make space for varied expressions of identity, and how to avoid tokenism. Gen Z calls out inauthentic representation quickly, so brands must practice true inclusion rather than surface level gestures.

The result is a broader, richer visual world. Fashion photography now reflects a wider spectrum of humanity, which makes the work feel more honest and modern.

Nostalgia Meets Modern Technology

Gen Z has a deep love for the past. Film cameras, point and shoot devices, vintage lenses, and early digital cameras all hold appeal. They enjoy the imperfections that come with these tools and the emotional texture that digital precision sometimes lacks.

At the same time, Gen Z is highly adept with technology. They edit on phones, use mobile apps for colour grading, and experiment with digital overlays. They mix analogue and digital techniques without hesitation.

This hybrid approach creates images that feel timeless yet modern. A single photo might have film grain, soft focus, and a colour palette inspired by early 2000s pop culture while still being shot on a mirrorless camera and graded with advanced software. This blend defines much of Gen Z visual culture.

Breaking Traditional Rules

Gen Z does not follow the classic rulebook of photography. They shoot in harsh sunlight. They tilt the camera at odd angles. They crop aggressively. They embrace lens flare, motion blur, and mixing colour temperatures. Old rules like “never shoot against the light” hold no weight.

This rebellion creates a sense of freedom. The focus shifts from technical perfection to emotional resonance. What matters is whether the image feels interesting or alive. The rule breaking mindset invites experimentation, and that energy now shapes mainstream fashion photography.

The Social Influence Loop

Gen Z not only consumes images, but also creates them constantly. They document daily life, share outfits, film short clips, and experiment with edits. This constant production loop means they have a strong visual instinct even without formal training.

The line between influencer content and professional fashion photography is thinner than ever. Brands sometimes hire creators whose personal style carries more cultural weight than a large agency. Photographers must adapt to this new landscape where creators, stylists, models, and audiences all shape trends together.

Gen Z expects collaboration. They value shared creative ownership. This collective spirit influences how shoots are planned and executed.

Sustainability and Ethical Awareness

Gen Z cares about environmental and ethical issues. This influences everything from styling choices to production approaches. Photographers are encouraged to use sustainable materials, support ethical brands, and avoid wasteful sets.

The visuals themselves often echo this mindset. Natural settings, reusable props, and simple styling choices show respect for the environment. The emphasis is on conscious creativity rather than excess.

Bottom Line: The Generational Shift

Gen Z is redefining fashion photography by valuing authenticity, individuality, diversity, and creativity over polish and tradition. They merge past and present. They embrace digital and analogue. They bring strong ethics, fast paced storytelling, and a willingness to break rules. The result is a vibrant, experimental, and human centered approach to fashion imagery.

This shift is not temporary. It reflects a larger cultural move toward openness and self expression. As Gen Z continues to enter the industry in greater numbers, their vision will shape fashion photography for years to come. The future looks bold, honest, and wonderfully unpredictable.

Chennai Photo Biennale Edition 4 announced

The fourth edition of the Chennai Photo Biennale takes its primary inspiration from Dayanita Singh’s ongoing exploration “#whyphotograph”. The biennale will showcase diverse practices by artists who are reshaping dominant narratives by addressing gaps in representation, remixing colonial visual vocabularies with native avant garde aesthetics, by shifting the gaze from the lone photographer to forge an ethic of care and collective authorship. The Biennale will encompass 20+ exhibitions and several programmes across the 90 days. The CPB Edition 4 opens in 2 phases.

The CPB4 is organised with the support of Goethe-Institut Chennai as the primary partner in association with The Hindu­ Made of Chennai and Palladium Partners – TNQ Publishing | Photo South Asia.

Phase 1 opens on December 20, 2024 with ‘Vaanyerum Vizhuthugal’ (Roots that reach for the sky) – 12 lens-based artists across Tamil Nadu curated by Jaisingh Nageswaran. It’s a project by CPB Foundation in collaboration with Goethe-Institut Chennai in association with The Hindu, Made of Chennai. The participating artists are – Alina Tiphagne, Aishwarya Arumbakkam, Arun Karthick, Brinda Anantharaman, Krithika Sriram, Osheen Siva, Priyadarshini Ravichandran, Sathish Kumar, Shankar Raja Narayana, Sridhar Balasubramaniyam, Steevez Rodriguez and Vivek Mariappan.

Next in Phase 1 will be ‘It’s time. To see. To be seen’ – Women responding to the world through photographic practices. Its a project by CPB Foundation in collaboration with Goethe-Institut Chennai, British Council, Pro Helvetia and the French Institute. The participating artists are – Ann Griffin (Switzerland), Bhumika Saraswati (India), Delphine Diallo (France/USA), Farheen Fatima (India), Fast Forward Collective (UK), Hannah Cooke (Germany), Indu Antony (India), Kiki Strietberger (Germany), Nony Singh (India), Offset Projects (India), Prarthna Singh (India), Radha Rathi (India), Samar Hazboun (Palestine).

CPB Invited Projects in December 2024 are – ‘Madras, Margazhi & Music’ Portraits by Amar Ramesh; ‘Common Nouns’; and ‘Light Salt Water’ by Sujatha Shankar Kumar.

Phase 2 opens on January 17, 2025 with ‘Love and Light’ – A Site of Infinite Possibilities. Its Sunil Gupta retrospective curated by Charan Singh and presented by Tarun and Tarana Sawhney. It is supported by Avtar Foundation for the Arts, Sid Khanna & Meher Varma, Payal and Annurag Khanna.

Next in Phase 2 wil be ‘What Makes Me Click!’ – Celebrating & spotlighting 20 photography projects by children globally curated by Chennai Photo Biennale Foundation and the Children’s Photography Archive, UK, with support from Rohini Nilekani Philanthropies.

Participating institutions and artists include the Tamil Nadu School Department & Palani Kumar (India), Fawood and Curzon Nursery Schools & Catherine Rive (UK), Children’s Photography Archive (UK), CEDAR Coimbatore, Girl Museum (UK), Nirmal Bhartia School (India), Fotohane Darkroom (Turkey), Fotokids (Guatemala), Through the lens (South Africa), Art Reach (India), Bronx Documentary Centre (USA), Anjali House with Angkor Photo Festival & Workshops (Cambodia), Objectifs Centre (Singapore), Museum of Photography (Greece), Photoworks, The National Gallery, London and Brighton & Hove Museums, Alejandra Carles-Tolra (UK), Prakriti School (India), Chennai Photo Biennale Foundation (India), Chinky Shukla (Rajasthan), Ibn Rushd Fund, Qattan Child Centre Gaza, Asmaa Seba (Gaza).

The exhibition will be curated as an interactive installation designed by The Architecture Story along the museum campus with photographs as well as engaging playful activities for all ages including a pinhole camera.

‘CPB4 Open Call Showcase’ features 40 photographers for the first time via an open call. Entries were received from across 30 countries. The exhibition will showcase single images and photo essays selected by an established international jury including Alessia Glaviano – Head, Global PhotoVogue (Milano); Brendan McCleary – Curator, PHOTO Australia (Australia); Gwen Lee – Co-founder & Director, DECK, Singapore International Photography Festival (SIPF-Singapore); Joseph Radhik – Co-founder – Stories (India); Julie Héraut – Head of Exhibition & Research, Le Bal Paris (Paris); Michael Weir – Director, Belfast Photo Festival (UK); Smita Sharma – Visual Journalist (India); Umah Jacob – Director of External Relations & Outreach, India Art Fair (India); Varun Gupta – Managing Trustee, CPB Foundation Director (India).

The CPB – Photoworks Darkroom Residency Showcase, showcasing works by artists from India and UK – Ārun (Chennai), Holly Birtles (UK) and Soham Joshi (UK). The show is supported by the British Council.

CPB Invited Projects in January 2025 are – ‘For the love of…’ Cop Shiva and Lim Soo-Sik curated by Nandini Valli Muthiah; ‘Time Present Time Past’ by Sebastian Cortez; ‘Photography Strictly Prohibited’ A retrospective of Navroze Contractor by Navjivan Trust and National Photography Festival; ‘Lalit Mohan Sen Archives – An Enduring Legacy’ by Emami Art; ‘The Architecture of Remembrance’ by Debasish Mukherjee; ‘Artist Through The Lens’ by Manisha Gera Baswani.

CPB Primary Shows in February 2025 are: ‘Kaana Katral’ – Learning to see – Graduate students’ work from Dr MGR Janaki College for Women and Tamil Nadu Government MGR Film & Television Institute, Chennai. The exhibition showcases 15 students’ works on visual storytelling supported by Photo South Asia and Murthy Nayak Foundation; ‘Hey!’ – The exhibition features photographs made by people with disabilities and neurodivergence.

CPB Invitation Shows in February 2025 are ‘Limits of Change’ by Parvathi Nayar and Nayantara Nayar; ‘Art in Prison’ by Rahimunisa Begam; ‘Footprints on the moon’ by Dheeraj Khandelwal.

CPB Invitation Shows in March 2025 are: ‘Indianisms’ by Prashant Panjiar; ‘So far and Henceforth’ by Nandini Valli Muthiah.

Key programmes on weekends include – public openings, talks, panel discussions, exhibition tours, workshops, film screenings, poetry intervention and more.