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Canon India announces the launch of ‘Canon Image Square Version 3.0’

Canon India, recently announced the launch of a Gen-Z version of its retail outlet – Canon Image Square 3.0 in India. Canon claims that the launch makes this a noteworthy milestone in Canon’s India journey because of its transition from an experiential model to an ‘experiential imaging destination’.


The company claims that the Canon Image Square (CIS) 3.0 aims at offering a full-fledged customer experience, with an input to output approach. The idea is to transform retail outlets into a destination, attracting customers to experience a whole new imaging revolution. The objective is to familiarize them with cameras and help them indulge in an extraordinary click-to-print experience with Canon’s new-age technologies and software. Moving beyond just being a product store, CIS 3.0 would reportedly be an ‘imaging store,’ that would allow consumers to make memories and be allured by the magic of photography.


Present at the inauguration, Mr. Kazutada Kobayashi, President and CEO, Canon India said, “Our retail stores across the country, widely known as the ‘Canon Image Square’ provide a perfect amalgamation of our cutting edge technology and customer centric service. Advancing our Imaging stores to the third version, we have stepped into the new era of retail evolution. We had launched our 1st CIS store in 2010 and over the course of these eight years, CIS has supported the two quintessential pillars of our outreach in the country; Innovation and Customer Delight. Moving forward into our 21st year in the country, this launch is in alignment with our future growth plans; including retail expansion and deeper regional penetration into Tier-II, III and Tier-IV cities. We have opened 250 CIS stores, across 200 cities and we envision to strengthen this outreach further with the 3.0 stores.”


“We take pride in being total solution providers in the imaging arena. Taking our approach ahead, today’s launch will be accompanied with the launch of our new service ‘hdAlbum EZ, which will be available at select CIS stores. This intuitive service would enable our customers to select the best design, creative and layout options for their images, which will be printed as photo albums for them on our flagship product, DreamLabo 5000.”


Sharing his comment, Mr. Eddie Udagawa, Vice President, Consumer Imaging & Information Centre, Canon India said, “We are delighted to expand our retail division with the launch of CIS Version 3.0 which is primarily a one-stop-shop for all photography and imaging enthusiasts that offers interactive consumer engagement. Currently we are revamping and upgrading 30 existing stores to Version 3 by the end of this year. The idea is to transform imaging into an experiential activity that not only captures one’s imagination, but also enhances creativity, while making memories. We look forward to receiving great feedback from our customers and add value to their imaging experience.”


Canon, in its press release also said that various innovative sales and marketing tools like live demonstration of the products, touch and feel experience, trainings and workshops have further helped the customers at CIS stores to make informed purchases and strengthen the brand’s relationship across India. According to the company, the CIS stores consolidate Canon’s position in the imaging industry ensuring a strong foothold that compliments retail expansion plans in India.  

The new Apple Imac Pro is a pretty expensive powerhouse for professionals

When Apple’s new iMac Pro initially arrives at the stores there was one crazy detail that jumped out at a lot of people, if you choose to include all the optional upgrades, the computer will cost a staggering $13,199. Here’s a closer look at how you get to that price.


Base Price: $4,999

First off, the base configuration of the iMac Pro already costs $4,999. By comparison, the lowest-end Mac Pro you can purchase costs $2,999.

What you get for $4,999 is a 3.2GHz 8-core Intel Xeon W processor, 32GB of 2666MHz DDR4 ECC RAM, a 1TB SSD, and Radeon Pro Vega 56 graphics with 8GB of HBM2 memory.


Add $2,400 to Max Out the Processor: $7,399

Instead of a measly 3.2GHz 8-core Intel Xeon W processor, you can upgrade to a 2.3GHz 18-core one.

“Up to 18 cores in an iMac,” Apple says. “No, that’s not a typo, You can render images, edit up to 8K video, manipulate photos, create real-time audio effects, or compile your next five-star app, all at lightning speed.”


Add another $2,400 to Max Out the Memory: $9,799

Why settle for 32GB of 2666MHz DDR4 ECC memory when you can have 128GB of RAM? You know, for if you’d like to keep your entire photo shoot open in separate tabs in Photoshop


Add $2,800 to Max Out the Storage: $12,599 Instead of a 1 terabyte SSD, you can quadruple the storage by upgrading to a 4TB one.


“iMac Pro storage is not user accessible,” Apple warns. “If you think you may need more storage capacity in the future, consider upgrading at the time of purchase.”

Add $600 to Max Out the Graphics: $13,199

You can go from a Radeon Pro Vega 56 graphics card with 8GB of HBM2 memory to a 16GB Vega 64 for an extra $600.

Final Price: $13,199

Select all the max upgrades above, and your computer will have a ginormous price tag of $13,199.


The Apple Imac pro is designed and configured with the professionals in mind. Not those who edit a few pictures or full HD videos, but for those who do even higher jobs of editing and designing which require a lot of memory, processing power and graphics support. In the current days, high quality cinema cameras are already delivering 8K output which needs to be tamed before they can be edited. The processing power of the new iMac pro is comes from the Intel’s Xeon family which is known to be used for high end video editing and graphics designing, visuals and animation. All the components have been carefully chosen so that the hardware supports the software seamlessly and that at no point of time, the user would feel a lag in performance. Not to mention its ridiculous pricing which makes it not a toy for your daily play. On the other hand professionals who deal with a lot of heavy image/video/graphics files will find the ultimate [pleasure when they render.






Tamron 18-400mm Lens Video Review


Exclusive Review of the Tamron 18-400mm F/3.5-6.3 Di II VC HLD


In recent times Tamron has come to be known well for its zoom-telephoto lenses. For instance, there was a considerable amount of success that the Tamron 16-300mm enjoyed before the launch of its successor. TheTamron 18-400mm F/3.5-6.3 Di II VC HLDwas launched recently in India and is the company’s evolution from the 16-300mm F3.5/5.6.


The 16-300mm had a zoom ratio of 18.8x and with the launch of the new 18-400mm, Tamron has launched the ‘world’s first ultra-telephoto all-in-one zoom lens that offers a 22.2x Zoom Ratio’. This means it offers the best of an Ultra-wide 18mm in a combined body with a 400mm telephoto option. The manufacturer has launched this at an extremely affordable price of Rs. 55,000 and aims to target any enthusiasts who are looking for one single lens to fulfil all their shooting needs.


The 18-400mm is an APSC lens which means it features a crop factor of 1.6x on a Canon mount and 1.5x on a Nikon mount. This means effectively it turns to a 29-640mm zoom lens on the Canon mount which we have used for the review. And for our readers who don’t follow what this means, then in simple words when you put this lens on a APSC body then it gets converted from a 400mm lens, which is its maximum range x 1.6 times on a Canon body giving us a farthest reach of 640mm. And a focal range of 620mm on a Nikon body with a 1.5x multiplication.


Look, Body and Feel


When it comes to the design, structure and the body of the lens then there are certain pluses and minus. For the sort of range that the lens provides it is housed in a very compact structure, and Tamron deserves much credit for the same. It seems pretty light as compared to the other telephoto zoom lenses in the same category and also the everything about the materials used in making the product screams tough, durable and rich.


It features a Design that houses 16 elements in 11 groups. The lens is divided into 3 structures in order to make it light and compact. The 3rdstructure houses the lens when its contracted and on extension the 2ndand the third housing is extended. But while Tamron has used this technology to make the lens compact it also acts as a small spoiler for the lens that we received for the review. The lens seems a little stiff when you are extending and using it in a real-world shooting scenario and this can pose a major challenge. I regularly found myself having this issue while zooming into the subject. But in time with the constant use of the same, it did tend to get slightly smoother in operation.


The lens is also weather sealed and comes with a ring lock in order to stop it from accidentally extending when not in use. A feature that many photographers/enthusiasts will surely appreciate.






Key Features


There are number of key features that the lens provides and they are below:


World’s first 22.2x Zoom ratio:


The lens is the world’s first lens to provide a zoom ratio of 22.2x with a max focal length of 400mm and beats the other options in the same category which includes popular manufacturers like Canon, Nikon and Sigma to name a few, all of whom have a 300mm lens in their portfolio.


Perspective flattening effect


Another feature that the lens provides is the Perspective flattening effect. Under this effect the background tends to draw closer and the effect appears stronger as the focal length gets longer. This makes the image look more dramatic, something similar to how the Portrait Mode on the new iPhones work. Now this isn’t different from any telephoto lens ideally, but this seems more pronounced with the Tamron lens.



HLD Motor


The 18-400mm also features the HLD (High/Low Torque Modulated Drive) motor developed by Tamron and is used for AF movement. With less mechanical contact compared to DC motor, both noise level and reliability are improved in HLD motor according to the manufacturer. The motor also has also enabled the company to minimise the size of the lens.


Performance:


In terms of the performance we checked the lens for the overall image quality, zoom ratio, chromatic aberration, distortion, flare and ghosting and bokeh among others.


We shot subjects at different focal lengths of 50mm, 200mm and 400mm and the performance of the lens in daylight conditions were very good. As seen in the sample images, the results are very sharp even on zooming in at 100% and there doesn’t seem to be much loss of detail. The lens produces well saturated colours and also doesn’t provide any issue while Focus Hunting.




But as good as the lenses performance is in daytime, it seems to lag slightly in low-light conditions. There tends to be loss in details in the night time, but we can’t really hold this against Tamron since most lenses in such situations are almost the same.


Chromatic Abbreation:


In terms of Chromatic Aberration, we ran the images through a benchmarking software which gave us an output of 3.22 pixels, which is fairly average for the telephoto lenses in this category.


Distortion:


We checked the distortion by shooting images at both 18mm as well as 400mm. The images showcased a high amount of distortion. As seen in these images the building appears to be leaning instead in a straight line which means it has a high amount of distortion.



Anti-Flare and Anti-Ghosting:


We pointed the lens to a light source to check its performance in this department and the lens performed well in this department displaying very minimal flare and ghosting. Most lens in such categories display a high amount of flare and ghosting.


Quality of Bokeh:


The quality of bokeh in the lens is pretty good and the reason why this is an important point is because when you are using a longer focal length and clicking subjects a good quality bokeh gives you a well-rounded circle which makes the pictures really stand out.


Conclusion


In conclusion, there are number of things that the new 18-400mm from Tamron has going for itself. It delivers excellent performance in day-light conditions with sharp and detailed images combined with a decent low-light performance. The images are well saturated with the lens focusing really fast and the quality of bokehs are good.


But while it has some great things about itself there are also certain cautions when it comes to buying this lens. It has an average level of Chromatic Aberration but a high-level of distortion. And we would’ve liked that zoom ring to be a lot smoother.


So this brings us to the question whether you should by this lens or not? This ideally boils down to the what you are planning to use this lens for. If you are looking for an all-in-one lens that is a decent performer, then this is the perfect lens for you.


But if you are looking for a lens which delivers professional level performance then this might not be the lens for you. But if you are looking for that level of performance then be ready to shell out lenses which might cost nearly 2-3 times the Tamron 18-400mm.


Images and Text:

Bhavya Desai

Gopro Launches the Hero 6 Black priced at INR 45,000

GoPro, recently unveiled HERO6 Black, claiming it to be the most powerful and convenient GoPro, yet. Powered by GoPro’s custom-designed GP1 processor, HERO 6 reportedly achieves an entirely new level of performance including stunning 4K at 60fps and 1080p240 video and reportedly the most advanced video stabilization ever achieved in a GoPro. GoPro also launched Fusion, its bar-setting waterproof, mountable 5.2K spherical camera. Additionally, GoPro also reportedly introduced new mounts and accessories plus a new Follow mode for its Karma drone.
GoPro’s founder and CEO, Nicholas Woodman, introduced the HERO 6 Black and Fusion cameras to an international audience at the California Academy of Sciences in San Francisco, California.
“HERO6’s next-level image quality, video stabilization and three times faster QuikStories performance makes it a powerful storytelling extension of your smartphone,” said Woodman. “It’s never been easier to live it, and then share it… using a GoPro.”
The HERO6 BLACK will be priced at INR 45,000. The camera is said to feature a 4K60 and 1080p240 video packed into a rugged, waterproof, design. The company also claims that the HERO 6 also has dramatically improved dynamic range and low-light performance as well as an added digital zoom.
Developed from the ground up to maximize a GoPro’s capabilities, GP1 reportedly enables twice the video frame rates, improved image quality, dynamic range, low-light performance and dramatically improved video stabilization over previous HERO camera generations. The company also claims that the GP1 automates all of these benefits, allowing users to capture vibrant videos and stunning photos without messing around with complex image settings. GP1 is also said to advance GoPro’s capabilities in computer vision and machine learning, enabling HERO6 to analyze visual scenes and sensor data for improved automated QuikStories.

Video Review of the Fujifilm X-E3

This video features a complete and unbiased review of the Fujifilm X-E3 Mirrorless Camera launched recently. The review talks about the cameras look, body and feel including its Still, Video, ISO Performances along with Key new features as compared to the predecessor.


Fuji introduces the ‘Minimalistic’ X-E3 Mirrorless Camera

Bhavya Desai in Tokyo

Fujifilm as a camera brand has been, so to say, missing from the imaging world (at least in India) for some time now. But while some might think of this time as hibernation, but they seem to have made a comeback packed with a serious punch.

We were invited to the global launch event in Tokyo where the company launched its latest offering from its X-Series called the X-E3, a 24 MP Trans-CMOS sensor along with the announcement for development of two new lenses and tie-ups with Profoto (for X series flashes) and Magnum Photos.

The newly launched fujifilm X-E3 flanked by the GFX 50S and the X-T2

For anyone that hasn’t been following fujifilm in the past year or so might not know that the company has given way to developing DSLRs and gone full-blown mirrorless. And this has yielded some great results for the company which has recorded a 40% higher growth in the first quarter of 2017 as compared to the previous year.


Sigehata Komori, Chairman and CEO, Fujifilm said, “We are going to work on an ambitious growth plan and target a increasing growth in the coming year for the imaging division.”


X-E3:


Toshi Ida, General Manager, Optical Device and Electronic Imaging Products Div, Fujifilm stated that “this is a camera system that couldn’t be created by any other manufacturer”. He said, “We are focussing on the photographers and not focussing on the parameters like price and so on. Our focus is on creating a camera for photographers.”


The camera has a very minimalistic design and focusses on “less is more”. It is very light and basic with a 2.3 million dots LCD touchscreen on the back. For connectivity, the camera features Bluetooth and Wi-Fi for the transfer of images to smartphones or other devices. It features a 2x auto focus speed, noticing 50% smaller subjects as well. The camera is capable of capturing 4K videos, and features improved firmware. The company plans to make the camera available in India by October this year.

The camera features a very minimalistic design

The back features a touchscreen LCD with almost no buttons

Along with the launch of the new camera, Fuji will start the development of two new lenses to add to their existing line-up of 25 lenses in the category. Although a specific timeline hasn’t been given, the lenses are expected to launch sometime 2018.

The new lenses include the XF 80mm F2.8 RLM OIS WR Macro and the XF200mm F2 R LM IOS WR. It features a new floating auto focus system which is introduced in this lens.

New development of the XF200mm F2 R LM OIS WR today

“With this lens we hope to open a new sports photography world.”

Fuji also showcased their medium-format GFX 50S in the presentation which hasn’t been introduced in India yet but is expected to be announced in October as well.

GFX 50S which is expected to come to Indian in October 2017

Latest Medium format offering from Fujifilm

Launched in January this year, the camera has been receiving a great response on the markets it’s available.

Fujifilm added two new lenses, the GF110mm F2 and GF23mm, since the launch of the camera in earlier this year. The company says that the focus is on focus is on photographic culture and commitment to make it grow. It has won a number of awards and accolades around the globe as the best medium format camera. The latest addition the the GFX series is the GF45mm F2.8WR lens. In 2018, there are two more lenses that will added, said Fuji.



Nikon D850 Launch and Hands-on Review




Nikon has recently announced a new full-frame DSLR camera, the Nikon D850. It’s a 45.7-megapixel full-frame DSLR camera with an FX-format, back-side Illuminated (BSI) CMOS sensor The D850 is capable of a capture rate of up to 7 frames-per-second (fps) or 9-fps with the optional battery grip and EN-EL18a/b battery, while offering a range of new features requested by Nikon shooters around the world.


The Nikon D850 is aimed as a serious tool for every kind of photographer, and the manufacturer says that it delivers intense clarity and accurate skin tones for portraits, with the added benefit of low-light ability for weddings and events. It is said to be versatile enough to be used for landscapes and fine art where broad dynamic range is critical, for sports that require a high frame rate and decisive AF, or for video creators who want 4K UHD flexibility.


“The Nikon D850 is much more than a camera, rather it’s a statement that Nikon is continuing to listen to customer needs, to innovate for the next 100 years, and bring to market a full-frame DSLR that exceeds the expectations of the professionals that rely on this caliber of camera to make a living,” said Kosuke Kawaura, Director of Marketing and Planning, Nikon Inc.


“I have had the pleasure of putting this camera through its paces, and there is nothing like it. The Nikon D850 introduces a whole new generation of photographers to medium format quality; the resolution is out of this world, and the tonality and range are at a level I never thought possible from a DSLR,” said Nikon Ambassador and award-winning wedding photographer Jerry Ghionis.


The Nikon D850 is a combination of resolution, dynamic range, ISO and processing power. Nikon informed that the 45.7-megapixel CMOS sensor forgoes an optical low pass filter (OLPF) to harness the sharpness of NIKKOR lenses, with fidelity, tonality and clarity. This is also Nikon’s first DSLR to incorporate a BSI CMOS sensor, which captures light more efficiently, resulting in a wider dynamic range and low-noise image capture.


The D850 is capable of shooting up to 7 fps at full resolution, with full AF/AE or 9 fps at full resolution with the addition of an optional battery grip (MB-D18) and EN-EL18a/b battery (Buffer approximately 51 frames of 14-bit lossless RAW capture / 170 frames of 12-bit lossless). The D850 offers a wide ISO range from 64-25,600 (Expandable down to ISO 32, up to 102,400). The D850 uses the Nikon D5’s 153-point, Multi-Cam 20K AF system, which features 99 cross type sensors, 15 of which are sensitive to f/8. The camera has EXPEED 5, which Nikon informs is their most powerful engine yet, allowing for fast data readout and swift image processing, improved low light performance, high speed shooting, full-frame 4K UHD video capture and greater power efficiency for longer battery life. The camera has a 3.2-in., high resolution (2359k-dot) touchscreen LCD monitor. The D850 offers the ability to operate with an electronic shutter in Live View. When in this mode, users can shoot in complete silence. The electronic shutter operates at up to 6 fps (AF/AE locked) at full resolution, while an additional mode enables 8.6-megapixel capture in DX image area mode at up to 30 fps.

Like the D5 and D500, the D850 also supports Radio-controlled Advanced Wireless Lighting with the optional SB-5000 Speedlight and WR-A10 and WR-R10 accessories. Users can choose from 3 sizes of RAW files to enhance workflow, including Large (45.4-MP), Medium (25.6-MP) and Small (11.4-MP). Additionally, the D850 lets users batch process RAW files in camera. It gives users up to 1,840 shots at full resolution or approximately 70 minutes of video on a single charge. Users who opt for the additional control and handling benefits of the optional battery grip can expect up to 5140 shots (CIPA standard).

For macro, product and landscape photographers, there is a Focus Shift Photography feature. This feature lets the user automatically shoot up to 300 shots at adjustable focus step intervals to infinity which can be assembled into a focus-stacked image using third party software.

With the optional ES-2 Film Digitizing Adapter and compatible Micro-NIKKOR lens, the camera is said to enable super high-resolution digitising of 35mm slides or negatives and converts them in-camera to positives. The camera is said to have a rugged and weather-sealed magnesium alloy body.

It features built-in Wi-Fi & Bluetooth for connectivity. The D850 features dual memory card slots, XQD for high-speed capture and transfer, as well as readily available SD media.


The D850’s FX BSI CMOS sensor allows 4K UHD output at a full-frame width at 16:9. Creators can also capture Full HD 1080p at up to 120 fps (4x or 5x) for slow-motion video capture. When shooting Full HD or in Live View for stills, focus peaking can be enabled which highlights in-focus subjects in the frame to ensure sharpness. Users can create 4K UHD time-lapse videos in-camera, or can use the built in intervalometer to capture images for an ultra-high resolution 8K time lapse that can be assembled in post for those who want the ultimate in video quality.


The Nikon D850 will have a suggested retail price (SRP) of $3,299.95, and will be available in September 2017. The MB-D18 Multi Power Battery Pack will have an SRP of $399.95, while the ES-2 film digitalising adapter will have an SRP of $149.95.


Asian Photography: Hands-on with Sony A9

Building upon the ever-growing interest in adventure sports and wildlife photography, Sony India recently introduced its new digital camera, the α9 (model ILCE-9). The camera is geared at those interested in adventure sports and wildlife photography.

According to Sony, this is the most technologically advanced, innovative digital camera that Sony has ever created, and they say that the new camera “offers a level of imaging performance that is simply unmatched by any camera ever created – mirrorless, SLR or otherwise.”

We had a chance to get our hands on the camera and try it out, so let’s take a look at what’s new about this camera.



The new mirrorless camera offers many impressive features including high-speed, blackout-free continuous shooting at up to 20fps, 60 AF/AE tracking calculations per second, a maximum shutter speed of up to 1/32,000 second5and much more. These are made possible by its 35mm full-frame stacked Exmor RS CMOS sensor, which enables data speed processing at up to 20x faster than previous Sony full-frame mirrorless cameras. This sensor is paired with a brand new, upgraded BIONZ X processing engine and front-end LSI that maximises its overall performance, according to Sony.


Sony prides on the speed of the α9, which is the the outcome of new stacked 24.2 MP Exmor RS image sensor, new BIONZ X processor and front end LSI. Sony informed that the α9 liberates processing power as its new components allow faster AF/AE calculation while also reducing EVF display latency. The processor and front end LSI are responsible for the larger continuous shooting buffer therefore allowing photographers to shoot at a blazing 20 fps with continuous AF/AE tracking for up to 362 JPEG or 241 RAW images. We tried the camera in continuous shooting mode, and it gave us quite an impressive output.


The camera also offers tracking with an uninterrupted view with AF/AE tracking calculation up to 60 times per sec, regardless of shutter release and frame capture. The camera was able to track the live-action we were shooting quite accurately.


It features 693 focal plane phase detection AF points covering approximately 93% of the frame. The Fast Hybrid AF system – pairing the speed and excellent tracking performance of phase detection AF with the precision of contrast AF – achieves approximately 25% faster performance when compared with α7R II, ensuring all fast-moving subjects are captured.

As the camera is aimed at wildlife photographers, it also offers silent and vibration-free shooting at speeds up to 1/32,000 sec. The electronic shutter in the A9 operates silently, without mechanical noise that can be disruptive when shooting sports, events or wildlife in a quiet environment. Sony said that the fact that the electronic shutter is vibration-free also minimises the likelihood of vibration-induced blur, further contributing to resolution and image quality. The manufacturerer also said that its maximum 1/32000 sec speed exceeds the limits of mechanical systems for vastly expanded exposure freedom as well as the ability to maintain shallow depth of field in bright conditions without having to use ND filters.

The α9 is equipped with an 5-axis image stabilisation system that provides a shutter speed advantage of 5.0 steps.

The camera also shoots 4K (3840x2160p) video recording. It uses full pixel readout without pixel binning to collect 6K of information, oversampling it to produce high quality 4K footage with exceptional detail and depth. The extremely popular 35mm size recording is also available in the α9.

The camera is available at Sony retail outlets for Rs 3,29,990. We will soon do a full-length review of the camera in our magazine. So, keep reading!



Building upon the ever-growing interest in adventure sports and wildlife photography, Sony India recently introduced its new digital camera, the α9 (model ILCE-9). The camera is geared at those interested in adventure sports and wildlife photography.

According to Sony, this is the most technologically advanced, innovative digital camera that Sony has ever created, and they say that the new camera “offers a level of imaging performance that is simply unmatched by any camera ever created – mirrorless, SLR or otherwise.”

We had a chance to get our hands on the camera and try it out, so let’s take a look at what’s new about this camera.

The new mirrorless camera offers many impressive features including high-speed, blackout-free continuous shooting at up to 20fps, 60 AF/AE tracking calculations per second, a maximum shutter speed of up to 1/32,000 second5and much more. These are made possible by its 35mm full-frame stacked Exmor RS CMOS sensor, which enables data speed processing at up to 20x faster than previous Sony full-frame mirrorless cameras. This sensor is paired with a brand new, upgraded BIONZ X processing engine and front-end LSI that maximises its overall performance, according to Sony.


Sample image


Sony prides on the speed of the α9, which is the the outcome of new stacked 24.2 MP Exmor RS image sensor, new BIONZ X processor and front end LSI. Sony informed that the α9 liberates processing power as its new components allow faster AF/AE calculation while also reducing EVF display latency. The processor and front end LSI are responsible for the larger continuous shooting buffer therefore allowing photographers to shoot at a blazing 20 fps with continuous AF/AE tracking for up to 362 JPEG or 241 RAW images. We tried the camera in continuous shooting mode, and it gave us quite an impressive output.


The camera also offers tracking with an uninterrupted view with AF/AE tracking calculation up to 60 times per sec, regardless of shutter release and frame capture. The camera was able to track the live-action we were shooting quite accurately.



It features 693 focal plane phase detection AF points covering approximately 93% of the frame. The Fast Hybrid AF system – pairing the speed and excellent tracking performance of phase detection AF with the precision of contrast AF – achieves approximately 25% faster performance when compared with α7R II, ensuring all fast-moving subjects are captured.

As the camera is aimed at wildlife photographers, it also offers silent and vibration-free shooting at speeds up to 1/32,000 sec. The electronic shutter in the A9 operates silently, without mechanical noise that can be disruptive when shooting sports, events or wildlife in a quiet environment. Sony said that the fact that the electronic shutter is vibration-free also minimises the likelihood of vibration-induced blur, further contributing to resolution and image quality. The manufacturerer also said that its maximum 1/32000 sec speed exceeds the limits of mechanical systems for vastly expanded exposure freedom as well as the ability to maintain shallow depth of field in bright conditions without having to use ND filters.

The α9 is equipped with an 5-axis image stabilisation system that provides a shutter speed advantage of 5.0 steps.

The camera also shoots 4K (3840x2160p) video recording. It uses full pixel readout without pixel binning to collect 6K of information, oversampling it to produce high quality 4K footage with exceptional detail and depth. The extremely popular 35mm size recording is also available in the α9.

The camera is available at Sony retail outlets for Rs 3,29,990. We will soon do a full-length review of the camera in our magazine. So, keep reading!

 

Decoding GST for the Imaging Industry

In many ways 1st July 2017 will etch its way in India’s history as a monumental change and reform in India’s taxation regime. Many call it ‘THE’ biggest move after India’s independence while others haven’t welcomed it with open arms. Whatever you may call it, an opportunity or a challenge, it is clear that the introduction of the Goods and Services Tax (GST) by the Government is one of the biggest moves in India’s existence. In this article Bhavya Desai decodes GST, its opportunities, impact and the implications on the imaging industry.


So if you have been listening to this word GST, which seems to be dominating the business circles in every conversation and have been wondering, how is this going to affect you? Then this article will give you a quick 101 on the same.


What is GST?


GST stands for Goods and Services Tax (GST) which is a comprehensive indirect tax levied on manufactures, sales and consumption of goods as well as services at a National level. Ideally it replaces all indirect taxes levied on goods and services by the Indian Central and State governments.


Basically it is a unified tax structure across India which eliminates differential duty structure and taxation system across different states in India.


How does this matter and affect the consumer?


So if you are wondering, how does this matter to me? Then you need to think again because the introduction of GST will have massive positive impact on the pricing structure of products, introducing a unified pricing policy to product categories across India.


For example, a camera purchased in Maharashtra earlier would be priced lesser or more (depending on the state) elsewhere. So if a camera was before VAT was costing Rs. 100 (excluding tax) in Maharashtra, then it’s eventual MRP would be Rs. 113.50 to a consumer. The same camera in Tamil Nadu would cost the consumer Rs. 114.50 since it levied a VAT of 14.5%.


Another simple example is of the automotive industry. Have you ever wondered that a car of same make and year bought by your friend/family in a different state was far cheaper than what you paid for? In simple words this was due to the introduction of number of layered taxes levied by the Govt on the showroom price of the car. Hence a luxury car in Delhi would cost at least 7-8% cheaper than in Mumbai since there were number of additional taxes that were levied on products entering Mumbai in the past.


So the biggest change that one will see with the implementation of the GST as a consumer is the unified taxation system on products across India. Which means now if you buy a camera, car, or any other product across the country, it will have the same prices across the states. So depending on the state you are, the % increase or decrease in prices will depend on what the % of taxes were earlier. 



But one good news as a consumer that you might find is that there isn’t been much of a change in the pricing of the products in the imaging industry despite GST being implemented. As Nikon India’s MD, Kazuo Ninomiya clarifies, “We welcome the new structure of the GST regime as it has brought the new era in the indirect taxation landscape of modern India, paving the way for a simplified tax structure for goods and services. With GST already in place, we are helping in smooth transition for retailers and distributors, who we have such long-standing relationships with. As of now, we are analysing the effect of current tax structure; though we have not made any price changes in our product range despite the tax changes.”


How are the GST categories classified?


Incase you are wondering how do the thousands of products across different categories in the Imaging and other industries get classified under GST? Well, it’s simpler than you think. The Govt. has broadly classified GST under four categories in terms of taxation levied:


GST Taxation brackets:


  • 6%

  • 12%

  • 18%, and

  • 28%


Each product category and products are defined under a Chapter of an HSN Code. Most products in the imaging industry are classified under the taxation bracket of 18% or 28% currently. 


Cameras are classified under chapter 90 of the HSN code. Chapter 90 of the HSN code contains goods like optical, photographic, cinematographic, measuring, checking, precision, medical or surgical instruments and apparatus. Under chapter 90, cameras are classified under HSN Code 9006 which attract 28% GST. HSN code 9006 pertains too photographic (other than cinematographic) cameras; photographic flashlight apparatus and flashbulbs other than discharge lamps. 


Further, cinematographic cameras and projectors, whether or not incorporating sound recording or reproducing apparatus are also classified under chapter 90 of the HSN code attracting 28% GST rate. Hence, digital cameras and analogue cameras attract a GST rate of 28% in India.

Camera lenses are also classified under chapter 90 of the HSN code as lenses, prisms, mirrors and other optical elements, of any material, mounted, being parts of or fittings for instruments or apparatus, other than such elements of glass not optically worked. Camera lenses conforming to the above classification are taxed at 18% GST.


Professional photographic lights and accessories are also classified under 28% GST bracket, which when compared to the sum of previous indirect taxes is not that much of a change from the previous taxes. 


Combined with the benefits that the Govt. has provided along with the minimal changes in the taxes are critical reasons why the manufacturers haven’t increased the prices of their products currently. 


What are the benefits of GST for the industry?


With an unprecedented move like this, there has to be a major benefit, both to the consumers as well as the sellers right? So as ambiguous as this may sound, if my understanding is correct then benefit in this case is more to the sellers and the govt, and I say this with all positivity by way of being make able to make products more available to the consumer, easily and swiftly.



As Epson India’s President and CEO, Kasai Toshiyuki said that GST definitely brings in uniformity across various players, big or small. “We at Epson believe that GST gives a fair chance for both small established players. It’s a platform to compete & leverage the various emerging opportunities that could be triggered from the implementation hence enhance business opportunities. It’s a big welcome move as it sets a long term growth driver. At Epson, we are hopeful that the new system will boost investments and benefit the economy.”


As a consumer the most critical point from a point of purchase is the price-point. But as an industry it is important for the manufactures to be transparent in order to conduct their business.


Sony says that as a company they believe in transparency and in the long run, the new tax regime will benefit customers as it encourages transparency. “Like in every other sector, GST will significantly improve the efficiency of business operations as it will create a much simpler indirect tax regime and reduce our compliance costs in the long term. Our logistics and inventory costs will also be positively impacted. The creation of a unified Indian market will also help us deliver better products and services to our customers. In the long term, it will help the government to collect taxes in a more efficient manner and increase their revenues significantly,” said Hiroyuki Tokuno, DGM Digital Imaging, Sony India.



Anuj Aggarwal, Vice President & CFO, Canon India said, “GST is definitely a paradigm-shifting tax regime and a welcome move from the government. Its implementation has initiated a new beginning in the indirect taxation landscape of modern India, paving the way for a simplified and homogenous tax structure for goods and services across all industries and verticals. I believe that introduction of GST is a positive step and would be beneficial for the industry in the long term. There were initial apprehensions and uncertainties which might have short-term impact. However, we must remember that replacing a complicated system of indirect taxation will make it easier for firms to do business across the country. This will boost investment and, through that, the economy is also set to benefit.”



As Tamron’s India President and CEO, Nitin Goyal puts it, “The Goods & Service Tax or GST is one of the biggest fiscal reforms in India since Independence. All businesses, small or large, will be impacted by this new indirect tax regime. GST will be levied on both goods and services and will subsume and replace the current indirect taxes such as excise, VAT, and service tax.”



So what exactly are the benefits to the Indian economy? I’ve listed some information below that makes things pretty clear.


  • Removing cascading tax effect: Under the current regime, the service tax paid on input services cannot be set off against output VAT. Under GST, the input tax credit can be availed smoothly across the spectrum of goods and services, thus reducing the tax burden on the end user and removing cascading effect.


  • Defined treatment for e-commerce: Many Indian businesses provide goods and services through the internet. Earlier, there were no specific provisions for treatment of the e-commerce sector. Currently, states have variable VAT laws for this sector. For example, online websites (like Flipkart and Amazon) delivering to Uttar Pradesh have to file a VAT declaration and the registration number of the delivery truck. Tax authorities can sometimes seize goods when there is a failure to produce documents.


Again, these e-com brands are treated as facilitators or mediators by states like Kerala, Rajasthan, and West Bengal which do not require them to register for VAT.

All these differential treatments and confusing compliances will be removed under GST. For the first time, GST clearly maps out the provisions applicable to the e-commerce sector and since these will apply all over India, there should be no complication regarding inter-state movement of goods any more.


  • Increased efficiency in logistics: The logistics industry in India had to maintain multiple warehouses across states to avoid the current CST and state entry taxes on inter-state movement. Most of the times, these warehouses were forced to operate below their capacity thus increasing their operating costs.


As GST goes live, these restrictions on inter-state movement of goods will lessen and the logistics sector might start consolidating warehouses across the country




What are the practical challenges that the industry is facing?


Naturally when you are implementing and executing an historic reform in the largest democratic economy in the world, one can’t expect things to be spot on. 



“The task of implementing such a gargantuan tax reform in one of the fastest growing economies is expected to be a tough challenge. In my view the government has done a fairly decent job in the implementation process. The only thing that they probably could have done better is the preparedness and training of the government official to deal with the queries at a local level,” says Pulin Soni, VP, Photoquip India.


Epson India’s President and CEO, Kasai Toshiyuki adds, “There are always challenges when a new process or system is rolled out. The same applies for GST. During the initial stages, there was a lack of information which created a lot of ambiguity and confusion in the market. Different taxes on different products also added to the confusion. If you look at it, the new GST tariff is higher than the previous VAT based rate (CVD+VAT) on MFP and consumables. Hence, our existing procured products material also required a MRP change post the roll out of GST.”


One of the biggest challenge that most businesses (especially distributors/retailers) in the industry were facing were the advances paid towards the stock procured before the 30th June 2017 which already had a paid up VAT tax. But the government put policies in place to help the businesses in such cases, offering 60% on the difference of paid up VAT to GST, albeit you register the stock statement with the GST Department before the 1st July 2017. This brought a much needed respite to the businesses since the increased rate of 28% in most cases was eating into the margins of the manufacturers and others. 


“In case of DSLR lenses since there was no loss on existing inventory which got transferred from VAT regime to GST regime there was not much issue. We appreciate step taken for compensation of CGST increased from 40% to 60% by govt. authorities on the previous stocks,” added Goyal.


And as for manufacturers, “We have not faced much challenge with the products that have been procured already since importers like us are allowed to take the input tax credit of the Countervailing duties (CVDs) on the closing stock in hand below 1 year of age,” added Kazuo Ninomiya, MD, Nikon India. 


Companies like Canon prepared well in advance to adopt GST from the beginning by ensuring clear communication. Through workshops and Electric Direct Mails, they created increased awareness of the new tax. “Once the tax rates were announced, comprehensive trainings and awareness sessions were conducted for employees and partners alike. Communication is key to effectively manage change, and we left no stone unturned to ensure a fair and transparent transition. As an organisation, we are agile to adapt to any situation and be flexible to changes.” 


However while these processes might have been put in place by the government and the companies, it’s implementation and execution is an entirely different story. The company did add that the road to implementation of GST hasn’t been devoid of challenges. “There are challenges on claiming credit of taxes on the products already procured especially imported products. Further due to non-availability of full credit to dealers on their inventory added to complications,” said Aggarwal.


No-information, rumours and more 


While most manufacturers ideally more or less prepared ahead of time for the change, it wasn’t all hunky-dory with the constant changes in the policies until the 11th hour. However, there is a consensus amongst most manufactures and the industry that the policies have become pretty clear after the 1st of July. But whatever said and done the months of June and July 2017 have lead for the industry to loose business. 


And like any other Indian movie, much of it was due to the confusion, speculation and misinformation to/in the trade. Although things were clear from the Govt. and the GST council, due to lot of interpretations from different people at different levels at the execution level, there were confusions. There could’ve been possible ways of providing much easier documentation that a regular trader/normal person can understand which help its rollout easier.


Naturally the bigger traders and listed companies have been following the GST Council for the larger part of their interest. Although some of our sources have mentioned that traders in the Tier II and III cities in some cases aren’t even aware of its implementation in the imaging industry. Although they couldn’t come on record to comment on this story, but they were still continuing to bill under the earlier VAT even post July. 


However, things seem to be settling down now with positive sentiments amongst the industry. The industry experts believe that post 15th August the markets should start working like before and by the time seasonal sale starts, things will be in full swing.


“The acceptance of the new policy and reform is open to the interpretation and perspective of the trader. If they are willing to accept this change then like other things it becomes easier to manage and one can find a way. However if you aren’t willing to change then you might find the new reforms as one challenge after the other,” says Nikhil Mehta, Proprietor, Mehta and Sons.


Undoubtedly GST is aimed at increasing the taxpayer base by bringing SMEs and the unorganised sector under its purview. For the Camera and Imaging industry considering above benefits in terms of CST, Entry taxes and others will make the Indian market more competitive than before and create a level playing field between large and small enterprises. It will also give Indian businesses an opportunity to better compete with foreign countries such as China, Philippines, and Bangladesh. 


However, all will not be smooth sailing since a policy change of such a huge nature is sure to be faced with teething troubles.


Canon announces two new cameras – EOS 6D Mark II and EOS 200D

Canon has announced two DSLR cameras on the occasion of National Camera Day, the EOS 6D Mark II and EOS 200D DSLR cameras designed for advanced-amateur and entry-level photographers, respectively. The EOS 6D Mark II camera is a Full-frame CMOS sensor DSLR camera, whereas the EOS 200D is a light and compact camera.

We at Asian Photography had a chance to get our hands on the new cameras a couple of weeks ago to check them out.  The successor to Canon’s popular EOS 6D, the new EOS 6D Mark II features several enhancements which include 26.2 Megapixel Full-frame CMOS Sensor, an optical viewfinder with a 45-point all cross-type AF system, Dual Pixel CMOS AF with phase-detection and full HD 60p, DIGIC 7 Image Processor, ISO 100-40000, vari-angle touch Screen, 3.0-inch LCD, built-in Wi-Fi, NFC, Bluetooth and GPS technology, high-speed continuous shooting at up to 6.5 fps, dust and water-resistant.

The new EOS 200D promises to feature the world’s fastest AF speed at 0.03 seconds, allowing for quick focusing on subjects in the frame. Canon informed that when designing the new EOS 200D camera, they took into consideration feedback from entry-level photographers who expressed interest in learning how to go beyond a camera’s program mode. The result was the creation of a convenient new user interface called Feature Assistant. With the new camera, users will be able to see on the camera’s Vari-angle Touch Screen how switching modes on the mode dial or tweaking camera settings like aperture and exposure compensation can alter the image they are about to capture, thus guiding photographers on their way to capturing more compelling images, such as ones with a shallow depth-of-field or being able to give moving subjects a frozen or flowing look.
The new cameras features include a 24.2 Megapixel CMOS (APS-C) Sensor, Dual Pixel CMOS AF, 3.0-inch Vari-Angle LCD Touch-Screen, built-in Wi-Fi, NFC and Bluetooth Technology, full HD 60p & External Microphone Input, DIGIC 7 Image Processor, ISO 100-25600 and an optical viewfinder with a 9-point AF System.

The EOS 6D Mark II DSLR camera is scheduled to be available in late July 2017 for an estimated retail price of $1,999.00 for body only, $3,099.00 with the Canon EF 24-105mm f/4L IS USM II lens and $2,599.00 with the Canon EF 24-105mm f/3.5-5.6 STM lens. In addition the EOS Rebel SL2 is scheduled to be available in late July 2017 for a retail price of $549.99 for body only and $699.99 with the Canon EF-S 18-55m f/4-5.6 IS STM lens.