Fujifilm India has launched the Instax mini Evo Cinema, the latest addition to its instax hybrid instant camera Evo series. Designed to combine cinematic expression with instant photography, the camera allows users to capture both still images and short videos, which can be transformed into physical instax prints.
In India, the instax mini Evo Cinema Premium Edition will be available in a Combo Box priced at INR 47,999. The package includes the camera and two packs of instax mini glossy film. Pre-bookings will be open till the 27th of January 2026 on their website, with customers receiving two additional film packs as a pre-booking benefit. The product will be available for purchase from 28 January 2026.
The camera introduces video-to-print functionality, enabling users to convert up to 15-second videos into instax prints embedded with QR codes. Scanning the QR code allows the video to be replayed or shared digitally. A key feature is the new Eras Dial, offering 10 effects inspired by different time periods from 1930s all the way to 2020, each with adjustable levels for varied creative expression.
The design draws inspiration from Fujifilm’s 1960s-era FUJICA Single-8 camera, featuring a vertical grip and analog-style controls. A dedicated smartphone app supports video editing, clip combination, and direct printing from mobile devices.
According to FUJIFILM India, the instax mini Evo Cinema aims to offer a hybrid photography experience that blends digital creativity with the emotional appeal of instant prints.
The Hamdan bin Mohammed bin Rashid Al Maktoum International Photography Award (HIPA) has announced “Family” as the main theme for its Fifteenth season competition, which launched on 13 January 2026 and will run until 31 May 2026.
This season includes five main categories: Family, Sports Photography, General (Black & White and Colour), Portfolio (Story-Telling), and a new category titled Dreams Through AI. Submissions must be made through HIPA’s official website, www.hipa.ae, by 11:59 pm (UAE time) on 31 May 2026.
According to HIPA Secretary General Ali Bin Thalith, the Family theme aligns with the UAE leadership’s designation of 2026 as the “Year of the Family,” highlighting the role of family in social stability, cohesion and quality of life. The theme is open to broad interpretation, encouraging photographers to explore family both in its human sense and as a wider concept of connection and belonging.
The Sports Photography category continues to focus on capturing athletic performance and emotion, while the General category offers creative freedom across black and white and colour photography. The Portfolio category invites photographers to present a cohesive visual story through a series of images.
The newly introduced “Dreams Through AI” category combines traditional photography with artificial intelligence. Participants are required to submit an original photograph alongside an AI-generated image that represents a dream-like interpretation of the original work.
HIPA will also present its Photographer of the Year award, alongside special awards given by invitation only.
Nikon India has announced the NIKKOR Z 24–105mm f/4–7.1, a compact zoom lens designed for a wide range of everyday photography needs. Covering focal lengths from 24mm wide-angle to 105mm medium telephoto, the lens is suited for landscapes, travel, close-ups, and portraits.
Weighing approximately 350 grams, the lens is designed for portability, making it practical for extended shoots and travel. It offers a minimum focus distance of 0.2m at 24mm and 0.28 m at 105mm, enabling close-up shooting with a maximum reproduction ratio of 0.5× between 70mm and 105mm.
The lens uses a stepping motor (STM) for fast and quiet autofocus, supporting both stills and video recording. It also features a customisable control ring that can be assigned to functions such as focus, aperture, ISO, or exposure compensation. The lens comes with dust and drip resistant construction.
The NIKKOR Z 24–105mm f/4–7.1 will be available in India from mid-January 2026, priced at ₹49,995.
Ashutosh Kumar, IFS, a senior career diplomat and Special Secretary (Vigilance) with the Government of India, continues to serve in public life with distinction. A Matrix Level 16 officer, he brings over 33 years of experience across both State and Central Government administrations.
Over the course of his career, he has worked with a wide range of ministries, including Parliamentary Affairs, Labour & Employment, Consumer Affairs, Food and Public Distribution, Home Affairs, Rural Development, and Chemicals and Fertilizers. His work has combined administrative responsibility with policy engagement at the highest levels of governance.
Internationally, he has represented the Government of India at global platforms such as the United Nations and has served in diplomatic capacities in countries including the United Kingdom, France, Switzerland, and Austria.
Known for his academic excellence, Ashutosh Kumar was a consistent gold medallist and was awarded the President’s Medal for outstanding service. His professional journey is widely regarded as an example of integrity, discipline, and commitment to public service.
Through his career, he has often emphasised values such as honesty, perseverance, disciplined effort, and ethical leadership—principles that continue to resonate with young aspirants preparing for civil services and other competitive examinations. His life in public service underscores the enduring importance of integrity and responsibility in governance. He has been a chief guest at the Asian Photography Awards in the past.
Sony India has introduced the A 7V, the fifth-generation model in the Alpha 7 full-frame mirrorless series. It features a newly developed partially stacked 33.0MP Exmor RS CMOS sensor and the latest BIONZ XR2 image processing engine with an integrated AI unit. The camera delivers enhanced autofocus performance, including faster and more accurate Real-time Recognition AF and Real-time Tracking. With 759 phase-detection points covering up to 94% of the frame and low-light operation down to EV -4.0, the A7 V offers reliable subject detection in challenging conditions. High-resolution RAW processing is now supported through Imaging Edge Desktop.
The A7 V achieves blackout-free continuous shooting up to 30 fps with 60 AF/AE calculations per second and includes a Pre-Capture function that records up to one second before the shutter is pressed. It offers up to 16 stops of dynamic range and improved Auto White Balance using AI-driven scene and light source analysis.
For video creators, the camera supports 7K oversampled 4K 60p recording in full-frame mode and 4K 120p in APS-C/Super 35mm mode, with full pixel readout and no pixel binning. Dynamic Active Mode stabilization and AI-based Auto Framing further enhance handheld and content-focused shooting. Updated noise reduction and improved internal microphones support cleaner audio.
Sony also launched the FE 28-70mm F3.5-5.6 OSS II, a compact lens optimized for high-speed continuous shooting and coordinated stabilization.
Both products support Sony’s sustainability goals, with manufacturing powered by renewable energy and eco-friendly packaging. The A7 V body will be available from 10 December 2025, with the M-kit following in February 2026.
vivo India has unveiled its latest flagship duo — the vivo X300 and X300 Pro — with a strong spotlight on next-gen mobile imaging co-engineered with ZEISS. The series introduces a 200MP Ultra-Clear camera system, promising significant leaps in portrait, telephoto, and low-light photography.
The vivo X300 Pro leads the lineup with a 200 MP ZEISS APO Telephoto Camera, India’s first Telephoto Bird Shots mode, and compatibility with the new ZEISS 2.35x Telephoto Extender Kit, enabling up to 8.5x optical zoom. It also features a 50MP ZEISS Main Camera with CIPA 5.5-rated stabilization (for main and telephoto cameras), dual imaging chips (V3+ and VS1), and 4K 120 FPS dual-focal-length recording with Dolby Vision and 10-bit Log support. AI-driven imaging additions include AI Storyboard, AI Landscape Master, Stage Mode 2.0, and improved Live Photos, with features tailored for Indian photography preferences.
X300 Pro and X300
The compact vivo X300 sports a 200MP ZEISS Main Camera, 50MP telephoto, 50MP wide-angle AF camera, and CIPA 4.5-rated stabilization (for main and telephoto cameras). Both models introduce an enhanced Adaptive Flash System for brighter and more natural illumination across focal lengths, along with upgraded portrait and cinematic video tools including 4K 60 FPS portrait video.
The smartphones run OriginOS 6 out of the box, offer up to 7 years of security updates, and are powered by the MediaTek Dimensity 9500 chipset. The X300 and X300 Pro pack 6040mAh and 6510mAh batteries respectively, both supporting 90W wired charging and 40W wireless charging capability.
Pricing starts at ₹75,999 for the X300 and ₹1,09,999 for the X300 Pro, available from December 10 across major online and offline platforms with multiple launch offers.
In response to India’s growing use of AI-enabled devices across consumer electronics, industry, and professional workflows, driving demand for faster and higher-capacity storage solutions. Lexar has announced its 2025 product lineup for the Indian market, featuring new memory cards, portable SSDs, and internal NVMe SSDs. The latest SD, microSD, and CF Express cards target AI-assisted imaging, drones, and 4K/8K content workflows, offering higher read/write speeds and larger capacities.
With AI now embedded in smartphones, IoT systems, vehicles, and automation infrastructure, the need for reliable memory products continues to increase. Government initiatives such as Make in India and the Production-Linked Incentive (PLI) scheme are also contributing to the growth of domestic semiconductor development
The updatedInternal SSD range is designed for tasks involving AI, machine learning, gaming, real-time rendering, and high-resolution editing, aiming to improve system responsiveness and stability. For mobile and hybrid work environments, the new portable SSDs provide high-speed data transfer and compact designs suitable for field use.
As sectors such as content creation, gaming, e-commerce, and manufacturing scale their digital operations, demand for advanced storage solutions is expected to continue rising across the country.
OPPO India has launched the new Find X9 Series, strengthening its presence in the premium smartphone segment. The lineup includes the Find X9 and Find X9 Pro, featuring a next-generation Hasselblad co-engineered camera system, upgraded battery technology, and enhanced performance powered by the MediaTek Dimensity 9500 chipset.
The Find X9 Series features a refined design with slim profiles, flat-edged frames, and AMOLED displays offering up to 3600 nits peak brightness and 120Hz refresh rates. Both models include Corning Gorilla Glass Victus 2 and IP66/IP68/IP69 protection ratings.
The Find X9 Pro’s camera system includes a 200MP Hasselblad Telephoto Camera, Ultra XDR Main Camera with the Sony LYT-828 sensor, 13.2x lossless zoom, and 4K 120fps Dolby Vision video recording. The Find X9 features a 50MP main camera with improved low-light performance, alongside ultra-wide and periscope telephoto lenses.
Battery capacities reach 7025mAh on the Find X9 and 7500mAh on the Find X9 Pro, paired with 80W SUPERVOOC fast charging and 50W wireless charging. Both devices run ColorOS 16, introducing new AI features, enhanced cross-device connectivity, and improved privacy through OPPO’s AI Private Computing Cloud.
The Find X9 Pro is priced at ₹1,09,999 (16GB + 512GB), while the Find X9 starts at ₹74,999 for the 12GB + 256GB model. Both devices will be available from November 21 across OPPO’s online store, Amazon, Flipkart, and retail outlets. OPPO has also introduced the Hasselblad Teleconverter Kit at ₹29,999 and the Enco Buds3 Pro+ TWS at ₹2,099.
The wedding season is here—and with it, the frenzied hunt for the perfect photographer, the right décor, and a venue that screams grand. Weddings in India aren’t just celebrations; they’re productions. And over the last decade, aggregator websites have pitched themselves as the ultimate fixers—digital bridges connecting families to vendors who make their big day happen. But behind the glossy ads and Instagram-perfect branding, cracks are beginning to show.
In recent months, professional photographers have reached out to Asian Photography, flagging what they call a “systemic problem” in the wedding industry—where aggregator platforms promise visibility and high-quality leads, but fail to deliver on both fronts. And worse, charge a premium while doing so.
We decided to dig in. And after months of analysing submitted records, one thing became clear: the fairy-tale narrative of India’s booming wedding-tech scene might be glossing over some serious realities.
The Promise vs. the Paywall
For wedding vendors—photographers, makeup artists, and designers—platforms like WedMeGood, Wedding Sutra, and Weddingz are the modern-day marketplaces. Listing yourself is free, but if you want to actually be seen, you pay. It’s a model that has worked well across several industry types, nothing fishy about that.
These ‘premium’ packages are marketed as gateways to guaranteed visibility and “assured high-quality leads”. The pitch? That your next big client—the one willing to pay for your artistry—is only a subscription away.
WedMeGood membership plans for Mumbai
But for many vendors, that dream has turned into an expensive illusion.
The Sales Pitch That Went Sour
Take the case of a local photography business True Shades Photography and its founder Arshid Bhimji. They were approached by WedMeGood’s sales team with an offer—a premium tier promising 300+ leads per year with a premium price tag of ₹3.6L+GST attached.
The founder was initially skeptical, having been burned before. But the sales team insisted that things had changed—that WedMeGood had evolved, that its decade-long experience guaranteed results.
Convinced, the studio signed up, paying only part of the substantial sum—a decision that would prove to be wise in the future.
Three months and countless follow-ups later, the results were dismal. Fewer than half the promised leads had come through, and most were either spam or irrelevant. And this wasn’t during an off-season lull—it was the peak of India’s wedding season.
Lead numbers showing far below expected rate during peak wedding season
When the founder compared notes with peers, the picture was clear. Dozens of vendors across categories—from photographers to make up artists—were reporting the same story.
A Pattern Emerges
A scan through public reviews and industry forums revealed a troubling pattern. Vendors alleged aggressive sales tactics, misleading assurances and a near-impossible refund process once things went south.
One photographer who bought WedMeGood’s top-tier package for an entire year said he received “virtually no return”on investment. What followed, he claims, was worse—unresponsive customer managers and vague, evasive answers whenever he demanded accountability.
Third party reviews concurring with the experience of True Shades Photography
The Fine Print Problem
Here’s where the story takes a sharper turn.
While sales teams allegedly use words like “guaranteed leads”, WedMeGood’s own Terms & Conditions explicitly say the opposite—that lead estimates are not guaranteed, and that performance may vary widely.
In other words: what’s sold on the call, isn’t what’s written in the contract. This could be a bait-and-switch that would raise eyebrows in any other industry. But in the fragmented wedding market, where most vendors are independent professionals with limited legal recourse, it often goes unchallenged.
WedMeGood’s Response
To ensure balance, we reached out to Anand Shahani, Co-Founder of WedMeGood, with specific questions regarding the complaints.
About Lead Numbers
Shahani acknowledged that discrepancies in lead volumes can occur, even among vendors subscribed to the same plan in the same city. According to him, WedMeGood acts only as aplatform, not a lead generator. “It’s ultimately up to the user to click through a profile,” he said, which seems fair.
He shared internal data showing that a mid-tier membership in Hyderabad typically receives 35-58 leads annually, while the top-tier might see 67-111 and that this count is based on historical records of partners on the platform. He added that the lead counts and price would vary depending on the city and demand-supply metrics.
Screenshot supplied to us by WedMeGood
Shahani added that the company is open to an independent audit by an industry body and claimed that WedMeGood actively invests in spam detection. Verified spam leads, he said, are not counted toward the vendor’s total.
However, vendors do claim that “spam” inquiries remain visible on their dashboards— counted and charged as valid leads.
We followed up with questions about these inconsistencies, the sales team’s alleged pressure tactics, and why the company continues to market packages with “assured” visibility if none can actually be guaranteed.
About Spam Leads
Shahani stated that its system allows vendors to mark leads as spam while also using backend algorithms to automatically detect and flag suspicious activity and said it is working to improve spam detection accuracy.
About Unfulfilled Lead Commitments
Addressing concerns about unfulfilled lead commitments, he reported that 30% of photographers receive more than their promised leads, 68% meet expected commitments, and only 2% fall short, while also emphasising long-term vendor renewals reflecting consistent performance. He also added that many users who discover vendors on the platform later contact them directly through social media, which the company does not count in its own lead data.
About Sales Team’s Tactics
Furthermore, he also clarified that its sales and partner success teams operate separately to ensure both onboarding and ongoing support–describing this as a standard industry practice–and noted that vendors who wish to avoid follow-up calls can request to be added to a “Do Not Contact” list.
When Leads Cost More Than They’re Worth
For vendors like the founder of True Shades Photography, who presented us with extensive records, the situation is clear: the return on investment simply doesn’t add up and despite conversation with WedMeGood CEO–no refund has been made on his request.
He now advises new photographers to skip expensive subscriptions altogether. “Assist experienced shooters, build your reputation, and rely on referrals. It’s slower—but real”.
The Bigger Picture
Aggregator platforms are not inherently flawed. The model works in theory: vendors get exposure, customers get convenience. But when the delivery fails, the imbalance erodes trust and it doesn’t end with one vendor or one company, but snowballs on the entire ecosystem.
Yes, there are success stories on WedMeGood. But the volume of dissatisfaction also raises an important question: Is the platform doing enough to ensure that success isn’t the exception but the rule?
Our Take
The wedding industry thrives on reputation. One bad review can undo years of goodwill—and the same applies to platforms. If WedMeGood and others like it want to remain relevant, transparency must replace opacity. Sales scripts can’t outshine statistics.
Charging vendors thousands while offering assurances of “potential leads” is not a sustainable business model. Although running a platform has its challenges and we understand that, there needs to be a more robust solution. And standard industry practices aren’t meant to be followed to the T, they’re meant to be improved upon and evolve with time.
Vendors would do well to remember one golden rule: In an industry built on trust, the best leads are still word-of-mouth—not paywalled promises.
Epson has launched a new initiative to enhance robotics education in India. The program aims to bridge the gap between academic learning and industry needs by providing hands-on training and practical exposure to modern manufacturing technologies.
As part of the initiative, Epson has established a state-of-the-art Robotics Lab at Ramaiah Institute of Technology (MSRIT), Bengaluru, and plans to set up another at Vellore Institute of Technology (VIT), Chennai. These labs feature Epson’s advanced SCARA and 6-Axis robots used in industries for assembly, material handling, packaging, and inspection.
Epson has also completed its first internship program, training 22 students from four premier engineering institutes over 19 days at its Bengaluru Solution Center. More than 100 students are expected to benefit from similar programs in FY25.
Siva Kumar, Sr. General Manager, Sales and Marketing, Epson India, said “we believe in empowering the next generation of engineers with the tools and training they need to thrive in a rapidly evolving industry.” He further added “our partnerships with academic institutions and the dedicated internship programme are all about giving students the exposure they need to step confidently into the workforce.”