Category Archives: news

OM System is the new Olympus

As OM System re-enters India, they face a significant uphill battle ahead of them. Known previously as Olympus, the brand is known for sticking to its ethos of innovating in the Micro Four Thirds space. Bhavya Desai spoke to Vivek Handoo, Vice President – Head of APAC/Managing Director, OM SYSTEM about what’s the road ahead. Excerpts:

Olympus decided to exit the camera business in 2020. What prompted this decision?
At that time, Olympus’ India operations were largely focused on the medical division. The company aimed to be a clear leader in the medtech space, and that strategic direction led to selling off the imaging business. Before that, in India, continuing the imaging operations wasn’t viable as the company wanted to prioritise its medical business — that’s when we exited the market.

What are the challenges you foresee as you re-enter the Indian market?
A major challenge is perception. Over the last few years, there’s been an overwhelming push for full-frame cameras. Brands like Sony and Canon have built strong narratives around full-frame systems. We’ve always stayed true to our Micro Four Thirds (MFT) philosophy — compact, lightweight cameras that perform exceptionally outdoors. However, in India, the “bigger sensor is better” mindset is still strong. Educating consumers that MFT can produce professional results will be key.

The second challenge is brand recognition. We’re no longer “Olympus”; we’re now “OM System.” A lot of people in India, they read OM System as Om system, which is an auspicious name within the country – so they think that it’s a local business and don’t realise it’s the same Olympus, even though we carry the same DNA and heritage, it’ll take time and effort to establish OM System as the new identity.

Can you still use the Olympus name?
We have rights to use “Olympus” until the end of this year, but all new cameras and lenses since the transition carry OM System branding. By the end of next year, we’ll completely phase out the Olympus name.

Most of the world has shifted to mirrorless full-frame or APS-C systems. Do you think MFT will require more education for Indian consumers?
Absolutely. The Indian market is heavily driven by wedding photography, where full-frame dominates. That’s why we’re positioning ourselves clearly in the outdoor photography niche — wildlife, macro, travel, and landscapes — where our system truly excels.

Our products are compact, rugged, and technologically advanced. In countries like Australia and Japan, OM System is seen as a strong alternative to leading brands because we’ve been able to communicate these strengths effectively. We’re taking the same approach in India, even if it takes time.

What would you say is OM System’s USP?
Three things stand out:

  1. Form factor: Our smaller sensor allows compact cameras and lenses without compromising quality. For example, our new 50-200mm lens is a fraction of the size and weight of its full-frame counterparts.
  2. Weather sealing: Our bodies are IP53 rated, they’re dustproof, rainproof, freezeproof, and shockproof — perfect for the outdoors.
  3. Handheld stability: We pioneered in-body image stabilisation and continue to lead in it. Most of our gear can be used handheld, eliminating the need for a tripod even in challenging environments.

What price range are you targeting in India?
Our lineup starts below ₹50,000 and goes up to ₹7-8 lakh for professional lenses. Our primary focus, however, is the mid-segment — cameras priced between ₹1-2 lakh — where we see the most growth potential.

What is your current product portfolio?
We currently offer six camera bodies, around 32 lenses, several binoculars, and a few audio recording devices. It’s a comprehensive ecosystem for anyone serious about photography.

Will all these products be available in India?
Yes, they’re already available through our national distributor, Creative Newtech, a Mumbai-based company. We currently have around 20–30 dealers onboard and aim to reach 60–80 across major Tier 1 and Tier 2 cities. While we won’t be in every retail outlet, we’re focused on partnering with stores that understand our vision and products.

What are your near-term and long-term objectives for OM System in India?
In the short term, we’re focused on making our full lineup available nationwide, onboarding key retailers, and working with photographers, influencers, and ambassadors who can showcase our products’ capabilities. We’ll also conduct workshops to help consumers experience our cameras firsthand.

In the long term, our goal is to become a clear leader in outdoor photography within the Indian market — a segment that’s growing rapidly worldwide. The Indian camera industry is valued at around $750–850 million, and we see significant growth potential in the coming years.

Which international markets are performing well for OM System?
Japan remains our strongest market, followed by strong performance in China, Australia, and several European countries like Germany and the UK. We’re also seeing rapid growth in the US, Indonesia, and Thailand. Interestingly, after years of smartphone dominance, the global camera market has rebounded over the last four years — and is projected to keep growing.

With the festive season around the corner, what are your plans for India?
We’re introducing several attractive pricing and bundle offers for Indian customers through the festive period, which is from Diwali to New Year. Our pricing will be among the sharpest globally, as this phase is about building brand presence and consumer trust rather than profits.

Are there plans for OM System brand stores in India?
Standalone brand stores may not be immediately viable, but we’re actively pursuing shop-in-shop concepts within leading camera stores. These spaces will allow us to create an OM System experience zone. While we might explore one or two flagship stores in major metros, our priority is visibility through these focused, interactive shop-in-shop setups across India.

Will these be located in big retail chains or specialised camera markets?
Primarily in camera markets. The technical expertise and hands-on experience customers expect are best provided by specialists. Entry-level models will, of course, be available online and through regular retail.

Do you have any market share goals for the near future?
Internally, we’re aiming for around 5% market share in the next couple of years. Given that roughly 70-75% of the Indian market revolves around weddings — which isn’t our focus. We’re targeting the 20-25% segment centred on outdoor, wildlife, and travel photography, which is growing faster than any other category.

Who is your primary customer base in India?
Our focus is on content creators, travel photographers, and outdoor enthusiasts. Post-COVID, many younger consumers have taken up photography as a creative pursuit. With travel booming and social media content creation on the rise, we’re targeting users who value portability, durability, and versatility — not just professionals but also serious hobbyists.

And in terms of video capability?
All our cameras are video-capable, but we recognise the demand for more advanced video features. We’re working on upcoming products specifically tailored to content creators with enhanced video performance while maintaining our strengths in photography.

You mentioned channel partners and e-commerce — what’s the strategy there?
It’s a dual approach. Channel partners are essential because Indian consumers still prefer to touch and try before buying. At the same time, e-commerce will play a crucial role once our Indian subsidiary is established. We’re also creating a network of ambassadors and workshop leaders across the country, giving users a chance to experience our products hands-on.

Workshops will focus on outdoor genres — wildlife, travel, street, and macro — where participants can test the equipment themselves. We believe our core strengths of portability and stability are best appreciated through direct experience, not just online listings.

When do you expect the Indian subsidiary to be operational?
We expect to have our own subsidiary within the next 12–18 months. Initial hiring will happen through third-party arrangements until the entity is formally set up.

Anything you’d like to add for our readers?
We’re genuinely excited about India. It’s our number one focus market globally right now. You’ll see a lot more engagement from us through events, collaborations, and retail presence. India’s creative energy and fast-growing photography community make it a perfect fit for OM System. We look forward to giving Indian photographers the tools to explore the outdoors with freedom, confidence, and innovation.

Canon Launches R6 Mark III & RF 45mm F1.2 Lens

Canon has announced the latest addition to its EOS R mirrorless lineup – the EOS R6 Mark III and RF45mm F1.2 STM lens — aimed at professional photographers & filmmakers seeking high performance and versatility.

Succeeding the R6 Mark II launched two years ago, the Mark III features a new 32.5-megapixel full-frame sensor that offers improved autofocus, and enhanced shooting speeds of up to 40 fps (electronic) and 12 fps (mechanical). The camera also introduces a pre-continuous shooting mode, capturing up to 20 frames before the shutter is fully pressed, along with advanced subject tracking via the Register People Priority function inherited from the flagship EOS R1.

On the video front, the R6 Mark III supports 7K 60p internal RAW recording, 3:2 Open Gate video, Canon Log 2/3, and HDR PQ, catering to professional workflows. It also offers proxy recording, waveform and false colour displays, and 14 in-camera colour filters for quick creative output.

Accompanying the camera is the new RF45mm F1.2 STM, Canon’s most affordable f/1.2 lens to date. Compact and lightweight at just 346g, it provides stunning bokeh and sharpness, serving as a versatile option for both full-frame and APS-C shooters (72mm equivalent).

The EOS R6 Mark III body is priced at ₹2,43,995, while kits range up to ₹3,43,995. The RF45mm F1.2 STM lens is priced at ₹40,495 (all prices inclusive of taxes).

Nikon’s Firmware 3.0 Brings New features to Z f

Nikon India Pvt. Ltd. has announced the release of firmware version 3.00 for Nikon Z f full-frame mirrorless camera, featuring several enhancements to improve creativity, focus precision, and usability.

The update introduces a Film Grain feature that simulates the nostalgic texture of traditional film photography. Users can fine-tune grain size and intensity, achieving a unique look for every shot—perfect for both stills and video creators seeking a classic aesthetic.

In addition, firmware 3.00 enhances focusing and framing options and adds new functions for smoother shooting and editing experiences.

Key Updates in Firmware Ver. 3.00:

  • Film Grain feature: Adjustable grain size (3 levels) and intensity (6 levels) for distinctive, film-like effects.
  • Focus Peaking enhancement: New [Only during zoom] option for precise manual focus without cluttering the view.
  • New grid options: [4:3] for stills and [9:16] for video, ideal for social media composition.
  • Improved HDMI output: Seamless live streaming to external monitors and LED displays.
  • Enhanced usability options: Auto monitor display switch, customizable shutter sound, portrait video orientation support, and simplified Imaging Recipes registration.

Nikon continues to expand camera functionality through regular firmware updates to meet evolving creator needs.

Nikon India Releases NIKKOR Z 16-50mm f/2.8 and 35mm f/1.7 APS-C Lenses

Nikon India has announced two new additions to its APS-C/DX-format mirrorless lineup – the NIKKOR Z DX MC 35mm f/1.7 and the NIKKOR Z DX 16-50mm f/2.8 VR. Both are set to launch in the first week of November 2025.

The NIKKOR Z DX MC 35mm f/1.7, priced at ₹38,995, is Nikon’s first DX-format micro lens capable of achieving a life-size reproduction ratio (equivalent to 1:1 in FX/35mm format). With a bright f/1.7 aperture and a minimum focus distance of 0.16 m, it enables sharp, detailed close-ups with soft, natural bokeh. Its aspherical ED glass element minimises chromatic aberration, while the stepping motor (STM) ensures quiet autofocus — ideal for both photography and video. Weighing just a few hundred grams, the lens is lightweight, portable, and built with dust- and drip-resistance in mind.

Alongside it, Nikon introduces the NIKKOR Z DX 16-50mm f/2.8 VR, priced at ₹78,995, a compact zoom covering 24–75mm (FX equivalent) with a constant f/2.8 aperture. It offers 5-stop vibration reduction (VR), excellent low-light performance, and versatile close-focusing distances of 0.15 m (wide) and 0.25 m (telephoto). The lens features ED and aspherical elements for high-resolution clarity, STM autofocus, and focus breathing suppression for smooth video capture.

Apple Launches M5-powered MacBook Pro and iPad Pro

Apple has introduced its new M5 chip, capable of delivering over 4x the peak GPU compute performance compared to M4 chip. This will be available in two flagship devices — the 14-inch MacBook Pro and next-generation iPad Pro — marking a unified leap in performance across its computing lineup. While the laptops retain their familiar design, the upgrades under the hood bring significant gains in AI, graphics, and efficiency. Alongside these two devices, Apple also plans to integrate the M5 with the next-gen Apple Vision Pro.

The new 14-inch MacBook Pro is priced from $1,599 (approx ₹1,49,900), features Apple’s latest M5 processor with a redesigned GPU architecture and a Neural Accelerator in each core. Apple claims the chip delivers 3.5x faster AI performance than M4, 20% faster CPU performance, and 1.6x faster graphics. Real-world results include 1.8x faster AI video enhancement in Topaz Video, 1.7x faster 3D rendering in Blender, and 1.2x faster build speeds in Xcode. Battery life has been extended to an impressive 24 hours, compared to 18 on last year’s model.

Design and port layout remain unchanged — users still get a 14.2-inch Liquid Retina XDR display, three Thunderbolt 4 USB-C ports, HDMI, and an SDXC card slot. Configurations go up to 32GB RAM and 4TB SSD (top model around ₹2.5-2.7 lakh).

Alongside the laptop, Apple also unveiled the M5-powered iPad Pro, available in 11-inch (approx ₹92,900) and 13-inch (approx ₹1,19,900) variants. The tablet boasts the same thin design as last year’s model but packs the M5’s AI power, resulting in up to 3.5x faster than M4 and 5.6x faster than M1. It also gains Wi-Fi 7, faster cellular performance, and an upgraded Ultra Retina XDR tandem OLED display.

Both devices ship with macOS Tahoe and iPadOS 26, respectively, and will be available starting 22nd October. 

Vivo Rolls out OriginOS 6 Globally

Vivo has announced the global launch of OriginOS 6, its latest and most advanced operating system, marking a milestone as the company celebrates its 30th anniversary. Guided by its “Origin Design” philosophy, the new system focuses on three pillars — smoothness, design, and AI — to enhance human-computer interaction in the AI era.

Powered by the new Origin Smooth Engine, the OS improves app startup speeds, animation performance, and long-term stability. vivo claims an 18.5% faster cold-start time and SGS certification for sustained smoothness, simulating five years of use.

OriginOS 6 also introduces a refreshed visual identity through vivo Sans2, dynamic icons, and adaptive layouts inspired by natural interactions. Users gain greater customization via a redesigned lock screen and home interface.

AI plays a central role, with deep Google integration bringing tools like Gemini and Circle to Search, along with vivo’s own Origin Island for real-time contextual actions. Productivity and creativity are enhanced through AI Retouch, DocMaster, and cross-device collaboration features.

The update will begin rolling out globally in phases starting November 2025, with timelines varying by market.

BenQ Launches Professional Monitor With Built-in Calibrator in India

BenQ has introduced the PD2770U, a 27-inch 4K professional monitor featuring a built-in colour calibrator, aimed at post-production teams, studios, and independent creators. The monitor was unveiled at the Broadcast India Show 2025, marking India as the first market for its global launch.

The PD2770U integrates an internal calibration system that adjusts colour accuracy automatically based on ambient lighting, reducing the need for external tools. It covers 99% of Adobe RGB and DCI-P3 colour spaces, along with full Rec.709 support. The display is also certified by Pantone Validated, Pantone SkinTone, and Calman Verified for colour precision across various media formats.

The monitor supports centralised control through its RJ45 LAN port and DMS Local software, allowing studios to manage and synchronise colour calibration across multiple displays. Additional features include a Nano Matte Panel to reduce glare, a magnetic shading hood, Display Pilot 2 software for workflow tools, and a Hotkey Puck G3 controller for quick adjustments.

The BenQ PD2770U will be available in India from November through authorized retail outlets and the company’s official website.

Canon India debuts EOS C50 and Creator-to-cinema Ecosystem

Canon India unveiled the EOS C50, Canon’s compact digital cinema camera designed for professional video production at Broadcast India Show.

The Canon booth featured three immersive zones replicating real-world production environments: the Cinema EOS & DILC Zone, the Virtual Production Zone showcasing PTZ and C400 cameras with Cine Servo, and the R50V Zone for digital-first creators. Visitors experienced hands-on workflows across cinema, virtual production, and live broadcasting.

Canon’s product showcase spanned the full spectrum of content creation: the EOS R50V for creators and vloggers, the EOS R5 Mark II for hybrid filmmaking, and the EOS C400, C80, and EOS C50 for high-end cinematic and OTT productions.

Canon India President & CEO Toshiaki Nomura emphasized the company’s commitment to empowering visual storytellers with end-to-end solutions across broadcast, OTT, and cinema. “This year, we are proud to unveil the EOS C50 for the first time in India, alongside our acclaimed Cinema EOS and PTZ camera range. Our comprehensive imaging ecosystem is built to meet the evolving needs of modern production, from virtual sets and VR to live studios and streaming”

Nikon Launches Nikon ZR in India

Nikon India unveiled the Nikon ZR, a full-frame cinema camera, at the Broadcast India Show 2025 in Mumbai. Developed in collaboration with RED Digital Cinema, the ZR features internal 6K RAW recording and RED-curated colour science, offering cinematic video and professional-grade audio in a compact 540g body.

Key Specifications:

  • RED R3D NE codec
  • Internal RAW video: 6K/60p (R3D NE, N-RAW, ProRes RAW HQ)
  • Dual base ISO: 800/6400
  • Monitor: 10.16cm (4-inch) vari-angle with a 3070k-dot resolution
  • Dynamic range: 15+ stops*
  • The world’s first in-camera 32-bit float , OZO Audio, 3.5mm line input
  • Slow motion: Up to 10x slow motion in Full HD (FHD 239.76p)
  • Cloud-ready: Frame.io integration
  • Monitoring: Waveform, histogram, LUTs
  • Stabilisation: 5-axis IBIS
  • Build: Magnesium alloy, dust-and-drip resistant
  • Weight: 540g

The Nikon ZR will be available in India from 16 October 2025 at ₹86,995 (body only).

Nikon has also launched a dedicated Z CINEMA Instagram account to provide updates and resources for filmmakers: https://www.instagram.com/zcinema_

‘Faraq Padta Hai’

The photography and imaging industry is constantly changing. Over the last decade it has faced increased competition from other imaging devices, especially smartphoneswith many writing off cameras to become redundant in the near future. However the industry has shown resilience and continues to grow despite its challenges. But what is the future like? Bhavya Desai spoke to Mukesh Srivastava, Head of Imaging Business (Professional & Consumer Cameras), Sony Electronics on what’s in the long haul. Excerpts:

In the long haul, what is your assessment of the industry?

The imaging industry has always thrived on transformation—from DSLRs to mirrorless technology and now Artificial Intelligence. Each shift opens new possibilities in storytelling. As audiences evolve, so do creators—from established professionals in weddings, wildlife, film, and fashion to emerging content creators from Tier 2 and 3 cities driven by online learning and influencer culture.

The future lies in hybrid solutions that deliver both exceptional stills and cinematic video. Innovation now focuses on versatility—empowering every creator to tell stories without compromise.

Where do you think the next big growth in the industry is coming from?

The creator economy is reshaping how content is consumed. This was evident at this year’s WAVES Summit, where Prime Minister Narendra Modi highlighted its potential. Conversations extended to drones, micro-dramas, short-form storytelling, and even bodycams—signalling how imaging is broadening across industries like agriculture, logistics, and surveillance.

The future will be defined by how effectively technology empowers creators—simplifying workflows, enhancing connections, and expanding influence across audiences and cultures.

What are the current challenges for Sony today and how are you navigating them?

Our biggest challenge is clearly communicating the value of our extensive camera lineup. The needs of professionals, vloggers, and hybrid creators vary widely. To address this, we’re investing in hands-on workshops, short-form videos, and Alpha Classroom—helping users understand which product fits their creative journey. Whether online or in-store, our goal is to make each camera’s value clear and accessible.

How do you see the current imaging market in India evolving—are enthusiasts driving growth, or is it professionals?

India’s market has long been anchored by professionals, but a growing segment of enthusiasts and semi-professionals is now upgrading from smartphones. This mid-tier segment is fuelling growth, making India one of the most dynamic imaging markets globally. Today’s enthusiasts are tomorrow’s professionals, and they are elevating creative standards.

Smartphones are getting more advanced—how does Sony position its cameras in this competitive landscape?

Smartphones have made photography accessible—and that’s a good thing. They’ve rekindled interest in image-making. But as creators seek more control, Sony steps in. Our ‘Faraq Padta Hai’ campaign encourages amateurs to rediscover the joy of photography and capture better images with Sony cameras.

We position our products as tools for creative control – offering superior dynamic range, interchangeable lenses, and cinematic quality, while ensuring intuitive connectivity for an easy transition from smartphone to camera.

Do you see younger creators (YouTubers, content creators, vloggers) influencing Sony’s India strategy?

Absolutely. Young YouTubers, vloggers, and influencers are driving trends in short-form video, live streaming, and hybrid content. Their need for lightweight, connected, and affordable gear directly shapes our product design and marketing.

Their feedback informs everything—from autofocus and touch interfaces to app integration—ensuring every touchpoint reflects their aspirations and supports their creative journey.