Category Archives: news

Canon expands its RF Lenses Portfolio with Two New Lenses

Canon recently announced the release of the RF 24MM F1.8 MACRO IS STM and RF15-30MM F4.5-6.3 IS STM lenses, which are flexible and lightweight additions to the EOS R mirrorless camera line. These two lenses round up and complete the inexpensive RF lens lineup. The RF lens lineup now contains 30 lenses, thanks to the acquisition of these two lenses.

The RF24MM F1.8 MACRO IS STM completes the economical line of RF prime lenses, which now includes focal lengths of 16mm, 24mm, 35mm, 50mm, and 85mm. Similarly, the RF15-30MM F4.5-6.3 IS STM now completes the cheap zoom lens lineup, encompassing focal lengths ranging from 15mm to 400mm. Both lenses take use of the EOS R camera system’s wide diameter and short back focus, resulting in a compact optical system and great image quality across the board.

Wide-angle with Beautiful Bokeh

One of the primary advantages of utilising the RF24MM F1.8 MACRO IS STM on a full-frame EOS R camera body is its small size. This lens is exactly the same size as the iconic RF35mm f/1.8 IS STM lens, making it ideal for travel and landscape photography as well as everyday use.

When mounted on an APS-C body, the focal length is reduced to 38mm, which is closer to the field of vision of the human eye, making it appropriate for portraiture or street photography. The RF24MM F1.8 MACRO IS STM is at least two stops brighter than a conventional kit zoom lens at f/1.8, allowing it to generate exquisite bokeh, a breathtaking background blur effect that a zoom lens cannot accomplish. Its wide aperture also makes it an excellent choice for astrophotography.

The RF24MM F1.8 MACRO IS STM can also function as a macro lens, which is a rare feature for a wide-angle lens. It can reach up to 0.5x magnification with a minimum focusing distance of only 0.14m. This 24mm/f/1.8 combination produces a unique wide-angle close-up with gorgeous bokeh, making it great for food or flower photographs when travelling or as a daily lens.

When used with a compatible camera body with in-body image stabilisation, the RF24MM F1.8 MACRO IS STM has a native lens image stabilisation (Optical IS) of up to 5 stops and can go up to 6.5 stops (In-Body IS). This allows for exact photographs with minimum camera shaking in low-light situations, with slow shutter rates, or in other camera-shake-prone situations. The RF24MM F1.8 MACRO IS STM, when used with the quiet Stepping Motor (STM), is ideal for video. Vloggers that frequently use a tiny tripod or selfie stick will enjoy how light it is and how little it is.

Versatile with Near Macro Capabilities 

The RF15-30MM F4.5-6.3 IS STM is designed to satisfy the budget of photography enthusiasts while giving a realistic focal length range that includes 15-30mm. Its tiny size, weighing roughly 390g, making it ideal for individuals who travel. The RF15-30MM F4.5-6.3 IS STM lens is approximately 53% lighter than the RF15-35mm f/2.8L IS USM lens (approx. 390g vs approx. 840g).

The RF15-30MM F4.5-6.3 IS STM covers a far broader field of view than any normal kit lens at 15mm, allowing users to incorporate the atmosphere or surroundings with the subject, especially in tiny rooms or tight situations where backing up is not possible. The broader 15mm end is especially useful for indoor photography and magnificent landscape photography. Users may record photographs with a natural angle of view and perspective that is closer to the human eye at the 30mm zoom telephoto end. The RF15-30MM F4.5-6.3 IS STM features a very versatile 24-48mm zoom range when placed on an APS-C EOS R camera, delivering a larger field of view at the wide end than a kit lens. Even if the user converts to a full-frame camera in the future, the lens can still be utilised, making it a fantastic long-term investment. Using two Ultra-low Dispersion lenses, the RF15-30MM F4.5-6.3 IS STM corrects chromatic aberration across the zoom range, resulting in sharp and clear pictures with minimum colour blur.

When connected with a suitable camera body with in-body image stabilisation, the RF15-30MM F4.5-6.3 IS STM offers a native lens image stabilisation (Optical IS) of up to 5.5 stops, which may be increased to 7 stops (In-Body IS). This allows for low-light shooting with minimum camera shaking and shots with low shutter speeds that would normally need the use of a tripod. In manual focus mode, the RF15-30MM F4.5-6.3 IS STM can attain a magnification of up to 0.52x on the 15mm broad end. The 319 has a 0.128m minimum focusing distance. Both the RF24MM F1.8 MACRO IS STM and RF15-30MM F4.5-6.3 IS STM have wide angle capabilities that will come in helpful for interior photography, which is typically constrained by space limitations, while their compact and lightweight size makes them easy to use outdoors. Their wide angle(s) of view, built-in IS, and smooth video autofocus make them well-suited for shooting films in addition to producing superb still photographs.

RF24MM F1.8 MACRO IS STM is priced at Rs. 58,495 and will be available in stores from Mid-July

RF15-30MM F4.5-6.3 IS STM is priced at Rs. 52,495 and will be available in stores from September

Nikon launches its best ever vlogging camera, Nikon Z30

Nikon India has recently unveiled a lightweight and portable mirrorless camera aimed at content makers and video bloggers. Nikon Z30 is an APS-C/DX-format mirrorless camera that increases the company’s Z series collection.

According to the company, the new Nikon Z30 was designed with artists in mind and features a simpler design that includes improved button positioning, an easy-to-use UI, dedicated focus keys, a lengthy video recording duration, and more. The camera also has a built-in microphone, a movie record indicator light, an auto transition to self-portrait mode, and 4K UHD resolution recording.

The Nikon Z30 has a 20.9MP sensor and is powered by the company’s Expeed processor. According to the firm, the Z30 is a video camera capable of recording up to 125 minutes of footage. Aside from that, the camera can collect photos at a rate of up to 11 frames per second. Other camera capabilities include eye-detection AF, continuous AF, and a variety of focusing settings such as Single Autofocus (AF-S), Continuous Autofocus (AF-C), and Manual Focus. Along with that, the camera has animal-detection AF, which recognises the eyes of pets for focused framing in both video and stills. The camera’s highest ISO sensitivity for movies is 25600 and for still photos it is 51200. The Z 30 has a 7.5cm touch-sensitive vari-angle display and can record up to 4K resolution movies.

Canon introduces the Cinema Excellence Suite on Wheels

Canon India has announced the debut of the Cinema Excellence Suite, a one-of-a-kind platform for showcasing the company’s comprehensive range of cinema imaging technologies to the film industry. Over the course of three months, this adaptable engagement will assist to demonstrate the EOS R System Mirrorless cameras and Cinema EOS camera’s whole production and post-production workflow experience directly to cinematographers, DOPs, directors, and production companies in Mumbai.

The Cinema Excellence Suite is Canon’s latest venture in accordance with their video first approach for the camera business. It is an industry – first project for the cinema market. The suite, designed in a transportable configuration to allow mobility, will include Canon’s Cinema EOS series and RF System cameras and lenses, as well as a display of Atomos and Sennheiser accessories. There will be a shooting zone as well as a full-fledged post-production set-up to familiarise the audience with the complete production cycle to make the suite more immersive.

The Suite will be outfitted with the most recent EOS R System Mirrorless cameras, including the EOS R3, EOS R5, EOS R6, and EOS R, as well as sophisticated RF lenses and EOS Cinema Cameras, including the EOS C500MKII, EOS C300 MKIII, EOS C70, and the newest EOS R5C. DOPs may also try out Canon’s renowned Sumire Prime and EF Cine lenses.

The Cinema Excellence Suite will begin its tour in Film City and will travel from point to point on a predetermined timetable, with visits at notable production companies, film studios, and significant institutions with concentrated curriculums on filmmaking.

Commenting on the inauguration, Mr. Manabu Yamazaki, President and CEO, Canon India said, “Cinema as an art has kept evolving ever since its inception, but what stays at its core is the passion of captivating audience attention through impeccable storytelling. From silent movies of yesteryears to the new age movies as we know today, visuals and hence the right imaging equipment play a vital role in building a riveting narrative and creating magic on screen. At Canon, it has been our constant endeavour to contribute to the world of cinema through our expansive line-up of Cinema products and solutions. With an objective to further strengthen our connect with cinema enthusiasts and filmmakers, we are delighted to launch the Cinema Excellence Suite, an industry first initiative for the film fraternity.”

Talking about Canon Cinema Excellence Suite, Mr. Manabu further added, “The suite will enable Cinematographers and DOPs to experience Canon’s exhaustive cinema portfolio first-hand and accordingly make an informed decision of investing in the right equipment. India is renowned for having the largest film industry in the world, hence through this initiative we are looking forward to an engaging response from the fraternity and further reinforce our foothold in the booming cinema segment.”

Mr. C Sukumaran, Senior Director-Consumer Systems Products and Imaging Communication Business, Canon India added “Filmmaking as an art drives our country and Mumbai is fondly referred to as the ‘city of dreams’ giving birth to some of the most widely beloved films. We are strongly committed to empower the cinema segment with the best-in-class technologies to capture every emotion on the big screen. In the past few years, we have seen a massive increase in video content consumption, owing to the rise in digital content, streaming platforms and OTT production houses. In line with this phenomenon, we recently launched the EOS R5 C, which is a high-quality and high-performance hybrid cinema model. It brings to the table not only uncompromising video quality but also unshakable image quality. In order to further enable our supremely talented fraternity of filmmakers, we at Canon are proud to launch a unique platform like the Canon EOS Cinema Excellence Suite. The Suite houses the best of EOS R System Mirrorless cameras and Cinema EOS cameras and comes equipped with a shooting zone as well as a full-fledged post-production set-up with an aim to familiarise the audience with the entire production workflow.”

Padma Shri Santosh Sivan, Director, Cinematographer and Filmmaker and Canon’s Cinema EOS Ambassador said, “I take great pride in being a Canon Cinema EOS Ambassador and ever so more today considering the launch of this exclusive mobile platform dedicated to cinema enthusiasts. While we as cinematographers have access to a wide range of products in today’s world, the Canon Cinema Excellence Suite takes the experience of choosing the right imaging products a notch above. It is a very intriguing format in the form of a vehicle housing products and accessories, shooting zones and a full-fledged post-production setup. I look forward to being a part of more such unique activations with Canon that enable filmmakers to make their art finer with superior imaging technology.”

Canon has launched ground-breaking technology in the last several years that has radically revolutionised the movie image sector in terms of innovation. Canon’s newest addition to the Cinema EOS line, the EOS R5 C – the company’s first camera to provide internal 8K 60P Cinema RAW Light recording – will also be featured in the Suite.

Canon celebrates 19th consecutive year of No. 1 share of global interchangeable-lens digital camera market

Canon has recently stated that their interchangeable-lens digital cameras (digital SLR and mirrorless cameras) had held the top spot in the worldwide market for 19 years 1 from 2003 to 2021.

Canon developed the essential imaging system components used in its EOS series of digital interchangeable-lens cameras, including CMOS image sensors, image processors, and interchangeable lenses, with the basic concept of “Speed, Comfort, and High Image Quality” in mind. Canon continues to support the diverse needs of customers by assembling a diverse product lineup ranging from high-performance flagship models that are highly trusted by professionals to entry-level models that allow users to enjoy high-image-quality shooting with simple operation, as well as a rich selection of RF and EF series lenses that enable a wealth of creative expression.

Canon debuted the groundbreaking EOS Kiss Digital (EOS Digital Rebel or EOS 300D in various territories) in September 2003, at the start of digital SLR cameras. This game-changing camera, which was competitively priced and featured a tiny, lightweight design, secured the worldwide market’s top share and laid the way for expansion in the digital SLR industry. Canon has continued to release ground-breaking products since then, including the professional-model EOS-1D series and the EOS 5D series, which cleared the path for digital SLR video recording. Canon’s ambition to create the optimum lens mount and maximise the attractiveness of its new RF lenses led to the creation of the EOS R System, which debuted in October 2018. Canon has subsequently proceeded to broaden the spectrum of photographic inventiveness and new visual expression options, including the July 2020 introduction of the EOS R5, the first camera to enable 8K video recording.

Canon unveiled the EOS R3 full-frame mirrorless camera in 2021 (available in November 2021), which has the high performance and durability needed by professional and enthusiast customers, as well as eight new RF lenses 3. Canon managed to maintain its No. 1 position in the worldwide market for the 19th consecutive year while increasing its roster with new releases such as the EOS VR System.

Canon will continue to refine its diverse imaging technologies based on its core optical technology, while also strengthening and expanding the EOS series of cameras and the RF/EF series of lenses, opening up new avenues of image capture to meet the needs of increasingly diverse users and promoting the spread of photo and video culture.

Samsung Launches Galaxy S22 Series in India

The Samsung Galaxy S22 Ultra, S22+, and S22 smartphones have landed in India. This year, Samsung chose to launch the top S Series phone in India using a Qualcomm Snapdragon CPU rather than an Exynos chipset. In India, the new Samsung Galaxy S22 series starts at Rs 72,999. The Galaxy S22 Ultra is the highest-end edition of the S22 series and, without a doubt, the most powerful Samsung smartphone in 2022. What’s intriguing is that, despite our expectations that Samsung will discontinue the Galaxy Note series entirely, Samsung has, in a manner, morphed the Galaxy S22 Ultra into the most recent Galaxy Note handset. Of course, the Galaxy Note branding is absent, but the S-Pen pen slot can now be seen on the S22 Ultra phone itself. It should be noted that the S22 and S22+ do not support the S-Pen pen.

The 6.8-inch Edge QHD+ dynamic AMOLED 2X display on the Samsung Galaxy S22 Ultra has a variable refresh rate of up to 120Hz. The gadget offers a touch sampling rate of 240Hz for gaming. Other display options include Vision Booster and Eye Comfort Shield. The display also has an ultrasonic fingerprint scanner and a punch-hole selfie camera with a 40MP resolution and an aperture of F2.2. The gadget has dimensions of 77.9 x 163.3 x 8.9mm and weighs 229g. The Snapdragon 8 Gen 1 octa-core processor powers the Galaxy S22 Ultra. The phone has an Android 12-based One UI 4.1 interface and up to 12GB of RAM. The phone will be available in storage and RAM configurations of 8GB RAM, 12GB RAM, as well as storage choices of 128GB, 256GB, and 512GB. As previously stated, the Samsung Galaxy S22 Ultra supports the S-Pen pen, and Samsung says that the S-Pen has reduced latency.

When it comes to cameras, the smartphone has a quad-camera arrangement with 12MP Ultra-Wide, F2.2 + 108 MP Wide, F1.8 + 10MP Telephoto, 3x Optical Zoom, F2.4 + 10MP Telephoto, 10x Optical Zoom, and F4.9. With AI Super Resolution technology, the gadget provides 100X Space Zoom, including 10x Optical Zoom and 10x Digital Zoom. The S22 Ultra is powered by a 5,000mAh battery and supports wired and wireless charging speeds of up to 45W and 15W, respectively. Wireless PowerShare reverse charging is also available. In terms of connection, the gadget supports 5G, LTE, Wi-Fi 6E, and Wi-Fi Direct Bluetooth v 5.2. There is also IP68 dust and water resistance. The Samsung Galaxy S22+ and S22 have comparable features, however the key variations are in the display, camera, and battery. The Galaxy S22+ features a 6.6-inch FHD+ Dynamic AMOLED 2X Display with a variable refresh rate of up to 120Hz and a touch sampling rate of up to 240Hz in Game Mode. The Galaxy S22, on the other hand, has a 6.1-inch FHD+ display. Other display aspects are comparable.

Both devices use the same triple cameras: a 12MP Ultra-Wide, F2.2 + 50MP Wide Dual Pixel AF, OIS, F1.8 + 10MP Telephoto, 3x Optical Zoom, OIS, F2.4. A 10MP selfie camera with an F2.2 aperture is located on the front. The CPU stays the same, and the gadget is available with 8GB of RAM and 128GB or 256GB of storage. Both devices use the One UI 4.1 interface, which is based on Android 12. The S22+ includes a 4,500mAh battery with wired charging rates of up to 45W and wireless charging speeds of up to 15W. The S22, on the other hand, is powered by a 3,700mAh battery that supports 25W wired fast charging and 15W wireless charging. Other characteristics are comparable to those found on the Galaxy S22 Ultra.

Galaxy S22 Ultra (12/512GB)

INR 1,18,999
Burgundy, Phantom Black

Galaxy S22 Ultra (12/256GB)

INR 1,09,999
Burgundy, Phantom Black, Phantom White

Galaxy S22+ (8/256GB)

INR 88,999
Phantom Black, Phantom White, Green
Galaxy S22+ (8/128GB)

INR 84,999
Phantom Black, Phantom White, Green

Galaxy S22 (8/256GB)

INR 76,999
Phantom Black, Phantom White, Green

Galaxy S22 (8/128GB)

INR 72,999
Phantom Black, Phantom White, Green


Nikon releases the NX Field remote shooting system’s updated Firmware Ver.1.1.0 for professional agencies

Nikon India has just published NX Field firmware Ver. 1.1.0, a remote shooting solution for professional agencies. This version adds compatibility for Nikon’s full-frame (Nikon FX-format) mirrorless cameras, the Z 7II, Z 6II, Z 7, and Z 6.

Remote operation of the quiet shooting function, which is unique to mirrorless cameras, is enabled with firmware Ver. 1.1.0, and these remote cameras may be used even in locations and situations that necessitate silence operation, such as music halls and chess tournaments. Face- and eye-detection autofocus (AF) is also available in Nikon mirrorless cameras enabling simpler and smoother focus on the subject’s face and eyes when remote shooting.

Furthermore, the focus points distributed throughout a wide region of the frame make it simple to gain focus on things located at the frame’s boundaries, allowing for greater freedom in creating photographs.

The firmware update includes a new capability for interval timer shooting with both compatible digital SLR and mirrorless cameras, allowing the user to define the shooting interval and amount of shots on the remote camera to enable automated shooting even from a distance.

Nikon collaborated with one of Japan’s main newspapers, the Yomiuri Shimbun, to shoot the 34th Ryuo Shogi (Japanese Chess) Tournament and the 46th Kisei Go Tournament utilising NX Field. Silent shooting allowed for the uninterrupted capturing of the most thrilling and dramatic moments in the contests.

Nikon will continue to release NX Field2 upgrades to serve professional photographers who are on the frontlines of reporting and capturing important moments.

  • To use the Nikon Field system, WT-7 wireless transmitters must be linked to cameras.
  • The Nikon Z 9 will be supported in the future.

OM Digital Solutions announces its first camera after Olympus buyout

The OM System OM-1 is a post-Olympus flagship camera. OM Digital Solutions, the new company formed after Olympus sold off its camera business to a Japanese investment fund, has announced its first camera. The OM System OM-1 is a flagship Micro Four Thirds mirrorless camera that serves as a successor to previous high-end Olympus models like the O-MD E-M1 Mark III.

The OM-1 name will be a familiar one to Olympus shooters a 35mm SLR camera with the same name launched the OM line in 1972. The new OM System OM-1 still has the Olympus name on the body, though the company tells DPreview that this is likely to be the last model where that’s the case.

The OM-1 has a new 20-megapixel stacked CMOS sensor and an updated CPU that allows it to capture stills at 50 frames per second with autofocus and autoexposure, or up to 120 frames per second when utilising the electronic shutter with certain Pro-series lenses attached. The OM-1 can also record 4K video at 60 frames per second for up to 90 minutes on a single battery or two hours when powered by an external source.

The body has been modified, yet it still resembles prior Olympus cameras. It has an IP53 rating for weather sealing. The viewfinder now boasts a 5.76 million-dot OLED monitor, and there’s a 1.62 million-dot 3-inch articulating touchscreen with a redesigned menu system.

At $2,199 (Approx. Rs. 1,70,000) for the body alone and $2,799 (Apprx. Rs. 2,10,00) in a kit with a refreshed 12-40mm f/2.8 lens, the new OM-1 is likely to be a hard sell for photographers who aren’t already invested in Olympus cameras. But it also looks like a big upgrade for those who are  it’s a significant overhaul that brings the Micro Four Thirds line up to date and suggests the new ownership is serious about continuing Olympus’ legacy. The availability in India is yet to be confirmed.

Nikon launches NIKKOR Z 400mm f/2.8 TC VR S

Nikon recently released the NIKKOR Z 400mm f/2.8 TC VR S, a fast-super-telephoto lens with a built-in 1.4x teleconverter that allows users to easily increase their reach by switching between two focal lengths of 400mm and 560mm. This “two-in-one” lens is fast and accurate, as well as sturdy, lightweight, and small, allowing users to record rapid-moving objects while on the go.

The lens, which combines cutting-edge technology with great optical performance, is an example of the superior NIKKOR Z S-Line line, which is developed to exceed industry norms in order to redefine optical perfection and assist professional photographers’ image expression. Photographers can trust on the NIKKOR Z 400mm f/2.8 TC VR S to capture a range of images properly from afar and in difficult shooting conditions, whether they are capturing people at adrenaline-pumping sporting events or in the unpredictable wilderness.

“We are delighted to introduce the first large aperture super telephoto lens, the new NIKKOR Z 400mm f/2.8 TC VR S which covers easily switchable 2 focal lengths – 400mm and 560mm with a single lens while delivering superb and realistic rendering and optical performance. It is equipped with built-in teleconverter (1.4x), a state-of-the-art autofocus technology using Silky Swift VCM (SSVCM) while achieving high speed, high accuracy and quiet AF and a unique anti-reflection coating with the highest anti-reflection performance. If we talk about Wildlife, Sports & Photojournalism, this lens will help photograph with greater ease and accuracy while having smaller size and lighter weight designed for professionals to easily carry it around.

It is an ideal combination of technological advancement and convenience, compatible for users who wish to have a super-telephoto lens equipped with a large aperture showcasing our commitment to developing the right products for our users” said Sajjan Kumar, Managing Director, Nikon India Private Ltd.

The NIKKOR Z 400mm f/2.8 TC VR S will be available at Nikon Authorized Stores in India in mid-February 2022 for INR 12,51,995.00/-.

Visit Nikon’s website for more information about the new NIKKOR Z 400mm f/2.8 TC VR S and other Nikon products.

Canon launches New Colour Multi-Function Devices DX C3800 & C3226

Canon recently introduced the imageRUNNER ADVANCE (iR-ADV) DX C3800 series, as well as the imageRUNNER (iR) C3226. The iR-ADV DX C3800 series, which was recently announced, consists of four advanced A3 colour laser multi-function devices (MFDs), with the iR C3226 serving as a standalone A3 colour laser MFD. Both approaches are intended to broaden our reach among Enterprises and big organisations, Jobbers (Copy Shop Owners), the SME market, and the government sector. The iR-ADV DX C3800 series and the iR C3226 will be available in January 2022 through authorised Canon India distributors and dealers.

Because colour printing is said to have a greater visual impact as well as a more premium appearance and feel, the introduction of new colour MFDs is in keeping with Canon’s objective of providing companies with the greatest printing solutions, consequently fueling their growth by spreading the #ColoursForLife concept. Furthermore, the broad line-up of new imaging equipment provides features geared at increasing productivity and user convenience to enterprises of all kinds.

Speaking on the brand’s first product announcement of the year, Mr. Manabu Yamazaki, President & CEO of Canon India said, “With the onset of a new year, Canon India is delighted to bring forth its imaging marvels as we introduce a slew of innovative and cost-effective colour MFDs i.e., imageRUNNER ADVANCE (iR-ADV) DX C3800 series and imageRUNNER (iR) C3226. With this launch, we’re envisaging the colour MFD series to play a vital role in meeting the customer demands of economical colour printing. As India holds a huge market potential in printing across SMEs, Jobbers and Enterprise segments, we intend to play an active role in businesses adopting efficient and cost-effective colour printing, thereby painting their business success with #ColoursForLife.”

Commenting on the launch, Mr. K. Bhaskhar, Senior Vice President – BIS Segment, Canon India said, “Innovation has always been a driving force at Canon and with the introduction of the imageRUNNER ADVANCE (iR-ADV) DX C3800 series and imageRUNNER (iR) C3226 in India, we’re all set to redefine the spectrum of colour printing across businesses – small or large, ranging from Jobbers to SMEs and Enterprises. The newly launched series of colour MFDs reflect our commitment towards offering world-class technology, ease of use and high-quality printing to meet the ever-evolving customer expectations and provide them with maximum profitability, thereby ensuring business longevity. These devices are well-equipped to print vibrant image quality along with offering intuitive & safe usability for driving sustainable operations with seamless integration, further ascertaining that ‘Business Can Be Simple’. “

Samyang unveils AF 135mm F1.8 lens for Sony E mount

The new AF 135mm F1.8 FE from Samyang is a fast-aperture prime telephoto lens developed for full-frame Sony E Mount cameras but also compatible with Sony APS-C mirrorless cameras.

Since its release in 2015, the Samyang MF 135mm F2.0 ED UMC has been a popular telephoto lens due to its high resolution. Originally regarded as a portrait lens, the MF 135mm evolved to become popular for landscape and astrophotography photography as well. As a result, Samyang Optics has chosen to develop an AF evolution of this lens, increasing convenience for all users and photographic genres.

Samyang Corporation, which recently extended its autofocus F1.8 series line-up, has developed the AF 135mm F1.8 FE lens, which is packed with numerous extra functionalities to fulfil the new expectations of many individuals who previously used the MF 135mm F2.0 lens.

The new AF 135mm F1.8 FE telephoto lens is ideal for portraiture, astrophotography, landscapes, and video. It incorporates well-known features like the Focus Lock Button and Custom Switch, as well as Samyang’s new Focus Range Limiter switch. With the addition of the new AF 135mm F1.8 FE, Samyang’s Auto Focus F1.8 FE series now includes: 24mm, 35mm, 45mm, 75mm, and 135mm focal lengths, completing the range from wide-angle to telephoto.

Excellent Resolution
Unrelenting use of Samyang’s most modern optical technology has resulted in a large-aperture prime telephoto lens with exceptional corner-to-corner resolution. The AF 135mm F1.8 FE has a full-frame angle of view of 18.9 and an APS-C angle of view of 12.5. It has a brilliant maximum aperture of F1.8, which is preferred by full-frame camera users. The optical design of 13 components in 11 groups, in particular, achieves optimal resolution (1 U-ASP, 2 HR and 3 ED). When combined with Sony’s full-frame image sensor, this lens produces images with exceptional sharpness and contrast in all areas.

Capable of producing incredibly shallow depth of field with gorgeous bokeh
To achieve perfect background blur, the AF 135mm F1.8 FE has a wide aperture. By employing a short depth of focus, it effectively separates the subject from the backdrop. It also has a UA (Ultra-precision Aspherical) lens, which produces natural and polished bokeh. With this smooth bokeh, you can easily create photographs that showcase your subjects against breathtaking backdrops, whether you’re shooting portraits, close-ups, or cityscapes.

Capable of generating extremely shallow depth of field with stunning bokeh
The AF 135mm F1.8 FE offers a large aperture to provide excellent background blur. It efficiently isolates the subject from the background by using a shallow depth of focus. It also sports a UA (Ultra-precision Aspherical) lens for natural and refined bokeh. You can simply produce images that showcase your subjects against gorgeous backdrops with this smooth bokeh, whether you’re shooting portraits, close-ups, or cityscapes.

Autofocus performance that is both quick and silent
When recording video, the AF tracks the subject precisely and rapidly, and it also runs silently and smoothly. Samyang’s Linear STM (Stepping Motor) provides photographers and videographers with quieter and more precise focusing lens group control.

Improved operability and dependability
Customizable features include the Focus Hold button, Custom Switch, and Focus Range Limiter. Overall, this is a lens that meets and surpasses professional control and dependability requirements for both stills and movies.

1) Press the Focus Hold Button

By pressing this button on the lens, you may keep it fixed at that focusing distance. In the camera body’s settings, you may apply functionalities like Eye AF.

2) Personalized Switch

There is a custom switch that can be adjusted to allow quiet aperture adjustment by twisting the focus ring. Using the optional Lens Station, you may customise the setting to your liking*.

(*In the future, more functionalities will be added via firmware upgrades.)

3) On/Off switch for the Focus Range Limiter

The Focus Range Limiter is only available in AF mode, however it can help to speed up focusing once the distance from an object has been determined:

To select the focus range, slide the Focus Range Limiter forward or backward as shown:

FULL: The autofocus range is set to infinity and the minimum focus distance of 0.69m.

0.69m – 2m: The AF range is adjusted between 0.69m and 2m, making it ideal for close-up photography.

1.5m – : The AF range is set at 1.5m to infinity, which is enough for most shooting situations.


0.69m is a short minimum focus distance
Despite the fact that this is a 135mm telephoto, Samyang has efficiently controlled aberration at all focusing distances. It also features a close-up lens with a minimum focus distance of 69cm (2.26ft) and a maximum magnification of 0.243x. Small accessories and other things can be photographed with high resolution and gorgeous, soft background bokeh.

Weather-sealing and modern design
The AF 135mm F1.8 FE was designed and improved with the user’s shooting environment in mind, as well as the design characteristics. It includes a micro-patterned rubber focus ring that is comfortable to use, and the weather-sealing protects the lens from mild rain, snow, and dust.