Tag Archives: Photojournalism

Most Powerful Images of 2025

2025 was no stranger to human experiences of turmoil, despair, salvation and hope. And through these months, just like every year, photographers have told stories through their photographs that left a lasting impression. This list is a curation of pictures from different genres, showcasing different themes, and in no particular order like always, is also celebrating the work of photographers in capturing key moments of time. Here’s to hoping 2026 is filled with more fruition for all even in the face of growing threats.

Air India AI 171 Crash

On the 12th of June, an Air India Boeing 787-8 Dreamliner plane codename AI 171 carrying 242 souls on board crashed immediately after takeoff in Ahmedabad on a medical college building, leaving only one survivor. An additional 19 people died on the ground—mostly students of the college—and 67 more were left seriously injured.
The news devastated the nation, and this photograph shows India’s Prime Minister Narendra Modi at the crash site taking stock of the situation, underscoring the gravity of the disaster. The image captures both the scale of destruction and the intense official scrutiny as investigators work to understand what went wrong.

Pahalgam Attack

A photograph from the Pahalgam attack captures the gut-wrenching moment as a newly-wed woman sits on the ground beside her deceased husband, an expression marked by shock, emptiness, disbelief and grief. The image reflects the human cost of the violence, away from headlines and official statements. Adding to the horror—the scene is set against a stark, open and beautiful landscape, underscoring the vulnerability of those caught in it. Sourced through Press Trust of India, we were unable to identify the photographer, but the image seems to be shot on a phone. India responded in kind by targeting and neutralising terrorist depots with Operation Sindoor, an ode to the Vermillion erased and spilled, and the post operation briefing righteously led by women officers.

Gen Z-led Revolutions in Nepal and Bangladesh, Governments Overthrown

Credit: K M Asad / Agence France-Presse / Getty Images

South Asia has recently been reshaped by a wave of youth-led uprisings, first in Bangladesh in 2024 and then in Nepal in September 2025. This image illustrates the height of the Bangladesh revolution on August 5, 2024, where a sea of jubilant protesters swarmed the Jatiya Sangsad Bhaban in Dhaka, waving flags and climbing the parliament’s walls to celebrate the ouster of Sheikh Hasina. This momentum echoed through the region, inspiring Nepal’s Gen Z to launch their own “anti-corruption movement” in 2025 following a controversial social media ban. Mirroring the scenes in Dhaka, thousands of Nepali students and young professionals marched on the Federal Parliament in Kathmandu, eventually forcing the resignation of Prime Minister K.P. Sharma Oli and the appointment of Sushila Karki as the country’s first female Prime Minister. Together, these movements mark a historic era where the region’s youth have successfully dismantled long-standing political establishments to demand digital freedom and governmental accountability.

Donald Trump’s Presidential Portrait

What about a United States Presidential portrait makes it powerful enough to make it to the list? Well, in this case, everything. The mood, the tone, and overall, what geopolitical implications could the new President of the United States bring to the world. Shot by Chief White House Photographer Daniel Torok, the usually well-lit background is plunged into a darkened state, with the president’s face being lit from underneath adding might to his grim expression, foreshadowing an uncompromising regime.

Modi-Putin-Xi Meet

In a striking display of diplomatic choreography at the 2025 Shanghai Cooperation Organization (SCO) Summit in Tianjin, Prime Minister Narendra Modi acted as a central bridge between two of the world’s most powerful figures. As the leaders gathered for the official group photograph, Modi—known for his tactile and personal style of diplomacy—reached out to grasp President Vladimir Putin’s hand with a warm, firm gesture. With a practiced ease that cut through the rigid atmosphere of international protocol, he guided the Russian leader toward President Xi Jinping for a high-profile greeting. This orchestrated moment of connection, punctuated by Modi’s characteristic smile, served as a potent visual metaphor for India’s unique position in the global order: a confident Vishwa Mitra (friend to the world) capable of navigating the complex friction between Moscow and Beijing while ensuring all parties remain at the table.

Indian Astronaut Back in Space

In a historic leap that ended a 41-year hiatus, Indian Air Force test pilot Group Captain Shubhanshu Shukla became the face of India’s triumphant return to human spaceflight during the Axiom Mission 4 (Ax-4) in mid-2025. Serving as the mission pilot, Shukla launched from the Kennedy Space Center aboard a SpaceX Dragon capsule, making history as the first Indian to ever board the International Space Station (ISS). While orbiting 400 kilometres above Earth, he conducted critical microgravity experiments ranging from cancer research to life-support studies on cyanobacteria that bridge the gap between India’s legendary past and its future. This mission serves as a vital operational rehearsal for ISRO’s indigenous Gaganyaan programme, signalling to the world that India is no longer just a satellite launcher, but a premier space faring nation ready to establish its own permanent presence among the stars.

Ethiopian Volcano Erupts, Causing Flight Disruptions Around The World

In November 2025, the Hayli Gubbi volcano in Ethiopia’s Afar region, believed to be long-dormant, erupted for the first time in nearly 12,000 years, sending a massive plume of ash approximately 14 kilometres (45,000 feet) into the atmosphere. The eruption triggered widespread disruption to international aviation as high-altitude winds carried the abrasive ash cloud across the Red Sea, the Arabian Peninsula, and eventually into the airspace of Pakistan and Northern India. Major carriers, including Air India, Akasa Air, and IndiGo, were forced to cancel or reroute dozens of flights to avoid engine damage, with particular impact on routes between India and the Middle East. While the ash remained in the upper troposphere and did not significantly affect ground-level air quality, the event served as a stark reminder of how a remote geological event can paralyse global transport corridors within hours. This eruption was not an isolated event in a year of intense geological activity; Mount Etna in Italy also dominated headlines with a series of spectacular eruptions throughout 2025.

Indian Women Winning Cricket World Cup

In a historic “1983 moment” for the women’s game, the Indian women’s cricket team clinched their maiden ICC Women’s Cricket World Cup title on November 2, 2025, defeating South Africa by 52 runs in a high-octane final at the DY Patil Stadium in Navi Mumbai. Under the seasoned leadership of Harmanpreet Kaur, the “Women in Blue” posted a formidable 298/7, powered by a brilliant 87 from Shafali Verma and a steady 58 from Deepti Sharma. Despite a heroic century by captain Laura Wolvaardt, India’s bowling attack proved relentless; Deepti Sharma capped off a legendary tournament with a 5-wicket haul, securing her title as the ‘Player of the Tournament’. The victory not only shattered the “final hurdle” jinx after heartbreaks in 2005 and 2017, but also ignited a nationwide celebration, marking India’s arrival as a dominant, world-beating force in women’s international cricket. This wasn’t just a win for the cricket team, but for women all over India.

Zohran Mamdani Wins NYC Mayoral Election

In a historic shift for New York City politics, Zohran Kwame Mamdani secured a landmark victory in the New York City mayoral election, becoming the first South Asian and socialist leader to helm the city. Born in Uganda and son of acclaimed Indian filmmaker Mira Nair, Mamdani’s grassroots, working-class agenda won over the hearts of NYC residents, giving him the democratic nominee over Eric Adams and Andrew Cuomo. His victory speech was followed by the Hindi song “Dhoom machale”, as he greeted the crowd alongside his wife, creating a viral moment. Before his inauguration, he also met POTUS Trump which was described as “surprisingly friendly” where they spoke about working together and making NYC better.

Historic: Japan Elects First Female PM

In a landmark shift for one of the world’s most traditional democracies, Sanae Takaichi made history on October 21, 2025, by becoming Japan’s first female Prime Minister. A self-proclaimed admirer of Margaret Thatcher and a protégé of the late Shinzo Abe, the 64-year-old “Iron Lady” of Japan secured the premiership after winning a fierce Liberal Democratic Party (LDP) leadership race and forging a crucial coalition with the Japan Innovation Party. While her election shattered a decades-old glass ceiling in a nation often ranked low for gender equality, Takaichi’s platform is rooted in “Abenomics” and staunchly conservative values—including a hawkish stance on national security and a commitment to maintaining male-only imperial succession. Her ascent marks a new, more assertive era for Tokyo as she navigates a fragile majority and a complex geopolitical landscape involving China and the United States.

RIP Pope Francis

The Catholic world underwent a profound transition in 2025 following the passing of Pope Francis, who died on Easter Monday, April 21, 2025, at the age of 88. After a twelve-year papacy defined by his “culture of encounter” and advocacy for the marginalised, his funeral on April 26 drew millions of pilgrims to Rome, marking the end of a transformative era for the Church. On May 8, 2025, the College of Cardinals elected Cardinal Robert Francis Prevost as the 267th Bishop of Rome. Taking the name Pope Leo XIV, the Chicago-born Augustinian missionary made history as the first-ever Pope from the United States. Since his election, Pope Leo XIV has signalled a commitment to continuing the synodal reforms of his predecessor while placing a renewed emphasis on Catholic social teaching and navigating the ethical challenges of the burgeoning artificial intelligence revolution.

Monumental: Private Company Moon Landing

In a historic milestone for commercial space exploration, Firefly Aerospace’s Blue Ghost Mission 1 successfully touched down on the Moon on March 2, 2025, at 08:34 UTC. Landing in the Mare Crisium basin near the volcanic feature Mons Latreille, Blue Ghost became the first private spacecraft to achieve a 100% successful soft landing and upright operation on the lunar surface. Part of NASA’s Commercial Lunar Payload Services (CLPS) initiative, the lander delivered ten scientific instruments that conducted groundbreaking research during its 14-day mission. Highlights included tracking GPS signals on the Moon for the first time, robotically drilling into the regolith, and capturing a stunning “diamond ring” photo of a solar eclipse from the lunar perspective on March 14. The mission concluded on March 16, 2025, as the lunar sunset drained the lander’s solar batteries, leaving behind a wealth of data—approximately 119 GB—that will pave the way for future Artemis human missions.

Trends in Photography 2026

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I’ve been writing the annual trends article for the magazine for well over a decade now, and I honestly can’t remember a time when my thoughts felt this unsettled. The last time I found myself in a similar predicament was at the turn of the millennium—around 2000—when analogue photography was clearly on its way out. Digital technology was knocking hard on the door, and no one quite knew what to expect from it, or whether it could truly replace what we had known for decades.

Interestingly, I find myself in a very similar place today while writing this article. I’m not always sure what’s real anymore, what’s manipulated, what’s AI-generated, or even where the line between the two truly lies. More importantly, I’m still unsure how much of this is a passing phase—and how much of it is here to stay. It’s been a while since photography has made even seasoned practitioners pause and recalibrate their thinking this way.

And yet, after careful consideration, observation, and a fair bit of internal debate, here is my list of Trends in Photography for 2026.

Bhavya Desai

The Dominance of AI in Image Creation & Editing

While AI may feel like a recent disruptor, it has been part of photography for much longer than we realise—earlier disguised as algorithms working quietly behind the scenes. That said, there’s no denying that AI’s dominance in image editing, subject removal, scene expansion and enhancement tools has now reached a tipping point.

AI has firmly embedded itself into the everyday workflow of photographers. Used judiciously, it can be an asset like no other—saving time, enabling creative experimentation and removing technical barriers. From removing unwanted elements to intelligently expanding frames, AI now plays a pivotal role in modern photography.

The sheer level of computing power we now carry in our pockets is staggering—and clearly here to stay. And this is coming from someone who firmly believes in keeping images as untouched as possible. Yet even I find myself regularly using remove tools on devices today. And this is only the beginning. From image generation to increasingly complex creative tasks, AI is rapidly moving towards doing almost everything—whether we’re fully comfortable with it yet or not.

On-Camera Generative AI and Assisted Shooting

Still in its early stages, on-camera generative assistance is another trend that will quietly but surely gain momentum. It’s only a matter of time before photographers—both professionals and casual users—start accepting a certain degree of AI ‘hand-holding’ at the point of capture itself.

This goes beyond simple automation and enters the realm of generative assistance—helping users achieve more with minimal effort. Features such as Google Pixel’s ability to add the photographer into a group photo, or cameras offering intelligent framing suggestions, style recommendations and profile selections, are early indicators of where things are headed. In 2026, expect cameras to become more collaborative tools rather than passive recording devices.

The Return to Authentic Photography

Every action has an equal and opposite reaction—and photography is no exception. As AI-generated and AI-assisted imagery becomes more widespread, the demand for authenticity will grow just as strongly.

In 2026, authentic photography will trend precisely because of AI’s rise. While photographers will continue to push boundaries using technology, there will also be an increasing need for images that feel real—unfiltered moments, honest expressions and unmanufactured realities. As humans, we are inherently wired to recognise and respond to authenticity.

A clear parallel can be drawn from recent years: aggressive skin-smoothing once dominated portrait photography, only to be replaced by far more subtle and natural rendering by 2025. In the same way, I expect 2026 to see a conscious move toward imagery that embraces imperfections and truth.

Climate, Weather & Environmental Photography

As humanity moves into a new technological reality, the planet itself seems to be undergoing dramatic shifts. Few things illustrate this more starkly than the changing climate around us. Winters are colder, summers are hotter, and extreme weather events are becoming increasingly frequent.

Whether termed climate change or global warming, the effects are undeniable. As these realities intensify, climate and environmental photography will play a far more critical role in 2026. From documenting protests and ecological damage to capturing natural disasters and disappearing landscapes, this genre will become both a visual record and a call to action.

Photojournalism in an Unstable World

While climate documentation will be vital, the broader global landscape remains deeply fractured. Conflicts, political unrest, and social disparities continue to rise across regions.

As a result, photojournalism—particularly editorial and conflict/war photography—will see renewed relevance in 2026. There will be an increasing need to document these realities, whether through professional photographers on the ground or user-generated content emerging from conflict zones. In an age of misinformation, visual evidence will continue to hold immense power and responsibility.

Rising Flash and Memory Costs

The technology industry now faces a fresh challenge. After navigating microprocessor shortages in recent years, attention has shifted to constraints within the flash memory sector.

While this may spell concern for consumers, the flash memory industry itself is witnessing an overdue resurgence. Supply pressures and increased demand are likely to push up prices for flash storage and RAM—components essential to nearly every modern device today, from cameras and smartphones to computers and printers. While quantities may vary, their importance does not.

Photography Beyond the Algorithm

A quieter but meaningful shift is underway. For years, photographers and platforms alike were obsessed with pleasing algorithmic gods. Today, there’s a subtle but growing return to focusing on the medium itself rather than chasing visibility alone.

Photography is increasingly being created for personal satisfaction, long-term relevance and deeper storytelling—not just for instant uploads and fleeting engagement. That said, vertical images are undeniably here to stay. Formats may evolve, but intent is clearly changing.

The Quiet Rise of Pocket Printers

Including printers in annual trend lists is becoming harder each year—but pocket printers deserve attention. Once limited to instant-print ecosystems like Instax, compact printers have now become more versatile and accessible.

Users are rediscovering the joy of physical prints, using pocket printers to bring digital images into the real world. As technology improves and consumable costs decrease, this segment is poised for further growth—quietly reinforcing the timeless appeal of printed photographs.

Scams like WedMeGood and more

While technology has streamlined wedding photography discovery, it has also opened doors to exploitation. The rise of aggregator platforms has unfortunately led to an increase in challenges/scams—going alone by what we have seen in the industry in 2025—this year more such stories will be unearthed.

In 2026, awareness around these practices will grow, forcing both photographers and clients to become more vigilant. Transparency, direct engagement and trust will become key differentiators in the wedding photography ecosystem.

Photography in 2026 stands at a fascinating crossroads—caught between unprecedented technological power and an equally strong yearning for authenticity. AI will undoubtedly continue to reshape how images are created, edited and consumed. But at the same time, the value of truth, intention and human perspective has never been higher.

Perhaps the real trend for 2026 isn’t a tool, a format, or a platform—but a recalibration. A reminder that while technology may change the way we create images, the reason we create them remains timeless: to document, to communicate and to connect.

Gir’s Portrait Pundit – Tapan Sheth

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Tapan Sheth is a wildlife photographer who’s carved a name for himself through iconic portraits of Indian big cats, especially the Asiatic lions. Through his images, he aims to spread awareness and awe for the rich biodiversity in India with a keen eye on conservation. Asian Photography spoke to him about documenting & conserving wildlife, animal behaviour, unforgettable moments in the wild, and crucial newbie advice. Excerpts:

What first inspired you to focus on Indian wildlife, especially big cats?

When I visited the forest for the first time on a vacation trip, I never imagined it would change my life. The first time I saw an Asiatic Lion in Gir, it completely moved me. I still remember the feeling—the raw power, the grace, and the silence of the forest broken by its presence. It was almost magical. From that day, I knew I wanted to spend my life around them.

Big cats, for me, are not just animals. They are symbols of strength, survival and beauty. Over the years, I’ve spent countless hours in Gir, just observing them. Lions, tigers, and leopards have a presence that is impossible to ignore. Their strength, grace, and silent confidence make them stand apart from all other animals. For me, they are not just predators, but true guardians of the forest. Watching a lion walk with authority, a tiger blend perfectly with its jungle, or a leopard resting silently on a tree branch feels like watching pure magic.

I love big cats because each encounter feels personal, like meeting an old friend. What inspires me the most is how important they are for the balance of nature. By protecting them, we protect the whole ecosystem around them. That connection is what made me focus my work on these incredible animals.

Your images often capture intense animal behaviour. How do you anticipate those moments?

Capturing animal behaviour is all about patience, observation and understanding the forest. Animals never follow a script, so you can’t really predict every move, but you can prepare yourself to read the small signs they give. I spent a lot of time just watching them without clicking, and slowly started noticing patterns. For example, when a lion licks its nose, it often means a yawn is coming. When any big cat holds its tail straight and horizontal, it usually shows irritation or is a warning signal. Birds often poop before they take off, and different calls or alarm voices from animals can tell you that danger is nearby. These little signs are like clues to what might happen next.

Experience also plays a big role. The more time you spend in the wild, the better you get at anticipating behaviour. Sometimes it’s as simple as noticing the time of day. Early mornings or late evenings are usually when animals are most active. At other times, it’s about understanding their body language and the environment around them.

But honestly, the biggest factor is patience. I’ve learned not to rush, to sit quietly, and let the forest reveal its moments. When you respect the space and rhythm of wildlife, you get rewarded with those rare and intense behaviors—a lion roaring, a leopard stalking, or even a small bird protecting its nest. It’s not just about pressing the shutter at the right time, it’s about being present, observing deeply, and letting nature guide you.

Do you see yourself more as a storyteller or a documentarian when photographing wildlife?

This question is a little tricky because I feel I am both, and which one comes forward depends a lot on what I am shooting. Every photograph, no matter how simple, is both a document and a story at the same time.

When I photograph any subject, I often think like a storyteller. Their expressions, movements, and interactions are full of emotions and drama. A lioness carrying her baby in her mouth and shifting to another place, or two tigers fighting for territory already tells a powerful story. Through my lens, I try to capture that mood so people who see the picture can feel the same energy I experienced in that moment.

At the same time, I can’t ignore the documentary side of my work. Every image also becomes a record of wildlife behaviour, habitat, and even conservation value. For example, documenting any big cat crossing a railway track, or some passage of migrant birds rarely seen in a particular area, or even a unique natural history behaviour of an animal, all add important knowledge. Sometimes, a simple photograph of a frog, a snake, or even a tiny insect becomes a valuable piece of documentation of India’s biodiversity.

So, I don’t see storytelling and documentation as separate things. They walk together in my photography. A photo may move someone emotionally while also teaching them something real about the subject. That balance is what I try to achieve. If someone looks at my picture and feels a story while also learning something about the animal or its world, then I know I have done justice to both roles.

Indian wildlife is under pressure from habitat loss. How do you hope your photography contributes to conservation?

Indian wildlife is facing many challenges, and habitat loss is one of the biggest. Forests, grasslands, wetlands—all of these are shrinking, affecting every living creature. As a wildlife photographer, I believe my photography can help by creating awareness and building an emotional connection between people and nature.

Whenever I take a picture, my aim is not only to capture the beauty of an animal, but also to tell its story. When people see such images, they often feel a sense of admiration and respect for the animal. This connection can inspire them to care more about wildlife and the need to protect it.

I also try to share my work through exhibitions, talks, workshops, and social media so that more people can see the value of protecting our natural heritage. My hope is that when people fall in love with the beauty of Indian wildlife, they will support conservation efforts in their own way.

I see photography as a bridge between humans and nature. If my images can touch hearts and encourage even a few people to respect and protect wildlife, then I feel my work has made a positive difference.

If you had to describe the essence of Indian wildlife in one image you’ve taken, which would it be and why?

This image of an Asiatic lion walking along a dusty forest path is very close to my heart. Asiatic lions are found only in India, and their last home is the Gir forest. That makes this picture very special, because it immediately represents something unique about Indian wildlife that cannot be seen anywhere else in the world.

The forest around the lion, with its mix of golden and green trees, adds another layer to the story. It shows the natural beauty of India’s wild spaces—raw, wild, and full of life. These landscapes are not just backgrounds; they are the lifelines that allow animals like lions to survive and thrive. Through this frame, I wanted to capture not only the animal, but also its world.

The way the lion walks down the path, calm yet confident, gives a sense of power and freedom. It is a reminder of why these animals are called the “kings” of the forest. For me, it also reflects the pride of India’s biodiversity—strong, resilient, and truly one of a kind.

As a wildlife photographer, I believe one image should speak both emotionally and factually. This picture does that. It tells the story of a rare species and at the same time highlights the importance of protecting their home. To me, this single frame represents the essence of Indian wildlife—a combination of unique species, beautiful landscapes, and the deep connection between them.

What’s been your most unforgettable moment behind the lens so far?

There have been many special moments in my photography journey, but if I have to choose the most unforgettable ones, two experiences stand out clearly in my heart.

The first one was in Gir, when I saw a lioness carrying her tiny cub gently in her mouth while shifting it to a safer place. In my 12 years of photographing wildlife, this was the very first time I had witnessed such a scene. It was not just a rare sight, but also an incredibly emotional one. Watching the bond between mother and cub, the care and responsibility in her every step, touched me deeply. I still remember the moment so clearly—I actually had tears in my eyes while clicking. It was one of those times when nature makes you feel humble and grateful just to be present.

The second unforgettable moment was when I saw the famous tigress Riddhi with her cubs. They were crossing an island, moving gracefully through the water. The sight of a strong tigress leading her young ones, showing them how to survive, was breathtaking. It felt like watching a live drama of strength, courage, and motherhood, all unfolding right in front of me.

Both of these moments are etched in my memory forever. They remind me why I fell in love with wildlife photography—it’s not just about the picture, it’s about the emotions, the stories, and the privilege of witnessing such raw and beautiful moments in nature.

What would be the most vital thing you’d like to teach a newbie photographer about wildlife?

If I had to teach one vital thing to a new wildlife photographer, it would be this—don’t just focus on clicking pictures. Learn about the animals first, study their species, their behaviour, their habitats, and the role they play in nature. When you understand your subject, your photography becomes more meaningful and powerful.

Respecting the animals and mother nature is equally important. Always maintain a safe distance, avoid disturbing them, and never harm their environment just to get a shot. Wildlife photography is not about chasing popularity or getting likes and shares on social media, it’s about observing, learning, and telling the story of nature in the right way.

Cameras and lenses are so advanced today that anyone can take sharp and beautiful pictures. What will truly set you apart is your knowledge, patience, and respect for wildlife. Spend more time watching and understanding your subjects before clicking. The more you know, the better your images will be.

Like the famous line from the movie 3 Idiots—Don’t run after success; focus on excellence. In wildlife photography, excellence comes from respect, knowledge, patience, and a genuine love for nature.

No Subject Too Small – Aparupa Dey

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Aparupa Dey is a wildlife photographer dedicated to capturing the raw beauty of Indian wildlife. Her work spans across multiple habitats and species, highlighting the charms and challenges faced by her subjects. For her, no creature is too small, as is reflected by the respect and space she gives to them while wading through muddy plains and waist-deep waters pursuing the perfect shot. Asian Photography spoke to her about capturing a wide range of subjects, evolution of process, risks she took while making photographs and more. Excerpts:

How has your work and process evolved over the past years?

Over the years, my work and process have evolved significantly, shaped by both experience and deeper observation of wildlife. Initially, my focus was largely on capturing the obvious moments like clear sightings, striking compositions, and technically perfect shots. But with time, I’ve learned to slow down, anticipate the behaviour of the subjects.

Now, my process is much more research-driven and thoughtful. I spend considerable time studying species, their habitats, and behaviour patterns before even stepping into the field. The evolution of my work reflects a shift from purely technical execution to a more holistic approach blending preparation, patience, and creative vision to create images that resonate deeply with viewers.

What drew you to capturing smaller animals and birds rather than focusing on only big mammals?

I don’t judge animals based on size; I see them all simply as life. Growing up in a rural area abundant with wildlife, I began my journey as a hobbyist, often spending time by the riverside in my village, capturing little colourful birds, jackals, mongooses, and other creatures. Over time, I realised that these lives aren’t just existing, they each have a world of their own. If you take the time to observe closely, you’ll see how they interact, protect their nests, nurture their young, and display behaviours full of intention and complexity. It was this fascinating world and these behaviours that drew me to focus on them, even more than travelling to exotic locations.

Could you describe your preparation before entering the field and how do you choose your subjects on the field?

If I know the place and what I am going to capture then most probably I know what to expect and where. But things change when I go to a new place. Usually, it begins with selecting the species I want to photograph. Then I study them, their habitat, the best time for sightings, and the prevailing weather conditions. I also gather details about their life cycle, such as mating seasons or the right time to spot cubs.

And they do exhibit different kinds of behaviour during different times. For instance, if you visit a blackbuck habitat during their mating season, you’ll often witness males locking horns in dramatic fights to display their strength and to defend their territory. If one can position themselves against the setting sun, then they can capture dramatic images of black bucks locking horns with dust arising into the golden light. That’s where my research pays off.

After that, I connect with local guides to get firsthand insights and cross-check my research. I make sure to prepare weather-appropriate clothing, protection for my camera gear, and do a basic financial analysis of travel and related stuff. I also watch videos on YouTube about the location to get a sense of the landscape and possibilities there. Once all this groundwork is done, I set out on the field.

What was your riskiest experience in the wild—in terms of light, weather, movement or safety?

I think my recent Red Panda expedition in Nepal stands out the most. The terrain was extremely tough—we had to constantly ascend and descend sizeable mountains covered with thick bamboo, making movement nearly impossible. Carrying all our equipment through that was especially challenging. The slopes were steep, the ground damp, and being in a temperate forest meant the weather was unpredictable. Thick fog often reduced visibility to just half a meter, making every step an intense challenge.

How has guiding other photographers influenced your photography and vision?

Well, this is something which is a by-product of interacting with other people or fellow photographers. It forced me to observe more carefully, and explain the “why” behind every shot when asked, whether it’s about composition, behaviour or patience. It made me more conscious of my own approach, helping me refine my techniques. It’s also broadened my perspective, as seeing how others interpret the same scene often inspires me to experiment and look at wildlife in new ways.

How do you see fresh possibilities, perspectives and shots while shooting at the same place/spot?

The goal isn’t just to photograph a species, but to capture it in action and in dialogue with its environment. Even when the place and species are familiar, their behaviour and the natural conditions are constantly changing. By ‘natural condition’, I mean elements like light, shadows, clouds, rain, mist, temperature, and wind etc. all of which shift daily. These factors, combined with the species’ behaviour, open up countless possibilities for unique shots. And if you feel like your images are starting to repeat, simply switch to a different lens or focal length, and a whole new range of possibilities unfolds. And personally this concept has worked for me.

I started photography in 2014 a little actively while I was a student. From 2014 to 2022, for eight long years I kept on returning to the same stretch of river which is approximately 2km away from my home with my mother to capture wildlife and each day I returned with tons of images and a heart full of happiness of capturing and observing something special. Therefore all I would say is keep returning to the same spot whenever you can. Even if some shots repeat, you never know what fresh combination of action and environment awaits you next time.

If you could capture one image that represents your philosophy as a photographer, what would it look like?

If I could capture one image that represents my philosophy as a photographer, it would be of a wild animal completely absorbed in its natural behaviour, framed in harmony with its surroundings. Not a staged moment or a dramatic chase, but a quiet, authentic interaction between the species and its environment, maybe a bird silhouetted against shifting light, or an elephant emerging through mist. For me, that balance between subject, action, and nature’s variables is what truly defines my vision: to tell stories that are honest, intimate, and deeply connected to the wild.

Symphony of The Wild – Marina Cano

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Marina Cano is a wildlife photographer well-versed in creating breathtaking narratives of the wild. Her monochromes especially stand out—featuring grit, texture, emotional depth, an element of warmth, exuding visual poetry. Her work has received acclaim from around the globe and she has been highly commended in the prestigious Wildlife Photographer of the Year awards as well as International Photography Awards. Asian Photography spoke to her about her journey, challenges, her signature style and creative vision and more. Excerpts:

How Did You Begin Photographing Wildlife?

I began photographing wildlife almost naturally, following my father’s path, who was an amateur photographer. It was a way to connect my love for nature with my passion for photography. I’ve always felt a deep fascination for animals and wild places, and picking up a camera allowed me to express that connection in a creative way.

At the beginning, I spent a lot of time exploring nature close to home, observing animals and learning to be patient. Over time, my curiosity and desire to discover new landscapes and species took me further, especially to Africa, which became a turning point in my career.

What’s the most challenging environment you’ve shot in, and how did you manage it?

Honestly, the most challenging environment for me is when I’m sitting at my desk at home, not out in Africa or on another adventure.

But beyond that, the toughest situations have been those where I had only a single opportunity to capture the moment, whether it was photographing horses running or cheetahs hunting. I feel much more comfortable with intimate and calm scenes than with high-action shots.

Another adrenaline time was shooting with Craig, one of the last big tuskers in the world, in Amboseli, Kenya. To be close to such a gentle giant is a huge privilege and one of the times where my heart beats faster.

Another challenging experience in Patagonia, photographing pumas in the “end of the world” winds was another extreme: pressing the shutter with numb fingers while the icy gusts hit my face. But the result was worth it.

How do you achieve the level of intimacy with your subjects?

I think this comes from my background in art studies. I’ve always been fascinated by Baroque painters, the dramatic lighting, the foreshortening, the intense atmosphere.

That particular ambience captures my attention, and I try to replicate that same drama and intimacy in the scenes I photograph, like animals playing, fighting, or the tender moments between mothers and cubs. I always try to work with that special light that enhances the full emotion I see.

How do you practise patience in the field?

This question assumes a sense of impatience, but that simply isn’t the case for me. When I’m in the bush, I’m in a state of complete happiness, fully immersed in nature, waiting for the magic to happen, and appreciating every second.

When your motivation is passion and love for wildlife, everything that nature offers feels like a gift. And if things don’t unfold as expected, I simply trust that another opportunity will come tomorrow or in the future.

There’s an element of softness and warmth in your images, how do you achieve that? Is it your signature style?

Yes, I would say that softness and warmth have naturally become part of my signature style. It comes from a combination of artistic intention and emotional connection with my subjects.

My background in art has always influenced the way I see light. I’m particularly drawn to soft, golden light because it creates a gentle painterly atmosphere.

I also try to approach wildlife with respect and closeness, allowing intimate moments to unfold without intrusion (and that is also thanks to my 600mm lens). That emotional bond often translates into the final image, giving it tenderness.

My goal has always been to go beyond documentary shots—I want each photograph to feel like a timeless portrait, full of poetry.

How do you keep your creative vision fresh after working in the field for years?

I collaborate with people from all around the world who constantly inspire me, through their talent, their personalities, and the unique places they come from. Every journey offers new experiences: the landscapes, the food, the culture… all of it feeds my creativity.

I’m always learning, staying open to different influences. Travel, art, people, and, above all, nature itself are endless sources of inspiration for me. Nature is never the same twice, the light, the seasons, the behaviour of animals. Everything changes constantly, and that keeps my vision alive and evolving.

I also challenge myself to experiment with new techniques and perspectives. Sometimes it’s as simple as changing the way I observe a familiar place, or with new assignments that allow me to see things differently. That sense of curiosity is what keeps my work fresh, even after many years in the field.

What’s the one thing you’d do differently if you started over today, one advice for beginners?

I could start over, I would learn to trust my own work earlier. I would remind myself to work hard, stay focused, and, yes this time to be patient. Things don’t happen overnight, growth in photography, like in nature, takes time.

My advice to beginners is to believe deeply in your vision and follow your passion with persistence. If there’s true passion, nothing can stop you. No matter the challenges you face, you’ll always find the strength to keep going.

Also, don’t rush to compare yourself with others. Everyone has their own path, their own rhythm, and their unique way of seeing the world. Embrace that individuality, it’s what will make your work stand out.

Most Impactful Wildlife Photos Over The Last Years

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Wildlife photography plays a very important role in the wildlife conservation movement. Every year we’re fortunate to witness rare moments captured by skill, precision, and luck of photographers who toil for their shot for years. Several of these images managed to strike a chord with us, so we decided to showcase the images and the stories behind them. From notorious snow leopards to glorious blue whales to heart-wrenching moments, we assure you these stories are one-of-a-kind. These photos are listed in no particular order of their impact, but it is an homage to the work the people behind the lens put alongside helpers and guides.

Ndakasi’s Passing

For 13 years, the caregivers at Virunga National Park, Democratic Republic of Congo took care of Ndakasi, an endangered mountain gorilla, orphaned as her mother was killed by poachers. Her story was captured by photographer Brent Stirton, who is well-known for photographing conservation efforts. The image is striking not only for its tenderness, but for the story it holds: a gorilla orphaned by violence, raised with devotion, and loved like family until the end. Stirton’s lens frames the extraordinary bond between species, reminding us that conservation is not just about saving animals in the abstract, but about relationships, compassion, and the fragile lives at stake. It’s a portrait of grief, but also of connection, one that lingers long after the first glance.

House of Bears

Photographer Dmitry Kokh captures a surreal moment where polar bears have taken refuge in the abandoned structures of a Soviet-era weather station on Kolyuchin Island in the Russian Arctic. Taken during a 2021 expedition, the image shows a polar bear peering out from a broken window, embodying the eerie stillness of a bygone era overtaken by nature’s resilience. The bears’ presence in these human-made ruins highlights the profound impact of climate change, which has forced these normally solitary creatures to adapt to new environments in search of food and shelter. Kokh’s use of a low-noise drone to capture this scene emphasises the delicate balance between human encroachment and wildlife, offering a poignant commentary on the intersection of nature and human history. The photograph has garnered international acclaim, winning top honours at the Nature Photographer of the Year Award and being featured in the Wildlife Photographer of the Year exhibition, underscoring its significance in wildlife conservation discourse.

Toxic Trip

Sri Lankan photographer Lakshitha Karunarathna captured a grim scene of a lone Asian Elephant wading through a colourful landfill in Amapara, Sri Lanka. The image is a haunting testament to the collision of wildlife and human activity: amidst heaps of food scraps, the elephant is forced to ingest plastic and other harmful debris, a slow but deadly consequence of encroachment on its natural habitat. Over the past three years, Karunarathna has been documenting these human-induced threats to the region’s roughly 300 elephants—of which 20 have reportedly died over the last eight years—revealing not just the resilience of these majestic creatures, but the dire environmental pressures they face daily. The photo is both visually compelling and profoundly sobering, highlighting the urgent need for responsible waste management. This picture has already received several acclaims, including the Wildlife Photographer of the Year awards.

Waiting for Freedom

Known for his work in the Rhino Conservation project, photographer Neil Aldrige shot this Southern white rhinoceros with its face covered by a cloth awaiting release in Botswana’s Okavango Delta—earning him the coveted World Press Photo. This story underscores the urgent conservation efforts to protect rhinos from escalating poaching threats in South Africa. The rhino’s relocation to Botswana, a sanctuary free from the pervasive poaching crisis, symbolises a beacon of hope for a species classified as ‘near threatened’ due to the high value of their horns on the black market. Aldridge’s photograph not only documents a critical moment in wildlife conservation, but also serves as a powerful visual call to action, highlighting the resilience of rhinos and the dedicated efforts to ensure their survival.

The Surrogate Mother

Martin Buzora‘s poignant photograph was highly commended in the 2019 Wildlife Photographer of the Year People’s Choice Award. Captured at the Lewa Wildlife Conservancy in northern Kenya, the image portrays Elias Mugambi, a dedicated ranger, gently interacting with Kitui, an orphaned black rhino. Kitui’s mother was unable to care for her due to blindness, and the young rhino was left vulnerable to poaching. Elias often spends weeks away from his family, providing round-the-clock care to orphaned rhinos like Kitui, ensuring their safety and well-being in the sanctuary. Buzora’s photograph highlights the deep bond between humans and wildlife, emphasising the importance of conservation efforts and the tireless work of individuals like Elias in protecting endangered species.

No Place Like Home

Emmanuel Tardy captured a brown-throated three-toed sloth clinging to a barbed wire fence post in Costa Rica’s Alajuela Province. The sloth, having crossed a road, instinctively grasped the fence, mistaking it for a tree—a desperate act reflecting the challenges posed by habitat fragmentation. Tardy’s image, which garnered a highly commended recognition in the 2025 Wildlife Photographer of the Year awards, underscores the urgency of preserving natural habitats and establishing wildlife corridors to ensure the survival of species like the sloth.

The Embrace

Sergey Gorshkov was awarded the Grand Title at the 2020 Wildlife Photographer of the Year competition. Captured in Russia’s Land of the Leopard National Park, the image depicts a female Amur tiger, also known as the Siberian tiger, embracing an ancient Manchurian fir tree. The tiger is scent-marking the tree by rubbing her cheek against its bark, a behaviour that communicates her presence and territorial boundaries to other tigers. Gorshkov employed motion-sensor cameras over a period of 11 months to document this rare and intimate moment. The photograph not only showcases the beauty and majesty of the Amur tiger, but also highlights the challenges faced by this critically endangered species, with only around 500 individuals remaining in the wild. The Embrace serves as a poignant reminder of the delicate balance between wildlife and their habitats, emphasising the importance of conservation efforts to protect these magnificent creatures.

Ice Bed

Nima Sarikhani photograph Ice Bed won the 2023 Wildlife Photographer of the Year People’s Choice Award, capturing a poignant moment of a young polar bear resting atop a small iceberg in Norway’s Svalbard archipelago. After three days of searching through thick fog, Sarikhani’s persistence paid off when he encountered the bear just before midnight. The bear used its strong paws to carve out a bed on the iceberg before drifting off to sleep under the midnight sun. Sarikhani’s image, chosen from over 75,000 votes, highlights the delicate balance between wildlife and their habitats, emphasising the impacts of climate change and habitat loss.

Sunset Moment

Yet another metaphorical representation of deforestation and habitat destruction, French photographer Olivier Puccia shot this picture of a baby Hanuman langur embracing its mother at a hilltop temple in the town of Ramtek, Maharashtra. The soft, serene sunlight envelopes the sky in warmth and the village below is sunk in a hue of blue, drawing a line between nature and humans’ development.

Chasing Timeless Traditions – Roshani Shah

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Roshani Shah is a street, festival, and cultural photographer with nearly a decade of experience documenting the vibrancy of Indian life. Her work captures the energy, emotions, and stories of people during festivals, rituals, and everyday moments, blending photojournalistic authenticity with creative storytelling. Through her lens, Roshani seeks to reveal the connections between communities, traditions, and the environment, creating images that resonate with people from all forms of life. Asian Photography spoke to her about festival photography experiences, preparation, unique spectacles and more. Excerpts:

How Did Your Pursuit Of Photographing Festivals Begin?

My journey with festival photography began with Ganpati celebrations in Mumbai, and soon after, the Pushkar Camel Fair in 2017. Being in the midst of such vibrant crowds made me realise how diverse and beautiful India truly is—each region, each community, each tradition is so unique. What started as curiosity soon became a passion, because festivals gave me an opportunity to experience India beyond my immediate surroundings. They aren’t just events, they are living stories of people, culture, and emotion and that is what pulled me deeper into festival photography.

What Is Your Favourite Festival You’ve Shot So Far?

Ganpati has always been close to my heart. I’ve been documenting it for nearly a decade now, and every year it feels just as powerful and energising as the first. There’s an unmatched sense of positivity, the colours, the music, the smiles, the devotion. It’s a festival where you truly feel the city breathing in rhythm with its people.
Another festival that stands out for me is Pandharpur Wari. The warmth and openness of the people, the way they welcome you into their journey, and the respect and safety I’ve experienced as a woman photographer there makes me deeply connected to it. When you feel safe and grounded, your creativity expands, you stop worrying and start seeing more stories. The connection with these festivals are different, and that’s why Wari, alongside Ganpati, remains one of my absolute favourites.

What Is The Ratio Of Documentary/photojournalistic Photos To Creative Photos You Typically Shoot At A Festival?

I would say the ratio is about 50-50 between documentary-style photos and more creative photos. The documentary side comes into play mostly during cultural events or festivals, where I focus on capturing the in-depth essence of traditions, rituals, and the atmosphere. On the other hand, my creative work leans more towards street style and daily life whether it’s a minimalist approach or observing the everyday rhythm of people around us. Both approaches balance each other, and together they shape the way I tell stories through photography.

How Do You Prepare Mentally And Technically Before Attending A Large-scale Festival?

Preparation is both mental and technical. Mentally, I research and visualise the crowd, the flow, and the energy of the festival, this helps me get into the right headspace. Technically, I prepare everything down to the smallest detail: what gear to carry, how to protect my camera, what attire will allow me to blend and move freely in the crowd, even the placement of my bag (always in front in crowded areas). Every location demands its own approach, whether I’m blending into the colours of Rajasthan or preparing for the long walks of Wari, I make sure I’m comfortable enough to stay present and focus on capturing stories.

What Is The Most Unique Spectacle You’ve Witnessed And How Did You Capture It?

One of the most unforgettable spectacles I’ve seen was during a Ganpati festival in a village, to visually see the entire village come together in unity. Dozens of Ganpati idols were carried on people’s heads, all moving towards immersion. Just before the visarjan, they formed a huge circle, placed the idols in the center, and performed the final Aarti. The sight of hundreds of villagers in traditional attire, the glowing Diyas, the chants, the golden light, it was overwhelming. I barely had time to think, I just lifted my camera and clicked, making sure I didn’t miss that fleeting but extraordinary alignment of people, culture, and nature. That frame remains etched in my memory forever.

What Is One Thing You’d Do Differently If You Were To Start Over?

If I were to start over, I’d dive even deeper into the idea of connection earlier in my career. Over the years, my ongoing project “Diptych” has taught me how everything around us is interconnected from patterns to traditions, from rituals to human emotions. The more I travel and document festivals, the more I see these invisible threads tying people and places together.
Looking back, I realise that embracing this perspective earlier would have helped me refine my storytelling sooner. But at the same time, perhaps it was necessary to evolve gradually, to notice, and then to connect the dots through experience.

What Is Your Bucket Shot?

Varanasi has always given me countless frames, especially of the Ganga Aarti, which I’ve photographed from almost every possible angle. But one day, I challenged myself to see it differently to shift focus from the grand scene to the smaller, symbolic elements which they have in Aarti.
That’s when I created what I consider one of my bucket shots: a priest holding an incense stick, with a line of smoke rising perfectly in front of his eyes, almost as though it was drawn there intentionally. It was one of those microseconds that you can’t plan—not a moment before, not after—only then. For me, that photograph embodies the beauty of patience, timing, and observation, and it will always remain special.

August 2025

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Asian Photography Magazine August 2025 Issue is out!

📸 Cover by: Arko Datta

In this issue, explore:

~ Credibility is the Core Quality of Photojournalism – Arko Datta
~ Iconic Photojournalism Moments that Changed History
~ The Role of Drones & Remote Cameras in Modern Photojournalism
~ Freelance Photojournalists and the Gig Economy: The Price of Independence

The Ever Evolving Lens of Truth

There no doubt that the world today has reached a saturation point, from AI or image manipulation, or visuals that can be misleading. But one profession that still stands the virtue of time is Photojournalism. Even today it continues to stand tall – not just as a form of storytelling, but as a vehicle for truth, emotion and impact. And in this issue, we pay homage to that
artform. In our Pro Profile section, we pay homage to the craft of one of India’s finest and most iconic names in the field – Arko Datta in an exclusive interview. His lens has captured moments that words could never fully express – raw, haunting and real.

From the grainy black-and-white frames of war zones to the high-definition aerial views captured by drones, photojournalism has evolved dramatically. The tools have changed, but the mission remains the same – to witness and share. Today, drone technology offers a bird’s-eye view of conflict zones, climate disasters and protests, adding new layers of context and storytelling.

Social media has also changed the game, allowing photojournalists to instantly share their work, build audiences and push boundaries beyond traditional publications. Yet, amid this evolution, the heart of photojournalism remains unchanged – its ability to stop time, ignite dialogue and challenge the status quo.

Arko Datta shares not just his journey, but also reflections on what makes an image unforgettable – composition, timing and above all, empathy.

For aspiring freelance photojournalists, the landscape is both promising and challenging. It’s no
longer enough to just take a great photo – you need to understand platforms, pitch effectively,
and often, brand yourself. Diversifying income through stock photography, digital publications,
grants, exhibitions and even workshops can open sustainable paths.

In this issue, we explore not just the legacy, but also the future of photojournalism. Through the
eyes of legends and the tools of tomorrow, we celebrate a profession that continues to risk,
reveal and remind us of the power of a single frame.

So, Until Next Time…
Happy Reading!!