Tag Archives: Photography Gear

Top Wildlife Photography Mistakes and How to Avoid Them

Wildlife photography is one of the most rewarding yet challenging genres of photography. Unlike studio or street photography, the subjects wild animals cannot be controlled or posed. Each moment is unpredictable, and the photographer must be prepared to capture fleeting glimpses of life in its rawest form. While the thrill of wildlife photography is undeniable, it also comes with a steep learning curve. Even experienced photographers make mistakes that can compromise their shots, the safety of the animals, or their own experience in the wild. By understanding these mistakes and learning how to avoid them, photographers can elevate their craft and create images that resonate with both beauty and authenticity.

Lack of Research and Preparation

Many photographers, especially beginners, make the mistake of heading into the field without proper preparation. Wildlife does not follow a schedule; each species has unique habits, feeding routines, and seasonal patterns. Entering a location without knowledge of these factors can result in frustration, missed opportunities, or even disturbance to the animals.

For instance, photographing tigers in India’s Jim Corbett National Park requires knowing their active hours—typically early morning and late evening. Ignorance of these patterns can leave a photographer standing for hours without any sighting. Similarly, bird photographers in the wetlands of Bharatpur must be aware of migratory patterns to capture rare species.

How to Avoid It:
Research is key. Consult field guides, watch documentaries, and connect with local wildlife experts to understand the behaviour and habitats of your subjects. Use maps and online resources to scout locations ahead of time. Planning also extends to checking weather forecasts, packing suitable clothing, and ensuring you have the necessary gear for the conditions. Preparation transforms a chaotic shoot into a purposeful expedition.

Using the Wrong Equipment

Wildlife photography requires specialised equipment. Many photographers underestimate the importance of lens choice, camera settings, and accessories. For instance, using a standard 50mm lens may be perfect for landscapes, but it is often inadequate for capturing a distant leopard or a soaring eagle.

How to Avoid It:
 Invest in telephoto lenses, ideally in the 300mm to 600mm range, depending on the type of wildlife you are photographing. Cameras with fast autofocus, high burst rates, and excellent low-light performance are invaluable. Accessories like sturdy tripods, bean bags for stability, and remote triggers can make a significant difference in capturing sharp, composed shots. Always familiarise yourself with your gear before heading into the field—there is no time to read the manual when a tiger steps into view.

Ignoring Lighting Conditions

Lighting is a cornerstone of photography, and wildlife photography is no exception. Many photographers neglect the role of natural light, resulting in flat or poorly exposed images. Harsh midday sunlight can wash out colours and cast unflattering shadows, while low light without proper adjustments can create blurred, grainy shots.

How to Avoid It:
Aim to shoot during the golden hours—shortly after sunrise or before sunset—when light is soft, warm, and directional. Overcast days can provide even, diffused light, ideal for capturing details without harsh shadows. Learn to read natural light, anticipate how it will interact with your subject, and adjust your camera settings for optimal exposure. Sometimes, subtle shifts in position or angle can transform an ordinary shot into a spectacular one.

Disturbing the Wildlife

One of the most common and potentially harmful mistakes is disturbing animals to get a better shot. Approaching too closely, making noise, or startling an animal not only risks your photograph, but can also stress the animal or trigger defensive behaviour.

How to Avoid It:
Maintain a respectful distance at all times. Telephoto lenses allow you to capture intimate details without encroaching on the animal’s space. Move slowly, wear muted clothing, and minimise noise. Understanding animal behaviour can help anticipate movements without interference. For example, knowing that elephants have a keen sense of hearing and smell can help you stay hidden while observing them from a safe distance.

Poor Composition

Even technically perfect photographs can fail if the composition is weak. Common mistakes include placing the subject dead centre, ignoring background distractions, or failing to consider natural lines and framing. A cluttered background can distract viewers from the main subject, reducing the impact of the image.

How to Avoid It:
 Use compositional techniques like the rule of thirds, leading lines, and natural framing. Position your subject against uncluttered backgrounds whenever possible. Experiment with angles and perspectives—sometimes getting lower to the ground or shooting from a higher vantage point adds depth and interest. Take multiple shots and vary your compositions; creativity often comes from experimentation.

Overlooking the Importance of Patience

Wildlife photography is not a hobby for the impatient. Animals are unpredictable, and moments of action may only last a few seconds. Many photographers give up too early, moving on without capturing the decisive moment.

How to Avoid It:
Develop patience and immerse yourself in the environment. Spend time observing animals without the camera first. Learn their routines and anticipate behaviours. Some of the most iconic wildlife images—like the snow leopard staring through the Himalayan mist or the bald eagle swooping over a frozen lake—result from hours of quiet observation and waiting. Remember, patience is a skill as much as it is a virtue in wildlife photography.

Ignoring Post-Processing Techniques

A raw image straight from the camera often lacks the polish needed for publication or portfolio presentation. Many photographers make the mistake of underestimating the power of post-processing. Subtle adjustments can enhance the story without compromising authenticity.

How to Avoid It:
Learn to use editing tools such as Lightroom or Photoshop to adjust exposure, contrast, and colour balance. Crop images to improve framing, reduce noise in low-light shots, and sharpen details for clarity. Post-processing should enhance the image, not overtake it—keeping it natural ensures the photograph remains true to the wildlife moment.

Failing to Focus Properly

Capturing a moving subject is one of the most technically challenging aspects of wildlife photography. Misfocused images are a frequent source of frustration, especially when photographing birds in flight or running predators.

How to Avoid It:
Use single-point autofocus for precision or continuous focus for moving subjects. Back-button focusing can give you greater control. Anticipate movement and pre-focus on areas where the subject is likely to appear. Practice tracking motion to ensure the camera locks on the right point consistently. Sharpness is often what separates an amateur shot from a professional one.

9. Not Understanding Animal Behaviour

A deep understanding of animal behaviour can dramatically improve wildlife photography. Misinterpreting cues can result in missed shots or unsafe encounters. For example, a crouching tiger may signal a hunting stance, while a bird puffing up its feathers may indicate distress.

How to Avoid It:
Spend time observing your subjects before attempting to photograph them. Note how they interact with each other, their environment, and potential threats. This knowledge allows you to predict movements and capture authentic, expressive moments. The more you understand your subject, the more compelling your images will be.

Lack of Backup and Organisation

After a long day of shooting, nothing is worse than losing your photographs due to insufficient storage or poor organisation. Wildlife photography often involves capturing hundreds or even thousands of images in a single outing.

How to Avoid It:
Carry extra memory cards and external storage devices. Immediately organise images by location, species, and date. Backing up files to multiple sources ensures your work is safe and makes it easier to review, edit, and build a portfolio. Good organisation also allows you to track your progress and refine techniques over time.

Focusing Only on Popular Subjects

Many wildlife photographers chase iconic animals like lions, tigers, or eagles, ignoring the smaller, lesser-known creatures that are equally fascinating. This narrow focus can limit creativity and variety in a portfolio.

How to Avoid It:
Explore macro photography, insects, reptiles, and smaller mammals. Sometimes the most captivating stories lie in the unnoticed aspects of nature—a butterfly resting on a leaf, a chameleon blending into its surroundings, or ants working collectively. These moments often require patience and keen observation but reward the photographer with unique images.

Neglecting Safety

Wildlife photography can be physically demanding and sometimes dangerous. Harsh terrain, extreme weather, and unpredictable animals pose real risks. Many photographers overlook these hazards in pursuit of the perfect shot.

How to Avoid It:
 Prioritise your safety at all times. Carry a first-aid kit, communicate your location, and adhere to park or reserve regulations. Avoid unnecessary risks, and never compromise safety for a photograph. Being cautious not only protects you, but ensures that wildlife is also not endangered by your presence.

Real-Life Anecdotes and Lessons

Professional wildlife photographers often emphasise that mistakes are part of the learning process. National Geographic photographer Paul Nicklen once shared how he spent two weeks tracking polar bears, only to miss the perfect shot because of a focus error. The experience, however, taught him to anticipate the animals’ movements and improved his future work. Similarly, photographer Cristina Mittermeier recalls countless mornings spent observing birds in Mexico, where hours of patience yielded extraordinary compositions that a rushed approach never could have achieved. These stories highlight that wildlife photography is as much about observation, patience, and learning as it is about equipment.

Practical Tips for Beginners

  1. Start Small: Begin with local wildlife or birds before tackling large predators.
  2. Learn From Others: Attend workshops, watch tutorials, and study wildlife photography portfolios.
  3. Practice Patience: Set aside long hours to observe and wait for action.
  4. Experiment: Try different angles, lenses, and camera settings to discover your style.
  5. Respect Nature: Ethical photography ensures animals remain undisturbed and habitats protected.

Wildlife photography is a journey of constant learning and self-improvement. Mistakes are inevitable, but each one offers an opportunity to refine techniques, understand subjects better, and deepen your connection to nature. By researching thoroughly, respecting your subjects, mastering your gear, and cultivating patience, photographers can create images that capture not just animals, but the stories and spirit of the wild.

OM SYSTEM Re-enters Indian Market, Launches OM-5 Mark II Camera & 50-200mm Lens

OM SYSTEM (formerly Olympus) has announced the launch of two new products in India – the OM-5 Mark II interchangeable lens camera and the M.ZUIKO DIGITAL ED 50-200mm F2.8 IS PRO lens. The products are aimed at wildlife, macro, birding, landscape, travel, and street photography.

The OM-5 Mark II builds on the OM-5 series, offering upgrades based on user feedback. Compact and lightweight, it features splash, dust, and IPX53 freeze-proof protection certified to -10°C. The model includes 5-axis image stabilisation and a redesigned grip for improved handling.

The M.ZUIKO DIGITAL ED 50-200mm F2.8 IS PRO lens covers a 100-400mm equivalent focal range with a constant F2.8 aperture. The lens supports 5-axis sync image stabilisation, enabling up to 7 steps of stabilisation for handheld shooting at long focal lengths.

Both launches coincide with the festive season in India. The OM-5 Mark II with a 14-150mm kit lens is priced at ₹1,39,990 and will be available from 18 September 2025, bundled with complimentary 10×50 binoculars worth ₹14,990 as part of the launch offer. The M.ZUIKO DIGITAL ED 50-200mm F2.8 IS PRO lens will be available from 1 October 2025 on an order basis, priced at ₹3,29,990.

Alongside the launches, OM SYSTEM also announced its annual APAC photography competition, running from October to January, with results declared in March each year.

Vivo Announces Third Edition of Imagine Smartphone Photography Awards

Vivo has announced the third edition of the Vivo Imagine Smartphone Photography Awards, open to photographers and enthusiasts across India. The awards aim to position the platform as a hub for storytelling and authentic self-expression.

They encourage participants to submit work that reflects originality, perspective, and intent. This year’s extended format gives creators the freedom to experiment and refine their vision.

The jury will be led by acclaimed filmmaker Zoya Akhtar, joined by renowned photographers Vineet Vohra, Rakesh Pulapa, and Aamir Wani. Entries will be accepted in six categories: Nature & Landscape, Night & Light, Architecture, Motion, Portrait, and Street & Culture.

Submissions are open on www.vivoimagine.com from August 22 to November 30, 2025. The jury will shortlist six finalists—one per category—who will be invited to the Grand Finale in December. The grand jury winner will receive ₹5,00,000, while each category winner will be awarded a Vivo X200 Pro smartphone.

Reflecting on the initiative, Geetaj Channana, Head of Corporate Strategy, Vivo India, said the Imagine Awards reaffirm our belief that photography belongs to everyone – it’s about perspective, not gear.”

In 2024, the awards drew 17,000+ entries nationwide, with Kukkala Suresh winning the grand prize. This year, vivo continues its mission to empower creators and celebrate the joy of imagination.

Canon Celebrates 20th Anniversary of EOS 5 Series

Canon is marking the 20th anniversary of its EOS 5 interchangeable-lens digital camera series. Launched in 2005 with the EOS 5D, the 5 series has played a key role in making full-frame photography more accessible. In 2008, the EOS 5D Mark II brought full-HD video capability to DSLRs, sparking widespread use of video in still cameras.

Subsequent models like the EOS 5D Mark III (2012), EOS 5Ds/5Ds R (2015), and EOS 5D Mark IV (2016) focused on advancements in autofocus, resolution, and performance. In 2020, Canon introduced the EOS R5, the first mirrorless camera in the series with 8K video capability. Its successor, the EOS R5 Mark II (2024), has added AI-driven subject tracking and an advanced image processing system.

With eight models released over two decades, the EOS 5 series has been central to Canon’s imaging evolution and many photographer’s workflows. Canon says it will continue to innovate and support the creative community through ongoing development of the EOS 5 line.

Nikon India Launches Z5II at ₹1,49,995

Nikon India Pvt. Ltd. has unveiled the Nikon Z5II, its latest full-frame mirrorless camera. Designed for both aspiring professional creators, the Z5II delivers a perfect blend of advanced imaging technology and user-friendly design.

Sensor and Processing

  • 24.5MP Full-Frame BSI CMOS sensor
  • EXPEED 7 image processor
  • 5-axis in-body image stabilization (up to 7.5 stops of VR)
  • Autofocus performs in low light down to -10EV
  • Enhanced AF-A mode for smoother subject tracking

Video and Usability

  • Supports 4K/60p and Full HD/120p recording
  • 10-bit N-Log and 12-bit N-RAW internal recording for advanced video workflows
  • Vari-angle touchscreen for flexible framing
  • High-brightness electronic viewfinder (EVF) for improved visibility in bright conditions
  • Aimed at filmmakers, wedding professionals, and content creators

With seamless compatibility across Z Mount lenses and connectivity options like USB-C and HDMI, the Z5II is built to support creators across genres.

Speaking at the launch, Mr. Sajjan Kumar, Managing Director of Nikon India, said, “The Z5II is crafted for hybrid creators, offering rapid autofocus, superb low-light performance, and support for formats like N-RAW and N-Log—making professional-grade imaging more accessible.”

Availability: The Nikon Z5II will be available from April 24, 2025, across India at INR 1,49,995.

Best Travel Photography Gear for Every Budget

Travel photography is an exciting way to capture memories, landscapes, and cultures. Whether you’re a beginner or a professional, having the right gear can make a huge difference. Below, we’ve curated the best travel photography gear across different budgets, from ₹40,000 to ₹5,00,000, covering cameras, lenses, and essential accessories.


Cameras & Lenses for Travel Photography

1. Budget Range: ₹40,000 – ₹1,00,000

You’re just beginning to scratch the surface and want to explore what’s out in the world with limited disruption to your travel experience. And you’re okay with being called a tourist, these recommendations will suit you and also not break the bank.

Cameras:

  • Sony ZV-E10 – Great for vlogging and stills with a flip screen and excellent autofocus.
  • Canon EOS R50  – Compact mirrorless with 4K video and fast autofocus.
  • Fujifilm X-T30 II – Small in hand, retro design with excellent colour science, fun to use.

Lenses:

  • Sigma 16mm f/1.4 – Wide-angle for landscapes, astro photos and environmental portraits, great for low-light as well
  • Sony 18-105mm f/4 – Versatile zoom for travel.
  • Tamron 17-70mm f/2.8 – Versatile zoom lens with a wide aperture suitable for a wide variety of shots.

2. Mid-Range: ₹1,00,000 – ₹2,50,000

You have a little bit of experience with Best for enthusiasts who want better performance and versatility.

Cameras:

  • Sony A7 III – Full-frame with great low-light performance.
  • Nikon Z6 II – Excellent dynamic range and video capabilities.
  • Fujifilm X-T4 – Very capable APS-C camera with retro aesthetics, a flippable screen and film simulations that enhance the shooting experience.

Lenses:

  • Tamron 28-75mm f/2.8 – Sharp and lightweight for full-frame.
  • Sigma 18-50mm f/2.8 – Compact zoom with fast aperture.
  • Sony 20mm f/1.8 G – Ultra-wide for astrophotography.

3. High-End: ₹2,50,000 – ₹5,00,000

Best for professionals and serious photographers who need top-tier performance.

Cameras:

  • Sony A7R V – 61MP resolution for detailed landscapes.
  • Canon EOS R5 – 8K video shooting capability and 45MP sensor for high resolution stills.
  • Nikon Z8 – Flagship performance in a compact body.

Lenses:

  • Sony 24-70mm f/2.8 GM II – Best all-in-one standard zoom lens, a must-have in a kit.
  • Canon RF 70-200mm f/2.8 – great starting point for a telephoto zoom lens.
  • Sigma 14-24mm f/2.8 – Ultra-wide for landscapes, environmental portraits, astro and more.
  • Nikon Z 24-120mm F/4 S – a great all-rounder that has a versatile focal length along with the S badge, meaning superb optics. 

Essential Travel Photography Accessories

1. Tripods & Stabilization

  • Manfrotto BeFree Travel Tripod (₹10,000 – ₹15,000) – Lightweight and sturdy.
  • DJI RS 3 Mini Gimbal (₹25,000 – ₹30,000) – For smooth video while travelling.

2. Bags & Storage
Under ₹5,000:

  • Wildcraft Shutterbug Pro (₹3500 – ₹5000) – Can carry one camera with several lenses, filters and cleaning kit with a pocket for a laptop in the back. Solid choice and value for money.
  • Digitek Holster Bag (₹1,500 – ₹2,500) – Compact and lightweight, can carry one camera with lens easily.

Mid-Range (₹5,000+):

  • Lowepro ProTactic 350 AW – Rugged and weather-resistant.

The Ultimate (₹10,000+)

  • Peak Design Everyday Backpack – Stylish, functional, customizable, slightly water-resistant.

Backpacks ultimately are extremely diverse and are a personal choice on top of functionality for many. These recommendations are just an example. 

3. Filters & Cleaning Kits

  • PolarPro Circular Polarizer (₹5,000 – ₹7,000) – Reduces glares & reflections, useful for landscapes, aerial shots, automotive and more.
  • K&F Concept VND (₹3000 – ₹8000) – high quality filters with little to no colour cast. (Oftentimes VNDs are combined with CPL filters, look out for them as well)
  • VSGO Camera Cleaning Kit (₹1,500 – ₹2,000) – Essential for dust removal.

4. Lighting & Extras

  • Godox TT350 Flash (₹7,000 – ₹9,000) – Compact travel flash.
  • DJI Mini 3 Pro (₹70,000 – ₹80,000) – Lightweight drone for aerial shots.

Final Thoughts

Whether you’re on a tight budget or ready to splurge, there’s a perfect travel photography setup for you. From ₹40K–₹1L, focus on a good APS-C camera and a versatile lens. Pro tip, when starting out, seek used/unboxed/second-hand cameras & lenses as you can get some great deals like midrange bodies & lenses for the price of a beginner.

For ₹1L–₹2.5L, upgrade to full-frame (or get a better APSC body) for better low-light performance. For ₹2.5L–₹5L, you can invest in high-resolution bodies and pro-grade lenses. Don’t forget accessories like tripods, bags, and filters—they can significantly enhance your travel photography experience.

February 2025

Asian Photography India February 2025 Issue is Out Now!

📸 Cover by: @navaneeth_unnikrishnan

🌌 In this issue, explore:

Reaching The Stars – @navaneeth_unnikrishnan

#TechReviews
Nikon Nikkor Z 50mm/F4 Lens Review
OnePlus 13 Review
Oppo Find X8 Pro Review: Worth ₹99,999?

#Astrophotography
Astrophotography on a Budget: DIY Solutions & Beginner Gear
History of Astrophotography: From Film to Digital
Time-Lapse Astrophotography: Capturing Motion in the Sky

Nikon announces NIKKOR Z 35mm F/1.2 Lens at ₹2,57,995

Nikon India Pvt. Ltd. announces the launch of the NIKKOR Z 35mm f/1.2 S, a high-performance wide-angle prime lens designed for professional photographers and videographers. With its fast f/1.2 aperture, this lens delivers exceptional detail, depth, and beautifully soft bokeh, making it ideal for portrait, street, and wedding photography, as well as cinematic video production.

As part of Nikon’s S-Line series, the NIKKOR Z 35mm f/1.2 S ensures outstanding optical performance with three ED glass elements and one aspherical ED glass element, minimising aberrations and maximising sharpness. Advanced Meso Amorphous, Nano Crystal, and ARNEO coatings significantly reduce ghosting and flares for superior clarity. The lens’ multi-focussing system, powered by stepping motors (STMs), provides fast and precise autofocus for both stills and video.

Optimized for videographers, the lens ensures smooth exposure transitions, suppresses focus breathing, and features a click-less control ring for silent operation. With dust and drip resistance, it is built for reliability in challenging shooting conditions.

Sajjan Kumar, Managing Director of Nikon India, stated that the NIKKOR Z 35mm f/1.2 S exemplifies Nikon’s commitment to pushing the boundaries of optical excellence, offering professionals a powerful tool to elevate their creative expression.

The NIKKOR Z 35mm f/1.2 S will be available soon at authorized Nikon dealers and online stores. 

Nikon Z6III Review: Does It Actually Outperform?

The Nikon Z6III was launched in June 2024 with the tagline ‘Outperform’. Nikon has positioned it as a camera that excels in both photography and videography. Its predecessor, the Z6II, was released in 2020, making this upgrade a long-awaited one. We had the opportunity to test the Z6III extensively for over a month before featuring it in our magazine.

Watch our video review:

Who Is It For?

This camera is designed for users seeking a versatile tool capable of handling various photography styles, including street, sports, landscapes, and weddings. Nikon has emphasized this versatility in its marketing and communications as well.

Look, Body and Feel

If you’re a Nikon user, the Z6III will feel instantly familiar. The build quality is excellent and at 760 grams, the camera strikes a balance between sturdiness and portability. The deep, comfortable grip enhances handling, while the two programmable function buttons on the back offer quick access to settings.

Most of the button placements remain consistent with the Z6II, ensuring a seamless transition for existing users. A slight redesign on the top right accommodates the video, ISO and exposure compensation buttons for easier access. This ergonomic refinement enhances usability and these buttons can be customized as well.


The rear buttons are well-positioned, and while a joystick is present, the OK button often feels
more intuitive. A significant upgrade from the Z6II is the fully articulated rear screen, maintaining the same size and resolution but now offering greater flexibility for shooting at different angles – a welcome improvement.

Still from our review video


Nikon has not explicitly claimed weather sealing for this body, but given the outperform branding, it’s reasonable to expect a degree of durability against the elements.

What Makes It Special?

The Nikon Z6III introduces several standout features, including the world’s first 24.5 MP partially stacked full-frame sensor. This innovation provides key advantages, as claimed by Nikon, such as:

  • Unlimited photo buffer
  • Internal RAW at up to 6K60p and ProRes RAW recording up to 5.4K up to 60p
  • 4K120 video recording (Dx crop)
  • 60 & 120fps burst rate in JPEG mode (120fps in Dx crop)
  • 20fps burst rate with an electronic shutter

Image Quality


The overall image quality is impressive, delivering sharp and detailed photos with excellent dynamic range. Colour saturation and reproduction are accurate, while shadow and highlight retention are commendable. In high-contrast scenarios, some adjustments may be necessary, but the performance remains strong.

Shutter Performance (Electronic & Mechanical)

Thanks to its partially stacked sensor, the Z6III supports an electronic shutter. However, some flickering
was noticeable in certain lighting conditions, a common issue with electronic shutters. Rolling shutter effects were present but less pronounced compared to older models like the Sony A7 IV, benefiting from the newer sensor technology.

Electronic shutter banding


The mechanical shutter offers 14fps burst shooting, while the electronic shutter reaches 20fps. The ability to shoot continuously is excellent, though the camera does heat up slightly in burst mode, however it isn’t anything that can’t be managed.

Autofocus & Tracking


The upgraded AF system introduces subject detection and 3D tracking, marking a significant improvement over its predecessor. In both daylight and low light, the autofocus performs exceptionally well, locking onto subjects with impressive accuracy.


However, in crowded scenes, the focus can momentarily shift between eyes before recognizing a new subject. This minor issue could potentially be resolved through a firmware update. Tested with 35mm and 50mm f/1.4 lenses, the autofocus speed was as fast as Nikon advertises.

tracking performance


ISO Performance


The Z6III handles ISO well. Even at high ISOs like 6400 to 12,800, images remain usable, though
sharpness and clarity take a slight hit. In challenging conditions, capturing the shot often takes
precedence over achieving perfection.


For video, high ISOs paired with fast f/1.4 lenses result in clean, noise-free footage, expanding creative possibilities for filmmakers.


Video Capabilities

In terms of video the camera offers 6K recording up to 60fps and 4K up to 120fps (with crop). Also much like the other cameras, it also has a 125-minute recording limit, making it highly practical.

Even in extreme low light, the camera delivers high-quality video with minimal noise. Paired with 35mm and 50mm f/1.4 lenses, the results are quite cinematic.


The RED Acquisition

With Nikon acquiring RED, we anticipate deeper integration of RED’s technology into Nikon cameras. And you can see a hint of that in this camera. Z6 III can shoot compressed RAW video recording, previously exclusive to high-end models like the Z8 and Z9. It also has LUT support for N-RAW and N-Log footage, allowing users to match RED’s signature colour science. Nikon has made these LUTs freely available on their website.


Electronic Viewfinder (EVF)


The Z6III features a 5.76 million-dot EVF, delivering sharp visuals. It has a refresh rate of 60Hz with 120Hz unclaimed, as there is an option to turn on “high framerate” in the menu. However, the EVF sensor is extremely sensitive, causing the screen to turn off with even slight movements – something to be mindful of.


Conclusion

At a price of ₹2.23 lakh, does the Nikon Z6III truly ‘Outperform’?
Compared to other cameras in its category, it offers a good balance of features, performance, and value. Nikon has strategically positioned it between entry-level models like the Z5 and professional bodies like the Z8/Z9.
Now there are always a few things that can be improved in every product and this isn’t any different. But overall, for someone who is looking to shoot images and video both, I can see this being a compelling buy, and one that we surely give our thumbs up!

Nikon NIKKOR Z 35mm F/1.4 Lens Review

Nikon’s latest prime lens, the NIKKOR Z 35mm F/1.4 is the first F/1.4 prime lens for the Z mount lineup. The second is the 50mm F/1.4, which we have also reviewed in the issue, so be sure to check that out as well.

Design, Build & Handling

At first glance, the Z 35mm F/1.4 looks strikingly similar to its sibling, the 50mm F/1.4. Nikon deserves credit for maintaining design consistency across these lenses. Weighing just 415 grams, it is compact and lightweight, making it a highly portable choice.

The lens sports a 62mm filter diameter and boasts a premium, robust build. When paired with the Nikon Z6III, it achieves excellent balance – a setup ideal for both photography and videography.

Handling – still from our review video

The design is minimalistic, featuring only two rings: the focus ring and the customizable control ring. Unlike some other lenses, it lacks additional buttons. Nikon’s reasoning here seems clear – photographers and videographers often use focal lengths like 35mm and 50mm for video work, especially on gimbals. The simpler design ensures quick lens swaps without the hassle of recalibration.

Autofocus Performance

Lowlight image

The Z 35mm F/1.4 is equipped with a stepping motor, offering fast, silent autofocus performance. While there’s no built-in image stabilization, the lens delivers smooth, quick focussing both during the day and in low light conditions.

For video shooters, the autofocus transition between points is remarkably smooth. Nikon has also done an excellent job correcting focus breathing, resulting in cinematic-quality footage that filmmakers will appreciate.

Image Quality

Daylight image

When it comes to performance, the image quality from this lens is impressive. Photos are sharp and well-detailed in daylight, while low light conditions allow for atmospheric shots with excellent depth and mood.

While there are minor focus-hunting issues in specific scenarios, you can work around them to achieve results. Edge sharpness exhibits slight softness, but overall, the lens delivers good performance.

Flaring & Ghosting

Very minimal flaring against a light source

Despite lacking the fluorine coating found in Nikon’s S-series lenses, the Z 35mm F/1.4 handles flaring surprisingly well. Even though Nikon includes a lens hood in the box, you can often leave it behind to maintain a minimal and stealthy setup.

That said, because of the absence of fluorine coating, the front element tends to attract dirt and oil more quickly. A microfiber cloth will be essential to keep the lens clean.

Bokeh Performance

If you’re a fan of creamy bokeh, the Z 35mm F/1.4 won’t disappoint. The lens produces smooth, round bokeh across most of the frame. However, in certain areas, the bokeh can appear slightly squished, resembling an egg shape.

Chromatic Aberration (CA)

Running the lens through the Quick MTF app gave an output of 0.42 pixels for chromatic aberration. For a prime lens in this category, that’s a solid result and within acceptable limits.

Verdict

So, what’s our take on the NIKKOR Z 35mm F/1.4? At a price point of ₹89,999, it’s ₹10,000 more than Nikon’s 50mm F/1.4. However, when you compare it to competitors like Sony and Canon, whose 35mm F/1.4 lenses start at around ₹1.4 lakh, Nikon’s offering stands out as a fantastic value-for-money option.

For many photographers, a 50mm can feel too tight, and a wider 35mm is the perfect solution – offering a broader field of view without noticeable distortion. Whether you’re a street photographer looking for versatility or someone who needs a lightweight, travel-friendly lens that performs in both daylight and low light, the Z 35mm F/1.4 is an excellent choice.