Vivo has announced the third edition of the Vivo Imagine Smartphone Photography Awards, open to photographers and enthusiasts across India. The awards aim to position the platform as a hub for storytelling and authentic self-expression.
They encourage participants to submit work that reflects originality, perspective, and intent. This year’s extended format gives creators the freedom to experiment and refine their vision.
The jury will be led by acclaimed filmmaker Zoya Akhtar, joined by renowned photographers Vineet Vohra, Rakesh Pulapa, and Aamir Wani. Entries will be accepted in six categories: Nature & Landscape, Night & Light, Architecture, Motion, Portrait, and Street & Culture.
Submissions are open on www.vivoimagine.com from August 22 to November 30, 2025. The jury will shortlist six finalists—one per category—who will be invited to the Grand Finale in December. The grand jury winner will receive ₹5,00,000, while each category winner will be awarded a Vivo X200 Pro smartphone.
Reflecting on the initiative, Geetaj Channana, Head of Corporate Strategy, Vivo India, said “the Imagine Awards reaffirm our belief that photography belongs to everyone – it’s about perspective, not gear.”
In 2024, the awards drew 17,000+ entries nationwide, with Kukkala Suresh winning the grand prize. This year, vivo continues its mission to empower creators and celebrate the joy of imagination.
Canon is marking the 20th anniversary of its EOS 5 interchangeable-lens digital camera series. Launched in 2005 with the EOS 5D, the 5 series has played a key role in making full-frame photography more accessible. In 2008, the EOS 5D Mark II brought full-HD video capability to DSLRs, sparking widespread use of video in still cameras.
Subsequent models like the EOS 5D Mark III (2012), EOS 5Ds/5Ds R (2015), and EOS 5D Mark IV (2016) focused on advancements in autofocus, resolution, and performance. In 2020, Canon introduced the EOS R5, the first mirrorless camera in the series with 8K video capability. Its successor, the EOS R5 Mark II (2024), has added AI-driven subject tracking and an advanced image processing system.
With eight models released over two decades, the EOS 5 series has been central to Canon’s imaging evolution and many photographer’s workflows. Canon says it will continue to innovate and support the creative community through ongoing development of the EOS 5 line.
Nikon India Pvt. Ltd. has unveiled the Nikon Z5II, its latest full-frame mirrorless camera. Designed for both aspiring professional creators, the Z5II delivers a perfect blend of advanced imaging technology and user-friendly design.
Sensor and Processing
24.5MP Full-Frame BSI CMOS sensor
EXPEED 7 image processor
5-axis in-body image stabilization (up to 7.5 stops of VR)
Autofocus performs in low light down to -10EV
Enhanced AF-A mode for smoother subject tracking
Video and Usability
Supports 4K/60p and Full HD/120p recording
10-bit N-Log and 12-bit N-RAW internal recording for advanced video workflows
Vari-angle touchscreen for flexible framing
High-brightness electronic viewfinder (EVF) for improved visibility in bright conditions
Aimed at filmmakers, wedding professionals, and content creators
With seamless compatibility across Z Mount lenses and connectivity options like USB-C and HDMI, the Z5II is built to support creators across genres.
Speaking at the launch, Mr. Sajjan Kumar, Managing Director of Nikon India, said, “The Z5II is crafted for hybrid creators, offering rapid autofocus, superb low-light performance, and support for formats like N-RAW and N-Log—making professional-grade imaging more accessible.”
Availability: The Nikon Z5II will be available from April 24, 2025, across India at INR 1,49,995.
Travel photography is an exciting way to capture memories, landscapes, and cultures. Whether you’re a beginner or a professional, having the right gear can make a huge difference. Below, we’ve curated the best travel photography gear across different budgets, from ₹40,000 to ₹5,00,000, covering cameras, lenses, and essential accessories.
Cameras & Lenses for Travel Photography
1. Budget Range: ₹40,000 – ₹1,00,000
You’re just beginning to scratch the surface and want to explore what’s out in the world with limited disruption to your travel experience. And you’re okay with being called a tourist, these recommendations will suit you and also not break the bank.
Cameras:
Sony ZV-E10 – Great for vlogging and stills with a flip screen and excellent autofocus.
Canon EOS R50 – Compact mirrorless with 4K video and fast autofocus.
Fujifilm X-T30 II – Small in hand, retro design with excellent colour science, fun to use.
Lenses:
Sigma 16mm f/1.4 – Wide-angle for landscapes, astro photos and environmental portraits, great for low-light as well
Sony 18-105mm f/4 – Versatile zoom for travel.
Tamron 17-70mm f/2.8 – Versatile zoom lens with a wide aperture suitable for a wide variety of shots.
2. Mid-Range: ₹1,00,000 – ₹2,50,000
You have a little bit of experience with Best for enthusiasts who want better performance and versatility.
Cameras:
Sony A7 III – Full-frame with great low-light performance.
Nikon Z6 II – Excellent dynamic range and video capabilities.
Fujifilm X-T4 – Very capable APS-C camera with retro aesthetics, a flippable screen and film simulations that enhance the shooting experience.
Lenses:
Tamron 28-75mm f/2.8 – Sharp and lightweight for full-frame.
Sigma 18-50mm f/2.8 – Compact zoom with fast aperture.
Sony 20mm f/1.8 G – Ultra-wide for astrophotography.
3. High-End: ₹2,50,000 – ₹5,00,000
Best for professionals and serious photographers who need top-tier performance.
Cameras:
Sony A7R V – 61MP resolution for detailed landscapes.
Canon EOS R5 – 8K video shooting capability and 45MP sensor for high resolution stills.
Nikon Z8 – Flagship performance in a compact body.
Lenses:
Sony 24-70mm f/2.8 GM II – Best all-in-one standard zoom lens, a must-have in a kit.
Canon RF 70-200mm f/2.8 – great starting point for a telephoto zoom lens.
Sigma 14-24mm f/2.8 – Ultra-wide for landscapes, environmental portraits, astro and more.
Nikon Z 24-120mm F/4 S – a great all-rounder that has a versatile focal length along with the S badge, meaning superb optics.
DJI RS 3 Mini Gimbal (₹25,000 – ₹30,000) – For smooth video while travelling.
2. Bags & Storage Under ₹5,000:
Wildcraft Shutterbug Pro (₹3500 – ₹5000) – Can carry one camera with several lenses, filters and cleaning kit with a pocket for a laptop in the back. Solid choice and value for money.
Digitek Holster Bag (₹1,500 – ₹2,500) – Compact and lightweight, can carry one camera with lens easily.
Mid-Range (₹5,000+):
Lowepro ProTactic 350 AW – Rugged and weather-resistant.
Backpacks ultimately are extremely diverse and are a personal choice on top of functionality for many. These recommendations are just an example.
3. Filters & Cleaning Kits
PolarPro Circular Polarizer (₹5,000 – ₹7,000) – Reduces glares & reflections, useful for landscapes, aerial shots, automotive and more.
K&F Concept VND (₹3000 – ₹8000) – high quality filters with little to no colour cast. (Oftentimes VNDs are combined with CPL filters, look out for them as well)
VSGO Camera Cleaning Kit (₹1,500 – ₹2,000) – Essential for dust removal.
DJI Mini 3 Pro (₹70,000 – ₹80,000) – Lightweight drone for aerial shots.
Final Thoughts
Whether you’re on a tight budget or ready to splurge, there’s a perfect travel photography setup for you. From ₹40K–₹1L, focus on a good APS-C camera and a versatile lens. Pro tip, when starting out, seek used/unboxed/second-hand cameras & lenses as you can get some great deals like midrange bodies & lenses for the price of a beginner.
For ₹1L–₹2.5L, upgrade to full-frame (or get a better APSC body) for better low-light performance. For ₹2.5L–₹5L, you can invest in high-resolution bodies and pro-grade lenses. Don’t forget accessories like tripods, bags, and filters—they can significantly enhance your travel photography experience.
#TechReviews Nikon Nikkor Z 50mm/F4 Lens Review OnePlus 13 Review Oppo Find X8 Pro Review: Worth ₹99,999?
#Astrophotography Astrophotography on a Budget: DIY Solutions & Beginner Gear History of Astrophotography: From Film to Digital Time-Lapse Astrophotography: Capturing Motion in the Sky
Nikon India Pvt. Ltd. announces the launch of the NIKKOR Z 35mm f/1.2 S, a high-performance wide-angle prime lens designed for professional photographers and videographers. With its fast f/1.2 aperture, this lens delivers exceptional detail, depth, and beautifully soft bokeh, making it ideal for portrait, street, and wedding photography, as well as cinematic video production.
As part of Nikon’s S-Line series, the NIKKOR Z 35mm f/1.2 S ensures outstanding optical performance with three ED glass elements and one aspherical ED glass element, minimising aberrations and maximising sharpness. Advanced Meso Amorphous, Nano Crystal, and ARNEO coatings significantly reduce ghosting and flares for superior clarity. The lens’ multi-focussing system, powered by stepping motors (STMs), provides fast and precise autofocus for both stills and video.
Optimized for videographers, the lens ensures smooth exposure transitions, suppresses focus breathing, and features a click-less control ring for silent operation. With dust and drip resistance, it is built for reliability in challenging shooting conditions.
Sajjan Kumar, Managing Director of Nikon India, stated that the NIKKOR Z 35mm f/1.2 S exemplifies Nikon’s commitment to pushing the boundaries of optical excellence, offering professionals a powerful tool to elevate their creative expression.
The NIKKOR Z 35mm f/1.2 S will be available soon at authorized Nikon dealers and online stores.
The Nikon Z6III was launched in June 2024 with the tagline ‘Outperform’. Nikon has positioned it as a camera that excels in both photography and videography. Its predecessor, the Z6II, was released in 2020, making this upgrade a long-awaited one. We had the opportunity to test the Z6III extensively for over a month before featuring it in our magazine.
Watch our video review:
Who Is It For?
This camera is designed for users seeking a versatile tool capable of handling various photography styles, including street, sports, landscapes, and weddings. Nikon has emphasized this versatility in its marketing and communications as well.
Look, Body and Feel
If you’re a Nikon user, the Z6III will feel instantly familiar. The build quality is excellent and at 760 grams, the camera strikes a balance between sturdiness and portability. The deep, comfortable grip enhances handling, while the two programmable function buttons on the back offer quick access to settings.
Most of the button placements remain consistent with the Z6II, ensuring a seamless transition for existing users. A slight redesign on the top right accommodates the video, ISO and exposure compensation buttons for easier access. This ergonomic refinement enhances usability and these buttons can be customized as well.
The rear buttons are well-positioned, and while a joystick is present, the OK button often feels more intuitive. A significant upgrade from the Z6II is the fully articulated rear screen, maintaining the same size and resolution but now offering greater flexibility for shooting at different angles – a welcome improvement.
Still from our review video
Nikon has not explicitly claimed weather sealing for this body, but given the outperform branding, it’s reasonable to expect a degree of durability against the elements.
What Makes It Special?
The Nikon Z6III introduces several standout features, including the world’s first 24.5 MP partially stacked full-frame sensor. This innovation provides key advantages, as claimed by Nikon, such as:
Unlimited photo buffer
Internal RAW at up to 6K60p and ProRes RAW recording up to 5.4K up to 60p
4K120 video recording (Dx crop)
60 & 120fps burst rate in JPEG mode (120fps in Dx crop)
20fps burst rate with an electronic shutter
Image Quality
The overall image quality is impressive, delivering sharp and detailed photos with excellent dynamic range. Colour saturation and reproduction are accurate, while shadow and highlight retention are commendable. In high-contrast scenarios, some adjustments may be necessary, but the performance remains strong.
Shutter Performance (Electronic & Mechanical)
Thanks to its partially stacked sensor, the Z6III supports an electronic shutter. However, some flickering was noticeable in certain lighting conditions, a common issue with electronic shutters. Rolling shutter effects were present but less pronounced compared to older models like the Sony A7 IV, benefiting from the newer sensor technology.
Electronic shutter banding
The mechanical shutter offers 14fps burst shooting, while the electronic shutter reaches 20fps. The ability to shoot continuously is excellent, though the camera does heat up slightly in burst mode, however it isn’t anything that can’t be managed.
Autofocus & Tracking
The upgraded AF system introduces subject detection and 3D tracking, marking a significant improvement over its predecessor. In both daylight and low light, the autofocus performs exceptionally well, locking onto subjects with impressive accuracy.
However, in crowded scenes, the focus can momentarily shift between eyes before recognizing a new subject. This minor issue could potentially be resolved through a firmware update. Tested with 35mm and 50mm f/1.4 lenses, the autofocus speed was as fast as Nikon advertises.
tracking performance
ISO Performance
The Z6III handles ISO well. Even at high ISOs like 6400 to 12,800, images remain usable, though sharpness and clarity take a slight hit. In challenging conditions, capturing the shot often takes precedence over achieving perfection.
For video, high ISOs paired with fast f/1.4 lenses result in clean, noise-free footage, expanding creative possibilities for filmmakers.
Video Capabilities
In terms of video the camera offers 6K recording up to 60fps and 4K up to 120fps (with crop). Also much like the other cameras, it also has a 125-minute recording limit, making it highly practical.
Even in extreme low light, the camera delivers high-quality video with minimal noise. Paired with 35mm and 50mm f/1.4 lenses, the results are quite cinematic.
The RED Acquisition
With Nikon acquiring RED, we anticipate deeper integration of RED’s technology into Nikon cameras. And you can see a hint of that in this camera. Z6 III can shoot compressed RAW video recording, previously exclusive to high-end models like the Z8 and Z9. It also has LUT support for N-RAW and N-Log footage, allowing users to match RED’s signature colour science. Nikon has made these LUTs freely available on their website.
Electronic Viewfinder (EVF)
The Z6III features a 5.76 million-dot EVF, delivering sharp visuals. It has a refresh rate of 60Hz with 120Hz unclaimed, as there is an option to turn on “high framerate” in the menu. However, the EVF sensor is extremely sensitive, causing the screen to turn off with even slight movements – something to be mindful of.
Conclusion
At a price of ₹2.23 lakh, does the Nikon Z6III truly ‘Outperform’? Compared to other cameras in its category, it offers a good balance of features, performance, and value. Nikon has strategically positioned it between entry-level models like the Z5 and professional bodies like the Z8/Z9. Now there are always a few things that can be improved in every product and this isn’t any different. But overall, for someone who is looking to shoot images and video both, I can see this being a compelling buy, and one that we surely give our thumbs up!
Nikon’s latest prime lens, the NIKKOR Z 35mm F/1.4 is the first F/1.4 prime lens for the Z mount lineup. The second is the 50mm F/1.4, which we have also reviewed in the issue, so be sure to check that out as well.
35 1.4
35 1.4 with hood
Design, Build & Handling
At first glance, the Z 35mm F/1.4 looks strikingly similar to its sibling, the 50mm F/1.4. Nikon deserves credit for maintaining design consistency across these lenses. Weighing just 415 grams, it is compact and lightweight, making it a highly portable choice.
The lens sports a 62mm filter diameter and boasts a premium, robust build. When paired with the Nikon Z6III, it achieves excellent balance – a setup ideal for both photography and videography.
Handling – still from our review video
The design is minimalistic, featuring only two rings: the focus ring and the customizable control ring. Unlike some other lenses, it lacks additional buttons. Nikon’s reasoning here seems clear – photographers and videographers often use focal lengths like 35mm and 50mm for video work, especially on gimbals. The simpler design ensures quick lens swaps without the hassle of recalibration.
Autofocus Performance
Lowlight image
The Z 35mm F/1.4 is equipped with a stepping motor, offering fast, silent autofocus performance. While there’s no built-in image stabilization, the lens delivers smooth, quick focussing both during the day and in low light conditions.
For video shooters, the autofocus transition between points is remarkably smooth. Nikon has also done an excellent job correcting focus breathing, resulting in cinematic-quality footage that filmmakers will appreciate.
Image Quality
Daylight image
When it comes to performance, the image quality from this lens is impressive. Photos are sharp and well-detailed in daylight, while low light conditions allow for atmospheric shots with excellent depth and mood.
While there are minor focus-hunting issues in specific scenarios, you can work around them to achieve results. Edge sharpness exhibits slight softness, but overall, the lens delivers good performance.
Flaring & Ghosting
Very minimal flaring against a light source
Despite lacking the fluorine coating found in Nikon’s S-series lenses, the Z 35mm F/1.4 handles flaring surprisingly well. Even though Nikon includes a lens hood in the box, you can often leave it behind to maintain a minimal and stealthy setup.
That said, because of the absence of fluorine coating, the front element tends to attract dirt and oil more quickly. A microfiber cloth will be essential to keep the lens clean.
Bokeh Performance
If you’re a fan of creamy bokeh, the Z 35mm F/1.4 won’t disappoint. The lens produces smooth, round bokeh across most of the frame. However, in certain areas, the bokeh can appear slightly squished, resembling an egg shape.
Chromatic Aberration (CA)
Running the lens through the Quick MTF app gave an output of 0.42 pixels for chromatic aberration. For a prime lens in this category, that’s a solid result and within acceptable limits.
Verdict
So, what’s our take on the NIKKOR Z 35mm F/1.4? At a price point of ₹89,999, it’s ₹10,000 more than Nikon’s 50mm F/1.4. However, when you compare it to competitors like Sony and Canon, whose 35mm F/1.4 lenses start at around ₹1.4 lakh, Nikon’s offering stands out as a fantastic value-for-money option.
For many photographers, a 50mm can feel too tight, and a wider 35mm is the perfect solution – offering a broader field of view without noticeable distortion. Whether you’re a street photographer looking for versatility or someone who needs a lightweight, travel-friendly lens that performs in both daylight and low light, the Z 35mm F/1.4 is an excellent choice.
Hi and welcome back to Asian Photography and today is special. Special because we are going to review Nikon’s latest prime lens, the 50mm F/1.4, which is only their second 1.4 prime lens for the Z mount, the first one being the 35 F1.4, we have reviewed that one as well.
Still from our review video
When I see this lens, then I am wondering – is Nikon trying to redefine the market one lens at a time? Because there is one thing that Nikon is doing much better than the competition. Priced at ₹80k while the competitors are ₹1.3 lakh+
Whose it For?
The 50mm is probably my favourite lens and for the ones that’ve been shooting for a while, these were the lenses that everyone would invest in, before brands started giving the options for the 24, 35mm, etc. The beauty of this lens is that it is versatile and can be used for a variety of applications – street photography, portraits, weddings, etc. And it is built like that as well.
Look, Body & Feel
At first glance you can instantly feel that this lens is light and compact as compared to other 1.4 lenses. It weighs 420g with a filter size of 62mm. It feels well-built and premium, which means that the materials used are good and at this price point it is weather sealed.
And when attached to the Nikon Z6III, which we have used to review this lens, it feels well-balanced.
Feels well-balanced with Z6 III – still from our review video
This lens has very minimal controls. There is one ring set to control focus, and another ring you can set to do other functions like exposure compensation in-camera. And that’s it. There’s no dedicated aperture ring, no more custom programmable buttons, no AF-MF switch, and no other bells & whistles. It also doesn’t come with their VR image stabilization technology.
With that in mind, let’s move on to the image quality tests, and let’s see if they have cut any corners.
Image Quality
The pics from the lens are good. In daylight the pictures are sharp and well-detailed, yes they aren’t the sharpest on the edges but the quality that it is able to deliver is great.
In lowlight, the image quality is similar to daylight with adequate amount of sharpness throughout the frame, more in the center and tapers off in the sides.
Autofocus
Even the autofocus performance of the lens is good. This has a stepping motor and at most it works fast and silent, which makes making pictures very easy and stealthy. So be it day time or night time, due to its wide aperture this lens is super fast at acquiring focus.
Bokeh
With a prime lens you are always looking for those beautiful bokeh and this lens doesn’t disappoint. The bokeh are well rounded and nice. In some cases, you do see the onion or egg shapes but overall they are very pleasing to the eye.
CA Value
As usual, we tested the lens through QuickMTF and got a CA value of 0.60 pixels, which at this price point is decent. This is one area where more expensive lenses might have the edge on this one, but regardless, it can be corrected in post very easily.
Lens flare and ghosting
There is very minimal lens flaring and ghosting in the lens and if you use it smartly then it can actually give you some creative output.
Flaring performance
Conclusion
So what do we think about the NIKKOR Z 50mm F/1.4 lens? Nikon has possibly hit the sweet spot with this lens. You get all of this performance in a compact and light body for a price of Rs. 80k. And in comparison there are options from the competitors that start at ₹1.3 lakhs and I know what you are thinking. Nikon also has that option with their F/1.8 S lens. But this also makes me wonder why would a consumer buy this when they can get a S lens for ₹50k?
Nikon has announced firmware version 5.10 for its flagship mirrorless camera, the Nikon Z9, launched in December 2021. This update introduces advanced features tailored for professional video recording, enhancing flexibility and usability.
A notable addition is the new Shutter Mode, enabling users to set the shutter angle in 15 steps between 5.6° and 360° when shooting in [M] mode. This feature simplifies achieving optimal motion blur by eliminating the need to manually adjust shutter speed when changing frame rates.
Further improvements include customizable options for video exposure aids. Users can now alter the color of the zebra pattern display and adjust the size, transparency, and position of brightness indicators like histograms and wave-form monitors. These updates ensure precise exposure control while accommodating individual preferences or specific shooting scenarios.
Nikon reaffirmed its commitment to supporting photographers and videographers by continuously enhancing its products through firmware updates.
For more details on the firmware update and Nikon’s full product lineup, visit Nikon India.
