Asian Photography India February 2025 Issue is Out Now!
📸 Cover by: @navaneeth_unnikrishnan
🌌 In this issue, explore:
Reaching The Stars – @navaneeth_unnikrishnan
#TechReviews
Nikon Nikkor Z 50mm/F4 Lens Review
OnePlus 13 Review
Oppo Find X8 Pro Review: Worth ₹99,999?
#Astrophotography
Astrophotography on a Budget: DIY Solutions & Beginner Gear
History of Astrophotography: From Film to Digital
Time-Lapse Astrophotography: Capturing Motion in the Sky
Nikon India Pvt. Ltd. announces the launch of the NIKKOR Z 35mm f/1.2 S, a high-performance wide-angle prime lens designed for professional photographers and videographers. With its fast f/1.2 aperture, this lens delivers exceptional detail, depth, and beautifully soft bokeh, making it ideal for portrait, street, and wedding photography, as well as cinematic video production.
As part of Nikon’s S-Line series, the NIKKOR Z 35mm f/1.2 S ensures outstanding optical performance with three ED glass elements and one aspherical ED glass element, minimising aberrations and maximising sharpness. Advanced Meso Amorphous, Nano Crystal, and ARNEO coatings significantly reduce ghosting and flares for superior clarity. The lens’ multi-focussing system, powered by stepping motors (STMs), provides fast and precise autofocus for both stills and video.
Optimized for videographers, the lens ensures smooth exposure transitions, suppresses focus breathing, and features a click-less control ring for silent operation. With dust and drip resistance, it is built for reliability in challenging shooting conditions.
Sajjan Kumar, Managing Director of Nikon India, stated that the NIKKOR Z 35mm f/1.2 S exemplifies Nikon’s commitment to pushing the boundaries of optical excellence, offering professionals a powerful tool to elevate their creative expression.
The NIKKOR Z 35mm f/1.2 S will be available soon at authorized Nikon dealers and online stores.
The Nikon Z6III was launched in June 2024 with the tagline ‘Outperform’. Nikon has positioned it as a camera that excels in both photography and videography. Its predecessor, the Z6II, was released in 2020, making this upgrade a long-awaited one. We had the opportunity to test the Z6III extensively for over a month before featuring it in our magazine.
This camera is designed for users seeking a versatile tool capable of handling various photography styles, including street, sports, landscapes, and weddings. Nikon has emphasized this versatility in its marketing and communications as well.
If you’re a Nikon user, the Z6III will feel instantly familiar. The build quality is excellent and at 760 grams, the camera strikes a balance between sturdiness and portability. The deep, comfortable grip enhances handling, while the two programmable function buttons on the back offer quick access to settings.
Most of the button placements remain consistent with the Z6II, ensuring a seamless transition for existing users. A slight redesign on the top right accommodates the video, ISO and exposure compensation buttons for easier access. This ergonomic refinement enhances usability and these buttons can be customized as well.
The rear buttons are well-positioned, and while a joystick is present, the OK button often feels
more intuitive. A significant upgrade from the Z6II is the fully articulated rear screen, maintaining the same size and resolution but now offering greater flexibility for shooting at different angles – a welcome improvement.
Nikon has not explicitly claimed weather sealing for this body, but given the outperform branding, it’s reasonable to expect a degree of durability against the elements.
The Nikon Z6III introduces several standout features, including the world’s first 24.5 MP partially stacked full-frame sensor. This innovation provides key advantages, as claimed by Nikon, such as:
The overall image quality is impressive, delivering sharp and detailed photos with excellent dynamic range. Colour saturation and reproduction are accurate, while shadow and highlight retention are commendable. In high-contrast scenarios, some adjustments may be necessary, but the performance remains strong.
Thanks to its partially stacked sensor, the Z6III supports an electronic shutter. However, some flickering
was noticeable in certain lighting conditions, a common issue with electronic shutters. Rolling shutter effects were present but less pronounced compared to older models like the Sony A7 IV, benefiting from the newer sensor technology.
The mechanical shutter offers 14fps burst shooting, while the electronic shutter reaches 20fps. The ability to shoot continuously is excellent, though the camera does heat up slightly in burst mode, however it isn’t anything that can’t be managed.
The upgraded AF system introduces subject detection and 3D tracking, marking a significant improvement over its predecessor. In both daylight and low light, the autofocus performs exceptionally well, locking onto subjects with impressive accuracy.
However, in crowded scenes, the focus can momentarily shift between eyes before recognizing a new subject. This minor issue could potentially be resolved through a firmware update. Tested with 35mm and 50mm f/1.4 lenses, the autofocus speed was as fast as Nikon advertises.
The Z6III handles ISO well. Even at high ISOs like 6400 to 12,800, images remain usable, though
sharpness and clarity take a slight hit. In challenging conditions, capturing the shot often takes
precedence over achieving perfection.
For video, high ISOs paired with fast f/1.4 lenses result in clean, noise-free footage, expanding creative possibilities for filmmakers.
In terms of video the camera offers 6K recording up to 60fps and 4K up to 120fps (with crop). Also much like the other cameras, it also has a 125-minute recording limit, making it highly practical.
Even in extreme low light, the camera delivers high-quality video with minimal noise. Paired with 35mm and 50mm f/1.4 lenses, the results are quite cinematic.
With Nikon acquiring RED, we anticipate deeper integration of RED’s technology into Nikon cameras. And you can see a hint of that in this camera. Z6 III can shoot compressed RAW video recording, previously exclusive to high-end models like the Z8 and Z9. It also has LUT support for N-RAW and N-Log footage, allowing users to match RED’s signature colour science. Nikon has made these LUTs freely available on their website.
The Z6III features a 5.76 million-dot EVF, delivering sharp visuals. It has a refresh rate of 60Hz with 120Hz unclaimed, as there is an option to turn on “high framerate” in the menu. However, the EVF sensor is extremely sensitive, causing the screen to turn off with even slight movements – something to be mindful of.
At a price of ₹2.23 lakh, does the Nikon Z6III truly ‘Outperform’?
Compared to other cameras in its category, it offers a good balance of features, performance, and value. Nikon has strategically positioned it between entry-level models like the Z5 and professional bodies like the Z8/Z9.
Now there are always a few things that can be improved in every product and this isn’t any different. But overall, for someone who is looking to shoot images and video both, I can see this being a compelling buy, and one that we surely give our thumbs up!
Watch our video review:
Nikon’s latest prime lens, the NIKKOR Z 35mm F/1.4 is the first F/1.4 prime lens for the Z mount lineup. The second is the 50mm F/1.4, which we have also reviewed in the issue, so be sure to check that out as well.
At first glance, the Z 35mm F/1.4 looks strikingly similar to its sibling, the 50mm F/1.4. Nikon deserves credit for maintaining design consistency across these lenses. Weighing just 415 grams, it is compact and lightweight, making it a highly portable choice.
The lens sports a 62mm filter diameter and boasts a premium, robust build. When paired with the Nikon Z6III, it achieves excellent balance – a setup ideal for both photography and videography.
The design is minimalistic, featuring only two rings: the focus ring and the customizable control ring. Unlike some other lenses, it lacks additional buttons. Nikon’s reasoning here seems clear – photographers and videographers often use focal lengths like 35mm and 50mm for video work, especially on gimbals. The simpler design ensures quick lens swaps without the hassle of recalibration.
The Z 35mm F/1.4 is equipped with a stepping motor, offering fast, silent autofocus performance. While there’s no built-in image stabilization, the lens delivers smooth, quick focussing both during the day and in low light conditions.
For video shooters, the autofocus transition between points is remarkably smooth. Nikon has also done an excellent job correcting focus breathing, resulting in cinematic-quality footage that filmmakers will appreciate.
When it comes to performance, the image quality from this lens is impressive. Photos are sharp and well-detailed in daylight, while low light conditions allow for atmospheric shots with excellent depth and mood.
While there are minor focus-hunting issues in specific scenarios, you can work around them to achieve results. Edge sharpness exhibits slight softness, but overall, the lens delivers good performance.
Despite lacking the fluorine coating found in Nikon’s S-series lenses, the Z 35mm F/1.4 handles flaring surprisingly well. Even though Nikon includes a lens hood in the box, you can often leave it behind to maintain a minimal and stealthy setup.
That said, because of the absence of fluorine coating, the front element tends to attract dirt and oil more quickly. A microfiber cloth will be essential to keep the lens clean.
If you’re a fan of creamy bokeh, the Z 35mm F/1.4 won’t disappoint. The lens produces smooth, round bokeh across most of the frame. However, in certain areas, the bokeh can appear slightly squished, resembling an egg shape.
Chromatic Aberration (CA)
Running the lens through the Quick MTF app gave an output of 0.42 pixels for chromatic aberration. For a prime lens in this category, that’s a solid result and within acceptable limits.
So, what’s our take on the NIKKOR Z 35mm F/1.4? At a price point of ₹89,999, it’s ₹10,000 more than Nikon’s 50mm F/1.4. However, when you compare it to competitors like Sony and Canon, whose 35mm F/1.4 lenses start at around ₹1.4 lakh, Nikon’s offering stands out as a fantastic value-for-money option.
For many photographers, a 50mm can feel too tight, and a wider 35mm is the perfect solution – offering a broader field of view without noticeable distortion. Whether you’re a street photographer looking for versatility or someone who needs a lightweight, travel-friendly lens that performs in both daylight and low light, the Z 35mm F/1.4 is an excellent choice.
Hi and welcome back to Asian Photography and today is special. Special because we are going to review Nikon’s latest prime lens, the 50mm F/1.4, which is only their second 1.4 prime lens for the Z mount, the first one being the 35 F1.4, we have reviewed that one as well.
When I see this lens, then I am wondering – is Nikon trying to redefine the market one lens at a time? Because there is one thing that Nikon is doing much better than the competition. Priced at ₹80k while the competitors are ₹1.3 lakh+
The 50mm is probably my favourite lens and for the ones that’ve been shooting for a while, these were the lenses that everyone would invest in, before brands started giving the options for the 24, 35mm, etc. The beauty of this lens is that it is versatile and can be used for a variety of applications – street photography, portraits, weddings, etc. And it is built like that as well.
At first glance you can instantly feel that this lens is light and compact as compared to other 1.4 lenses. It weighs 420g with a filter size of 62mm. It feels well-built and premium, which means that the materials used are good and at this price point it is weather sealed.
And when attached to the Nikon Z6III, which we have used to review this lens, it feels well-balanced.
This lens has very minimal controls. There is one ring set to control focus, and another ring you can set to do other functions like exposure compensation in-camera. And that’s it. There’s no dedicated aperture ring, no more custom programmable buttons, no AF-MF switch, and no other bells & whistles. It also doesn’t come with their VR image stabilization technology.
With that in mind, let’s move on to the image quality tests, and let’s see if they have cut any corners.
The pics from the lens are good. In daylight the pictures are sharp and well-detailed, yes they aren’t the sharpest on the edges but the quality that it is able to deliver is great.
In lowlight, the image quality is similar to daylight with adequate amount of sharpness throughout the frame, more in the center and tapers off in the sides.
Even the autofocus performance of the lens is good. This has a stepping motor and at most it works fast and silent, which makes making pictures very easy and stealthy. So be it day time or night time, due to its wide aperture this lens is super fast at acquiring focus.
With a prime lens you are always looking for those beautiful bokeh and this lens doesn’t disappoint. The bokeh are well rounded and nice. In some cases, you do see the onion or egg shapes but overall they are very pleasing to the eye.
As usual, we tested the lens through QuickMTF and got a CA value of 0.60 pixels, which at this price point is decent. This is one area where more expensive lenses might have the edge on this one, but regardless, it can be corrected in post very easily.
There is very minimal lens flaring and ghosting in the lens and if you use it smartly then it can actually give you some creative output.
So what do we think about the NIKKOR Z 50mm F/1.4 lens? Nikon has possibly hit the sweet spot with this lens. You get all of this performance in a compact and light body for a price of Rs. 80k. And in comparison there are options from the competitors that start at ₹1.3 lakhs and I know what you are thinking. Nikon also has that option with their F/1.8 S lens. But this also makes me wonder why would a consumer buy this when they can get a S lens for ₹50k?
Check out our video review:
Nikon has announced firmware version 5.10 for its flagship mirrorless camera, the Nikon Z9, launched in December 2021. This update introduces advanced features tailored for professional video recording, enhancing flexibility and usability.
A notable addition is the new Shutter Mode, enabling users to set the shutter angle in 15 steps between 5.6° and 360° when shooting in [M] mode. This feature simplifies achieving optimal motion blur by eliminating the need to manually adjust shutter speed when changing frame rates.
Further improvements include customizable options for video exposure aids. Users can now alter the color of the zebra pattern display and adjust the size, transparency, and position of brightness indicators like histograms and wave-form monitors. These updates ensure precise exposure control while accommodating individual preferences or specific shooting scenarios.
Nikon reaffirmed its commitment to supporting photographers and videographers by continuously enhancing its products through firmware updates.
For more details on the firmware update and Nikon’s full product lineup, visit Nikon India.
Sony India recently announced its first G Master standard zoom lens with constant F2 max, the FE 28-70mm F2 G Master (SEL2870GM). This premium E-mount lens boasts a large aperture of F2 across the entire zoom range to achieve beautiful bokeh, high resolution and unrivalled autofocus for both stills and video, with sharpness and contrast to rival prime lens quality. All this is achieved in a compact, lightweight and well-balanced design that gives professionals and creators the ultimate freedom to capture a variety of scenes with just one lens where no shots can be missed including portraits, weddings, sports, documentaries and cinematic video.
The FE 28-70mm F2 G Master is the first G Master standard zoom lens with a constant F2 aperture making it ideal for both stills and video. Advanced design and optical simulation result in a zoom quality that rivals prime lenses with three XA (extreme aspherical) elements manufactured using original techniques to ensure high corner-to-corner resolution at F2 throughout the zoom range. Floating focus also allows sharpness, even at close focus down to 0.38 m/1.25 ft throughout the zoom range. Sony’s original Nano AR Coating II minimises flare/ghosting and optics designed to suppress internal reflections provide further flare resistance, ensuring high clarity whenever a strong light source appears in the frame. The G Master optics deliver soft bokeh for deep, dimensional images because of carefully controlled spherical aberration at both the design and the manufacturing stages with XA elements and a newly developed 11-blade aperture unit. The Super ED (extra-low dispersion) and ED glass elements effectively reduce chromatic aberration.
The FE 28-70mm F2 G Master delivers stress-free shooting with all the advantages of zoom and good image quality. Innovative technologies including advanced optics and XD (extreme dynamic) linear motors make all this fit in a constant F2 zoom that is only 92.9 x 139.8 mm (3-3/4 x 5-5/8) and weighs just 918 g (32.4 oz).
Four XD (extreme dynamic) linear motors and the latest algorithm precisely control the large and heavy focus group. It delivers reliable focus tracking and instant response, which are essential for weddings or sports events where every frame counts. This lens is fully compatible with the α9 III ‘s high-speed continuous shooting with AF/AE tracking of up to 120 frames per second, with tracking continued even whilst zooming.
By using the latest optical technology, Sony’s lens effectively subdues focus breathing, resulting in refined movie imagery. Rack focus and zoom effects can be used with F2 depth of field to create smooth, natural transitions and critical focus for high frame rate 4K 120p/FHD 240p recording is easy due to the high AF tracking performance. The XD linear motors and the newly developed aperture unit operate quietly and support α body breathing compensation with the α series camera’s image stabilisation “Active Mode”.
Important control functions include Linear Response MF for intuitive manual focus, adjustable zoom ring torque, and an aperture ring with a click ON/OFF switch. There are also two customisable focus hold buttons, an iris lock switch, and an AF/MF switch. The filter diameter is 86 mm, and the lens hood has a window for easy variable filter operation.
Buttons and switches feature silicone gaskets, the lens mount includes a rubber ring, and all other critical areas are designed to prevent the intrusion of dust and moisture to ensure maximum reliability in challenging outdoor conditions. A fluorine coating on the front element effectively repels contaminants and makes cleaning easy.
The FE 28-70 F/2 G Master Lens will be available across all Sony Centers, Alpha Flagship stores, Sony authorized dealers and major electronic stores across India from 29th November 2024 onwards at price of ₹299,990.
Nikon India Pvt. Ltd. introduces the NIKKOR Z 50mm f/1.4, a full-frame, FX-format compatible Z mount lens with a 55 mm diameter mount that provides abundant light and great flexibility of expression. Weighing 420 g and with a minimum focus distance of 0.37 m, it is designed for users who wish to expand their range of expression while wanting a lens compact enough to remain mobile on a budget.
“At Nikon India, we are committed to offering innovative solutions that empower photographers and videographers to push their creative boundaries. The NIKKOR Z 50mm f/1.4 is a stellar new addition to our expanding NIKKOR Z line-up, offering a perfect blend of portability and performance. With its outstanding sharpness for both stills and video, along with the ability to produce beautifully smooth background blur, the NIKKOR Z 50mm f/1.4 opens up new possibilities for capturing stunning imagery, whether you’re shooting stills or video, ensuring that every shot reflects the brilliance and precision unique to Nikon’s Z series,” said Mr. Sajjan Kumar, Managing Director of Nikon India Pvt. Ltd.
With a maximum aperture of f/1.4 and a minimum focus distance of 0.37 m, the NIKKOR Z 50mm f/1.4 is perfect for capturing flowers and decorations indoors with bright and beautiful large bokeh to further emphasize subjects. This lens enables users to capture stills with outstanding three-dimensional rendering and large bokeh, offering soft, ethereal expressions. This rendering is achieved by taking advantage of the lens’s shallow depth of field. The lens is also reliable for shooting indoors or in low-light environments. Increasing shutter speeds reduces blurriness, letting users easily obtain cleaner images at low ISO sensitivity.
This len’s angle of view allows you to narrow the aperture, step back, and capture breathtaking landscapes and portraits. The lens accurately depicts depth, helping capture subjects with a striking presence. Meanwhile, the lens’ maximum aperture allows impressive capture of subjects with soft rendering and shallow depth of field.
The NIKKOR Z 50mm f/1.4 is is designed to suppress focus breathing, providing a natural-looking image with a constant angle of view even while adjusting focus. Adopting a stepping motor (STM) enables fast and quiet AF operations, even while recording in quiet environments. This is ideal for shooting on a gimbal, maintaining balance with minimal shifting to the centre of gravity. While recording, the focus moves consistently relative to the focus or control ring’s speed, ensuring precision in focus.
This is the second non-S-Line NIKKOR lens to adopt the metal filter ring cover, delivering high quality and a sophisticated texture; Different knurling shapes for focus and control rings, helping users easily distinguish focus and control even while looking through the viewfinder; Designed to widen gradually from base to tip for stable camera holding during shooting; Superior dust and drip resistant performance, with sealing on various portions, including movable parts of the lens barrel, to effectively prevent dust or water droplets from entering the lens.
The NIKKOR Z 50mm f/1.4 will be available by last week of September 2024 at MRP. ₹79,995 across India at Nikon outlets.
Sony India announced the FE 85mm F1.4 GM II – a premium lens offering a supreme
blend of high resolution and stunning bokeh with fast autofocus (AF) in a compact body. This is a
second-generation lens that inherits the optical design that achieved a high-level fusion of bokeh
and resolution that was highly praised in the first-generation model, and generously incorporates
the latest technology. When paired with the latest Sony’s Alpha series cameras, it is an ideal option
for a wide variety of creative uses in both photography and videography, including portraiture,
wedding, travel, and cinematic video.
The advanced and refined optical design and elements of the FE 85mm F1.4 GM II brings together
appealing bokeh and enhanced high resolution, making it ideal for portrait photography. Packed
with two XA (extreme aspherical) and two ED (extra-low dispersion) lenses, the state-of-the-art
optical design effectively suppresses aberrations. This combination offers corner-to-corner
resolution and rendering, resulting in outstanding image quality. Moreover, Sony’s original Nano AR
Coating II technology effectively subdues flare and ghosting for clear, crisp images. The 11-blade
circular aperture and optimization of spherical aberration during the design and manufacturing
process provide the beautiful, soft bokeh that is the hallmark of G Master lenses.
The FE 85mm F1.4 GM II’s AF is agile, maximizing the speed advantage of advanced camera bodies.
For stills, it is up to three times faster compared to the previous model, tracking moving subjects
with high precision. It keeps up flawlessly with the Alpha 9 III’s 120fps continuous shooting, and
subject tracking performance is improved by as much as 7 times.
Compared to the current 85mm F1.4 GM1, the weight of the FE 85mm F1.4 GM II (642 grams) is approximately 20% lighter and 13% smaller in volume, which is achieved through the latest mechanical technology and optical design. The FE 85mm F1.4 GM II has a filter diameter of φ77 mm, diameter of 84.7 mm and length of 107.3 mm.
For smooth movie creation at F1.4, the FE 85mm F1.4 GM II has an XD linear motor. Focus breathing
is minimal, and in-body focus breathing compensation is supported. It has two customizable focus
hold buttons and an AF/MF switch offer flexible operability, while an independent aperture ring and
Linear Response MF focus control provide the kind of intuitive control that creative shooting
demands.
The front lens element features a fluorine coating, which makes it easy to remove fingerprints, dust,
oil, and other contaminants from the lens surface. The dust and moisture resistant design provides
extra reliability for outdoor use in challenging conditions.
The FE 85mm F1.4 GM II will be available across all Sony Centers, Alpha Flagship stores, Sony
authorized dealers, ecommerce websites (Amazon and Flipkart) and major electronic stores across
India from 6th September 2024 onwards at a price of ₹ 180,990.
FUJIFILM India has unveiled the X-T50, the latest addition to its X series of mirrorless digital cameras. Priced at ₹1,49,999 for the body, the X-T50 combines exceptional image quality with a compact, lightweight design, targeting both photography enthusiasts and professionals.
The X-T50 is equipped with a new 40.2-megapixel X-Trans CMOS 5 HR sensor and the X-Processor 5, ensuring high-resolution images and advanced performance. Despite its powerful capabilities, the camera is lightweight, weighing only 438 grams, making it a convenient option for photographers on the go.
A major highlight of the X-T50 is its 5-axis in-body image stabilization, offering up to 7 stops of stabilization. This feature enables steady handheld shooting even in low-light conditions. The camera also supports 6.2K/30P video recording with tracking autofocus, catering to both still photography and video recording needs.
The X-T50 also introduces a Film Simulation dial on the top plate, a new feature that allows users to switch between 20 different Film Simulation modes, including the newly added “REALA ACE.” This mode offers faithful colour reproduction and smooth tonal gradations, enhancing the creative potential for both stills and videos.
The X-T50’s AI-based autofocus system can detect a wide range of subjects, including animals, birds, vehicles, and drones. An advanced AF prediction algorithm further improves the camera’s ability to track fast-moving subjects, ensuring precise focus in dynamic shooting scenarios.
The FUJIFILM X-T50 is now available for purchase from all online and retail outlets.
