Tag Archives: Asian Photography Magazine

December 2025

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Asian Photography Magazine December 2025 Edition is out 💍

Cover 📸: By Sameer Belvalkar

In this issue, explore:

Pro Profile

Tips And Techs

  • Does High Fashion Still Need Print Magazines?
  • How Cinematic Lighting is Transforming Fashion Shoots
  • The Economics of Fashion Photography: Rates, Rights & Reality
  • Photographing Dark Skin Tones in Fashion: Techniques & Sensitivity
  • How Gen Z is Redefining Fashion Photography Trends

Reviews

  • vivo X300 Pro Camera Review – Best Android Flagship Camera?

The Idea of Print in Fashion

It is true that the nature of print—especially in the world of fashion—has changed. Some would
argue this is true across other creative categories as well. While fashion print may no longer
dominate the market as it once did, its impact remains unmistakably iconic, cemented by the
legacy of defining magazine brands and legendary spreads such as Vogue and its global peers.
That said, the growing influence of digital fashion media cannot be ignored. Content today is
consumed in vast volumes across digital platforms, but trends emerge and fade at dizzying
speed—sometimes within days. This fleeting nature is the reality of digital consumption: fast,
expansive, but often ephemeral.


In this issue, we attempt to unravel some of these very questions. Many of you may have
reflected on them yourselves. Truth be told, I have also questioned the long-term survival of
print more times than I can count. Yet, with every passing year—and in an era increasingly
clouded by misinformation—I find myself more convinced that print will continue to stand the
test of time.

This endurance is not only rooted in ethical credibility, but also in the intrinsic, iconic value of
print. Even today, when editorial teams plan an issue, the approach is layered, deliberate, and
nuanced. This holds especial relevance for fashion magazines. Think of a winter collection from
a fashion house—it communicates identity, emotion, design philosophy, and intent. A fashion
magazine functions in much the same way, translating vision into a tangible, lasting form.

Some readers may question the premise of this editorial. However, these reflections are
supported by our own internal data, particularly within the photography ecosystem. Even
today, close to 80% of our subscribers continue to choose print over digital—despite our
consistent efforts to promote digital subscriptions for their speed and convenience. While our
digital audience has grown steadily, it remains significantly smaller than our print readership.

And speaking of fashion, print, and enduring icons, this month’s issue features an exclusive
interview with Pamela Hanson—a rare figure whose photographs have graced the covers of
some of the world’s most influential magazines. Alongside her, we spotlight homegrown talent
Sameer Belvalkar, a photographer whose work with leading fashion brands and celebrated
personalities has shaped visual narratives for decades.


In a world chasing the next scroll, the next swipe, and the next trend, print asks us to pause. To
look closer. To engage deeper. Fashion, photography, and print share this singular quality—they demand attention, and reward it with longevity. And perhaps, that is precisely why print continues to matter.

So Until Next Time….Cherish this issue

–

HIPA 2025 14th Edition: How Dubai Exemplifies Soft ‘Power’

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The Hamdan bin Mohammed bin Rashid Al Maktoum International Photography Award (HIPA) closed its 14th season recently in Dubai with an awards ceremony at the Museum of the Future (MOTF), celebrating a global set of images that interpreted the theme of ‘Power’. The images included a touch of the elements to the intimate, including the nature’s fury to human endurance. 

  • By Bhavya Desai

This year’s edition drew an extraordinary 87,000 submissions from roughly 50,000 photographers worldwide – that’s a lot of entries – making the jurors’ life difficult. 

And at the heart of it all was an evening – set with the winning photographs of those whose work literalises the show’s theme. The US$200,000 Grand Prize went to Italian photographer Gianluca Gianferrari for a monumental shot of Mount Etna – molten fragments lighting up snow – an image that speaks to geological force and visual drama. 

Other category winners included Karine Aigner’s jaguar portrait (General—Colour) and Ali Jadallah’s portfolio “Burden of Survival”, which documents life under siege and uses storytelling to register human power and its costs. Those images – whether volcanic, predatory or political – treated power as a physical and moral force the camera can both reveal and question.  

But what caught my attention was that HIPA’s organisers framed the competition itself as an exercise in civic and cultural soft power: HIPA Secretary-General Ali Khalifa bin Thalith highlighted the award’s growing global reach and its aim of promoting photography as a tool for communication and social reflection. 

And as an ode to art itself – the ceremony was hosted at one of Dubai’s most symbolic cultural venues, the Museum of the Future – symbolising the push to expand programming (including the Dubai Photo Forum) underlining how the emirate is using flagship cultural events to position itself as a global conveyer for the arts. 

Officials said the scale of entries and the calibre of the jury demonstrate Dubai’s ability to attract and amplify work from across continents.  

Power in the frame

Judges noted that the strongest submissions treated “power” ambiguously and layered meaning into a single frame: natural force (volcanoes, oceans, storms), animal presence (the jaguar’s raw authority), institutional power and the human will to survive (Jadallah’s Gaza series), and even the kinetic authority of elite athletes. 

The new Drone (Video) and Portfolio categories continued to reward long-form, narrative approaches that use sequencing and motion to build a more complex sense of agency showcasing how story telling is king.

Special honours for Rick Smolan and Mark Smith

HIPA also presented special awards recognising careers and contemporary influence. American photographer and author Rick Smolan – a legend received an Appreciation Award similar to a Lifetime Achievement in our part of the world acknowledging the decades-long career in large-scale, impact-driven visual projects. 

Mark Smith was honoured with the Photography Content Creator Award for his prolific wildlife work and digital reach – the kind of storytelling that has made his work on nature and conservation visually viral. 

Stay tuned for exclusives with both these photographers in our magazine.

The Local Hero

UAE’s own Yousef Bin Shakar Al Zaabi also was honoured with a third place in the General Black and White category. This was his second time winning the award – with the previous one in a different category.

India Also Made The Cut

Indian photographers featured among the shortlist and prize-winners this year. In the main “Power” category, Deepak Singh Dogra and in the Drone (Video) category, Shantha Kumar Nagendran placed third. 

It wasn’t a surprise that there were many Indian participants across categories highlighting that, contributors from the subcontinent remain a consistent presence in the competition’s shortlist and exhibitions said the officials.

But apart from the cultural initiative HIPA’s 14th edition reinforced Dubai’s strategy of hosting major cultural platforms to foster artistic exchange and international visibility. 

By hosting the ceremony at the Museum of the Future and linking awards to public programming such as the Dubai Photo Forum, HIPA extends the life of the competition beyond a single gala. Exhibitions, talks and workshops help translate prize winning images into ongoing conversations about climate, conflict, conservation and creativity. 

That civic choreography – public venue, high prize money, international jury and media attention – is great optics and cultural diplomacy play that raises Dubai’s profile as an arts hub while giving photographers access to new audiences.  

November 2025

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Asian Photography Magazine November 2025 (Read Issue) Edition is out 💍

Cover 📸: By Rajkumar Jeeveraj

In this issue, explore:

Pro Profile

On The Horizon

Tips And Techs

  • Backup Systems & Workflow: Never Lose a Client’s Memories
  • ⁠Rain, Wind, and Chaos: Finding Beauty in Wedding Day Imperfections

The Wedding Business?

In today’s digital-first wedding ecosystem, aggregator platforms have positioned themselves as
the go-to bridge between couples and vendors. From photographers and makeup artists to
décor planners and caterers – everything is now a click away. And while these – on paper seem
perfect match-making experiences, not just for couples, but for professionals too. More seems
to be brewing under the hood.

Increasingly, wedding photographers and vendors are voicing concerns over misleading
promises and opaque practices. Many report inconsistencies in lead generation — citing that
the “guaranteed” leads they pay for rarely translate into viable clients. For small or mid-tier
professionals who depend on these listings for visibility, it’s a costly gamble. This imbalance
doesn’t just affect the vendors — it trickles down to couples as well. When rankings are skewed
by money rather than merit, genuine talent risks being buried under algorithms. The result? A
creative industry that thrives on authenticity and relationships is slowly being reduced to
metrics and monetization.

At Asian Photography, we chose to spotlight this growing concern in our special feature — not
to indict, but to ignite a conversation that’s long overdue. Because the wedding industry, like
the very bond it celebrates. And we hope that this starts a conversation in the right direction.

A Unique Cover


And similar to that – for our cover this month, we chose an image that breaks away from the
expected. Instead of the familiar laughter-filled wedding frame, we feature a silhouette bride in
possibly a moment of pause and reflection — symbolic of the many professionals who often
remain behind the scenes, capturing stories that aren’t their own, while quietly facing an
industry that’s changing faster than ever.

In an age of aggregation and algorithms, this cover – and this story remind us that weddings, at
their heart, remain deeply personal. And perhaps it’s time that we as an industry remember
that too.

iPhone 17 Pro Camera Review: Is This Apple’s Most Serious Camera Yet?

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Watch our video review

The iPhone 17 series is here — and while the regular models got camera tweaks, the Pro lineup takes a major leap forward. All three rear cameras now feature upgraded 48 MP sensors, signalling Apple’s ambitious move in mobile photography yet.

Starting at ₹1,34,900, I’ve been using the iPhone 17 Pro as my daily driver for two weeks, snapping over 500 photos. Here’s what stood out:

Design: A Functional Plateau 

Apple calls it the ‘camera plateau’ — and it’s got the internet split. Some love it, some don’t. But there’s no denying that Apple’s sleek design language has shifted toward function over form this year.

The raised module now packs the A19 Pro chip, creating more room for a larger battery, and even a vapour cooling chamber beneath. There’s also an antenna band built into the ridge for stronger 5G reception — and yes, I actually noticed a slight signal boost.

Surprisingly, this chunkier design helps the phone rest flat on a desk. But you’ll likely use it with a case anyway.

Hardware: What’s New Under the Hood

The iPhone 17 Pro’s camera setup brings some serious upgrades:

  • Triple 48 MP Fusion Cameras at the back
  • 18 MP front camera with a square sensor and Centre Stage
  • A19 Pro chip paired with 12 GB RAM
  • 4K video at 120 fps, plus ProRes RAW and Genlock
  • Updated Photonic Engine for richer colour and better low-light shots.

Daylight Main Camera Shines

The primary 48 MP Sony IMX903 sensor outputs detailed 24 MP images, thanks to smart pixel-binning and sensor cropping. Colours are punchy yet natural, contrast is balanced and highlight control is excellent. For the first time, though, I did spot some processing in the images – a first for me. At 2x zoom, resolution drops to 12 MP, and you lose a bit of texture. It’s still solid, but pixel peepers will notice.

Ultra-Wide: A Turnaround

Ultra-wide cameras have traditionally been weakest link for most phones. The 48 MP Sony IMX972 ultra-wide delivers surprisingly crisp images even in tricky lighting. It handles shadows and highlights gracefully, and while there’s mild processing visible up close, overall dynamic range and colour reproduction are good.

Telephoto: The Showstopper

This is where Apple flexes. The new 48 MP Sony IMX973 telephoto sensor is 56% larger than last year’s and offers 4x optical zoom, 8x optical-quality zoom and digital zoom up to 40x.

At 4x and 8x, images are razor-sharp with rich tonality and texture. Even at 20x or 40x, detail retention is decent — though you’ll spot some colour shifting and processing artefacts.

It’s easily the most usable long zoom ever on an iPhone. My only gripe: AE lock could be steadier, especially at higher zooms.

Low-Light Performance

Lowlight telephoto

Low-light shots are vibrant, clean and accurate, with minimal visible processing. The main camera captures sharp, noise-free results. The wide sensor holds its own, though fine details fade a little. The telephoto, however, continues to stand out — retaining clarity even at long zooms, something previous iPhones struggled with.

Portraits: Natural and Cinematic

Portrait mode now lets you choose 1x, 2x, 4x, and even 5x. Skin tones look authentic, colours pop naturally, and edge detection is spot-on. Occasionally, I noticed minor skin smoothing and some distortion at 4x, but overall, portraits are pleasing, refined and cinematic – sure to be a hit with the users.

Macro: Detailed but Confused

Macro mode still activates automatically — and sometimes overstays its welcome. It occasionally stays locked in 12 MP mode – due to the minimal focusing distance, even when it should switch back to 24 MP, it doesn’t.

Despite this, macro shots are shockingly detailed, with rich depth and texture that make you forget they’re technically half-resolution.

Front Camera: Smarter, Sharper Selfies

The all-new 18 MP front camera features a square sensor and Centre Stage, which adjusts framing dynamically as you move. Selfies are crisp, well-lit and colour-accurate — with minimal low-light noise.

Apple’s dual capture mode also makes it easier for vloggers to record front and back simultaneously — a thoughtful touch for creators – but it’s not for me personally.

Video: Still the Gold Standard

When it comes to smartphone video, Apple remains in a league of its own. The iPhone 17 Pro shoots 4K at 120 fps, supports ProRes RAW, and can now record directly to external devices for advanced workflows.

Footage is smooth, stabilisation is top-notch (thanks to 3D sensor-shift), and the phone handles heat exceptionally well. There’s still some lens flare and ghosting, but overall, this feels like a mini cinema camera in your pocket.

Battery Performance 

With a 3,988 mAh battery, the 17 Pro comfortably lasts a full day — even with heavy photo and video use. The new vapour cooling chamber keeps temperatures in check during long recording sessions or gaming. For creators who push their phones hard, this is a quiet but meaningful upgrade – although coming from a Max it does feel like a compromise.

Verdict

I think the iPhone 17 Pro marks one of Apple’s biggest leaps in mobile photography in years.
Photographs are sharper, colours are truer, and the telephoto system finally delivers usable long-zoom shots.

But there are still some quirks — visible processing in some scenes, occasional colour shifts, and macro confusion — but none are deal-breakers. With improved battery life, cooling and professional-level video tools, the 17 Pro is a capable, pro-grade camera system that fits in your pocket.

September 2025

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Asian Photography Magazine September 2025 Edition is out

Cover: By Roshani Shah

In this issue, explore:
– Chasing Timeless Traditions – Roshani Shah
– Using Black & White to Highlight Emotion in Indian Festivals
– Shooting Ganpati Festival from Aagman to Visarjan
– The Art of Photographing Festival Costumes and Cultural Details

Photographing Culture

One of the most rewarding aspects of photography is its ability to preserve culture. The camera
becomes a storyteller when pointed at traditions, festivals and rituals. And it isn’t just about
documenting an event—it’s about capturing the pulse of a community, the emotions in motion,
and the stories handed down for generations. And no other time gives you this opportunity
then the start of the festive seasons. With a variety of festivities lined-up over the months to
come—we decided to focus on YOU, should you decide to go out there and get your beaks wet.
For instance, in Mumbai you can’t miss the blessings of Bappa! The grandeur of Ganesh
Visarjan is truly a photographer’s dream. There is colour, rhythm and magic in the air. It’s is a
spectacle that is both spiritual and celebratory. But how do you go about capturing it in a way,
that’s respectful yet visually compelling?


Timing is everything. The early morning processions offer softer light and intimate moments,
while evenings explode with energy, music, and immersion rituals. Position yourself slightly
ahead of the crowd to frame the deity, devotees, and surrounding action.
But to shoot such things you must also carry the right gear. And we’ve focused on that as well.
A lightweight DSLR or mirrorless camera with a versatile zoom lens (24-70mm or 24-105mm)
will allow you to switch quickly between wide procession shots and tighter portraits. And don’t
underestimate the importance of weather-sealed gear.
We have also spoken to Roshani Shah—On the Horizon section and everything that we speak of
here is captured in her images. The culture, creativity and more. Ultimately as a photographer it
is important to blend in, observe quietly and remember that every ritual is sacred to someone.
Your role as a photographer is not just to freeze moments, but to ensure they live on with
dignity and authenticity. Because when done right, cultural photography doesn’t just capture
an image—it preserves a legacy.


So, Until Next Time…
Happy Reading!!

August 2025

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Asian Photography Magazine August 2025 Issue is out!

📸 Cover by: Arko Datta

In this issue, explore:

~ Credibility is the Core Quality of Photojournalism – Arko Datta
~ Iconic Photojournalism Moments that Changed History
~ The Role of Drones & Remote Cameras in Modern Photojournalism
~ Freelance Photojournalists and the Gig Economy: The Price of Independence

The Ever Evolving Lens of Truth

There no doubt that the world today has reached a saturation point, from AI or image manipulation, or visuals that can be misleading. But one profession that still stands the virtue of time is Photojournalism. Even today it continues to stand tall – not just as a form of storytelling, but as a vehicle for truth, emotion and impact. And in this issue, we pay homage to that
artform. In our Pro Profile section, we pay homage to the craft of one of India’s finest and most iconic names in the field – Arko Datta in an exclusive interview. His lens has captured moments that words could never fully express – raw, haunting and real.

From the grainy black-and-white frames of war zones to the high-definition aerial views captured by drones, photojournalism has evolved dramatically. The tools have changed, but the mission remains the same – to witness and share. Today, drone technology offers a bird’s-eye view of conflict zones, climate disasters and protests, adding new layers of context and storytelling.

Social media has also changed the game, allowing photojournalists to instantly share their work, build audiences and push boundaries beyond traditional publications. Yet, amid this evolution, the heart of photojournalism remains unchanged – its ability to stop time, ignite dialogue and challenge the status quo.

Arko Datta shares not just his journey, but also reflections on what makes an image unforgettable – composition, timing and above all, empathy.

For aspiring freelance photojournalists, the landscape is both promising and challenging. It’s no
longer enough to just take a great photo – you need to understand platforms, pitch effectively,
and often, brand yourself. Diversifying income through stock photography, digital publications,
grants, exhibitions and even workshops can open sustainable paths.

In this issue, we explore not just the legacy, but also the future of photojournalism. Through the
eyes of legends and the tools of tomorrow, we celebrate a profession that continues to risk,
reveal and remind us of the power of a single frame.

So, Until Next Time…
Happy Reading!!

July 2025

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Asian Photography Magazine July 2025 Issue is out!

📸 Cover by: Kristine Zula

In this issue, explore:

~ Arachnid Aesthetics – Christian Brockes
~ Capturing Floral Fascination – Kristine Zula
~ Miniature Marvels – Sandip Guha
~ Decay Diaries: Discovering the Beauty of Rot, Rust, and Ruin Through Macro
~ Where Does Macro End and Micro Begin?

Small Scale, Big Stories

Subscribe to the magazine here!, get 12 months free!

Every year around this time, we turn our focus to the world of Macro – a realm that might seem unremarkable from a distance but, upon closer inspection, reveals a breathtaking tapestry of detail and wonder. These tiny marvels hold the power to mesmerize, but they also bring their share of challenges. For those unfamiliar, venturing into macro photography can feel daunting. 

With this issue, we aim to demystify that perception through insightful articles, expert perspectives and practical tips to help make the world of macro more accessible.

In our Pro Profile section, we speak with Christian Brockes, who explores the techniques, patience, and passion behind documenting insect life. Kristine from macro.viewpoint shares how macro photography has shaped her creative journey and deepened her connection with nature and mindfulness. Closer to home, Sandip Guha offers a lens into his precision-driven process, the hardships faced, mistakes made, and the pursuit of that elusive ‘bucket shot.’ Each photographer brings a unique voice to this issue, sure to both inspire and encourage you to explore macro for yourself.

In our Tips section, we explore key themes – like the boundary between macro and micro. Where does one end and the other begin? It’s not just a technical question, but a philosophical one, prompting us to see beauty not only in the grand but also in the minute.

We also discuss macro ethics – a crucial conversation, especially relevant to today’s world. Ethical storytelling and photography extend beyond journalism. In macro, it raises questions about our environmental impact, the treatment of living subjects, and our collective responsibility to nature.

One of the more experimental themes we’ve explored is bioluminescence – a striking metaphor for beauty emerging from darkness. In the deepest waters, light exists not in abundance, but in resilience. It’s a reminder that wonder can lie hidden in the shadows – waiting to be noticed.

We’ve skipped a dedicated feature on macro gear this time, since it was covered in depth last year. However, we’ll make that content available on our website for easy reference. And don’t forget – our E-version is now completely free, making it easier than ever to dive into this edition.
Until next time…
Happy Reading!


November 2024

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Asian Photography India November 2024 issue is out now!

Cover by: Siddharth Sharma 📷

In this issue read:
~Capturing The Landscape of Love – Marcus Bell
~House on The Clouds – Siddharth Sharma
~How To Be A Second Shooter – Photo & Video
~Tech Trends in Wedding Photography
~The Importance of Time Management in Wedding Photography
~Tamron 28-300 vs 50-300 Review & Shootout
~Stuffcool Click20 Magnetic Powerbank Review

OnePlus Buds Pro 3 Review

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The latest OnePlus Buds Pro 3 were recently launched at a price of ₹13,999, with potential discounts available. As someone who used the Buds Pro 2 daily for much of last year, I was eager to try these new earbuds, and I have several observations to share.

Design, Build, and Feel

The design of the Buds Pro 3 has seen some notable changes. First, the charging case has been updated to a flip design, similar to other recent OnePlus earbuds, moving away from the flat design of the Buds Pro 2. The case now features a textured, leather-like finish that enhances grip and feels sturdy and premium in hand. However, like Apple’s AirPods, they now come in a white colour, called Lunar Radiance, which may require more frequent cleaning.

The earbuds themselves maintain the familiar in-ear stem design but with some visible differences. The Buds Pro 3 are slightly larger, indicating an internal redesign, possibly to accommodate the dual DACs in each earbud, which deliver a more powerful audio experience compared to the previous model.

The stems are now longer and feature a touch-enabled sliding function for adjusting volume—a welcome and much-needed addition. However, getting the gesture right can be tricky, as I found my left earbud occasionally slipping out. The earbuds also now have “L” and “R” markings, making it easier to identify the correct earbud, another thoughtful improvement. And with an IP55 rating, won’t have sweat creep in through them.

A nice touch is the “co-created with Dynaudio” branding on the earbuds and the case.

Sound Performance

The Buds Pro 3 support Fast Pair, which means they quickly connect to Android devices, especially OnePlus phones, when brought close. The pairing process is swift, and the earbuds offer the same settings as the Buds Pro 2, with no significant changes. iPhone users can access similar features through the HeyMelody app, though OnePlus should do more to highlight this compatibility.

In terms of sound quality, the Buds Pro 3 deliver a noticeably louder, clearer, and crisper audio output. The bass is well-rounded, much like the Buds Pro 2, but with a richer overall sound. OnePlus claims these earbuds can cancel noise up to -50dB, and they deliver on that promise. The Adaptive Noise Cancellation feature adjusts to your environment, cutting out outside noise more naturally than the Buds Pro 2, which tended to create a slight vacuum effect.

Areas for Improvement

While the overall experience is designed with OnePlus phone users in mind, I feel there’s room for improvement for iOS users. The fit of the ear tips also leaves something to be desired. Despite trying all the provided tips, the fit still felt average and slightly loose during sound tests.

Another issue I’ve noticed with the Buds Pro 2 is that latency tends to increase over time, particularly when connected to a TV, leading to brief connection drops. I’ll need more time with the Buds Pro 3 to see if this issue persists.

As for call quality, there’s definite improvement—voices sound clearer, though still somewhat robotic.

Conclusion

The OnePlus Buds Pro 3 are simple and easy to use. Just pop them open, and they connect to your paired devices, ready to go. They offer a range of customization options and deliver sound quality that sits comfortably between Apple’s AirPods Pro and Samsung’s Buds Pro.

The standout feature here is the price. At ₹13,999, with potential discounts making them even more affordable, the Buds Pro 3 offer excellent value for money. With features like multiple device connections, fast charging (providing up to 43 hours of listening time), and LHDC support (though this won’t work with iOS and Pixel devices), they are a compelling choice.

Ultimately, it’s the combination of price and features that make the OnePlus Buds Pro 3 a great product for the money, especially when compared to pricier competitors like AirPods and Samsung buds.

March 2024 – Celebrating Women Photographers

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In the world of photography, we still see a lot fewer women photographers than men, even though a
lot of women study photography. This makes us wonder why, in a time when people are talking a lot
about making things equal for everyone, women still have a hard time being recognized in photography.
Women face challenges in getting their work shown, published, or even getting certain jobs.
Throughout history, there have been some amazing women photographers who have done great work
and changed the industry. But still, women are not as common in photography as men.
Since March is when we celebrate International Women’s Day, we decided to focus on some incredible
women photographers from all over the world in this Asian Photography Magazine issue. We want to
show you their amazing work, talk about what they have added to photography, the challenges they
faced, and how they succeeded. We hope their stories inspire girls and women who love photography.
We also want everyone else to support and recognise the achievements of women in photography.

  • From Baku to Beyond – Rena Effendi
  • Framing Her World – Sanhita Banerjee
  • Framing New Beginnings – Swara Rane
  • Lighting Up Lives – Tania Chatterjee
  • A Lens On New Life – Tarveen Kalsi
  • Photography’s Role in Unveiling the Past Through Archaeology
  • A Guide to Street Portrait Photography
  • The Importance of Colours in Photography
  • OnePlus 12R vs Redmi Note 13 Pro+ Camera Comparison Test
  • OnePlus Buds 3 Review